Bucharest International Experimental Film Festival
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Zagreb Winter 2016/2017
Maps Events Restaurants Cafés Nightlife Sightseeing Shopping Hotels Zagreb Winter 2016/2017 Trešnjevka Where wild cherries once grew Go Gourmet A Croatian feast Shopping Cheat Sheet Find your unique item N°86 - complimentary copy zagreb.inyourpocket.com Festive December Contents in Ljubljana ESSENTIAL CITY G UIDES Foreword 4 Sightseeing 46 A word of welcome Snap, camera, action Arrival & Getting Around 6 Zagreb Pulse 53 We unravel the A to Z of travel City people, city trends Zagreb Basics 12 Shopping 55 All the things you need to know about Zagreb Ready for a shopping spree Trešnjevka 13 Hotels 61 A city district with buzz The true meaning of “Do not disturb” Culture & Events 16 List of Small Features Let’s fill up that social calendar of yours Advent in Zagreb 24 Foodie’s Guide 34 Go Gourmet 26 Festive Lights Switch-on Event City Centre Shopping 59 Ćevap or tofu!? Both! 25. Nov. at 17:15 / Prešernov trg Winter’s Hot Shopping List 60 Restaurants 35 Maps & Index Festive Fair Breakfast, lunch or dinner? You pick... from 25. Nov. / Breg, Cankarjevo nabrežje, Prešernov in Kongresni trg Street Register 63 Coffee & Cakes 41 Transport Map 63 What a pleasure City Centre Map 64-65 St. Nicholas Procession City Map 66 5. Dec. at 17:00 / Krekov trg, Mestni trg, Prešernov trg Nightlife 43 Bop ‘till you drop Street Theatre 16. - 20. Dec. at 19:00 / Park Zvezda Traditional Christmas Concert 24. Dec. at 17:00 / in front of the Town Hall Grandpa Frost Proccesions 26. - 30. Dec. at 17:00 / Old Town New Year’s Eve Celebrations for Children 31. -
May 6–15, 2011 Festival Guide Vancouver Canada
DOCUMENTARY FILM FESTIVAL MAY 6–15, 2011 FESTIVAL GUIDE VANCOUVER CANADA www.doxafestival.ca facebook.com/DOXAfestival @doxafestival PRESENTING PARTNER ORDER TICKETS TODAY [PAGE 5] GET SERIOUSLY CREATIVE Considering a career in Art, Design or Media? At Emily Carr, our degree programs (BFA, BDes, MAA) merge critical theory with studio practice and link you to industry. You’ll gain the knowledge, tools and hands-on experience you need for a dynamic career in the creative sector. Already have a degree, looking to develop your skills or just want to experiment? Join us this summer for short courses and workshops for the public in visual art, design, media and professional development. Between May and August, Continuing Studies will off er over 180 skills-based courses, inspiring exhibits and special events for artists and designers at all levels. Registration opens March 31. SUMMER DESIGN INSTITUTE | June 18-25 SUMMER INSTITUTE FOR TEENS | July 4-29 Table of Contents Tickets and General Festival Info . 5 Special Programs . .15 The Documentary Media Society . 7 Festival Schedule . .42 Acknowledgements . 8 Don’t just stand there — get on the bus! Greetings from our Funders . .10 Essay by John Vaillant . 68. Welcome from DOXA . 11 NO! A Film of Sexual Politics — and Art Essay by Robin Morgan . 78 Awards . 13 Youth Programs . 14 SCREENINGS OPEning NigHT: Louder Than a Bomb . .17 Maria and I . 63. Closing NigHT: Cave of Forgotten Dreams . .21 The Market . .59 A Good Man . 33. My Perestroika . 73 Ahead of Time . 65. The National Parks Project . 31 Amnesty! When They Are All Free . -
Half a Century with the Swedish Film Institute
