People Features Performances

Total Page:16

File Type:pdf, Size:1020Kb

People Features Performances Semperoper Ballett Season 2015 / 16 PREMIERES MacMillan MANON 7 November 2015 Ekman WORLD PREMIERE People 12 March 2016 10 Vadim Muntagirov DEBORAH WEISS meets The Royal Ballet’s REPERTOIRE Russian star after his first year at Covent Garden Forsythe 28 Simon Valastro IMPRESSING THE CZAR EMMA KAULDHAR meets the multi-faceted September 2015 Paris Opera soloist Balanchine / Forsythe / Ek 73 Obituary THEME AND VARIATIONS Albert Evans remembered Performances September, October 2015 & July 2016 16 Cinderella Watkin & Beechey Features AMANDA JENNINGS considers Christopher THE NUTCRACKER Wheeldon’s fairy-tale ballet for Dutch National Ballet November & December 2015 42 Preview: Jonathan Watkins’1984 20 L’Anatomie de la Sensation Dawson MIKE DIXON touches base with the creator of FRANÇOIS FARGUE sees Wayne McGregor’s TRISTAN + ISOLDE Northern Ballet’s upcoming Orwellian premiere Francis Bacon-inspired ballet at the Bastille January & June 2016 Season 2015 - 2016 23 Tree of Codes 45 Watkin DANCE EUROPE’s indispensible guide to what’s MIKE DIXON reviews a Paris Opera/Random LA BAYADÈRE new and who’s where next season Dance collaboration in Manchester February & March 2016 58 What do dancers read? 24 Ardani Gala Watkin VIKI WESTALL chats with Leonard Engel, Vito AMANDA JENNINGS sums up ballets by Marcelo THE SLEEPING BEAUTY Mazzeo and Nancy Osbaldeston about the books Gomes, Alastair Marriott and Arthur Pita April & May 2016 and papers they read 26 La Fille Parisienne Celis 62 Restaging Wheeldon & FRANÇOIS FARGUE savours the Paris Opera’s CINDERELLA McGregor renditions of the Ashton classic June 2016 LUKE FORBES discusses the issues répétiteurs face with Jason Fowler and Antoine Verecken 32 Gauthier’s Colours INTERNATIONAL TOURS DEBORAH WEISS checks out the new Antwerp, Belgrad, Gothenburg, enterprise in Stuttgart Paris, St. Petersburg With works of Celis, Ek, Ekman, Forsythe, 7 ENTRE NOUS 36 The Royal Ballet in New York Godani, Lidberg, Ratmansky 75 AUDITIONS AND JOBS WENDY PERRON reports on the company’s 91 WHAT’S ON first New York season after a decade’s absence PARTNER DER SEMPEROEROPPEERR 94 PEOPLE PAGE contents Information & tickets Front cover: The Royal Ballet - Vadim Muntagirov as Lensky in Cranko’s Onegin. Photo: Emma Kauldhar by courtesy of the ROH T +49 (0)351 4911 705 Contents page: Dutch National Ballet - Anna Tsygankova and Matthew Golding in Christopher Wheeldon’s Cinderella. → semperoper.de Dance Europe - August/September 2015 3 3 SB_A_DanceEurope_RZ.indd 1 02.07.15 13:05 Performances DANCE EUROPE Founded in 1995 ISSN: 1359-9798 40 Sylvia P.O. Box 12661, London E5 9TZ,UK AMANDA JENNINGS considers David Bintley’s Tel: +44 (0)20 8985 7767 www.danceeurope.net take on the mythological ballet Twitter: LeChat@DanceEuropeDanz www.facebook.com/DanceEurope www.facebook.com/DanceEuropeenFrancais 66 ABT 75th Anniversary www.facebook.com/DanceEuropeinJapanese WENDY PERRON continues her report on a significant season in which the company’s first Editor/Photographer Emma Kauldhar American African principal was named [email protected] mobile/text: +44 (0)7983 608544 68 111 & Minutemade Advertising Manager Naresh Kauldhar ALISON KENT catches Goyo Montero’s latest work [email protected] Tel: +44 (0)20 7682 1733 in Nürnberg and a unique event in Munich mobile/text: +44 (0)7981 945320 skype: nareshdanceeurope 70 Excelsior Senior