The World Turned Upside Down
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Fanscient 17
FIRST ISSUE SEPTEMBER _____ 1947 FAHSCIEHT ^?RTLAND __ The FANSCIFNT In each issue, your editor will sound off here on whatever occurs to him. Tho at the front of the booK, it’s actually the last thins written. First of all,I’d like to take this opportunity to thunk A. E. van Vogt for bus wholehearted co-opera tion in providing the material which appears here. Thanks also to all who gave material, cash and time, As I write, it’s all stencilled, The Fhilcm Mem ory Book Edition is done and when 5 more pages are mimeoed we’ll be thru(except for stapling, folding, wrapping and addressing)(How did I get into rhis?) To make the Philcon Book, we had to get this out a good month before we intended. As a result, we hud to do 4 months work in 1. 'Corking in this for mat was all new to us and all the details had to be thrashed cut. On the whole, we're pretty well sat isfied dvr a first issue. VA hope you are too. On locking over this is"ue,I find we haven’t said much about The PORTLAND SClENCE-FANTASY SOCIETY. Our News Bulletin is mostly about the club, but I guess we’re entitled to a bit cf a brag about the newest' but ere of the most active major fan clubs the country. We haven’t got authors or prominent fen but there’s plenty you’ll get to know. Ralph Rayburn Phillips' work in several fanzines has al ready made ham well known (see Back Cover). -
Table of Contents
Extensively Cross-Indexed Using Internal Hyperlinks TABLE OF CONTENTS Introduction Preface Important Notes Sources Format Key What Are ISBNs? Main Entries Supplements Books — Fiction The E. Mayne Hull Stories Short Fiction E. Mayne Hull: Another View Books — Non-Fiction Statistics Short Non-Fiction Production Chart Other Works Series List Rare Works Working Titles Collaborative Works Indices Media Adaptations List of Fix-Up Novels Alternate Title Index Book Revisions Magazine Index Alphabetical Index Chronological Index Version 5 ©2001 - 2008 Isaac Wilcott April 9th, 2008 Icshi: The A.E. van Vogt Information Site (Version History) Preface This new document, the Storysource, replaces both the Database and Compendium by combining the two. (I suppose you could call this a "fix-up" bibliography since it is the melding of previously "published" material into a new unified whole. And, in the true van Vogtian tradition, I've not only revised it but I've given it a new title as well.) The last versions of both are still available for download as a single ZIP file for those who would like them for whatever reason. The format of the Compendium has been retained with only a few alterations while adding the bibliographic information of the Database. A section for short stories has accordingly been added. The ugly and outdated Database is eliminated, while retaining all of its positive traits, and the usefulness of the Compendium is drastically improved. No longer will you have to jump between the two while looking something up — all information has been pooled into just one document. This new format's interface is more intuitive, alphabetically arranged rather than chronological, and with all items thoroughly cross- indexed with internal hyperlinks. -
Forte JA T 2010.Pdf (404.2Kb)
“We Werenʼt Kidding” • Prediction as Ideology in American Pulp Science Fiction, 1938-1949 By Joseph A. Forte Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History Robert P. Stephens (chair) Marian B. Mollin Amy Nelson Matthew H. Wisnioski May 03, 2010 Blacksburg, VA Keywords: Astounding Science-Fiction, John W. Campbell, Jr., sci-fi, science fiction, pulp magazines, culture, ideology, Isaac Asimov, Robert Heinlein, Theodore Sturgeon, A. E. van Vogt, American exceptionalism, capitalism, 1939 Worldʼs Fair, Cold War © 2010 Joseph A. Forte “We Werenʼt Kidding” Prediction as Ideology in American Pulp Science Fiction, 1938-1949 Joseph A. Forte ABSTRACT In 1971, Isaac Asimov observed in humanity, “a science-important society.” For this he credited the man who had been his editor in the 1940s during the period known as the “golden age” of American science fiction, John W. Campbell, Jr. Campbell was editor of Astounding