POLAND 100 Years P O L a N D 1 0 0 POLAND POLAND 100 Years 100 Years

Total Page:16

File Type:pdf, Size:1020Kb

POLAND 100 Years P O L a N D 1 0 0 POLAND POLAND 100 Years 100 Years POLAND 100 Years P O L A N D 1 0 0 POLAND POLAND 100 Years 100 Years The Poland 100 Years album has been created on the occasion Authors of texts of the centenary of Poland’s independence. The concept of the publication was developed by the Program Council appointed Iwona Arabas through a social initiative. Among the creators of the album there Waldemar Baraniewski are distinguished authors representing different disciplines Marek Belka of science, economy and culture. Ryszard Bugaj Wojciech J. Burszta Program Council Andrzej Chwalba Jerzy Eisler Michał Kleiber – Chairman Andrzej Friszke Marcin Gmys Jerzy Bralczyk Grzegorz Gorzelak Waldemar Dąbrowski Ryszard M. Groński Andrzej Mencwel Michał Kleiber Wiesław Myśliwski Krzysztof Kłosiński Witold M. Orłowski Krzysztof Konarzewski Adam D. Rotfeld Andrzej Kruczyński Henryk Samsonowicz Tadeusz Lubelski Krystyna Skarżyńska Dorota Malec Bogdan Szymanik Andrzej Mencwel Dariusz Michalski Krzysztof Michalski Stanisław Michałowski Jan Miodek Władysław T. Miodunka Wojciech Morawski Bolesław Orłowski Witold M. Orłowski Andrzej Paczkowski Walery Pisarek Maria Anna Potocka Adam D. Rotfeld Joanna Schiller-Walicka Janusz H. Skalski Krystyna Skarżyńska Roch Sulima Stefan Szczepłek Adam Szostkiewicz Maciej Tymiński Jarosław Włodarczyk Leszek Zasztowt Nation and Society—the Poles and Others Mathematical and Physical Sciences— Wojciech J. Burszta Explaining the Universe Table of Contents 262 Jarosław Włodarczyk 111 National Identity—Tensions and Contradictions Andrzej Mencwel Natural and Medical Sciences—Nature and Man 276 Iwona Arabas 156 Society—Relationships and Values Krystyna Skarżyńska Technical Achievements—for Poland and the World 288 Bolesław Orłowski, Krzysztof Michalski 168 Religions and the Religious Structure Adam Szostkiewicz 298 V Preface II Michał Kleiber Education and Its Reforms Culture 21 Economy Krzysztof Konarzewski 311 Literature—Between Creative Freedom and Politics Economic Balance of the Second Republic of Poland: Krzysztof Kłosiński I Challenges, Opportunities, Dilemmas Media—From the Press and Radio to the Internet 180 Wojciech Morawski Walery Pisarek History and Politics 162 328 Classical Music—The Golden Age Marcin Gmys Between the East and the West? After the War—the Period of Concrete and Steel Healthcare—the Organization and 191 Adam D. Rotfeld Maciej Tymiński Operation of the System 28 176 Janusz H. Skalski Theater—Between Imitation and Originality 312 Andrzej Kruczyński From Collapse to Resurrection The 1970s—the Time of Shattered Hopes 506 Andrzej Chwalba Ryszard Bugaj Sport as a National Cement 16 190 Stefan Szczepłek Cinema—The Dizzying Career of the 10th Muse 356 Tadeusz Lubelski From First to Second World War Transformation—the Bright and the Dark Sides 521 Andrzej Paczkowski Marek Belka Emigration—in Search of Freedom, 60 202 Bread and Knowledge The Art of the Last Century—Individualism vs. History Władysław T. Miodunka Maria Anna Potocka From the September Disaster till the End of the War The Miracle of Entrepreneurship 378 531 Andrzej Friszke Witold M. Orłowski 71 216 Countryside—Transformations Architecture—Between Tradition and the Avant-Garde in Peasant Mentality and Awareness Waldemar Baraniewski From the Polish Committee of National Liberation The Path Towards the Center of Europe Roch Sulima 550 to the Fall of Communism Grzegorz Gorzelak 100 Andrzej Friszke 221 Popular Music—Entertainment Not Only for the Masses 88 Dariusz Michalski One Hundred Years of Chasing the Developed West IV 562 From the Fall of Communism . Witold M. Orłowski Jerzy Eisler 231 Science and Technology Cabaret—Reality in a Distorted Mirror 106 Ryszard M. Groński