Critic & Events Editor Deborah Weiss GIANNANDREA POESIO contemplates the revival [email protected] of the epic 19th century spectacle in Milan Editorial Consultant Clare Taylor Reviews Administrator Katie Harrington [email protected] 76 Matthew Bourne’s New Adventures Dance Critics and Writers The Car Man Luke Bradshaw, Laura Cappelle, Ellie Carr, Lucía Chilibroste, Davide Cocchiara, Gerard Davis, Mike Dixon, François Fargue, Luke Aaron Forbes, New English Ballet Theatre Carlos Forcada, Jesús R. Gamo, Dwayne Holliday, Tangents/Orbital Motion/Toca/Mad Women/ Amanda Jennings, Altin Kaftira, Alison Kent, Ali Kreutzer Sonata Mahbouba, Trina Mannino, Bruce Michelson, Yuki Nagano, Diarmaid O’Meara, Catherine Pawlick, Wendy Perron, Giannandrea Poesio, Emma Festival corpo(a)terra Sandall, Jenifer Sarver, Oli Speers, Jessica Teague, Deborah Weiss, Viki Westall. NBA Ballet Company Japanese Translator Yuki Nagano Hibari Website developer Michael Lenahan Wendy Whelan/Edward Watson DANZA EUROPA Other Stories: First and Wait/Dance Me to the End Y AMÉRICAS of Love/Short Ride Out/The Song We Share/ Founded in 2009 ISSN 2041-8841 www.danzaeuropayamericas.com Mack and Ginny Twitter: ElGato@DanzaEuropa www.facebook.com/DanzaEuropa Cullberg Ballet Associate Editor Highlights Carlos Forcada Les Ballets C de la B Spanish Translators Carlos Forcada, Jesús R. Gamo Badke Spanish Advertising [email protected] Schools Dance Europe was founded in November 1995. It is published 11 times a year in London and distributed world- 83 National Ballet Academy, Amsterdam wide by: UK - Comag Specialist Division, London; Austria - Morawa & Co. Ltd; Australia/New Zealand - Gordon & Gotch; Canada - LMPI; Croatia - ANGCRO; Germany - English National Ballet School, London We Saarbach GmbH; Iceland - Innkaupasam band Boksala; South Africa - Magscene (Pty); Sweden - Svenska Inter- The Royal Ballet School, London press AB; Poland - Ingland Co. Ltd; Croatia, Slovenial - Levant Dist; Portugal - International News; Trieste - EST; Finland - Rautakirja Oy; Poland - Ingland Co. Ltd; Sweden Elmhurst, Birmingham - Sevenska Interpress; U.S.A. - SEMAJ INC/IPD/; Spain - SGEL; Belgium - AMP; Hungary - Libropress 2000; Taiwan - Multi-Arts Enterprise; Singapore - Borders/STP; Northern School of Contemporary Dance, Leeds Japan - Yohan ; Malaysia - STP; Italy - Intercontinental (FE) and in France by the publisher +44 20 8985 7767. Institut del Teatre’s Professional Dance Individual subscriptions, single and back issues, library and Conservatoire, Figueras institution subscriptions and English and Spanish digital versions available online at www.danceeurope.net. Freelance contributions are welcomed especially from Northern Ballet School, Manchester writers who have worked as professional dancers. New writers should, in the first instance, submit a short review or article accompanied by a CV. Photos sent by email Central School of Ballet, London or dropbox need to be 300 dpi and should be clearly captioned in Photoshop File Info. The content of Dance Europe and Danza Europa y Américas 90 Japanese page is copyrighted and may not be freely reproduced in any medium whatsoever, including on the internet. The scan- ning and posting of articles published in Dance Europe and ワディム・ムンタギロフ Danza Europa is strictly forbidden and constitutes a breach of copyright. © Dance Europe 2015 Photos: Gene Schiavone, Brescia-Amisano Teatro alla Scala, Johan Persson Dance Europe - August/September 2015 5 5.
Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • AND FRIENDS Milano
    presenta ROBERTO AND FRIENDS milano · 29 / 30 novembre 2016 TeaTro degli arcimboldi © Giovanni Gastel © Giovanni ROBERTO BOLLE CAST AND FRIENDS A MILANO UN VIAGGIO IMPERDIBILE NELLA BELLEZZA DELLA DANZA Gala Roberto Bolle and Friends si sono tra- ROBERTO BOLLE sformati nelle mani di Roberto Bolle, qui nei TEatRO ALLA SCALA, MILANO panni non solo di interprete, ma anche di AMERICAN BALLET THEatRE, NEW YORK direttore artistico, in un potente strumento culturale di diffusione della danza, attirando ogni anno migliaia di appassionati e non. Bolle, forte della sua intensissima esperienza ALICIA AMATRIAIN internazionale, è riuscito ogni volta a ricrea- STUTTGART BALLETT, STOCCARDA re per ognuno di questi appuntamenti uno spettacolo magico, riunendo alcuni dei più importanti ballerini del mondo e dando vita Icon loro a programmi vivaci, sorprendenti, che hanno TIMOFEJ ANDRIJASHENKO saputo coinvolgere pubblici eterogenei e mai così TEatRO ALLA SCALA, MILANO vasti finora. Dai grandi classici, alle coreografie più nuove, il Roberto Bolle and Friends ha radunato ogni anno il meglio della danza del mondo, offrendo una possibi- CHRISTIAN BAUCH lità culturale rara e prestigiosa e infrangendo alcuni SEMPEROPER BALLET, DRESDA tabù che costringevano il balletto nella definizione di arte di nicchia. Anche il programma, pensato per quest’attesissimo appuntamento di fine novembre al Teatro degli Ar- OSIEL GOUNEO cimboldi di Milano, ha trovato nell’accostamento BAYERISCHES STAATSBALLETT, MONACO del repertorio classico – con titoli celeberrimi come Il Corsaro, Don Chisciotte e Diana e Atteone – a quello più moderno e contemporaneo – Vertigo Maze e Duet from New Suite – la sua cifra distintiva MARIA KOCHETKOVA e inimitata. Ma il programma, già così ricco, presenta SAN FRANCISCO BALLET, SAN FRANCISCO anche importanti novità.
    [Show full text]
  • 伯明翰皇家芭蕾舞團 Birmingham Royal Ballet
    18-20.2.2011 07 演出及創作 Credits 香港文化中心大劇院 13 故事大綱及分場 Synopsis and Scenes Grand Theatre Hong Kong Cultural Centre 特稿 Feature 16 妙曼芭蕾˙經典故事 演出長約2小時20分鐘, A Celebrated Story, 包括兩節中場休息 Running time: approximately 2 hours an Imaginative Ballet and 20 minutes with two intervals 20 簡歷 Biographies 28 伯明翰皇家芭蕾舞團 Birmingham Royal Ballet 32 皇家芭蕾舞交響樂團 Royal Ballet Sinfonia This programme is printed on environmentally friendly paper. 本場刊採用環保紙張印刷。 敬請關掉所有響鬧及發光裝置,請勿擅自攝影、錄音或錄影,多謝合作。 Please switch off all sound-making and light-emitting devices. Unauthorised photography or recording of any kind is strictly prohibited. Thank you for your co-operation. 所有劇照 All production photographs © Bill Cooper 演出及創作 Credits 7 《爸爸的選擇》 Hobson’s Choice 三幕芭蕾舞劇(改編自哈羅特.布里格豪斯話劇《爸爸的選擇》) A ballet in three acts (after Harold Brighouse’s play Hobson’s Choice) 音樂 保羅.里德 Music Paul Reade 編舞 大衛.賓利 Choreography David Bintley 舞台設計 海登.格里芬 Designs Hayden Griffin 服裝設計 海登.格里芬,歌迪亞.美亞協助 Costume Design Hayden Griffin, assisted by Claudia Mayer 燈光 約翰.里特 Lighting John B Read 現場伴奏 皇家芭蕾舞交響樂團 Live Music Royal Ballet Sinfonia 指揮 保羅.梅菲 (18-20.2),菲利普.艾利斯 (19.2日場) Conductors Paul Murphy (18-20.2), Philip Ellis (19.2m) 世界首演 World Premiere 1989年2月13日,薩德斯.威爾斯皇家芭蕾舞團於高文花園英國皇家歌劇院 13 February 1989, Sadler’s Wells Royal Ballet, Royal Opera House, Covent Garden 8 Credits 演出及創作 演員 Cast 享利.鶴臣 戴維.莫爾斯 / 強納森.佩恩 Henry Hobson David Morse / Jonathan Payn 瑪姬.鶴臣(鶴臣的大女兒) 格蓮.坎默菲爾德 (18.2) 安芭娜.瓦洛 (19.2日場、20.2) 伊萊莎.威利斯 (19.2) Maggie Hobson (Hobson’s eldest daughter) Gaylene Cummerfield (18.2) Ambra Vallo (19.2m*, 20.2) Elisha Willis
    [Show full text]
  • Don Quixote Press Release 2019
    January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates.
