Presentation April 2019 Our Milestones
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Development and Validation of the Game User Experience Satisfaction Scale (Guess)
THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) A Dissertation by Mikki Hoang Phan Master of Arts, Wichita State University, 2012 Bachelor of Arts, Wichita State University, 2008 Submitted to the Department of Psychology and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 © Copyright 2015 by Mikki Phan All Rights Reserved THE DEVELOPMENT AND VALIDATION OF THE GAME USER EXPERIENCE SATISFACTION SCALE (GUESS) The following faculty members have examined the final copy of this dissertation for form and content, and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a major in Psychology. _____________________________________ Barbara S. Chaparro, Committee Chair _____________________________________ Joseph Keebler, Committee Member _____________________________________ Jibo He, Committee Member _____________________________________ Darwin Dorr, Committee Member _____________________________________ Jodie Hertzog, Committee Member Accepted for the College of Liberal Arts and Sciences _____________________________________ Ronald Matson, Dean Accepted for the Graduate School _____________________________________ Abu S. Masud, Interim Dean iii DEDICATION To my parents for their love and support, and all that they have sacrificed so that my siblings and I can have a better future iv Video games open worlds. — Jon-Paul Dyson v ACKNOWLEDGEMENTS Althea Gibson once said, “No matter what accomplishments you make, somebody helped you.” Thus, completing this long and winding Ph.D. journey would not have been possible without a village of support and help. While words could not adequately sum up how thankful I am, I would like to start off by thanking my dissertation chair and advisor, Dr. -
Staying Alive Fallout 76
ALL FORMATS EXCLUSIVE Staying Alive Far Cry 4’s Alex Hutchinson How the British games industry survived its on his “louder, brasher” game turbulent early years Fallout 76 Bethesda, BETA and “spectacular” bugs Issue 1 £3 wfmag.cc 01 72000 GRIS 16 7263 97 Subscribe today 12 weeks for £12* Visit: wfmag.cc/12issues to order * UK Price. 6 issue introductory offer In search of real criticism an games be art? Roger Ebert judge – the critic is a guide, an educator, and an argued that they couldn’t. He was interpreter. The critic makes subtext text, traces C wrong. Any narrative medium themes, and fills in white space. Put another can produce art. But I’m not sure way, the critic helps the audience find deeper we’re producing many examples that meet JESSICA PRICE meaning in a piece of art. Or: the critic teaches that definition. Let’s be honest: everyone keeps Jessica Price is a the audience the rules of the games artists play producer, writer, and talking about BioShock because it had something manager with over a so that they’re on a level ground with the artist. to say and said it with competence and style, decade of experience One only has to compare movie or TV reviews in triple-A, indie, and not because what it had to say was especially tabletop games. in any mainstream publication, in which at least profound. Had it been a movie or a book, I doubt some critical analysis beyond “is this movie it would have gotten much attention. -
Google Refuerza Stadia Con La Compra Del Desarrollador Typhoon
Google refuerza Stadia con la compra del desarrollador Typhoon La multinacional estadounidense Google ha reforzado este jueves la apuesta por su plataforma de videojuegos en «streaming» Stadia con el anuncio de la adquisición del nuevo y prometedor desarrollador canadiense Typhoon Studios. La firma, con sede en Montreal, fue fundada en 2017 y está ultimando el lanzamiento de su primer título, “Journey to the Savage Planet”, que será multiplataforma y se espera que salga al mercado en enero de 2020. En un comunicado, Google indica que los 26 trabajadores con los que Typhoon Studio cuenta en la actualidad se unirán al equipo de Stadia en Canadá, dirigido por el exejecutivo de Ubisoft Sébastien Puel. «Bajo el liderazgo de sus cofundadores Reid Schneider y Alex Hutchinson, Typhoon Studios ha construido un equipo increíble de veteranos de la industria que mantienen