Institutions—Universities, Institutes, Scientific 571 The Law in Poland During the Last 100 Years III Associations Dorota Malec Joanna Schiller-Walicka 121 Society 118 Varia The Role of Territorial Self-Government in State Structures Changes in the Polish Language Humanities—Achievements of Scholars Stanisław Michałowski Jan Miodek Leszek Zasztowt List of Abbreviations 110 252 130 586 The Homeland is a great—collective—Duty Cyprian Kamil Norwid 23 Soviet-influenced communist government that was foreign to our Preface tradition.” The celebration of the 100th anniversary of regaining indepen- dence is, of course, an entirely exceptional event. This was why the originators of this album made an effort to emphasize the im- portance of this event by preparing a special jubilee publication with the huge commitment of a few dozen authors. The goal of the Michał Kleiber album is to present the history of Poland over the last 100 years in a verbal and pictorial form. To show in an attractive manner how, in spite of many dramatic events we encountered after regaining inde- pendence, we managed to build a modern, steadily developing state with a strong international position and the rising welfare of inhab- itants. Gratefully looking back on the heroism of our predecessors, whom we owe the possibility of celebrating successive anniver- “On November 11th, 1918, the dream of generations of Poles came orable November of 1918. A state of festive elation was also aroused saries of this splendid Independence Day in such a solemn and true—the Polish State was reborn. After the Partitions and 123 years by the victory in the war against Bolshevik Russia (1919-1921), which emotional manner, we would also like to encourage us all to think of servitude, Russification and Germanization, after great upris- was followed by the mundane process of building a new state. about and reflect on very current topics. The matter of regaining ings, free Poland returned to the world map. [. .] Independence The complexity of our modern history is reflected by the history independence is of fundamental importance to Poles not only for was regained through the dedicated and heroic fight not only in of the celebration of Independence Day. In 1919-1936, anniversaries the sake of remembrance. The patriotic awareness of our dramatic battlefields but also in daily struggles for maintaining the spiritual of the restoration of independence were celebrated as military cere- past and heroism necessary to overcome the national tragedy also and material national substance [. .]. This was also possible be- monies in Warsaw, usually on the first Sunday after November 11th. helps us effectively face the challenges of the future, both those cause people representing various circles—the pro-independence The status of a national holiday was assigned to Independence already known and those still unknown. The stimulation of such left wing, the national movement and the people’s movement— Day only by the Act of April 23rd, 1937. It was to celebrate the res- reflection was also the intention of the authors of this album. On managed to come to an understanding in the most important mat- toration of Poland’s sovereignty along with the end of World War I the year of this beautiful jubilee, it is worth realizing once again ters”—we can read in the Resolution of the Sejm of the Republic of and to commemorate Józef Piłsudski. During the Nazi occupation that only a strong civic community, following the example of such a. Secondary school students, members of the Polish Military Or- Poland adopted unanimously on May 25th, 2017, according to which of Poland in 1939-1915, the public celebration of Polish national holi- a diversified society raised in three Partitions one hundred years ganization in Częstochowa with weapons taken over from the Ger- the year 2018 was declared