    [Show full text]
  • The Sleeping Beauty Untouchable Swan Lake In
    THE ROYAL BALLET Director KEVIN O’HARE CBE Founder DAME NINETTE DE VALOIS OM CH DBE Founder Choreographer SIR FREDERICK ASHTON OM CH CBE Founder Music Director CONSTANT LAMBERT Prima Ballerina Assoluta DAME MARGOT FONTEYN DBE THE ROYAL BALLET: BACK ON STAGE Conductor JONATHAN LO ELITE SYNCOPATIONS Piano Conductor ROBERT CLARK ORCHESTRA OF THE ROYAL OPERA HOUSE Concert Master VASKO VASSILEV Introduced by ANITA RANI FRIDAY 9 OCTOBER 2020 This performance is dedicated to the late Ian Taylor, former Chair of the Board of Trustees, in grateful recognition of his exceptional service and philanthropy. Generous philanthropic support from AUD JEBSEN THE SLEEPING BEAUTY OVERTURE Music PYOTR IL’YICH TCHAIKOVSKY ORCHESTRA OF THE ROYAL OPERA HOUSE UNTOUCHABLE EXCERPT Choreography HOFESH SHECHTER Music HOFESH SHECHTER and NELL CATCHPOLE Dancers LUCA ACRI, MICA BRADBURY, ANNETTE BUVOLI, HARRY CHURCHES, ASHLEY DEAN, LEO DIXON, TÉO DUBREUIL, BENJAMIN ELLA, ISABELLA GASPARINI, HANNAH GRENNELL, JAMES HAY, JOSHUA JUNKER, PAUL KAY, ISABEL LUBACH, KRISTEN MCNALLY, AIDEN O’BRIEN, ROMANY PAJDAK, CALVIN RICHARDSON, FRANCISCO SERRANO and DAVID YUDES SWAN LAKE ACT II PAS DE DEUX Choreography LEV IVANOV Music PYOTR IL’YICH TCHAIKOVSKY Costume designer JOHN MACFARLANE ODETTE AKANE TAKADA PRINCE SIEGFRIED FEDERICO BONELLI IN OUR WISHES Choreography CATHY MARSTON Music SERGEY RACHMANINOFF Costume designer ROKSANDA Dancers FUMI KANEKO and REECE CLARKE Solo piano KATE SHIPWAY JEWELS ‘DIAMONDS’ PAS DE DEUX Choreography GEORGE BALANCHINE Music PYOTR IL’YICH TCHAIKOVSKY
    [Show full text]
  • RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet
    RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet The Royal Ballet Delve into the archive of The Royal Ballet in this special collection full of clips and interviews Katie Derham introduces highlights from the past ten years at the Royal Ballet in this special, extended edition of Essential Royal Ballet. Presented on location in Covent Garden at the iconic Royal Opera House, Katie weaves the history of ballet through carefully curated excerpts from the past decade of performances and goes behind the scenes to see what it takes to be a dancer in the company of The Royal Ballet as they prepare to take to the stage. From the great classics of The Sleeping Beauty and The Nutcracker to the exciting frontiers of contemporary dance, Katie takes us on a romp through the repertory, showcasing the diversity of the UK’s biggest ballet company. With stunning solos, passionate pas de deux and jaw-dropping numbers for the corps de ballet, it is a chance to see your favourite dancers up close, including Carlos Acosta, Marianela Nuñez, Natalia Osipova and Steven McRae, alongside rising stars like Francesca Hayward and Matthew Ball, who will introduce their favourite ballets and share stories of their life on the stage. The ballets featured include the classics Giselle, La Bayadère, Swan Lake, The Sleeping Beauty and The Nutcracker while the 20th-century heritage of the Royal Ballet is explored in works by Frederick Ashton and Kenneth MacMillan. The contemporary life of the company is showcased in works by Christopher Wheeldon, and Wayne McGregor, along side recent productions of classic works.