Swedish #2 2013 • A magazine from the Swedish Film Institute Film 50Half a century with the Swedish Film Institute CDirector Lisah Langsethe exploresc identityk issuesi nin Hotel g in www.sfi.se scp reklambyrå Photo: Simon Bordier Repro: F&B Repro: Factory. Bordier Simon Photo: reklambyrå scp One million reasons to join us in Göteborg. DRAGON AWARD BEST NORDIC FILM OF ONE MILLION SEK IS ONE OF THE LARGEST FILM AWARD PRIZES IN THE WORLD. GÖTEBORG INTERNATIONAL FILM FESTIVAL IS ALSO THE MAIN INDUSTRY WINDOW FOR NEW NORDIC FILM AND TALENT, FEATURING NORDIC FILM MARKET AND NORDIC FILM LAB. 1,000 SCREENINGS • 500 FILMS • 23 VENUES • 160,000 VISITS • WWW.GIFF.SE WELCOME Director, International Department Pia Lundberg Fifty and counting Phone +46 70 692 79 80 [email protected] 2013 marks the Swedish Film Institute’s various points in time. The films we support 50th anniversary. This gives us cause to look today are gradually added to history, giving back to 1963 and reflect on how society and that history a deeper understanding of the Festivals, features the world at large have changed since then. world we currently live in. Gunnar Almér Phone +46 70 640 46 56 Europe is in crisis, and in many quarters [email protected] arts funding is being cut to balance national IN THIS CONTEXT, international film festivals budgets. At the same time, film has a more have an important part to play. It is here that important role to play than ever before, we can learn both from and about each other. -
26 / 02 05 / 03 2017
Međunarodni festival dokumentarnog fi lma International Documentary Film Festival 26 / 02 05 / 03 2017 KAPTOL BOUTIQUE CINEMA CENTAR KAPTOL ZAGREB, CROATIA WWW.ZAGREBDOX.NET programska knjizica 2017 prijelom5.indd 1 14/02/17 08:50 KAPTOL BOUTIQUE CINEMA SADRŽAJ CENTAR KAPTOL Nova Ves 17, Zagreb ULAZNICE 4 RASPORED PROGRAMA 5 CENTAR KAPTOL NIVO 2 Službena konkurencija MEĐUNARODNA KONKURENCIJA 2 0 REGIONALNA KONKURENCIJA 2 6 NOVA VES Službeni program BIOGRAFSKI DOX 3 1 GLAZBENI GLOBUS 3 3 HAPPY DOX 3 5 KONTROVERZNI DOX 3 8 MAJSTORI DOXA 4 1 STANJE STVARI 4 3 3 TEEN DOX 4 6 ADU DOX 4 9 1 Retrospektive RETROSPEKTIVA NIKOLAUSA GEYRHALTERA 5 0 20 GODINA FACTUMA 5 1 2 Posebni programi MAJKE I KĆERI 5 3 65+ 5 4 5 5 TKALČIĆEVA ZAGREBDOXXL Posebna događanja 1 INFO POINT VIRTUAL REALITY 5 6 2 KAPTOL BOUTIQUE CINEMA 3 FESTIVALSKI CENTAR DOX PARTY 5 6 ZagrebDox Pro 5 7 programska knjizica 2017 prijelom5.indd 2 14/02/17 08:50 programska knjizica 2017 prijelom5.indd 3 14/02/17 08:50 Ulaznice DOX događanja Cijena ulaznice za projekcije u 15 i 16 sati iznosi 23 Premijere dokumentaraca iz Hrvatske i regije! kune. Dox događanja nastala su jer sve više autora iz Hrvatske i regije želi premijerno prikazati svoj film Cijena ulaznice za projekcije u 17, 18, 19, 20, 21 i 22 baš na ZagrebDoxu. Tako će u svečanom ozračju sata iznosi 28 kuna. Cineplexxa u Centru Kaptol biti prikazani najnoviji hrvatski i regionalni dokumentarci. Predstavit Cijena ulaznice za program The Best od Fest u ćemo njihove redatelje i potaknuti razgovor između nedjelju 05. -
02 Main Catalogue Front