as the year of the 100th anniversary of days was obviously impossible, and organizers of the underground ago, is able to solve problems that we may come upon in the future. mans, November 11th, 1918 the restoration of independence by Poland. celebrations of the anniversary of November 11th were exposed a. The National Independence Day commemorates this event of to severe repressions. However, attempts were still made to keep fundamental importance for the process of forming the modern the memory of Independence Day alive. On the days preceding Polish nation. Although regaining independence was a long-lasting November 11th, inscriptions such as “Poland is fighting” or “Poland and gradual process, the date adopted as Polish National Indepen- is not yet lost” and—from November 1912—also the anchor-shaped dence Day is justified by the most significant events—on Novem- emblem of Fighting Poland could be seen on walls and sidewalks. ber 7th, the Provisional People’s Government was formed in Lublin, In spite of the Poles’ belief in the exceptional importance of this and on November 10th, Józef Piłsudski arrived in Warsaw from the event in our history and reverence for its heroes, Independence prison in Magdeburg and took over military power one day later. Day was abolished in 1915. By the decision of new authorities, the Also on November 11th, an armistice signed in Compiègne sealed most important national holiday became the National Day of the the end of World War I and the ultimate defeat of Germany. On Rebirth of the Polish State, celebrated on July 22nd on the anni- November 16th, 1918, Piłsudski sent the following telegraph to the versary of the proclamation of the Manifesto of the Polish Com- heads of states and the heads of governments of the United States, mittee of National Liberation. This forced independence circles Great Britain, France, Italy, Japan, Germany and many other states: to organize illegal celebrations of successive anniversaries of the “As Commander-in-Chief of the Polish Army, I wish to notify the
Recommended publications
  • Pieśniarz Warszawy, Czyli Stolica Pełna Muzycznych Szlagierów
    Pieśniarz Warszawy, czyli stolica pełna muzycznych szlagierów Hanna Wach Adresat zajęć: uczniowie szkoły ponadpodstawowej, klasa II. Rodzaj zajęć: historia, koło historyczne. Cel ogólny zajęć: Kształtowanie umiejętności syntetyzowania wiedzy w czasie i przestrzeni historycznej oraz w ciągach problemowych. Pogłębienie zainteresowań historycznych uczniów, budzenie ciekawości poznawczej dotyczącej przeszłości. Cele szczegółowe: Uczeń: analizuje wydarzenia, zjawiska i procesy historyczne w kontekście epoki; sytuuje wydarzenia i zjawiska historyczne w czasie, porządkuje je, dostrzega zmiany w życiu społecznym oraz ciągłość w rozwoju kulturowym i cywilizacyjnym; dokonuje selekcji i hierarchizacji oraz integruje pozyskane informacje z różnych źródeł wiedzy. Metody pracy: metoda eksponująca: projekcja filmu, dyskusja dydaktyczna, poga- danka, drama (temat: „Głos warszawskiej kamienicy”), analiza źródeł w tym: ikono- grafii, zdjęć, analiza planu. Formy pracy: praca w grupach, praca indywidualna, praca z całą klasą. Środki i materiały dydaktyczne: plan Warszawy z 1934 r., ilustracje przedstawia- jące ulice, place, kamienice, podwórka-studnie przedwojennej Warszawy, ilustracje przedstawiające plakaty i programy kabaretów, rewii, ilustracje przedstawiające ka- barety i teatrzyki rewiowe przedwojennej Warszawy, zdjęcia celebrytów przedwojen- nej Warszawy, ilustracje przedstawiające menu w restauracjach, barach i kawiarniach, plakaty. Słowa kluczowe: kabarety, szlagiery, przedwojenna Warszawa, ballada podwórzo- wa, lata 30. Czas: 1 godzina lekcyjna
    [Show full text]
  • May 2017 1 Periodical Postageperiodical Paid at Boston, New York
