The Land of the One-Room Mansion
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Table 1. Pilot Interview Demographics
Singaporean Women’s Perceptions and Barriers to Breast and Cervical Cancer Screening By Junyang Wang Duke Global Health Institute Duke University Date:_______________________ Approved: ___________________________ Eric Finkelstein, Supervisor ___________________________ Kearsley Stewart ___________________________ Yousuf Zafar Thesis submitted in partial fulfillment of the requirements for the degree of Masters of Science in Duke Global Health Institute in the Graduate School of Duke University 2014 ABSTRACT Singaporean Women’s Perceptions and Barriers to Breast and Cervical Cancer Screening By Junyang Wang Duke Global Health Institute Duke University Date:_______________________ Approved: ___________________________ Eric Finkelstein, Supervisor ___________________________ Kearsley Stewart ___________________________ Yousuf Zafar Thesis submitted in partial fulfillment of the requirements for the degree of Masters of Science in Duke Global Health Institute in the Graduate School of Duke University 2014 Copyright by Junyang Wang 2014 Abstract Objectives: To understand the key factors guiding women’s decision of whether or not to use breast and cervical cancer screening services (in order to determine how to cost effectively increase screening uptake in following conjoint). Methods: We conducted eight focus groups, with Singaporean women aged between 40 and 64 for breast cancer screening, and between 25 and 64 years for cervical cancer screening, to identify the key factors that drive cancer screening. Using the Health Belief Model to guide our focus group questions, we analyzed the responses and compared similarities and differences among screeners and non-screeners. Results: Singaporean women understand the severity of both breast and cervical cancer and fear the associated lifestyle challenges that come with a cancer diagnosis. With the exception of several non-screeners in the breast cancer group, all women reported they believed they were at risk of developing cancer. -
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence
In Defense of Rap Music: Not Just Beats, Rhymes, Sex, and Violence THESIS Presented in Partial Fulfillment of the Requirements for the Master of Arts Degree in the Graduate School of The Ohio State University By Crystal Joesell Radford, BA Graduate Program in Education The Ohio State University 2011 Thesis Committee: Professor Beverly Gordon, Advisor Professor Adrienne Dixson Copyrighted by Crystal Joesell Radford 2011 Abstract This study critically analyzes rap through an interdisciplinary framework. The study explains rap‟s socio-cultural history and it examines the multi-generational, classed, racialized, and gendered identities in rap. Rap music grew out of hip-hop culture, which has – in part – earned it a garnering of criticism of being too “violent,” “sexist,” and “noisy.” This criticism became especially pronounced with the emergence of the rap subgenre dubbed “gangsta rap” in the 1990s, which is particularly known for its sexist and violent content. Rap music, which captures the spirit of hip-hop culture, evolved in American inner cities in the early 1970s in the South Bronx at the wake of the Civil Rights, Black Nationalist, and Women‟s Liberation movements during a new technological revolution. During the 1970s and 80s, a series of sociopolitical conscious raps were launched, as young people of color found a cathartic means of expression by which to describe the conditions of the inner-city – a space largely constructed by those in power. Rap thrived under poverty, police repression, social policy, class, and gender relations (Baker, 1993; Boyd, 1997; Keyes, 2000, 2002; Perkins, 1996; Potter, 1995; Rose, 1994, 2008; Watkins, 1998). -