THE MASTERS 大師級 Sweden/Germany/Norway 瑞典/德國/挪威 2019 | Swedish | DCP | Colour | 76min Director Roy Andersson Producer Pernilla Sandström, Johan Carlsson Scriptwriter Roy Andersson Cinematographer Gergely Pálos Editor Johan Carlsson, Kalle Boman, Roy Andersson Production Designer Anders Hellström, Frida E. Elmström, Nicklas Nilsson Sound Robert Hefter Cast Martin Serner, Jessica Louthander, Tatiana Delaunay, Anders Hellström Production Roy Andersson Filmproduktion World Sales Coproduction Office ©Roy Andersson Film Production • Studio 24 ©KG Productions About Endlessness Om det oändliga 明明無盡 Some of the themes in About Endlessness are presented in your [導演訪問] other films: optimism represented by youth, but also war and 《明明無盡》裏有一些主題,常見於你的其他電影:青 despair, and the absence of God. Here you show a priest who 年代表希望,不過亦有戰爭與絕望,以及上帝的缺席。 doesn’t believe in God. Would you say there is always a balance 片中神父並不相信神。你認為希望與絕望之間是否總 between hope and despair? 能平衡? The main theme of my work is the vulnerability of human beings. 我的作品主題是人類的脆弱,我認為展現脆弱是希望 And I think it is a hopeful act to create something showing 之舉。因為當人注意到脆弱的存在,你會學懂尊重及 vulnerability. Because if you are aware of the vulnerability of 珍惜。 existence, you can become respectful and careful of what you have. 我想強調存在之美、生存之美。然而,要呈現美需要 I wanted to emphasise the beauty of existence, of being alive. But of 有對比,展示存在的敗壞及殘酷。 course, to get that, you need to have a contrast. You need to show the bad side, the cruel side of existence. 回望藝術史,不少畫作也很悲慘。即使畫作描繪殘酷 與悲傷,但畫家可透過畫作傳達力量,創造希望。 Looking at art history, for example, a lot of paintings are very tragic. But even if they depict cruel and sad scenes, by painting them the 影片雖有歷史場景,卻有永恆無盡的感覺,片名亦如是。 artists have in some way transferred the energy and created hope. -
2020 Content
Annual report 2020 CONTENT FINANCIAL HIGHLIGHTS OPERATIONAL STATISTICS INTRODUCTION LETTER TO SHAREHOLDERS CORPORATE PROFILE INVESTOR INFORMATION MANAGEMENT BOARD SUPERVISORY BOARD CORPORATE GOVERNANCE CODE COMPLIANCE STATEMENT SUPERVISORY BOARD REPORT ECONOMIC ENVIRONMENT ECONOMIC BACKGROUND CROATIAN MARKET OVERVIEW REGULATORY OVERVIEW CHANGES IN REPORTING BUSINESS REVIEW SUMMARY OF KEY FINANCIAL INDICATORS – HT GROUP (INCLUDING CRNOGORSKI TELEKOM) SUMMARY OF KEY FINANCIAL INDICATORS – HT GROUP IN CROATIA SUMMARY OF KEY FINANCIAL INDICATORS – CRNOGORSKI TELEKOM STANDALONE OVERVIEW OF SEGMENT PROFITABILITY HT INC. FINANCIAL HIGHLIGHTS CORPORATE SOCIAL RESPONSIBILITY HT GROUP FINANCIAL STATEMENTS CONSOLIDATED INCOME STATEMENT CONSOLIDATED BALANCE SHEET CONSOLIDATED CASH FLOW STATEMENT CONSOLIDATED FINANCIAL STATEMENTS INDEPENDENT AUDITOR’S REPORT RESPONSIBILITY FOR THE CONSOLIDATED FINANCIAL STATEMENTS CONSOLIDATED STATEMENT OF COMPREHENSIVE INCOME CONSOLIDATED STATEMENT OF FINANCIAL POSITION CONSOLIDATED STATEMENT OF CASH FLOWS CONSOLIDATED STATEMENT OF CHANGES IN EQUITY NOTES TO THE CONSOLIDATED FINANCIAL STATEMENTS 3 FINANCIAL HIGHLIGHTS Income statement in HRK million 2019 2020 % of change Q4 2019 Q4 2020 % of change BALANCE SHEET At 31 Dec At 31 Dec % of change At 31 Dec At 31 Dec % of change A20/A19 A20/A19 2019 2020 A20/A19 2019 2020 A20/A19 Total non current assets 10.447 10.415 -0,3% 10.447 10.415 -0,3% Revenue 7.704 7.458 -3,2% 1.992 1.966 -1,3% Assets classified as held for sale 68 2 -97,1% 68 2 -97,1% Mobile 3.464 3.325 -4,0% -
Moma EXHIBITION AUTOMATIC UPDATE EXPLORES the EVOLUTION OF
