Stranger Than Fiction
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October 12-18 Videofest.Org Video Association of Dallas Make Films That Matter
ANGELIKA FILM CENTER OCTOBER 12-18 VIDEOFEST.ORG VIDEO ASSOCIATION OF DALLAS MAKE FILMS THAT MATTER UNIVERSITY OF The Department of Art and TEXAS ARLINGTON Art History at UTA has an ART+ART HISTORY excellent reputation for FILM/VIDEO PROGRAM grooming young filmmakers, preparing WWW.UTA.EDU/ART 817-272-2891 them for the creative challenges and emotional rigors of the motion picture industry. Call our advising sta to find out how you can train to be a vital part of the film industry. Art Art History Department 2 CONTENTS 2 BROUGHT TO YOU BY 3 2015 BOARD OF DIRECTORS 4 SPONSORS & CONTRIBUTORS 8 WELCOME BY BART WEISS 10 ABOUT OUR JURORS 14 TEXAS SHOW JURORS 16 KOVACS AWARD 18 HONOREES 26 SCREENINGS 52 SCHEDULE 1 BROUGHT TO YOU BY BARTON WEISS YA’KE SMITH Artistic Director Festival Bumpers RAQUEL CHAPA MARK WICKERSHAM Managing Director KARL SCHAEFFER Transportation BOXOFFICE: PREKINDLE SELIG POLYSCOPE COMPANY CAMERON NELSON Videography Technical Supervisor REDMAN I AM CHRISTIAN VASQUEZ Trophies DAVID GRANDBERRY Technical Assistant MATTHIEU CARTAL DAKOTA FORD MARISSA ALANIS MATTHEW GEISE MARGARITA BIRNBAUM VIVIAN GRAY AMY MARTIN Outreach MIKE MILLER YUMA MORRIS KELLY J KITCHENS ELEONORA SOLDATI Interns RONI HUMMEL Media Relations/Entertainment Publicity BETH JASPER ALVIN HYSONG DANA TURNER MARSHALL PITMAN Program Editor WES SUTTON Programmers TAMITHA CURIEL Newsletter Editor RON SIMON Curator of Television Pasily Center CYNTHIA CHAPA Program Content ED BARK Critic Uncle Barkey SULLIVANPERKINS MICHAEL CAIN Graphic Design Filmmaker, former head of AFI Dallas Festival DESIGN TEXAS - UT ARLINGTON JOSH MILLS Program Book Design It’s Alive! Media & Management DEV SHAPIRO Kovacs Committee DARREN DITTRICH Webpage 2 BOARD OF DIRECTORS JEFFREY A. -
FACTUAL CATALOGUE 2020-2021 Including
HAT TRICK INTERNATIONAL FACTUAL CATALOGUE 2020-2021 Including... FACTUAL CATALOGUE CONTENTS FACTUAL CATALOGUE CONTENTS FACTUAL ENTERTAINMENT SECRETS OF YOUR SUPERMARKET FOOD 11 RIVER COTTAGE KEY CONTACTS TALKING ANIMALS: TALES FROM THE ZOO 17 AMAZING SPACES DENMARK 20 THE BALMORAL HOTEL: AN EXTRAORDINARY YEAR 25 A COOK ON THE WILD SIDE 38 SARAH TONG, Director of Sales AMISH: WORLD’S SQUAREST TEENAGERS 2 THE BIG BREAD EXPERIMENT 26 HUGH’S 3 GOOD THINGS: BEST BITES 38 Australia, New Zealand, Global SVOD THE BIG C & ME 13 ATLANTIC EDGE 16 HUGH’S THREE HUNGRY BOYS - SERIES 1 39 Email: [email protected] A VERY BRITISH HOTEL CHAIN: INSIDE BEST WESTERN 24 THE DETONATORS 6 HUGH’S THREE HUNGRY BOYS - SERIES 2 39 Tel: +44 (0)20 7184 7710 A YEAR ON THE FARM 16 THE GREAT BRITISH DIG: HISTORY IN YOUR BACK GARDEN 22 RIVER COTTAGE AUSTRALIA 39 BANGKOK AIRPORT 24 THE GREAT BRITISH GARDEN REVIVAL 18 RIVER COTTAGE BITES 38 BRADFORD: CITY OF DREAMS 8 THE LADYKILLERS: PEST DETECTIVES 16 RIVER COTTAGE BITES: BEST BITES 38 JONATHAN SOUTH, Senior Sales Executive BREAKING DAD 5 THE LAST MINERS 2 RIVER COTTAGE CATALOGUE 1999-2013 40-41 Canada, Latin America, Portugal, Spain, USA BRITISH GARDENS IN TIME 18 THE MILLIONAIRES’ HOLIDAY CLUB 24 Email: [email protected] BROKE 9 THE REAL MAN’S ROAD TRIP: SEAN AND JON GO WEST 5 FACTUAL / SPECIALS Tel: +44 (0)20 7184 7771 CABINS IN THE WILD WITH DICK STRAWBRIDGE 19 THE ROMANIANS ARE COMING 9 CELEBRITY TRAWLERMEN: ALL AT SEA 6 THE YEAR WITH THE TRIBE, A TASTE OF THE YORKSHIRE DALES 42 ELFYN MORRIS, Senior Sales Executive -
Restorative Justice Cover-02
Why Restorative Justice? Repairing the harm caused by crime Roger Graef Why Restorative Justice? Repairing the Harm Caused by Crime Why Restorative Justice? Repairing the Harm Caused by Crime Roger Graef edited and additional material by Marian Liebmann CALOUSTE GULBENKIAN FOUNDATION, LONDON Dedication To Martin Wright, whose vision of restorative justice has not obscured his commitment to rigorous scholarship. This vision inspired me to see the potential of restorative justice to change our lives. Published by the Calouste Gulbenkian Foundation United Kingdom Branch 98 Portland Place London W1B 1ET Tel: 020 7636 5313 © 2000 Calouste Gulbenkian Foundation The right of Roger Graef to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved; unauthorised reproduction