    [Show full text]
  • The Royal Ballet Present Romeo and Juliet, Kenneth Macmillan's
    February 2019 The Royal Ballet present Romeo and Juliet, Kenneth MacMillan’s dramatic masterpiece at the Royal Opera House Tuesday 26 March – Tuesday 11 June 2019 | roh.org.uk | #ROHromeo Matthew Ball and Yasmine Naghdi in Romeo and Juliet. © ROH, 2015. Photographed by Alice Pennefather Revival features a host of debuts from across the Company, including Akane Takada, Beatriz Stix-Brunell, Anna Rose O’Sullivan, William Bracewell, Marcelino Sambé and Reece Clarke. Principal dancer with American Ballet Theater, David Hallberg makes his debut in this production as Romeo opposite Natalia Osipova as Juliet. Production relayed live to cinemas and on Tuesday 11 June 2019. This Spring, The Royal Ballet revives Kenneth MacMillan’s 20th-century dramatic masterpiece, Romeo and Juliet. Set to Sergey Prokofiev’s seminal score, the ballet contrasts romantic pas de deux with a series For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of vibrant ensemble scenes, set against the backdrop of 16th-century Verona as evoked by Nicholas Georgiadis’s designs. A work which has been performed by The Royal Ballet more than 400 times since it was premiered at Covent Garden in 1965, Romeo and Juliet is a classic of the 20th-century ballet repertory, and showcases the dramatic ability of the Company, as well as incorporating a plethora of MacMillan’s signature challenging choreography. During the course of this revival, Akane Takada, Beatriz Stix-Brunell and Anna Rose O’Sullivan debut as Juliet. Also performing the role during this run are Principal dancers Francesca Hayward, Sarah Lamb and Marianela Nuñez.
    [Show full text]
  • Royal Opera House Performance Review 2006/07
    royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B.
    [Show full text]
  • State Ballet of Georgia
    საქართველოს სახელმწიფო STATE BALLET ბალ ე ტი OF GEORGIA საბალეტო სეზონის დახურვა Ballet SeaSon CloSIng ნინო ანანიაშვილი და საქართველოს სახელმწიფო ბალეტი Nina Ananiashvili and State Ballet of geoRgIa გალა-კონცერტი gala-ConCeRt საბალეტო დასის სამხატვრო ხელმძღვანელი Ballet Company aRtIStIC DIReCtoR ნინო ანანიაშვილი nIna ananIaShvIlI ივლისი JULY 2016 9 19:00 No1(26) 2016 ხუთი საპრემიერო სპექტაკლი ოთხ თვეში – ასე Arabesque დაიწყო განხლებული ოპერის თეატრში საბალეტო Ballet Magazine `arabeski~ Jurnali baletze დასის შემოქმედებითი ცხოვრება და ბუნებრივია, „არაბესკის“ ამ ნომრის მთავარი თემები ამ პრემი- ერებისგან მიღებული შთაბეჭდილებებია. „გორდას“ აღდგენა და მისი ახალი რედაქცია, რო- გორც დამდგმელი ჯგუფი ფიქრობს, ვახტანგ ჭაბუკი- ანის შემოქმედების, ქართული ბალეტის ისტორიისა და დღევანდელობის უწყვეტობისკენ გადადგმული ნაბიჯია; „გედების ტბის“ და „ფასკუნჯის“ისტორიული სპექტაკლების დადგმა კი კლასიკური საბალეტო მემკვიდრეობისადმი პატივის მიგებაა, რითაც ყო- ველთვის გამორჩეულია ნებისმიერი საბალეტო კომ- პანია. მაგრამ რეპერტუარში მხოლოდ კლასიკა არაა წარმოდგენილი – დაიდგა კილიანის „სარაბანდა“ და სრულად იქნა წარმოდგენილი მისი ქორეოგრაფიის პროგრამა, ნაჩვენები იქნა ბალანჩინის „სიმფონია დო მაჟორი“ და რეპერტუარში აქამდე არსებული ქორეოგრაფის კიდევ ორი ბალეტი. ივნისის ბოლოს მაყურებელს საბალეტო დასი zaqaria faliaSvilis saxelobis Tbilisis operisa da baletis profesiuli saxelmwifo საერთაშორისო პროექტზე იწვევს – ნინო სურგუ- Teatris sabaleto dasis Jurnali ლაძის საერთაშორისო საქველმოქმედო ფონდი MAGAZINE ABOUT THE BALLET COMPANY OF THE TBILISI Z. PALIASHVILI OPERA AND BALLET PROFESSIONAL STATE THEATRE „ნატვრის ხე“, თბილისის ოპერის თეატრთან gamodis weliwadSi orjer Issued twice a year ერთად, მნიშვნელოვან პროექტს ახორციელებს. პროგრამაში ნინო როტას სუიტაზე (ფედერიკო ფე- თეატრის სამხატვრო საბალეტო დასის ლინის ფილმიდან „La Strada“) დადგმული ბალეტი ხელმძღვანელი ხელმძღვანელი იქნება, სადაც ნინო ანანიაშვილი და საბალეტო დავით კინწურაშვილი ნინო ანანიაშვილი დასი მიიღებს მონაწილეობას. ამ და სხვა მნიშვნე- Artistic Manager Artistic Director of ლოვან ამბებზე მომავალ ნომერში მოგითხრობთ.