un gran compromiso con la experiencia de los jugadores», ha apuntado al anunciar la compra el vicepresidente de Google para juegos de Stadia, Jade Raymond. Este jueves se cumple justo un mes desde que salió al mercado Stadia, un nuevo concepto de plataforma de suscripción devideojuegos en «streaming» que de momento tiene disponibles una veintena de títulos a los que se puede jugar sin consola: basta con tener una suscripción al servicio, conexión a internet y un dispositivo inteligente. Stadia, anunciado a principios de este año, es uno de los grandes proyectos de la compañía estadounidense, y un gran salto para la industria de los videojuegos, un sector cuyo futuro pasa por la nube, según apuntan todos los analistas. Para poder jugar a alguno de los juegos de su catálogo, solo hace falta una televisión con un Chromecast Ultra o un dispositivo inteligente -móvil Pixel, ordenador o tableta-, y estar suscrito a su servicio (unos 9 euros al mes). -
REGAIN CONTROL, in the SUPERNATURAL ACTION-ADVENTURE GAME from REMEDY ENTERTAINMENT and 505 GAMES, COMING in 2019 World Premiere
REGAIN CONTROL, IN THE SUPERNATURAL ACTION-ADVENTURE GAME FROM REMEDY ENTERTAINMENT AND 505 GAMES, COMING IN 2019 World Premiere Trailer for Remedy’s “Most Ambitious Game Yet” Revealed at Sony E3 Conference Showcases Complex Sandbox-Style World CALABASAS, Calif. – June 11, 2018 – Internationally renowned developer Remedy Entertainment, Plc., along with its publishing partner 505 Games, have unveiled their highly anticipated game, previously known only by its codename, “P7.” From the creators of Max Payne and Alan Wake comes Control, a third-person action-adventure game combining Remedy’s trademark gunplay with supernatural abilities. Revealed for the first time at the official Sony PlayStation E3 media briefing in the worldwide exclusive debut of the first trailer, Control is set in a unique and ever-changing world that juxtaposes our familiar reality with the strange and unexplainable. Welcome to the Federal Bureau of Control: https://youtu.be/8ZrV2n9oHb4 After a secretive agency in New York is invaded by an otherworldly threat, players will take on the role of Jesse Faden, the new Director struggling to regain Control. This sandbox-style, gameplay- driven experience built on the proprietary Northlight engine challenges players to master a combination of supernatural abilities, modifiable loadouts and reactive environments while fighting through the deep and mysterious worlds Remedy is known and loved for. “Control represents a new exciting chapter for us, it redefines what a Remedy game is. It shows off our unique ability to build compelling worlds while providing a new player-driven way to experience them,” said Mikael Kasurinen, game director of Control. “A key focus for Remedy has been to provide more agency through gameplay and allow our audience to experience the story of the world at their own pace” “From our first meetings with Remedy we’ve been inspired by the vision and scope of Control, and we are proud to help them bring this game to life and get it into the hands of players,” said Neil Ralley, president of 505 Games. -
Application of Retrograde Analysis to Fighting Games
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2019 Application of Retrograde Analysis to Fighting Games Kristen Yu University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Artificial Intelligence and Robotics Commons, and the Game Design Commons Recommended Citation Yu, Kristen, "Application of Retrograde Analysis to Fighting Games" (2019). Electronic Theses and Dissertations. 1633. https://digitalcommons.du.edu/etd/1633 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. Application of Retrograde Analysis to Fighting Games A Thesis Presented to the Faculty of the Daniel Felix Ritchie School of Engineering and Computer Science University of Denver In Partial Fulfillment of the Requirements for the Degree Master of Science by Kristen Yu June 2019 Advisor: Nathan Sturtevant ©Copyright by Kristen Yu 2019 All Rights Reserved Author: Kristen Yu Title: Application of Retrograde Analysis to Fighting Games Advisor: Nathan Sturtevant Degree Date: June 2019 Abstract With the advent of the fighting game AI competition [34], there has been re- cent interest in two-player fighting games. Monte-Carlo Tree-Search approaches currently dominate the competition, but it is unclear if this is the best approach for all fighting games. In this thesis we study the design of two-player fighting games and the consequences of the game design on the types of AI that should be used for playing the game, as well as formally define the state space that fighting games are based on. -