of any part of this work in any medium is strictly prohibited. ISBN 0 903319 92 6 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Designed by Andrew Shoolbred Printed by Expression Printers Ltd, IP23 8HH Distributed by Turnaround Publisher Services Ltd, Unit 3, Olympia Trading Estate, Coburg Road, Wood Green, London N22 6TZ Tel: 020 8829 3000, Fax: 020 8881 5088, E-mail: [email protected] Cover photo: Still from In Search of Law and Order – UK (Channel 4). Contents Author’s Acknowledgements 6 Foreword by Ben Whitaker 7 Introduction 9 Chapter 1: The Need for Change 13 Chapter 2: Principles of Restorative Justice 18 Chapter 3: A Brief History 22 Chapter 4: The Victim 27 Chapter 5: The Offender 33 Chapter 6: The Community 38 Chapter 7: What Choices are There? 42 Chapter 8: Current Services 50 Chapter 9: New Government Legislation 55 Chapter 10: The Future 58 Retributive and Restorative Justice: A Comparison 63 Glossary 64 Further Reading 67 Organisations Involved in Restorative Justice 69 Index 71 Author’s Acknowledgements John Harding, one of the pioneers of restorative justice in Britain, has been extremely helpful. -
Donal Macintyre on Work Life Balance
Heartwww.heartofengland.nhs.uk SoulWinter 2011 Your award winning & members’ magazine Pathology investment update New high blood pressure treatment Top doc on twitter Investigative reporter Donal MacIntyre on work life balance Community CIPR Multi-million Trust health fair Award facelift for Charity emergency launch success winners department p2 p5 p6 p11 Birmingham Heartlands - Solihull - Good Hope - Birmingham Chest Clinic - Solihull Community Services TRUST NEWS A note from the membership team... Welcome to the winter news and developments feedback on this edition, edition of the Heart of taking place within we would love to hear England NHS Foundation our Hospitals and our from you. Simply call the Trust (HEFT) membership community services, as membership team on magazine. We hope you had well as a host of different (0121) 424 1218 or email a wonderful festive break health-related stories. the Trust membership and and a happy new year. If you would like to see community engagement Our first magazine for something in a future manager at sandra.white@ 2012 features the latest edition or would like to heartofengland.nhs.uk Community health fair success Drumming up interest in music Heartlands is hitting the right notes with local youngsters through a new music project launched after receiving a grant from the leading UK children’s charity, Youth Music. With locals attending in their workshops, musical Hundreds of under droves, a free family fun day entertainment and various privileged children and young held at Millennium Point in interactive health sessions people living close to the Birmingham was deemed an were also on offer. -
Travel Report JO March09.Doc – Julia Overton March 2009 2 Screen Australia – March 2009
T R IDFA & World Congress of Science and Factual Producers 2008, O with additional London meetings P Julia Overton, Investment and Development Manager – Documentary The objectives for attending IDFA and World Congress of Science and E Factual Producers were many. To have face-to-face meetings with potential co-producing partners, broadcasters, commissioning editors, sales agents and distributors who could work with Australian companies to enable R developed projects to be produced and finished projects to find a place in the market. To support the Australian filmmakers attending the events – in the case of IDFA it was those who had projects screening in the festival or who were pitching projects in the Forum or private meetings. To observe which L documentaries were finding an audience, and in what form. And to establish new contacts, particularly in the area of science producing, where the cost of production is such that numerous co-production partners are usually E essential. Attending the two events back-to-back was an interesting conjunction of market/festival. It is best expressed via two conversations I had on my first V day at each event. When asking a filmmaker at IDFA why they were there I was told it was with a film which was a ‘post-Brechtian deconstruction of the Israeli Palestinian conflict’ and on asking the same question at World A Congress the response was ‘to sell 26 hours on killer reptiles’. It gave a wonderful insight to the diversity of the world that is documentary. London R Before the festivals, time was spent in London having meetings with some of those with whom Screen Australia deals on a regular basis. -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