Science-Fiction, the magazine that launched both Asimovʼs career and the golden age, from 1938 until his death in 1971. Campbell and his authors set the foundation for the modern sci-fi, cementing genre distinction by the application of plausible technological speculation. Campbell assumed the “science-important society” that Asimov found thirty years later, attributing sci-fi ascendance during the golden age a particular compatibility with that cultural context. On another level, sci-fiʼs compatibility with “science-important” tendencies during the first half of the twentieth-century betrayed a deeper agreement with the social structures that fueled those tendencies and reflected an explication of modernity on capitalist terms. -
2017-10-Radio Salomon
Artist List for period: 01.10.2017 - 31.10.2017 WYCLEF JEAN FEAT. LUNCH MONEY, THE KNOCKS – WHAT HAPPENED TO LOVE DON DIABLO – MOMENTUM (ORIGINAL MIX) MAURIZIO BASILOTTA & DAVE ROSE – FUNKYBIZA RITA ORA – YOUR SONG ALLE FARBEN & JANIECK – LITTLE HOLLYWOOD ANDREA BELLI X MAURO PILATO & MAX MONTI – GAM GAM (STEREOMODE 2K17 RADIO REWORK) BURAK YETER FEAT. DANELE SANDOVAL – TUESDAY SIGALA X DIGITAL FARM ANIMALS – ONLY ONE MICAR – BURDEN DOWN ALAN WALKER FEAT. GAVIN JAMES – TIRED OFENBACH – BE MINE CHARLIE PUTH – ATTENTION (ROMAN MULLER REMIX) CNCO FEAT. LITTLE MIX – REGGAETON LENTO (REMIX) FRENCH MONTANA & J BALVIN FEAT. SWAE LEE – UNFORGETTABLE [LATIN REMIX] ITALOBROTHERS – SUMMER AIR (RADIO EDIT) CHALLE SALLE – LAGANO DASOUL FEAT. NACHO – KUNG FU JOSE LUCAS – IF IT WEREN T FOR LOVE (THE WHISTLE SONG) NICKY JAM – EL AMANTE BABY K FEAT. ANDRES DVICIO – VOGLIO BALLARE CON TE(SAMMYCILLI ULTIMIX) BINGO PLAYERS – BEAT THE DRUM (ORIGINAL MIX) BLASTERJAXX FEAT. INNA – HOT MALUMA – FELICES LOS 4 BOB SINCLAR FEAT. AKON – TIL THE SUN RISE UP PISO 21 – BESANDOTE FEDDE LE GRAND VS IAN CAREY – KEEP ON RISING J BALVIN FT. WILLY WILLIAM – MI GENTE CHAINSMOKERS & COLDPLAY – SOMETHING JUST LIKE THIS DEEPEND FEAT. GRAHAM CANDY – WAITING FOR THE SUMMER TRAVI – BANG BREATHE CAROLINA & DROPGUN FT. KALEENA ZANDERS – RHYTHM IS A DANCER LUCAS & STEVE – UP TILL DAWN (ON THE MOVE) (ORIGINAL MIX) JASON DERULO FEAT. NICKI MINAJ & TY DOLLA SIGN – SWALLA CHARLY BLACK & DADDY YANKEE – GYAL YOU A PARTY ANIMAL (REMIX) D BASE – VASE POGLEJ ALOK, BRUNO MARTINI & ZEEBA – NEVER LET ME GO DAVID FEAT. MURAT – VRJAM UMMET OZCAN FEAT. CHRIS CRONE – EVERYTHING CHANGES DAVID & ALEX FEAT. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Dickens-Pickwick Papers
*******The Project Gutenberg Etext of The Pickwick Papers******* #3 in our series by Charles Dickens [Christmas Carol was #0. .we didn't number back then] Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Pickwick Papers by Charles Dickens July, 1996 [Etext #580] *******The Project Gutenberg Etext of The Pickwick Papers******* *****This file should be named pwprs10.txt or pwprs10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, pwprs11.txt. VERSIONS based on separate sources get new LETTER, pwprs10a.txt. This etext was created by Jo Churcher, Scarborough, Ontario ([email protected]) We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. The official release date of all Project Gutenberg Etexts is at Midnight, Central Time, of the last day of the stated month. A preliminary version may often be posted for suggestion, comment and editing by those who wish to do so. -
Yandro That You've Been Hard at Work on Your Second U.N.C.L.E
1 The Trans-Oceanic Fan Fund has been organized to bring Japan's foremost fan Takumi Shibano, to the 1960 World Science Fic.tti.on Convention. Born October 27, 1926, TAKUMI SHIBANO got his first taste of SF at the age of 14 when he read H.G. Wells' War of the Worlds,. He graduated from Tokyo Institute of Technology as a math teacher , in 1951, the same year that he sold his fisrt SF story. Until Takumi became interested in SF fandom, Japanese science fiction was almost entirely translations of stories written in other languages. Takumi decided that if he was going to be a Japanese SF fan, there would have to be a Japanese SF field to support a fandom, so he began Japan's first fanzine.UCHUJIN [Cosmic.Dus J ■ to encourage budding writers to try professional work. isn every fan who can develop a whole new branch of literature m his language just so he can be a fan of it! TOFF needs about $1000 to cover round-trip air fare from Japan and expense money here - and we need it as soon as possible! Contributors of SI.CD or comics, etc)] more [in cash or salable materials (fanzines, books, art,.mss, will receive a subscription to Maneki-Neko, the TOFF fanzine, Make all checks payable to David G. Hulan, c/c. yran5.