The Korean Wave 2006
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Cover Title Authors Edition Volume Genre Format ISBN Keywords The Museum of Found Mirjam, LINSCHOOTEN Exhibition Soft cover 9780968546819 Objects: Toronto (ed.), Sameer, FAROOQ Catalogue (Maharaja and - ) (ed.), Haema, SIVANESAN (Da bao)(Takeout) Anik, GLAUDE (ed.), Meg, Exhibition Soft cover 9780973589689 Chinese, TAYLOR (ed.), Ruth, Catalogue Canadian art, GASKILL (ed.), Jing Yuan, multimedia, 21st HUANG (trans.), Xiao, century, Ontario, OUYANG (trans.), Mark, Markham TIMMINGS Piercing Brightness Shezad, DAWOOD. (ill.), Exhibition Hard 9783863351465 film Gerrie, van NOORD. (ed.), Catalogue cover Malenie, POCOCK (ed.), Abake 52nd International Art Ming-Liang, TSAI (ill.), Exhibition Soft cover film, mixed Exhibition - La Biennale Huang-Chen, TANG (ill.), Catalogue media, print, di Venezia - Atopia Kuo Min, LEE (ill.), Shih performance art Chieh, HUANG (ill.), VIVA (ill.), Hongjohn, LIN (ed.) Passage Osvaldo, YERO (ill.), Exhibition Soft cover 9780978241995 Sculpture, mixed Charo, NEVILLE (ed.), Catalogue media, ceramic, Scott, WATSON (ed.) Installaion China International Arata, ISOZAKI (ill.), Exhibition Soft cover architecture, Practical Exhibition of Jiakun, LIU (ill.), Jiang, XU Catalogue design, China Architecture (ill.), Xiaoshan, LI (ill.), Steven, HOLL (ill.), Kai, ZHOU (ill.), Mathias, KLOTZ (ill.), Qingyun, MA (ill.), Hrvoje, NJIRIC (ill.), Kazuyo, SEJIMA (ill.), Ryue, NISHIZAWA (ill.), David, ADJAYE (ill.), Ettore, SOTTSASS (ill.), Lei, ZHANG (ill.), Luis M. MANSILLA (ill.), Sean, GODSELL (ill.), Gabor, BACHMAN (ill.), Yung -
FCC-06-11A1.Pdf
Federal Communications Commission FCC 06-11 Before the FEDERAL COMMUNICATIONS COMMISSION WASHINGTON, D.C. 20554 In the Matter of ) ) Annual Assessment of the Status of Competition ) MB Docket No. 05-255 in the Market for the Delivery of Video ) Programming ) TWELFTH ANNUAL REPORT Adopted: February 10, 2006 Released: March 3, 2006 Comment Date: April 3, 2006 Reply Comment Date: April 18, 2006 By the Commission: Chairman Martin, Commissioners Copps, Adelstein, and Tate issuing separate statements. TABLE OF CONTENTS Heading Paragraph # I. INTRODUCTION.................................................................................................................................. 1 A. Scope of this Report......................................................................................................................... 2 B. Summary.......................................................................................................................................... 4 1. The Current State of Competition: 2005 ................................................................................... 4 2. General Findings ....................................................................................................................... 6 3. Specific Findings....................................................................................................................... 8 II. COMPETITORS IN THE MARKET FOR THE DELIVERY OF VIDEO PROGRAMMING ......... 27 A. Cable Television Service .............................................................................................................. -
Parasite”: Điện Ảnh Hàn Quốc Và Điện Ảnh VN Song Chi
Phim “Parasite”: Điện Ảnh Hàn Quốc và Điện Ảnh VN Song Chi "Parasite" và Đạo Diễn Bong Joon-Ho Oscars lần thứ 92 đã qua đi đúng một tuần. Nhưng có lẽ với đoàn làm phim “Parasite” nói riêng và những người dân Hàn Quốc nói chung, niềm hạnh phúc và tự hào sẽ còn đọng lại khá lâu, khi bộ phim cùng lúc đoạt 4 giải quan trọng: Best Original Screenplay, Best Director, Best International Feature Film và Best Picture. Lần đầu tiên điện ảnh Hàn Quốc đoạt giải Oscars, cũng là lần đầu tiên trong lịch sử Oscars, một bộ phim không nói tiếng Anh đã đoạt giải Best Picture. Trước đó bộ phim đã giành được hàng loạt giải thưởng lớn: là bộ phim Hàn Quốc đầu tiên đoạt Cành Cọ Vàng (Palme d'Or) tại Liên hoan phim Cannes tháng 5.2019, Quả cầu vàng cho Phim nói tiếng nước ngoài hay nhất (the Golden Globe Award for Best Foreign Language Film), Giải thưởng BAFTA cho Phim hay nhất không phải bằng tiếng Anh (the BAFTA Award for Best Film Not in the English Language). Như mọi giải thưởng lớn về văn học nghệ thuật, giải Best Picture của Oscars không phải năm nào cũng xứng đáng, có những năm rõ ràng phim đoạt giải không bằng một phim khác nằm trong số 5 lựa chọn cuối cùng. Nhưng năm nay chiến thắng của “Parasite” thật sự thuyết phục, mặc dù trước đó, khi “Parasites” lần lượt đoạt các giải Best Original Screenplay, Best Director, Best International Feature Film, tôi đã nghĩ có lẽ giải Best Picture sẽ thuộc về “1917” của Sam Mendes chăng. -