Annual Report 2007
ROYAL TELEVISION SOCIETY ANNUAL REPORT 2007 AGM 28 May 2008 at 6:00pm at the RTS, Kildare House, 3 Dorset Rise, London EC4Y 8EN Patrons Pepper Post Production Principal Patrons S4C SMG BBC Sony Business Europe BSkyB Spectrum Strategy Consultants Channel 4 Television UKTV ITV RTS Patrons International Patrons APTN ABN Amro Autocue Accenture Avid Technology Europe Bank of Ireland Corporate Banking Bloomberg Discovery Communications Europe Canon Microsoft Channel Television NBC Universal DTG High Definition Forum RTL Group Granada Television Time Warner Hat Trick Productions Viacom HIT Entertainment Walt Disney Company Ikegami Electronics UK IMS ITV Anglia Major Patrons ITV London ITV Meridian ITV Tyne Tees Arqiva ITV West Ascent Media Networks ITV Yorkshire BT Vision Cable & Wireless Omneon Video Networks Deloitte Panasonic Broadcast Europe DLA Piper PricewaterhouseCoopers Endemol UK Quantel Enders Analysis Radio Telefís Éireann Five Reuters Television FremantleMedia SMG Grampian Television GMTV SMG Scottish Television Guardian Media Group SSVC IMG Media Tektronix (UK) ITN Teletext KPMG Television Systems MCPS-PRS Alliance Ulster Television Millbank Studios University College, Falmouth OC&C Strategy Consultants University of Teesside Ofcom Vinten Broadcast 2 R O YA L T E L E V I S I O N S O C I E T Y REPORT 2007 Contents Patrons 2 Notice of AGM 2008 4 Form of proxy 5 Advisory Council election manifestos 6 Minutes of AGM 2007 7 Board of Trustees report to members 11 National events 2007 25 Centres report 2007 26 Who’s who at the RTS 28 Auditors’ report 30 Financial statements 31 Notes to the financial statements 34 Trustees’ and Directors’ reports 41 Picture credits 47 R O YA L T E L E V I S I O N S O C I E T Y REPORT 2007 3 Notice of AGM 2008 The 79th Annual General Meeting of the Royal Television Agenda Society will be held on Wednesday 28 May 2007 at: 1 To approve the minutes of the previous Annual General Kildare House Meeting held on 23 May 2007. -
'Honour' Killings in the Uk
‘HONOUR’ KILLINGS IN THE UK By Emily Dyer Published in January 2015 by The Henry Jackson Society The Henry Jackson Society Millbank Tower 21-24 Millbank London SW1P 4QP Registered charity no. 1140489 Tel: +44 (0)20 7340 4520 www.henryjacksonsociety.org © The Henry Jackson Society 2015 The Henry Jackson Society All rights reserved The views expressed in this publication are those of the author and are not necessarily indicative of those of The Henry Jackson Society or its Trustees. ‘Honour’ Killings In The UK By Emily Dyer ISBN 978-1-909035-17-1 £10.00 where sold Front Cover Images: Sabeen Thandi Banaz Mahmod Handprint © Creature London ‘HONOUR’ KILLINGS IN THE UK By Emily Dyer With research assistance by Plamena Solakova www.henryjacksonsociety.org ‘HONOUR’ KILLINGS IN THE UK About the Author Emily Dyer is a Research Fellow at The Henry Jackson Society. She specialises in women’s rights, as well as Islamism and terrorism. She authored Marginalising Egyptian Women, having spent time in Cairo interviewing leading members of the Muslim Brotherhood and Egypt’s women’s rights movement. Emily has presented her research on a range of platforms, including the British Parliament, the White House, and the Parliament of Bosnia and Herzegovina. She has written about women’s rights and human rights issues for publications including World Affairs, CTC Sentinel and Standpoint magazine. She has travelled widely in Syria, Egypt, Morocco and Turkey. Acknowledgements I would like to give special thanks to Jasvinder Sanghera and the staff at Karma Nirvana, Diana Nammi and the staff at IKWRO, Raheel Raza, Zainab Khan and Paula Kweskin, who gave up their time to share their expertise with me. -
MONTY PYTHON at 50 , a Month-Long Season Celebra
Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness. -
Channel 4 and British Film: an Assessment Of