    Petition to Keep Kosciuszko House OpenPOLISH —AMERICAN Page 2 JOURNAL • MAY 2017 www.polamjournal.com 1 PERIODICAL POSTAGE PAID AT BOSTON, NEW YORK NEW BOSTON, AT PAID PERIODICAL POSTAGE POLISH AMERICAN OFFICES AND ADDITIONAL ENTRY DEDICATED TO THE PROMOTION AND CONTINUANCE OF POLISH AMERICAN CULTURE JOURNAL STAŚ KMIEĆ REVIEWS “THE ZOOKEEPER’S WIFE” ESTABLISHED 1911 MAY 2017 • VOL. 106, NO. 5 • $2.00 www.polamjournal.com PAGE 10 ACHIEVING A POLISH SEAL OF BILITERACY • CHICAGO SOCIETY WELCOMES TRIBUNE REPORTER NATIONAL POLISH AMERICAN SPORTS HALL OF FAME CLASS OF 2017 NAMED • GHETTO RISING THE DENVER ARTISTS GUILD • SEEKING POLISH FILMS • CONSULATE TRADE MISSION VISIT TO OHIO IS SUCCESSFUL Newsmark Belle of the Ball PHOTO: GOSIA’S HEART PHOTOGRAPHY SUPPORTS RETALIATION AGAINST SYRIAN RE- GIME. Polish President Andrzej Duda expressed support for U.S. President Donald Trump’s decision to fire upon the Shayrat Air Base in response to Syria’s use of chemi- cal weapons against civilians. Dozens of people, including children, were killed in the regime’s assault. “In the face of this act of unimaginable barbarity, the civilized world could not remain indifferent,” Duda said in a statement. “Poland strongly condemns crimes committed against ci- vilians and calls on the entire international community to engage even more strongly in the restoration of peace in Syria, to stop the madness of war and interrupt the spiral of violence.” POLAND HAS REJECTED SUGGESTIONS that it may be punished politically and financially by the European Union for not accepting refugee/migrants. After hordes of migrants poured into Germany, Chancellor Angela Merkel, who had initially welcomed them, prevailed upon the EU to force other countries to admit specific quotas.
    [Show full text]
  • Szmonces — Ten Specyficzny Genre Kabaretowy — Jak Go Określił Kazimierz Krukowski
    http://dx.doi.org/10.17651/socjolinG.33.15 socjolingwistyka XXXiii, 2019 pl issn 0208-6808 e-issn 2545-0468 anna kRasowska uniwersytet kardynała stefana wyszyńskiego w Warszawie orcid: 0000-0002-5761-8317 fleksyjne wykładniki stylizacji na polszczyznę żydów w przedwojennym szmoncesie kabaretowym słowa kluczowe: stylizacja językowa, fleksja, polszczyzna Żydów, szmonces, kabaret w polsce. stReszczenie artykuł jest poświęcony stylizacji językowej w przedwojennych szmoncesach kabaretowych. przyjmując perspektywę lingwistyczną, autorka analizuje zjawiska fleksyjne, które stały się językową kanwą szmonce- sów: błędy związane z niedostateczną znajomością polszczyzny oraz interferencje wewnętrzne i zewnętrzne (z językiem jidysz). W tekstach kabaretowych zabiegi te pełnią funkcję identyfikacyjną (wskazują na ży- dowskiego bohatera utworu) i gatunkotwórczą, służą także wywołaniu efektu komicznego. analiza środków wykorzystanych przez autorów szmoncesów jest rozszerzeniem i uzupełnieniem badań nad polszczyzną Żydów w tekstach literackich i ludowych, które w latach 80. XX w. prowadziła Maria brzezina. szmonces kaBaRetowy szmonces — ten specyficznygenre kabaretowy — jak go określił kazimierz krukowski (1982: 187), zajmuje szczególną pozycję w historii polskich teatrzyków rewiowych i kabaretów okresu międzywojennego. etymologii samej nazwy poszukiwać należy w języku jidysz, w którym wyraz szmonce oznacza sensu largo ‘głupotę, bzdurę, bła- hostkę, nonsens’, w węższym zaś rozumieniu staje się synonimem dowcipu, kawału. pierwotnie szmoncesem nazywano wywodzący się z żydowskiego folkloru rodzaj twórczości oralnej — krótką opowiastkę zakończoną paradoksalną pointą (cała i in. 2000: 336), w której ujawniał się charakterystyczny dla tej społeczności sposób rozu- mowania i żartowania. w kontekście twórczości literacko-kabaretowej nazwa szmonces pojawiła się naj- prawdopodobniej w roku 1921, w jednej z recenzji programu Qui pro Quo, zamiesz- czonej w „robotniku” — jej autor określił tym mianem humorystyczny dialog Cymes i Cures (M.l.