ROY ANDERSSON RETROSPECTIVE AT MOMA PRESENTS THE DIRECTOR’S SHORT FILMS, TELEVISION COMMERCIALS, AND THEATRICAL FEATURES Exhibition Includes World Premiere of Tomorrow’s Another Day—A Documentary Shot During the Production of Andersson’s Most Recent Film, You, the Living Filmmaker in Focus: Roy Andersson September 10–18, 2009 The Roy and Niuta Titus Theaters NEW YORK, August 7, 2009—The Museum of Modern Art presents Filmmaker in Focus: Roy Andersson, a retrospective of the full oeuvre of Roy Andersson (Swedish, b. 1943), covering four decades of work, from his school projects and short films to his television commercials and major feature films. This exhibition is part of the Filmmaker in Focus series at MoMA, which highlights the achievements of a director with an aesthetically and critically established career in filmmaking. The exhibition will be on view from September 10 through 18, 2009, in The Roy and Niuta Titus Theaters, and is organized by Jytte Jensen, Curator, Department of Film, The Museum of Modern Art. Andersson, who rarely travels, will introduce the first six screenings in the series, providing a unique opportunity to hear the director talk about his films outside of Sweden. Andersson’s earliest films, rarely shown school projects from the 1960s, are related thematically and stylistically to the films of the then-influential Czech New Wave. His first feature, which he presented as his thesis at the Swedish Film Institute, is A Swedish Love Story (1970). With the gorgeous Swedish summer as a backdrop, the film portrays the pure love that arises between the daughter of a refrigerator salesman and the son of a car mechanic, offering a glimpse into the lives and homes of the people of the Swedish Social Democracy during its heyday. -
ABSTRACTS GUNILLA ALMSTRÖM PERSSON Police Interrogations In
ABSTRACTS GUNILLA ALMSTRÖM PERSSON Police interrogations in modern Swedish crime novels. A study of the activity type police interrogation: reality and fiction It is often argued that Swedish crime novels are portraying contemporary Swedish society including its social life and social strati- fi cation. This article focuses on police interrogations as fictional dialogue in crime novels in comparison to police interrogations as we know them in real life. Levinson’s notion of activity type is employed in order to describe social activity, social roles and social power. As a consequence of the asymmetric status of the participants in police interrogation face work, distrust strategies, and confrontation are represented in the dialogue. This study discusses whether fictional dialogues in crime novels employ the same social patterns when describing the characters of the story. ROLF ALMSTRÖM The literary dialogue or how to make the reality more real Using his experience as a writer, the author makes some remarks on creating dialogues in fiction. JAN BALBIERZ Roy Andersson: Man in space The article examines intertextual and intermedial aspects of two distopic movies by the acclaimed Swedish director Roy Andersson: Sånger från andra våningen (Songs from the Second Floor, 2000) and Du levande (You, the Living, 2007). Andersson developed his remarkable visual style in his “art-house commercials” that he produced after the commercial disaster of the feature movie Giliap (1975). The article presents the Swedish director in a broad context of the – often doctrinaire – Swedish leftist culture of the 1960s and 70s and of his commitment to the arts. The main focus of the article lies on the crossover relations between film, literature and paintings. -
01–04 April 2020