1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978
Olivia Swinford April 16, 2015 Mood Board 1 Citations 1. Mapplethorpe, Robert, “Patti Smith 1 Fifth Avenue,” 1978. Smith, Patti. Just Kids. New York: Ecco, 2010. 2. "Publicity Shots 1978 - Blondie." Blondie. Accessed April 16, 2015. http://www.blondie.net/photos/publicity-shots/#gallery/1277/1/0. 3. "See Who Was Playing at CBGB This Week in 1975." - The Strut. June 16, 2011. Accessed April 16, 2015. http://www.thestrut.com/2011/06/16/see-who-was-playing-at-cbgb- this-week-in-1975/. 4. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 5. Galindo, Brian. "17 Awesome Photos That Captured CBGB's Iconic 1970s Punk Scene." BuzzFeed. September 9, 2014. Accessed April 16, 2015. http://www.buzzfeed.com/briangalindo/17-awesome- photos-that-captured-cbgbs-iconic-1970s-punk- scen?utm_term=1dpwbpa&sub=3440532_3765090#.fd4LQj1Am. 6. Bokuniewicz, Carol "Album Cover, Talking Heads: Remain in Light, 1980." Cooper Hewitt, Smithsonian Design Museum. Accessed April 16, 2015. https://collection.cooperhewitt.org/objects/18644717/. 7. "Patti Smith Group -- Because The Night." Patti Smith Group -- Because The Night. Accessed April 16, 2015. http://www.springsteenlyrics.com/collection/moreinfo.php?item=6096 &height=500&width=700. 8. "Photos | Sex Pistols | The Official Website." Sex Pistols The Official Website. January 1, 2012. Accessed April 16, 2015. http://www.sexpistolsofficial.com/photos/?wppa-album=4&wppa- photo=302&wppa-occur=1. 9. "Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989." Punk Art Catalogue - Section II: Punk Magazine & School of Visual Arts - 98 Bowery: 1969-1989. -
M Organ's Voice
Morgan’s Voice POEMS & STORIES Morgan Segal Copyright © 1997 by Robert Segal All rights reserved. Library of Congress Cataloging-in-Publication Data Segal, Morgan Morgan’s Voice Poems & Stories ISBN 0-9G62027-0-8 First Edition 1997 Designed by Riley Smith Printed in the United States of America by Pacific Rim Printers/Mailers 11924 W. Washington Blvd. Los Angeles, CA 90066 Printed on acid-free, recycled paper. The gift of sharing so intimately in Morgan’s life, through her prose and poetry, is one all will commit to their hearts. Here are remembrances, emotionally inspired, of personal journeys through a landscape of experience that has been both tranquil and turbulent. Her poems are “pearls dancing,” shimmering like her own life in an all too brief sunlight; her stories portraits, at times fragile, at times triumphant in their will to witness lasting humaness. She is truly a talent and a presence too soon lost. -James Ragan, Poet Director, Professional Writing Program University of Southern California Morgan possessed a rare and beautiful soul. Those wide brown eyes of hers shone forth with a child’s curiosity and innocence. But her heart was the heart of woman who was haunted by unfathomable darkness. Morgan’s words are infused with depth, wisdom, honesty, courage and insight. Her descriptions reveal the intense thirst she had for even the most mundane aspects of life — a fingernail, the scale of a fish, a grandfather’s breath, a strand of hair. The attention she pays to details can help us to return to our lives with a renewed revereance for all the subtle miracles that surround us each moment. -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Games Booklet