    [Show full text]
  • Memorable Debut Del Royal Ballet En Cuba
    Progreso Semanal Nuestro mundo desde perspectivas progresistas http://progresosemanal.us Memorable debut del Royal Ballet en Cuba Author : Archivo Progreso Date : 15 de julio, 2009 La Habana, 15/07/ 2009. PL. El público cubano satisfizo aquí sus expectativas tras el debut del Royal Ballet con un programa marcado por la diversidad coreográfica y la muy esperada actuación de la española Tamara Rojo y el cubano Carlos Acosta. Estos últimos, abanderados de la famosa compañía británica, centraron la víspera en la sala García Lorca, del Gran Teatro de La Habana, un memorable espectáculo con el pas de deux de El corsario, pleno de virtuosismo, entre fouettes y pirouettes. Como primer botón de muestra, la contemporánea pieza Chroma, del célebre coreógrafo Wayne McGregor, puso al descubierto las exigencias fisicas que demanda a cada bailarín un juego que deshace la teoría del conocimiento sobre el cuerpo humano. La luz y el movimiento se conjugaron en un espacio mínimo para dar paso al cuerpo arquitectónico, en esa máxima del anatomista y fisiólogo checo Jan Evangelista cuando apuntó: los engaños de los sentidos son las verdades de la percepción. A los divertimentos les fue reservada también otra estela de aplausos y exclamaciones de bravo. Alina Cojocaru y José Martin demostraron talento histriónico en el pas de deux Las voces de la primavera, mientras que Roberta Márquez y Edward Watson encarnaron la escena del balcón de Romeo y Julieta, coreografiada por Kenneth MacMillan. El duetto de Mara Galeazzi y Thiago Soares protagonizó otro pas de deux, Farewell, en que los intensos arabescos de la primera y los saltos en giros de su contraparte devinieron no solo expresión amorosa sino diatriba contra el destino.
    [Show full text]
  • Our Year 2018/19 the Royal Ballet School | Our Year 2018/19
    46 FLORAL STREET WHITE LODGE COVENT GARDEN RICHMOND PARK LONDON WC2E 9DA SURREY TW10 5HR +44 (0)20 7836 8899 +44 (0)20 8392 8440 [email protected] | royalballetschool.org.uk A COMPANY LIMITED BY GUARANTEE | REGISTERED IN ENGLAND (547018) | REGISTERED CHARITY NO: 214364 | REGISTERED OFFICE: 46 FLORAL STREET, LONDON WC2E 9DA Our mission is to nurture, train and educate exceptional young dancers for the Royal Ballet companies and other leading UK and international companies and to inspire the future of classical ballet training. Photo: 2nd Year students in Simple Symphony by Alastair Marriott Cover photo: Davi Ramos, 2019 graduate, now dancing with Dutch National Ballet Junior Company, in Untied, Undone by Ashley Page ©2019 The Royal Ballet School/Photography by ASH. Cover: ©2018 The Royal Ballet School/Photography by ASH by Ballet School/Photography Royal The ©2018 Cover: ASH. by Ballet School/Photography Royal The ©2019 One of the particular joys of my role is the opportunity to consistently move forward, delivering an education in dance and beyond that responds to our students’ evolving needs and the high demands set by the professional world. It has therefore been the utmost privilege to further develop their work for the stage to lead the School through an exciting with support from professional mentors. year, with key developments in our It has been truly rewarding to watch healthcare, choreographic and academic students’ creative expression blossom programmes, and international success under the mentorship and encouragement for our graduates. of experienced practitioners. Our final year students inspired us once At Upper School, the first cohort of again as they left to join the Royal Ballet students studying for The Royal Ballet companies and other top international School degree in Classical Ballet and companies.
    [Show full text]
  • Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
    edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P.
    [Show full text]