Filmfestival für Experimentelles und Komisches 01–04 April 2020 Innsbruck/Austria Abgedrehtes Kino trifft auf schrägen Humor Surreale Bildwelten, komisch-absurde Geschichten – als einzigar- tiges Filmfestival für Experimentelles und Komisches serviert die DIAMETRALE bereits zum vierten Mal abseitige Leinwandschman- kerln und ist damit ein Festival für all jene, die sich gern überraschen lassen. Das Spielen, Unterlaufen oder Brechen von künstlerischen Konventionen und der Alltagslogik führt zur Reflexion über Beste- hendes – sei es im Bereich des Ästhetischen, des Zwischenmensch- lichen oder des Gesellschaftspolitischen – und ist somit latent wi- derständig. Also ergreift die Wahlwunderwaffen Experiment und Humor für Eure Denkraumrückeroberungsmissionen und feiert mit uns das Absurde, denn „die Absurdität ist der einzig mögliche Weg.“ (TB) Eine gute Reise wünschen DIAMETRALE Verein zur Förderung experimenteller und komischer FilmKunst Kulturkollektiv ContrApunkt Verein zur Förderung von Gegenrealitäten 3 Informationen Festivalpass EUR 30,00 Tickets Gültig für alle Veranstaltungen von 01. bis 04. Einzeltickets Kino 9,50 EUR April 2020. Der Festivalpass ist ab Mitte März ermäßigt 7,90 EUR*) im Leokino/Cinematograph erhältlich. *) Studierende und alle unter 25. Achtung: Festivalpass nur gültig in Verbindung mit einem Einlassticket vom Leokino/Cine- Fr 03.04. p.m.k only (AK) 5,00 EUR matograph. Reservierung empfohlen. Sa 04.04. p.m.k only (AK) 10,00 EUR Rahmenveranstaltungen in der p.m.k, Theater Do 02.04. Vortrag (S.11) frei praesent und DieBaeckerei sind mit dem Fr 03.04. VR-Filme (S.15–16) frei Festivalpass frei zugänglich. Sa 04.04. VR-Conference (S.24) frei Der Festivalpass gilt von Festivalpass und Einzeltickets sind ab 01. -
Pressionism, and Neue Sachlichkeit
By Roy Andersson filmswelike “I have vampire teeth you can have at half price.” Jonathan from A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE Cast Holger Andersson (Jonathan), Nils Westblom (Sam), Charlotta Larsson (Limping Lotta), Viktor Gyllenberg (King Carl XII), Lotti Törnros (The Flamenco Teacher), Jonas Gerholm (The Lonely Colonel), Ola Stensson (The Captain/Barber), Oscar Salomonsson (The Dancer), Roger Olsen Likvern (Caretaker) Crew Director and Scriptwriter: Roy Andersson Production Cinematographers: István Borbás, Gergely Pálos Producer: Pernilla Sandström Music: Traditional Line Producer: Johan Carlsson Production Design: Ulf Jonsson, Julia Tegström, Nicklas Nilsson, Sandra Coproducers: Philippe Bober, Håkon Øverås Parment, Isabel Sjöstrand Executive Producers: Sarah Nagel, Isabell Wiegand Coordination and continuity: Jane Ljung Production Company: Roy Andersson Filmproduktion AB Costume: Julia Tegström In co-production with: 4 ½ Fiksjon AS, Essential Filmproduktion, Parisienne Make-up and Hair: Linda Sandberg de Production, Sveriges Television AB, Arte France Cinéma, ZDF/ Arte Sound: Robert Hefter FSS Supported by: Svenska Filminstitutet, Eurimages Council of Europe, Sound Mixer: Robert Hefter FSS, Owe Svensson FSS Nordisk Film- och TV Fond, Norska Filmfonden, Editing: Alexandra Strauss Film- und Medienstiftung NRW, Centre national du cinéma et de l’image Casting: Sophia Frykstam, Zora Rux, Katja Wik, Stig-Åke Nilsson, Andrea animée Eckerbom International Sales: Coproduction Office A PIGEON SAT ON A BRANCH REFLEC- TING ON EXISTENCE By Roy Andersson Sweden, Norway, France, Germany 2014 / 100 min. Synopsis Like a modern day Don Quixote and Sancho Panza, Sam and Jonathan, two traveling salesmen peddling novelty items, take us on a kaleidoscopic wandering through human destiny. It is a journey that unveils the beauty of single moments, the pettiness of others, the humor and tragedy hidden within us, life’s grandeur as well as the ultimate frailty of humanity. -