The Global and the Vernacular
THE GLOBAL AND THE VERNACULAR THE APPROPRIATION OF TRANSNATIONAL CULTURAL IMAGERY AND THE RECONSTRUCTION OF CULTURAL IDENTITIES IN THE REALM OF CONTEMPORARY KOREAN POPULAR MUSIC HYUNJU PARK Department ofMedia and Communications, Goldsmiths College, University of London Thesis submitted for the degree of Doctor of Philosophy (Ph. D. ) (C HYUNJU PARK 2003 Li'&. J ABSTRACT This thesis examines theoretical debates about cultural appropriation and postmodern plurality and hybridity in the formation of cultural identities. This is approachedhere through a case study of how the multiplicity of national and cultural identities are constructed in the processesof appropriating transnational popular musics, within the Korean context. On the basis of data obtained by interviewing contemporary musicians and young music enthusiasts,the thesis investigates the appropriation of global pop, mainly western pop music, within the non-Western context. In Part One, which encompassestheoretical and methodological frameworks, Chapters2 and 3 explore the recent discourse on cultural hybridity in post-colonial studies, and wider theories of popular music, identity and locality, from a global/transnational perspective. Methodological questions are discussedin Chapter 4. Part Two contains a case study: Chapters 5,6, and 7 present an interview-based study of the contemporary Korean popular music scene, where various musicians and young music enthusiasts consume and rework imported musics from a variety of positions. Some musicians are concerned with national cultural identity and attempt to incorporate traditional Korean elements into Western musical genres;other musicians show a large degree of cosmopolitanism; and young hip hop music fans articulate their identities, through the contrasting and differentiated consumption of transnationalmusical products. -
Great Food, Great Stories from Korea
GREAT FOOD, GREAT STORIE FOOD, GREAT GREAT A Tableau of a Diamond Wedding Anniversary GOVERNMENT PUBLICATIONS This is a picture of an older couple from the 18th century repeating their wedding ceremony in celebration of their 60th anniversary. REGISTRATION NUMBER This painting vividly depicts a tableau in which their children offer up 11-1541000-001295-01 a cup of drink, wishing them health and longevity. The authorship of the painting is unknown, and the painting is currently housed in the National Museum of Korea. Designed to help foreigners understand Korean cuisine more easily and with greater accuracy, our <Korean Menu Guide> contains information on 154 Korean dishes in 10 languages. S <Korean Restaurant Guide 2011-Tokyo> introduces 34 excellent F Korean restaurants in the Greater Tokyo Area. ROM KOREA GREAT FOOD, GREAT STORIES FROM KOREA The Korean Food Foundation is a specialized GREAT FOOD, GREAT STORIES private organization that searches for new This book tells the many stories of Korean food, the rich flavors that have evolved generation dishes and conducts research on Korean cuisine after generation, meal after meal, for over several millennia on the Korean peninsula. in order to introduce Korean food and culinary A single dish usually leads to the creation of another through the expansion of time and space, FROM KOREA culture to the world, and support related making it impossible to count the exact number of dishes in the Korean cuisine. So, for this content development and marketing. <Korean Restaurant Guide 2011-Western Europe> (5 volumes in total) book, we have only included a selection of a hundred or so of the most representative. -
D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
2011 FESTIVAL GUIDE Acpinfo.Org Welcome to the Atlanta Celebrates Photography Festival 2011, Our 13Th Year of Celebrating Photography Across the Metro-Atlanta Area!