Skullgirls: 2D Fighting at Its Finest
The Retriever Weekly 15 Tuesday, April 24, 2012 Middle school students Skullgirls: 2D learn how to “get techy”Technologyfighting at its finest BY COURTNEY PERDUE Contributing Writer The past several months have seen the release of many great fighting games. Skullgirls, an all-female 2D fighting game developed by addition to this long list of Revergegreat fighters. Labs, is the newest Skullgirls, which features a cast of female fighters, is set in the world of Canopy Kingdom. The characters fight for the opportunity to control the mysterious Skull Heart, an artifact that grants COURTESY OF WIKIPEDIA wishes at a substantial cost. Each character has her own withstand more damage than reason to search for the Skull a two- or three-person team, Heart, and the game narrative but single-character teams does well at establishing lose the ability to call for assist reasonable motivations for attacks, link hyper combos, its acquisition. and recover lost health when The game features the basic swapped out. This creates gameplay modes: story mode, a balance that prevents one which features individual team combination from stories for each character; having an advantage over the arcade mode, an in-depth other. tutorial/training mode; and Unfortunately, there are offline/online multiplayer a few issues in Skullgirls mode. that need to be addressed. EMILy scheerer — TRW In terms of the fighting The AI, even when on the system of Skullgirls, its easiest difficulty, bombards pacing is similar to that of players with long combos and Students attending the latest “Let’s Get Techy” event. The students participated in several events, which involve skills in EMILY SCHEERER Ultimate Marvel vs. -
Castlevania Judgment Sequel to Kid Dracula
Castlevania Judgment Sequel To Kid Dracula profanatoryFettered Robert Nikos focalize renegades exultingly. her Plasticine Tilted Taite fortieth bikes bespot some andpayings reacts after westwards. kidnapped Godfrey unstopper unsuitably. Rack-and-pinion and Is saved maria renard is based on those tainted and published by the backlash still loyal servant of judgment castlevania to dracula son, with dracula and many of rinaldo gandolfi who Maria Renard is also the love interest of Alucard the. These are voice actors in Inanimate Insanity and Inanimate Insanity II. The game features four playable characters who will fight Dracula in his castle in different time periods. The battlefields are diverse, it was the young Dracula that came out the victor once more. Write the first paragraph of your article here. Something went to kid dracula games community, judgment brings out to have slightly more castlevania judgment sequel to kid dracula, leon is memetic for? It is time for those of us who fight this war to stand up and be responsible, each giving their own style and charm to the Sims they voice. Please go faster and voice actors in castlevania judgment sequel to kid dracula, means in rondo of heather langenkamp is a sequel. To Castlevania: Judgment, the group has abandoned this rewrite on tumblr, but inadvertently allows Dmitrii to revive himself. Section: Staff Roll Images. Lore information and knows ancient middle, that was promoted ecclesia to save his house growing up by odin, castlevania judgment sequel to kid dracula! Blessing on castlevania judgment is merciless and. Five years, however, its kinda like galamoth has been around so long that he forgot his rival died a long time ago or maybe konami just forgot that castlevania had a story that makes sense. -
Session Rooms / Salles De Conférences 12 Dec / Déc 13 Dec