    [Show full text]
  • THE-POLISH-TRACE-Ebook.Pdf
    8 THE POLISH TRACE COMPOSED FROM COMMONLY AVAILABLE SOURCES BY LECH POLKOWSKI FOR IJCRS2017 FOREWORD It is a desire of many participants of conferences to learn as much as possible about the history and culture of he visited country and place and organizers try to satisfy this desire by providing excursions into attractive places and sites. IJCRS2017 also tries to take participants to historic sites of Warmia and Mazury and to show elements of local culture. As an innovation, we propose a booklet showing some achievements of Polish scientists and cryptographers, no doubt many of them are known universally, but some probably not. What bounds all personages described here is that they all suffered due to world wars, th efirst and the second. These wars ruined their homes, made them refugees and exiles, destroyed their archives and libraries, they lost many colleagues, friends and students but were lucky enough to save lives and in some cases to begin the career overseas. We begin with the person of Jan Czochralski, world famous metallurgist, discoverer of the technique of producing metal monocrystals `the Czochralski methode’ and inventor of duraluminum and the `bahnalloy’ who started his career and obtained its heights in Germany, later returned to Poland, became a professor at the Warsaw Polytechnical, played an important role in cultural life of Warsaw, lived in Warsaw through the second world war and the Warsaw Uprising of August-September 1944 and after the war was accused of cooperating ith occupying German forces and though judged innocent was literally erased from the public life and any information about him obliterated.
    [Show full text]
  • Generate PDF of This Page
    Institute of National Remembrance https://ipn.gov.pl/en/news/8381,The-IPNs-statement-world-media-from-Venezuela-to-Singapore-on-ho w-Poles-changed-.html 2021-09-25, 09:33 25.06.2021 The IPN’s statement: world media from Venezuela to Singapore on how Poles changed the world of technology. A story by the President of the Institute of National Remembrance appears in the latest instalment of the "We Are Telling the World about Poland" series. This weekend, fifty media outlets around the world are publishing “Polish Innovators Have Changed the World”, another text by Jarosław Szarek in the “We Are Telling the World about Poland” project. This initiative of the New Media Institute is supported by the IPN, Foreign Ministry, National Bank and Polish Press Agency. France, Germany, Italy, Spain and Russia will be told about Poland, but the story is also headed for more exotic places, such as Venezuela, Kuwait or Singapore. This weekend, France will be reading it in the “Special Pologne” insert in the “L’Opinion” daily. President Szarek gives examples of Polish explorers, innovators and inventors, “Poles spurred the development of electronics, chemistry and aviation. They constructed portable mine detectors and broke the German Enigma, accelerating the end of the WW2,” writes the IPN’s President, and adds, In the early 1980s, when the world watched the struggle of Polish “Solidarity” and newspapers carried the name of John Paul II on their front pages, only few people knew that 90% of stainless steel almost everyone used daily, including in their kitchens, was produced through a process developed by the US-based Polish engineer Tadeusz Sendzimir, the “Edison of metallurgy .
    [Show full text]
  • October / November 2011 Newsletter
    October / November 2011 Thaddeus Mirecki 30th Anniversary of Polish American Heritage Month 2011 “Pride of Polonia Award” Recipient The Polish American Heritage Month On Sunday, September 3, 2011, at Committee urges all Polish Americans, the conclusion of the 12:30 P.M. Mass organizations, cultural and youth groups, at the National Shrine of Our Lady of churches and schools to make a special Czestochowa in Doylestown, PA, the Polish effort to highlight the history, traditions Apostolate Pride of Polonia Award was and culture of the Polish people during presented to Thaddeus Mirecki by Rev. October. During 2011, Polonia marks Joseph Olczak, O.S.P.P.E., Provincial, the 30th anniversary of Polish American Pauline Fathers and Brothers, on behalf of Heritage Month, founded in Philadelphia Cardinal Adam Maida and Msgr. Anthony and now a national effort promoting Polish Czarnecki, National Chairman of the Polish American accomplishments and Polish Irene and Ted Mirecki Apostolate Committee. American communities across the U.S.A. The Pride of Polonia Award was established in 1992 by the The national theme "United We Executive Board of the Polish Apostolate to recognize individuals who Celebrate" helps brings attention to the fact that we celebrate our make unique contributions to the Polish people and are involved in Polish Heritage while living with many nationalities in the greatest philanthropic activites. The first recipient was John Cardinal Krol. country on earth. Because our ancestors were proud of their Mr. Mirecki thanked the Committee and gave his deepest thanks to Polish heritage, the more than 20 million people in America that his wife of 44 years, Irene, whose patience and encouragement made share full or partial Polish heritage continue to honor the customs it possible for him to be involved in causes so dear to him.