2011 FESTIVAL GUIDE ACPinfo.org Welcome to the Atlanta Celebrates Photography Festival 2011, our 13th year of celebrating photography across the Metro-Atlanta area! During the ACP festival, Atlanta will be transformed by photography. Hundreds of venues, from your favorite museum to your local coffee- shop, will be infused with the creative efforts of local photographers to internationally-known artists; you might even see snapshots from your Atlanta friends and neighbors! From inspiration to education, ACP 2011 delivers the best in photography, from enlightening exhibitions at participating galleries, to provocative public art installations on the streets of Atlanta. To get the most out of the Festival, grab a highlighter and spend a few minutes discovering your favorites in the Festival Guide. Highlight events that look interesting to you, then indicate your favorites on the calendar at the front of the guide (there is also an index of artists and venues to assist your search for a particular event). Then you’ll have an easy schedule that can guide your month-long photography experience! With so much to choose from, we know it can be a bit overwhelming! There are far too many events and exhibitions for one person to attend, so don’t get discouraged. There’s something for everyone; try starting with ACP’s featured events (pgs 14 - 21) and join us as we explore where photography meets contemporary art and culture. We look forward to seeing you in the coming weeks, and again, we’d love to hear about your Festival experience. Let us know, by sending an email to: [email protected] Cover Art: Emmet Gowin, Edith, Chincoteague, Virginia, 1967 Disclaimer: The listings compiled in this guide are submitted by companies and individuals, and are considered as advertisements. -
Bukchon Hanok Village
February 14, 2019 Local Information Provider for Foreigners in Korea Volume 18, lssue 19 Printed by Pyeongtaek Culture Newspaper, a private firm in no way connected with the U.S. Government, under written agreement with U.S. Army Garrison Humphreys. Bukchon Hanok Village A village that preserves the beauty of Korean traditional houses of the house and includes traditional paint- by Lee, Sangbae ings, sculptures and ceramics by renowned Korea Culture News Korean artists. Other standout features include a gorgeously landscaped courtyard garden and Bukchon Hanok Village is a home to hundreds of a breathtaking bathroom outfitted with a Hanoks, traditional Korean houses, that date back to wooden tub and natural elements that blend the Joseon Dynasty in the heart of Seoul city. Today, harmoniously with the home’s surroundings. many of these Hanoks operate as cultural centers, Visitors can also enjoy a host of cultural activi- guesthouses, restaurants and tea houses, providing ties and performances and even sample Jo- visitors with an opportunity to experience, learn and seon-era cuisine. immerse themselves in traditional Korean culture. 41, Bukchon-ro 11ga-gil, Jongno-gu, Seoul The name Bukchon literally translated to “northern >> Bukchon Cultural Center Bukchon Cultural Center was established to http://chiwoonjung.com village,” and was given to the district because it lies Reservation: 02-765-7400 north Seoul. Nestled at the southern foot of the offer traditional cultural experience opportu- mountain connecting Baegak and Eungbongsan nities for local residents and international visi- mountains, it is surrounded by lush forests and offers tors. The programs include tea ceremony, beautiful views. -
Olivia Rodrigo's 'Sour' Returns to No. 1 on Billboard 200 Albums Chart