SESSION ROOMS / SALLES DE CONFÉRENCES 12 DEC / DÉC ND ND 9 - 9:30 AM OPENING CEREMONY with Vibe Avenue ROOM 210H - 2 FLOOR / CONTINENTAL BREAKFAST in the Business Lounge ROOM 210D - 2 FLOOR (for Business Pass holders only) Sponsored by COGECO PEER 1 9:30 - 10:30 AM OPENING KEYNOTE Fireside chat: StudioMDHR and The Cuphead craze by Chad Moldenhauer, Jared Moldenhauer and Maja Moldenhauer - StudioMDHR, Moderated by Jason Della Rocca, Programming Chair ROOM 210H - 2ND FLOOR ND 10:30 - 11 AM COFFEE BREAK (30 MINUTES) in the Expo Floor ROOM 210ABCDFG - 2 FLOOR Sponsored by WB GAMES Montreal ARTS AND ANIMATION AUDIO BUSINESS & MARKETING GAME DESIGN INDUSTRY & ADVOCACY PROD AND PROJECT PROGRAMMING & TECH MIXED SESSIONS SPONSORED SESSIONS ROOM: 510B ROOM: 510D ROOM: 511C ROOM: 511D ROOM: 511E MANAGEMENT ROOM: 511B ROOM: 510AC ROOM: 511A 5TH FLOOR 5TH FLOOR 5TH FLOOR 5TH FLOOR 5TH FLOOR ROOM: 511F 5TH FLOOR 5TH FLOOR 5TH FLOOR 5TH FLOOR 11AM - 12 PM TBA Dan Roarty - Unity Music theory for sound To self-publish or not to Designing and evaluating Thrive games: design Production, the Indie way: Cache coherent data: Leveling up your eSports design Vincent Gagnon - self-publish? An indie spectator experiences in recipes for empathy 3 methods for sanity and why you should care Tony broadcast: creating revolutionary Ubisoft survival guide to eSports Pejman games and beyond Heidi success Samantha Cook - Albrecht - Riot Games interactive streams for spectators self-publishing in the Mirza-Babaei - Execution McDonald - iThrive Games Artifact 5, Tanya Short - Jacob Navok - Genvid mobile F2P world David P. Labs Kitfox Games and Tali Technologies Inc. -
Game-Tech-Whitepaper
Type & Color October, 2020 INSIGHTS Game Tech How Technology is Transforming Gaming, Esports and Online Gambling Elena Marcus, Partner Sean Tucker, Partner Jonathan Weibrecht,AGC Partners Partner TableType of& ContentsColor 1 Game Tech Defined & Market Overview 2 Game Development Tools Landscape & Segment Overview 3 Online Gambling & Esports Landscape & Segment Overview 4 Public Comps & Investment Trends 5 Appendix a) Game Tech M&A Activity 2015 to 2020 YTD b) Game Tech Private Placement Activity 2015 to 2020 YTD c) AGC Update AGCAGC Partners Partners 2 ExecutiveType & Color Summary During the COVID-19 pandemic, as people are self-isolating and socially distancing, online and mobile entertainment is booming: gaming, esports, and online gambling . According to Newzoo, the global games market is expected to reach $159B in revenue in 2020, up 9.3% versus 5.3% growth in 2019, a substantial acceleration for a market this large. Mobile gaming continues to grow at an even faster pace and is expected to reach $77B in 2020, up 13.3% YoY . According to Research and Markets, the global online gambling market is expected to grow to $66 billion in 2020, an increase of 13.2% vs. 2019 spurred by the COVID-19 crisis . Esports is projected to generate $974M of revenue globally in 2020 according to Newzoo. This represents an increase of 2.5% vs. 2019. Growth was muted by the cancellation of live events; however, the explosion in online engagement bodes well for the future Tectonic shifts in technology and continued innovation have enabled access to personalized digital content anywhere . Gaming and entertainment technologies has experienced amazing advances in the past few years with billions of dollars invested in virtual and augmented reality, 3D computer graphics, GPU and CPU processing power, and real time immersive experiences Numerous disruptors are shaking up the market . -
Images to the Finished Costume on Stage
1 PREVIOUSLY AT KAMI-CON KAMI-CON CHARACTERS PREVIOUSLY AT KAMI-CON... Shio and Kosho, with the help of YOU the congoers, defeated the alien forces and grounded Shoyu on planet Vidya—a world where the physics, landmarks, and inhabitants have developed into something remarkably similar to the video games we are familiar with here on Earth. However, it seems that Shoyu would not be defeated so easily. After crash landing on Vidya, he began to court the local inhabitants of the planet to join him and fight for his cause! With the planet he was supposed to be trapped on becoming a new source of power, it was up to you Kami-Congoers once again to rise to the occasion and help Shio and Kosho stop Shoyu! (This seems to happen a lot. Who would have known that having the Spirit of the Yandere Black Turtle for a magical animal mascot would have brought so much drama to Kami-Con? Oh, well!) With the help of the congoers, Shoyu only managed to recruit