GAMES BOOKLET Faith and Light international Contents Pages Introduction 3 Symbols 4 1. Memorising names 5 2. Getting to know each other 9 3. Moving around 12 4. Team and coordination games 14 5. Relay and races 16 6. Ball games 18 7. Guessing games 21 8. Drawing games 23 9. Observation and listening games 25 10. Impersonation and miming 30 11. Singing, dancing and movement 33 12. Hitting a target 36 13. Faith and Light Quiz 38 14. For Christmas 40 15. For the Feast of Light 41 16. For Easter 42 17. For birthdays 43 18. Miscellaneous 44 19. For outings, weekends and holiday camps 47 2 Introduction The games suggested in this booklet are based on the pleasure of playing, on solidarity and helping one another. It isn’t about winning but forming a team to create an atmosphere of trust in the group where each person can learn to express themselves. In these twenty chapters, you will find games for memorising names and getting to know each other, movement games and quiet games, inside and outside games as well as games for celebration days and holiday camps. There are games for everyone, for those who like to move around and for those who tire quickly when moving, for those who are more artists, for those who need a lot of time to choose and those who are in a great rush, for those who don’t say much and those who talk too much… These are games without difficult challenges or competition, joyful, collaborative games, contests to make you laugh, creative games to develop the imagination… Now it’s up to you to play! 3 Symbols Preparation not necessary easy plan preparation time Number of players small group of 3 or more group of around 10 group of more than 10 Difficulty very easy easy requires a bit of help 4 1. -
Samantha Fish Homemade Jamz Jarekus Singleton
Buddy GDamnUYRight... JONNYLANG Q&A SAMANTHA FISH HOMEMADE JAMZ JAREKUS SINGLETON JOHNNY WINTER MICHAEL BLOOMFIELD Reissues Reviewed NUMBER THREE www.bluesmusicmagazine.com US $5.99 Canada $7.99 UK £4.60 Australia A$15.95 COVER PHOTOGRAPHY © JOSH CHEUSE courtesy of RCA RECORDS NUMBER THREE 4 BUDDY GUY Best In Town by Robert Feuer 3 RIFFS & GROOVES From The Editor-In-Chief 8 TOM HAMBRIDGE Producing Buddy Guy 20 DELTA JOURNEYS “Catching Up” by Art Tipaldi 22 AROUND THE WORLD 10 SAMANTHA FISH “Blues Inspiration, Now And Tomorrow” Kansas City Bomber 24 Q&A with Jonny Lang by Vincent Abbate 26 BLUES ALIVE! 13 THE HOMEMADE JAMZ Lonnie Brooks 80th Birthday Bash BLUES BAND Harpin’ For Kid Ramos Benefit It’s A Family Affair 28 REVIEWS by Michael Cala New Releases Box Sets 17 JAREKUS SINGLETON Film Files Trading Hoops For The Blues 62 DOWN THE ROAD by Art Tipaldi 63 SAMPLER 3 64 IN THE NEWS TONY KUTTER © PHOTOGRAPHY PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. PRESIDENT: Jack Sullivan “As the sun goes down and the shadows fall, EDITOR-IN-CHIEF: Art Tipaldi on theWestside of Chicago, the blues has come to call.” CUSTOMER SERVICE: Kyle Morris GRAPHIC DESIGN: Andrew Miller Though the temperatures in Memphis during January’s 30th International Blues Challenge were in the 20s with wind chills cutting to below zero, the music on Beale CONTRIBUTING EDITORS David Barrett / Michael Cote / ?omas J. Cullen III Street was hotter then ever. Over 250 bands, solo/duo, and youth acts participated Bill Dahl / Hal Horowitz / Tom Hyslop in this exciting weeklong showcase of the blues in 20 Beale Street clubs. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
Political-Cartoons.Pdf