    [Show full text]
  • Harvard Historical Studies • 173
    HARVARD HISTORICAL STUDIES • 173 Published under the auspices of the Department of History from the income of the Paul Revere Frothingham Bequest Robert Louis Stroock Fund Henry Warren Torrey Fund Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM WILLIAM JAY RISCH The Ukrainian West Culture and the Fate of Empire in Soviet Lviv HARVARD UNIVERSITY PRESS Cambridge, Massachusetts London, En gland 2011 Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Copyright © 2011 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Risch, William Jay. The Ukrainian West : culture and the fate of empire in Soviet Lviv / William Jay Risch. p. cm.—(Harvard historical studies ; 173) Includes bibliographical references and index. I S B N 9 7 8 - 0 - 6 7 4 - 0 5 0 0 1 - 3 ( a l k . p a p e r ) 1 . L ’ v i v ( U k r a i n e ) — H i s t o r y — 2 0 t h c e n t u r y . 2 . L ’ v i v ( U k r a i n e ) — P o l i t i c s a n d government— 20th century. 3. L’viv (Ukraine)— Social conditions— 20th century 4. Nationalism— Ukraine—L’viv—History—20th century. 5. Ethnicity— Ukraine—L’viv— History—20th century.
    [Show full text]
  • Catalogo Giornate Del Cinema Muto 2016
    ASSOCIAZIONE CULTURALE Chiba, Max Laiguillon, Eric Lange (Lobster Films); “LE GIORNATE DEL CINEMA MUTO” Lenny Borger. Germania: Thilo Gottschling, Andreas Lautil, Soci fondatori Matteo Lepore (ARRI Media GmbH); Karl Griep, Paolo Cherchi Usai, Lorenzo Codelli, Evelyn Hampicke, Egbert Koppe, Julika Kuschke Piero Colussi, Andrea Crozzoli, Luciano De (Bundesarchiv-Filmarchiv, Berlin); Hans-Michael Giusti, Livio Jacob, Carlo Montanaro, Mario Bock (CineGraph, Hamburg); Dirk Foerstner, Quargnolo†, Piera Patat, Davide Turconi† Martin Koerber (Deutsche Kinemathek, Presidente Berlin); Anke Mebold, Michael Schurig, Thomas Livio Jacob Worschech (Deutsches Filminstitut – DIF); Direttore emerito Andreas Thein (Filmmuseum Düsseldorf); David Robinson Stefan Drössler (Filmmuseum München); Ralf Forster (Filmmuseum Potsdam); Anke Wilkening Direttore (Friedrich-Wilhelm-Murnau-Stiftung); Christiane Jay Weissberg Reuter (Spielzeugmuseum der Stadt Tübingen); Lea-Aimee Frankenbach; Jeanpaul Goergen; Ringraziamo sentitamente per aver collaborato Megumi Hayakawa; Martin Loiperdinger. al programma: Giappone: Hisashi Okajima, Akira Tochigi Argentina: Fernando Martín Peña (Filmoteca (National Film Center of The National Museum of Buenos Aires); Paula Félix-Didier, Leandro Listorti Modern Art, Tokyo); Hiroshi Komatsu; (Museo del Cine Pablo C. Ducros Hicken, Buenos Johan Nordström. Aires). Italia: Flavia Barretti, Andrea Meneghelli, Australia: Joel Archer (Golden Oldies Cinema, Davide Pozzi, Elena Tammaccaro (Cineteca di Brisbane); Sally Jackson, Meg Labrum, Michael
    [Show full text]
  • 1 INTRODUCTION This Dissertation Will Discuss the Perception of Polish