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE JUNE 28, 2021 Page 1 of 24 INSIDE Olivia Rodrigo’s ‘Sour’ Returns to • BTS’ ‘Butter’ Leads Hot 100 for Fifth No. 1 on Billboard 200 Albums Chart Week, Dua Lipa’s ‘Levitating’ Becomes BY KEITH CAULFIELD Most-Heard Radio Hit livia Rodrigo’s Sour returns to No. 1 on five frames (charts dated Jan. 23 – Feb. 20). (It’s worth • Executive of the the Billboard 200 chart for a second total noting that Dangerous had 30 tracks aiding its SEA Week: Motown Records Chairman/ week, as the album steps 3-1 in its fifth and TEA units, while Sour only has 11.) CEO Ethiopia week on the list. It earned 105,000 equiva- Polo G’s Hall of Fame falls 1-2 in its second week Habtemariam Olent album units in the U.S. in the week ending June on the Billboard 200 with 65,000 equivalent album 24 (down 14%), according to MRC Data. The album units (down 54%). Lil Baby and Lil Durk’s former • Will Avatars Kill The Radio Stars? debuted at No. 1 on the chart dated June 5. leader The Voice of the Heroes former rises 4-3 with Inside Today’s Virtual The Billboard 200 chart ranks the most popular 57,000 (down 21%). Migos’ Culture III dips 2-4 with Artist Record Labels albums of the week in the U.S. based on multi-metric 54,000 units (down 58%). Wallen’s Dangerous: The consumption as measured in equivalent album units. Double Album is a non-mover at No. -
JUNE 2013 HIGHLIGHTS All Times Listed Eastern Time (ET)
Information: Crystal Williams (818) 531-3673 [email protected] HUB NETWORK JUNE 2013 HIGHLIGHTS All times listed Eastern Time (ET) Art for specials/series are available for download at http://press.discovery.com/us/hub/ For more information about Hub Network, visit www.hubworld.com SPECIAL PROGRAMMING SERIES PREMEIRES Saturday, June 1 “SheZow” (Hub Network U.S. Premiere; 12:30–1 p.m.) “Wizards vs Aliens” (Hub Network Premiere; 7–7:30 p.m. and 7:30–8 p.m.) RETURNING SERIES PREMIERES Saturday, June 1 “Pound Puppies” (Season 3 Premiere; 9–9:30 a.m. and 9:30–10 a.m.) “The Aquabats! Super Show!” (Season 2 Premiere; 1–1:30 p.m.) Friday, June 21 “Kaijudo: Clash of the Duel Masters” (Season 2 Premiere; 6:30–7 p.m.) HUB NETWORK FAMILY MOVIE Saturday, June 1 Hub Network Family Movie: Teenage Mutant Ninja Turtles 2: The Secret of the Ooze (8–10 p.m.) Leonardo, Donatello, Michelangelo and Raphael return for their wildest adventure yet! After discovering the secret ooze responsible for the Turtles' mutation and amazing fighting abilities, the evil Shredder becomes more dangerous than ever. Rating: TV-PG 1 SPECIAL HUB NETWORK STUNTS Sunday, June 16 Father’s Day Ninja Movie Stack (1–7 p.m.) To celebrate Father’s Day, Hub Network presents a ninja movie marathon featuring the popular films Teenage Mutant Ninja Turtles 2: The Secret of the Ooze, 3 Ninjas Kick Back and 3 Ninjas Knuckle Up. Rating: TV-PG • Teenage Mutant Ninja Turtles 2: The Secret of the Ooze — Leonardo, Donatello, Michelangelo and Raphael return for their wildest adventure yet! After discovering the secret ooze responsible for the Turtles' mutation and amazing fighting abilities, the evil Shredder becomes more dangerous than ever. -
Comcast Channel Lineup