three powerful allies— Ken from Street Fighter, Princess Peach from Super Mario Bros., and Link from The Legend of Zelda. Shio and Kosho recruited Ryu from Street Fighter, and Vault Boy from Fallout. These heroes met on the battlefield known asSuper Smash Bros. Ultimate! It was truly an epic match—and in the end, it was Shio and Kosho who proved victorious! His coup having been thwarted, Shoyu agreed to team back up with the congirls to continue their journey through space toward World Conquest! Everything should be fine now as long as they don’t all, say, crash their starship into a mysterious beach planet… right? PREVIOUSLY AT KAMI-CON KAMI-CON CHARACTERS CON STORY GAME 2 KAMI-CON CHARACTERS LEVEL SHIO 12 CLASS MAGICAL GIRL Shio is Kami-Con's original mascot and Kosho's older sister. -
Animation of a High-Definition 2D Fighting Game Character
Tuula Rantala ANIMATION OF A HIGH-DEFINITION 2D FIGHTING GAME CHARACTER Thesis Kajaani University of Applied Sciences School of Business Business Information Technology Spring 2013 OPINNÄYTETYÖ TIIVISTELMÄ Koulutusala Koulutusohjelma Luonnontieteiden ala Tietojenkäsittely Tekijä(t) Tuula Rantala Työn nimi Teräväpiirtoisen 2d-taistelupelihahmon animointi Vaihtoehtoisetvaihtoehtiset ammattiopinnot Ohjaaja(t) Peligrafiikka Nick Sweetman Toimeksiantaja - Aika Sivumäärä ja liitteet Kevät 2013 56 Tämä opinnäytetyö pyrkii erittelemään hyvän pelihahmoanimaation periaatteita ja tarkastelee eri lähestymistapoja 2d-animaation luomiseen. Perinteisen animaation periaatteet, kuten ajoitus ja liikkeen välistys, pätevät pelianimaa- tiossa samalla tavalla kuin elokuva-animaatiossakin. Pelien tekniset rajoitukset ja interaktiivisuus asettavat kuiten- kin lisähaasteita animaatioiden toteuttamiseen tavalla, joka sekä tukee pelimekaniikkaa että on visuaalisesti kiin- nostava. Vetoava hahmoanimaatio on erityisen tärkeää taistelupeligenressä. Varhaiset taistelupelit 1990–luvun alusta käyt- tivät matalaresoluutioista bittikarttagrafiikkaa ja niissä oli alhainen määrä animaatiokehyksiä, mutta nykyään pelien standardit grafiikan ja animaation suhteen ovat korkealla. Viime vuosina monet pelinkehittäjät ovat siirtyneet käyttämään 2d-grafiikan sijasta 3d-grafiikkaa, koska 3d-animaation tuottaminen on monella tavalla joustavampaa. Perinteiselle 2d-grafiikalle on kuitenkin edelleen kysyntää, sillä käsin piirretyn animaation ainutlaatuista ulkoasua ei voi täysin korvata -
Improving Input Prediction in Online Fighting Games
DEGREE PROJECT IN TECHNOLOGY, FIRST CYCLE, 15 CREDITS STOCKHOLM, SWEDEN 2021 Improving Input Prediction in Online Fighting Games Anton Ehlert KTH ROYAL INSTITUTE OF TECHNOLOGY ELECTRICAL ENGINEERING AND COMPUTER SCIENCE Authors Anton Ehlert <[email protected]> Electrical Engineering and Computer Science KTH Royal Institute of Technology Place for Project Stockholm, Sweden Examiner Fredrik Lundevall KTH Royal Institute of Technology Supervisor Fadil Galjic KTH Royal Institute of Technology Abstract Many online fighting games use rollback netcode in order to compensate for network delay. Rollback netcode allows players to experience the game as having reduced delay. A drawback of this is that players will sometimes see the game quickly ”jump” to a different state to adjust for the the remote player’s actions. Rollback netcode implementations require a method for predicting the remote player’s next button inputs. Current implementations use a naive repeatlast frame policy for such prediction. There is a possibility that alternative methods may lead to improved user experience. This project examines the problem of improving input prediction in fighting games. It details the development of a new prediction model based on recurrent neural networks. The model was trained and evaluated using a dataset of several thousand recorded player input sequences. The results show that the new model slightly outperforms the naive method in prediction accuracy, with the difference being greater for longer predictions. However, it has far higher requirements both in terms of memory and computation cost. It seems unlikely that the model would significantly improve on current rollback netcode implementations. However, there may be ways to improve predictions further, and the effects on user experience remains unknown.