B Erg M an Ve Ckan
Ingmar Bergman 100 Bergmanveckan 25 juni — 1 juli 2018 2 Ledare Bergmanveckan 2018 Bergmanveckan 2018 Invigning 3 Emma Gray Munthe Välkommen till Fårö! Konstnärlig ledare för Bergmanveckan Opening Welcome to Fårö! Artistic Director of the Bergman Week r e t t o d s n r ö j B a n e l a d g a M 2018 Week Bergman © © Erik Mollberg Hansen Ingmar Bergman må fylla 100, men han är inget museifö- Ingmar Bergman might be turning 100, but he is far from remål. Som central i filmhistorien fortsätter han att påver- being a museum object. As a central figure in film history, he Unga Astrid – ka, och hyllas med rätta i världens största jubileum för en continues to influence and is rightly hailed in the world’s larg- Sverigepremiär! enskild filmskapare. Men efter vad som hänt i film- och est jubilee of a single filmmaker. But after everything that has teatervärlden de senaste månaderna, och den uppgörel- happened in the last months within the world of film and the- Becoming Astrid –National premiere! se med genikulten som det inneburit: kan man med gott atre, and the questioning of the cult of the (male) genius that Måndag | Monday, 25/6, 16.00 samvete fira med buller och bång? Jag vet uppriktigt sagt has followed – is it possible to throw yourself headlong into the Sudersandsbion inte än. Jag är ny på jobbet. Men en sak är jag övertygad celebrations without feeling a tiny bit guilty? I honestly don’t om: att om vårt mål är att få fler att skaffa sig en egen upp- know yet. -
1 Filming Guilt About the Past Through Anachronistic Aesthetics: a Pigeon
1 Filming Guilt about the Past through Anachronistic Aesthetics: A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, 2014) In Roy Andersson’s En duva satt på en gren och funderade på tillvaron (A Pigeon Sat on a Branch Reflecting on Existence) (2014), happiness is often on people’s minds but rarely a part of their lives.1 This is foregrounded in the film through several scenes that play on the same tragicomic scenario: A character talks to someone on the phone and says, “Vad roligt att höra att ni har det bra” [“I’m happy to hear you're doing fine”], but every time, the character has to repeat the line – presumably because the person at the other end of the line has not heard what has just been said.2 Like many other moments in Pigeon, this scenario uses simple conversations in everyday life to touch on existential issues – in this case, the wish to be (or appear to be) happy. By repeating the line “I’m happy to hear you're doing fine”, the film hints at how attempts at being happy on other people’s behalf may fall on deaf ears, not so much because people ignore each other. Rather, the impression we get is that people try to care about others but ultimately, tend to care just a little more about themselves. Happiness and the lack thereof are one of several existentialist themes explored in Pigeon, a film that is explicitly framed as dealing with the experience of “being human”. After the opening credits, an inter-title reads “sista delen i en trilogi om att vara människa” [“the final part in a trilogy about being human”].