-oceanic Fan Fund P.O. Box 422 Tarzana, Calif. 91356 A WORD FROM OUR SPONSORS.. '>10 ti r. Pan-Pacificon is the name of the proposed Los Angeles-Tokyo bid for the 1968 World Science Fiction Convention. -
Open Dissertation.Pdf
The Pennsylvania State University The Graduate School TRANSHUMANISM: EVOLUTIONARY LOGIC, RHETORIC, AND THE FUTURE A Dissertation in English by Andrew Pilsch c 2011 Andrew Pilsch Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2011 The dissertation of Andrew Pilsch was reviewed and approved∗ by the following: Richard Doyle Professor of English Dissertation Advisor, Chair of Committee Jeffrey Nealon Liberal Arts Research Professor of English Mark Morrisson Professor of English and Science, Technology, and Society Robert Yarber Distinguished Professor of Art Mark Morrisson Graduate Program Director Professor of English ∗Signatures are on file in the Graduate School. Abstract This project traces the discursive formation called “transhumanism” through vari- ous incarnations in twentieth century science, philosophy, and science fiction. While subject to no single, clear definition, I follow most of the major thinkers in the topic by defining transhumanism as a discourse surrounding the view of human beings as subject to ongoing evolutionary processes. Humanism, from Descartes forward, has histori- cally viewed the human as stable; transhumanism, instead, views humans as constantly evolving and changing, whether through technological or cultural means. The degree of change, the direction of said change, and the shape the species will take in the distant future, however, are all topics upon which there is little consensus in transhuman circles. In tracing this discourse, I accomplish a number of things. First, previously dis- parate zones of academic inquiry–poststructural philosophy, science studies, literary modernism and postmodernism, etc.–are shown to be united by a common vocabulary when viewed from the perspective of the “evolutionary futurism” suggested by tran- shuman thinkers. -
1.10.2017 0:00 Morat & Alvaro Soler 1.10.2017 0:03 Guru
1.10.2017 0:00 MORAT & ALVARO SOLER 1.10.2017 0:03 GURU JOSH PROJECT 1.10.2017 0:06 LOST FREQUENCES 1.10.2017 0:09 SIGMA 1.10.2017 0:12 CHEAT CODES 1.10.2017 0:16 FILATOV & KARAS 1.10.2017 0:19 MIKE PERRY FEAT. SHY MARTIN 1.10.2017 0:22 CALVIN HARRIS 1.10.2017 0:25 MOONY 1.10.2017 0:29 SHAGGY FEAT. TRIX & FLIX 1.10.2017 0:32 AVICII FT. SANDRO CAVAZZA 1.10.2017 0:35 KIESZA 1.10.2017 0:39 PRAISE CATS FT. ANDREA LOVE 1.10.2017 0:44 LUCAS & STEVE 1.10.2017 0:47 MR. PROBZ 1.10.2017 0:50 RUDIMENTAL FEAT. JAMES ARTHUR 1.10.2017 0:54 LILLY WOOD AND THE PRICK 1.10.2017 0:57 ED SHEERAN 1.10.2017 1:00 KUNGS FT. EPHEMERALS 1.10.2017 1:04 DARIO G. 1.10.2017 1:06 MARTIN SOLVEIG ET INA WROLDSEN 1.10.2017 1:09 DUKE DUMONT FEAT. JAX JONES 1.10.2017 1:12 MADONNA 1.10.2017 1:15 MAHMUT ORHAN FEAT. ENELI 1.10.2017 1:17 ROBIN SCHULZ 1.10.2017 1:21 (PI) JONAS BLUE 1.10.2017 1:24 TWENTY 4 SEVEN 1.10.2017 1:27 THE FREESTYLERS 1.10.2017 1:30 MAJOR LAZER FEAT. TRAVIS SCOTT 1.10.2017 1:34 SWEDISH HOUSE MAFIA 1.10.2017 1:37 SHAPESHIFTERS 1.10.2017 1:40 PITBULL & J BALVIN 1.10.2017 1:43 DUA LIPA 1.10.2017 1:47 SIGALA & ELLA EYRE 1.10.2017 1:50 TACABRO 1.10.2017 1:54 C & C MUSIC FACTORY 1.10.2017 1:57 RHODES & FELIX JAEHN 1.10.2017 1:59 MAHMUT ORHAN FEAT. -
Maa61-1 Maas Education