Channel 4 and British Film: An Assessment of Industrial and Cultural Impact, 1982-1998 Laura Mayne This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 i Abstract This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contribution to film and television studies. In order to better understand this interdependence, this thesis will offer some original ideas about the relationship between film and television, examining the ways in which Channel 4’s funding methods led to new production practices. Aside from the important part the Channel played in funding (predominantly low-budget) films during periods when the industry was in decline and film finance was scarce, this partnership had profound effects on British cinema in the 1980s and 1990s. In exploring these effects, this thesis will look at the ways in which the film funding practices of the Channel changed the landscape of the film industry, offered opportunities to emerging new talent, altered perceptions of British film culture at home and abroad, fostered innovative aesthetic practices and brought new images of Britain to cinema and television screens. -
Appendix Screenings and Additional Resources
Appendix Screenings and Additional Resources The analyses of various films and television programmes undertaken in this book are intended to function ‘interactively’ with screenings of the films and programmes. To this end, a complete list of works to accompany each chapter is provided below. Certain of these works are available from national and international distribution companies. Specific locations in the United States, the United Kingdom and Australia for each of the listed works are, nevertheless, provided below. The entries include running time and format (16 mm, VHS, or DVD) for each work. (Please note: In certain countries films require copyright clearance for public screening.) Also included below are further or additional screenings of works not analysed or referred to in each chapter. This information is supplemented by suggested further reading. 1 ‘Believe me, I’m of the world’: documentary representation Further reading Corner, J. ‘Civic visions: forms of documentary’ in J. Corner, Television Form and Public Address (London: Edward Arnold, 1995). Corner, J. ‘Television, documentary and the category of the aesthetic’, Screen, 44, 1 (2003) 92–100. Nichols, B. Blurred Boundaries: Questions of Meaning in Contemporary Culture (Bloomington: Indiana University Press, 1994). Renov, M. ‘Toward a poetics of documentary’ in M. Renov (ed.), Theorizing Documentary (New York: Routledge, 1993). 2 Men with movie cameras: Flaherty and Grierson Nanook of the North, Robert Flaherty, 1922. 55 min. (Alternative title: Nanook of the North: A Story -
Giovanni Ulleri CV
Giovanni Ulleri CV GIOVANNI ULLERI SHOOTING SENIOR PRODUCER/ DIRECTOR I am an experienced award winning freelance senior shooting producer/director, specializing in documentaries, factual programmes, current affairs and news. I have worked for all the main UK TV channels; BBC 1, BBC2 & BBC Arabic, ITV, Channel 4 & 5, Al Jazeera English, as well as American Networks including; HGTV, National Geographic, the Discovery Channel, The Living Channel and the A&E Channel. I am used to working with presenters, reporters and members of the public on challenging and a highly sensitive projects where gaining the trust of the participants involved is the key to making a thought provoking film. I have secured major international exclusive stories that have made front-page news. I have extensive experience of overseas filming in very difficult and challenging locations. I am skilled in diplomatically negotiating my way out of problematic situations having self-shot documentaries in; Ethiopia, Kenya, Lebanon, Morocco, Namibia, Nigeria, Afghanistan, Thailand, Cambodia, India, South Korea and Juarez, Mexico. I filmed three films in the Drugs Inc. series (Baltimore, Miami & Boston) for Nat Geo, which required securing access to major US drug dealers and traffickers getting them to talk about the drugs trade. I have an award winning track record in current affairs and bring thorough journalistic judgment and integrity with a strong narrative story telling to all the films I’ve made. A film I directed in one of the most dangerous cities in the Emmy world, Cuidad Juarez in Mexico, was nominated for an in the most outstanding Investigative Journalism in Spanish Category 2014.