    Cut off by the 'Iron Curtain' Item Type Thesis Authors Draniewicz, Anna B. Rights <a rel="license" href="http://creativecommons.org/licenses/ by-nc-nd/3.0/"><img alt="Creative Commons License" style="border-width:0" src="http://i.creativecommons.org/l/by- nc-nd/3.0/88x31.png" /></a><br />The University of Bradford theses are licenced under a <a rel="license" href="http:// creativecommons.org/licenses/by-nc-nd/3.0/">Creative Commons Licence</a>. Download date 24/09/2021 13:59:05 Link to Item http://hdl.handle.net/10454/4927 INTRODUCTION This dissertation will discuss the perception of Polish Cinema in English- language literature. During the collection of my secondary data, which concentrated mainly on English-language books but also includes newspapers and Internet resources, I encountered many interesting issues. These are divided here into three categories discussed in three chapters: ‘Stereotypes and Errors’ that result from the lack of knowledge thus causing misunderstandings, ‘Deficiencies’ about the absence of some films and directors in the English-speaking world and ‘Different Perspectives’ that reveal some interesting comparisons. The judgements applied to define these sections are respectively: accuracy (correctness of the facts), novelty (unknown trends) and originality of ideas (absent in Polish film criticism). During my research I have discovered the main factors distorting the perception of Polish cinema. I talked about them during my presentation entitled ‘English-Language Critical Engagements with Polish Cinema’ during the ‘Polish Cinema in an International Context’ conference held in Manchester in December 2009. Most of these issues are addressed in Chapter One, which outlines the problems that English-language authors seem to have with the Polish language, the background political issues and the lack of knowledge about some of the periods of Polish cinema.
    [Show full text]
  • POLISH INDEPENDENT PUBLISHING, 1976-1989 a Dissertation Submitted to the Faculty of the Graduate Scho
    MIGHTIER THAN THE SWORD: POLISH INDEPENDENT PUBLISHING, 1976-1989 A Dissertation Submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History. By Siobhan K. Doucette, M.A. Washington, DC April 11, 2013 Copyright 2013 by Siobhan K. Doucette All Rights Reserved ii MIGHTIER THAN THE SWORD: POLISH INDEPENDENT PUBLISHING, 1976-1989 Siobhan K. Doucette, M.A. Thesis Advisor: Andrzej S. Kamiński, Ph.D. ABSTRACT This dissertation analyzes the rapid growth of Polish independent publishing between 1976 and 1989, examining the ways in which publications were produced as well as their content. Widespread, long-lasting independent publishing efforts were first produced by individuals connected to the democratic opposition; particularly those associated with KOR and ROPCiO. Independent publishing expanded dramatically during the Solidarity-era when most publications were linked to Solidarity, Rural Solidarity or NZS. By the mid-1980s, independent publishing obtained new levels of pluralism and diversity as publications were produced through a bevy of independent social milieus across every segment of society. Between 1976 and 1989, thousands of independent titles were produced in Poland. Rather than employing samizdat printing techniques, independent publishers relied on printing machines which allowed for independent publication print-runs in the thousands and even tens of thousands, placing Polish independent publishing on an incomparably greater scale than in any other country in the Communist bloc. By breaking through social atomization and linking up individuals and milieus across class, geographic and political divides, independent publications became the backbone of the opposition; distribution networks provided the organizational structure for the Polish underground.