4 ETC • JANUARY 2006 A. E. VAN VOGT AND THE WORLD OF NULL-A WILLIAM HENRY SHARP* “He felt a keen excitement attracting vibrant minds and turning them to the pursuit of a higher human purpose.” F A.E. VA N VOGT had written a story of his own life, he would perhaps have Istarted with this line. In a sense, it could very well have served as his epi- taph. Van Vogt spent much of his life as a professional science fiction writer, but he also had a number of other passionate interests, including general se- mantics. He wrote several novels that used general semantics principles to arm his protagonists in their struggle against chaos, barbarity, and tyranny. Many IGS members, including myself, were first attracted to general semantics through those novels. Van Vogt excites my interest not only as a science fiction writer but also as a man of ideas and of greater importance, I believe, as an artist who mobilized and directed his readers’ interest and emotions, and stirred the unspeakable level with consummate purposefulness. When I encounter writers of such char- ismatic appeal, in any field, I often become as interested in them and their lives as I do in their work. * William Sharp, a veteran IT Project Manager, has spent a lifetime investigating the impact of technology on society and organizations, and developing adaptive responses to social change and complexity. He has employed the concepts general semantics in a wide variety of settings. Semi-retired, he writes and conducts research into human potentialities. This article is dedi- cated in memory of the late and noble Leanore Goodenow who placed a second edition copy of Science and Sanity in my hands many years ago. -
The Wright Stuff
Six Pillars of Space Opera Sept 11th, 2013 by Bill Wright. Rob Gerrand and Mervyn R Binns Synopsis This article provides information from different perspectives about six great pioneers of Space Opera, Edward Elmer ‘Doc’ Smith (1890 - 1965) Alfred Elton van Vogt (1912-2000) Isaac Asimov (1920 - 1992) Jack (John Holbrook) Vance (1916 - 2013) Paul Myron Anthony Linebarger (1913 – 1966) writing as Cordwainer Smith and Arthur Bertram Chandler (1912 – 1984), Most of the following was written by the 2013 DUFF winner, Australian fan Bill Wright. Rob Gerrand contributed his obituary to Jack Vance, who died aged 96 on May 26th, 2013. The science wasn’t always sound, but those six pioneers of SF wrote rattling good yarns, creating universes and peopling them with heroes and villains in an astonishing variety of ways. The information on Bert Chandler was provided by his friend Mervyn R Binns, winner of the Forrest J Ackerman Big Heart Award at Aussiecon 4, 68th Worldcon in Melboure (Australia) in 2010. One of many images of universal destruction that abound in early Space Opera After the trauma of the 1930s Great Depression and World War II, westerns, mystery writing and detective stories no longer satisfied a voracious public demand for escapist literature. Space Opera offered liberation from Earthly concerns – at least in one’s mind – and was embraced enthusiastically by millions. The atomic bomb had demonstrated the power of science, albeit most people were hazy about the scientific method if they had heard of it at all. That changed with education, which improved greatly from and including the 1960s. -
The Science Fiction Pulps and the Rhetoric of Technology
And Consumption For All: The Science Fiction Pulps and the Rhetoric of Technology Item Type text; Electronic Dissertation Authors Scott, Ronald Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 23/09/2021 11:08:54 Link to Item http://hdl.handle.net/10150/194689 AND CONSUMPTION FOR ALL: THE SCIENCE FICTION PULPS AND THE RHETORIC OF TECHNOLOGY by Ronald Franklin Scott ___________________________ Copyright © Ronald Franklin Scott 2005 A Dissertation Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Requirement for the Fulfillment For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2005 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Ron Scott entitled “And Consumption For All: The Science Fiction Pulps and the Rhetoric of Technology” and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________________________________ Date: November 1, 2002. Dr. Suresh Raval _______________________________________________________________________ Date: November 1, 2002 Dr. Susan White _______________________________________________________________________ Date: November 1, 2002 Dr. Ken McAllister Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.