• Basi.c Service , $ 14.99 Equipment and Options (prices per month) The minimum level of service available and is required before you HOTV Equipment Charge~ ... .., ...............•.........$ 7.00 can subscribe to additional services, HO OVR Service .................•........................$ 15.95 SO DVR Service ..................................•........$ 8.95 Starter Cable , $ 55.99 Digital/Analog Converter . .. .....................•........$ 3.20 Includes Starter Cable channels plus OCT & Remote. Analog Converter for Basic Service Only ......•............ " .$ 1.00 Digital/Analog Remote Control . .•.......•.. ,... .$ 0.20 Digital Preferred ,,,,, $ 16.95 This package can be added to Starter Cable and includes the Installation and Service' channels in Digital Classic. Home Installation (Wired) ......., .......•........ , .$ 23.99 Home InstaiJation (Unwired) ............................•... .$ 33.99 Digital Preferred Plus Package , $ 107.99 Additional Connection at Time of Imliallnstall , $ 12.99 Includes the channels in Starter Cable. Digital Classic, and HBO Additional Connection Requiring Separate Trip ..........•.....$ 20.99 and STARZl. Move Outlet ........................................•. , ..$ 16.99 Upgrade of Services _.......•.. , ..$ 14.99 Digital Premier Package , ,.$ 127,99 Downgrade of Services ,... .. , ..........•.........•....$ 10.95 Includes the channels in Starter Cable, Digital Classic, Sports Change of Service or Equipment Activation ........•......•.....$ 1.99 Entertainment Tier, HBO, Showtime, Cinemax and Starzl. Connect VCR at Time of InitiallnstaiJ $ 5.99 Connect VCR Requiring Separate Trip .................•......$ 12.99 Digital Premium Services. ,,,,, $ 19.99 Hourly Service Charge. .........,.. $ 30.99 Premium services can be added to any Digital package, Select Service Call Trip Charge ........ $ 27.20 from HBO, Showtime, Cinemax, The Movie Channel, STARZI Administrative Fee for Delinquent Accounts at 30 Days $ 5.95 or E(1core. Administrative Fee for Delinquent Accounts at 60 Days ,$ 5.95 Additional Late Fee Every 30 Days After. -
Historiography of Korean Esports: Perspectives on Spectatorship
International Journal of Communication 14(2020), 3727–3745 1932–8036/20200005 Historiography of Korean Esports: Perspectives on Spectatorship DAL YONG JIN Simon Fraser University, Canada As a historiography of esports in Korea, this article documents the very early esports era, which played a major role in developing Korea’s esports scene, between the late 1990s and the early 2000s. By using spectatorship as a theoretical framework, it articulates the historical backgrounds for the emergence of esports in tandem with Korea’s unique sociocultural milieu, including the formation of mass spectatorship. In so doing, it attempts to identify the major players and events that contributed to the formation of esports culture. It periodizes the early Korean esports scene into three major periods—namely, the introduction of PC communications like Hitel until 1998, the introduction of StarCraft and PC bang, and the emergence of esports broadcasting and the institutionalization of spectatorship in the Korean context until 2002. Keywords: esports, historiography, spectatorship, youth culture, digital games In the late 2010s, millions of global youth participated in esports as gamers and viewers every day. With the rapid growth of various game platforms, in particular, online and mobile, people around the world enjoy these new cultural activities. From elementary school students to college students, to people in their early careers, global youth are deeply involved in esports, referring to an electronic sport and the leagues in which players compete through networked games and related activities, including the broadcasting of game leagues (Jin, 2010; T. L. Taylor, 2015). As esports attract crowds of millions more through online video streaming services like Twitch, the activity’s popularity as one of the most enjoyable sports and business products continues to soar.