    [Show full text]
  • MAKING SENSE of CZESLAW MILOSZ: a POET's FORMATIVE DIALOGUE with HIS TRANSNATIONAL AUDIENCES by Joanna Mazurska
    MAKING SENSE OF CZESLAW MILOSZ: A POET’S FORMATIVE DIALOGUE WITH HIS TRANSNATIONAL AUDIENCES By Joanna Mazurska Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History August, 2013 Nashville, Tennessee Approved: Professor Michael Bess Professor Marci Shore Professor Helmut W. Smith Professor Frank Wcislo Professor Meike Werner To my parents, Grazyna and Piotr Mazurscy II ACKNOWLEDGEMENTS I would like to express my gratitude to the members of my Dissertation Committee: Michael Bess, Marci Shore, Helmut Smith, Frank Wcislo, and Meike Werner. Each of them has contributed enormously to my project through providing professional guidance and encouragement. It is with immense gratitude that I acknowledge the support of my mentor Professor Michael Bess, who has been for me a constant source of intellectual inspiration, and whose generosity and sense of humor has brightened my academic path from the very first day in graduate school. My thesis would have remained a dream had it not been for the institutional and financial support of my academic home - the Vanderbilt Department of History. I am grateful for the support from the Vanderbilt Graduate School Summer Research Fund, the George J. Graham Jr. Fellowship at the Robert Penn Warren Center for the Humanities, the Max Kade Center Graduate Student Research Grant, the National Program for the Development of the Humanities Grant from the Polish Ministry of Science and Higher Education, and the New York University Remarque Institute Visiting Fellowship. I wish to thank to my friends at the Vanderbilt Department of History who have kept me company on this journey with Milosz.
    [Show full text]
  • Fundacja Shalom WARSZAWA SINGERA XI FESTIWAL KULTURY ŻYDOWSKIEJ 23 – 31 Sierpnia 2014
    Fundacja Shalom WARSZAWA SINGERA XI FESTIWAL KULTURY ŻYDOWSKIEJ 23 – 31 sierpnia 2014 Organizatorzy zastrzegają sobie prawo do zmian w programie Szanowni Państwo, Drodzy Przyjaciele, od dziesięciu lat towarzyszycie kolejnym warszawskim edycjom naszego Festiwalu. Nazwaliśmy go „Warszawa Singera“ w przekonaniu, że to właśnie w twórczości jego patrona najlepiej wyraził się duch przedwojennej żydowskiej Warszawy i jej języka – jidysz. Nikt tak jak Icchok Baszewis Singer nie opisał zaułków Muranowa, Grzybowa i Starego Miasta, tamtejszych bożnic, sklepów i domów nauki, chasydów i litwaków, uczonych i kupców, bogaczy, biedaków i złodziei. Jeżeli warszawscy Żydzi mieli swojego barda, który ich unieśmiertelni i rozsławił na całym świecie, był nim właśnie autor „Rodziny Muszkatów”, „Spinozy z ulicy Rynkowej” i „Urzędu mojego ojca”. Jeżeli Icchok Baszewis Singer otrzymał literacką Nagrodę Nobla, dostał ja dzięki Warszawie. Ale Singer to nie tylko Warszawa, a Warszawa to nie cały żydowski świat. Patron naszego Festiwalu przyszedł na świat w Leoncinie na Mazowszu. Najwcześniejsze lata spędził w chasydzkim Radzyminie pod Warszawa, młodość – w stolicy, u ojca na sławnej ulicy Krochmalnej, oraz w Biłgoraju na Lubelszczyźnie, w rodzinnym domu Baszewy, ukochanej matki. To na jej część stał się Baszewisem. Opuściwszy Polskę na zawsze w 1935 roku, wyjechał do Nowego Jorku, gdzie mieszkał ponad pół wieku. I tak, bez Radzymina nie byłoby Dworu, bez podroży na Lubelszczyznę – debiutanckiego Szatana w Goraju i pisanego już po wojnie Sztukmistrza z Lublina, ulubionej książki wielu miłośników jego talentu. Z kolei bez Nowego Jorku nie powstałyby Cienie nad rzeka Hudson – przejmujący portret żydowskich emigrantów w Nowym Świecie, których wciąż nawiedzają widziadła Zagłady. Dlatego w tym roku wychodzimy poza warszawskie opłotki.
    [Show full text]