Dublin City Library and Archive, 138 - 144 Pearse Street, Dublin 2. Tel: +353 1 6744999 Political Cartoons Date Newspaper Title Subtitle Location The Master of the ScRolls! Folder 04/01 The Extinguisher Folder 04/02 Ex Officio Examination Folder 04/03 A Theological Antidote firing off Lees of oppostition Folder 04/04 The New Hocus Pocus or Excellent escape, with the juglers all in an uproar Folder 04/05 founded on a new Sevic comic, Rattle Bottle Pantomine lately performed at the new Theatre Royal The Bottle Conjurers ARMS God Save the King: The Glorious and Immortal Memory Folder 04/06 Date c. 1810 1830 A Turning General and three and twenty Bottle holders Folder 04/07 all in a Row 01 June 2011 Page 1 of 84 Date Newspaper Title Subtitle Location Irish Fireside The Old, Old Home! Box 01 F01/07 The Lepracaun Box 06/47 The Lepracaun Box 06/48 United Ireland The Suppression of the League, or Catching a Tartar Bloody Balfour- Hello Uncle, I've caught a Tartar Folder 01/42 Salisbury- Dragf him along here B.B.- I cant 14/08/1869 Vanity Fair Statesmen, No. 28 "He married Lady Waldegrave and governed Ireland" Box 01 F05/01 09/04/1870 Vanity Fair Statesman No. 46 "An exceptional Irishman" Box 01 F05/02 25/03/1871 Vanity Fair Statesmen, No. 79 "An Irish wit and Solicitor-General" Box 01 F05/03 30/12/1871 Vanity Fair Statesmen No. 102 "An Art critic" Box 01 F05/04 23/03/1872 Vanity Fair Statesmen, No. 109 "A Home Ruler" Box 01 F05/05 28/09/1872 Vanity Fair Statesmen, No. -
Punk Preludes
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Summer 8-1996 Punk Preludes Travis Gerarde Buck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Buck, Travis Gerarde, "Punk Preludes" (1996). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/160 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. Punk Preludes Travis Buck Senior Honors Project University of Tennessee, Knoxville Abstract This paper is an analysis of some of the lyrics of two early punk rock bands, The Sex Pistols and The Dead Kennedys. Focus is made on the background of the lyrics and the sub-text as well as text of the lyrics. There is also some analysis of punk's impact on mondern music During the mid to late 1970's a new genre of music crept into the popular culture on both sides of the Atlantic; this genre became known as punk rock. Divorcing themselves from the mainstream of music and estranging nlany on their way, punk musicians challenged both nlusical and cultural conventions. The music, for the most part, was written by the performers and performed without worrying about what other people thought of it. -
2017-10-Radio Salomon
Artist List for period: 01.10.2017 - 31.10.2017 WYCLEF JEAN FEAT. LUNCH MONEY, THE KNOCKS – WHAT HAPPENED TO LOVE DON DIABLO – MOMENTUM (ORIGINAL MIX) MAURIZIO BASILOTTA & DAVE ROSE – FUNKYBIZA RITA ORA – YOUR SONG ALLE FARBEN & JANIECK – LITTLE HOLLYWOOD ANDREA BELLI X MAURO PILATO & MAX MONTI – GAM GAM (STEREOMODE 2K17 RADIO REWORK) BURAK YETER FEAT. DANELE SANDOVAL – TUESDAY SIGALA X DIGITAL FARM ANIMALS – ONLY ONE MICAR – BURDEN DOWN ALAN WALKER FEAT. GAVIN JAMES – TIRED OFENBACH – BE MINE CHARLIE PUTH – ATTENTION (ROMAN MULLER REMIX) CNCO FEAT. LITTLE MIX – REGGAETON LENTO (REMIX) FRENCH MONTANA & J BALVIN FEAT. SWAE LEE – UNFORGETTABLE [LATIN REMIX] ITALOBROTHERS – SUMMER AIR (RADIO EDIT) CHALLE SALLE – LAGANO DASOUL FEAT. NACHO – KUNG FU JOSE LUCAS – IF IT WEREN T FOR LOVE (THE WHISTLE SONG) NICKY JAM – EL AMANTE BABY K FEAT. ANDRES DVICIO – VOGLIO BALLARE CON TE(SAMMYCILLI ULTIMIX) BINGO PLAYERS – BEAT THE DRUM (ORIGINAL MIX) BLASTERJAXX FEAT. INNA – HOT MALUMA – FELICES LOS 4 BOB SINCLAR FEAT. AKON – TIL THE SUN RISE UP PISO 21 – BESANDOTE FEDDE LE GRAND VS IAN CAREY – KEEP ON RISING J BALVIN FT. WILLY WILLIAM – MI GENTE CHAINSMOKERS & COLDPLAY – SOMETHING JUST LIKE THIS DEEPEND FEAT. GRAHAM CANDY – WAITING FOR THE SUMMER TRAVI – BANG BREATHE CAROLINA & DROPGUN FT. KALEENA ZANDERS – RHYTHM IS A DANCER LUCAS & STEVE – UP TILL DAWN (ON THE MOVE) (ORIGINAL MIX) JASON DERULO FEAT. NICKI MINAJ & TY DOLLA SIGN – SWALLA CHARLY BLACK & DADDY YANKEE – GYAL YOU A PARTY ANIMAL (REMIX) D BASE – VASE POGLEJ ALOK, BRUNO MARTINI & ZEEBA – NEVER LET ME GO DAVID FEAT. MURAT – VRJAM UMMET OZCAN FEAT. CHRIS CRONE – EVERYTHING CHANGES DAVID & ALEX FEAT.