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April 2014 Jilla Burgess-Allen Specialty Registrar in Public Health, Derbyshire County Council
April 2014 Jilla Burgess-Allen Specialty Registrar in Public Health, Derbyshire County Council 1 Executive Summary Health Needs Glossopdale is characterised by its proximity to Manchester to the West and to rural Derbyshire to the East. The boundary issues, geographical location and relative lower level of need compared with the rest of Tameside and Glossop, has impacted on historical service provision within Glossop. Compared with the rest of Derbyshire, Glossop has a relatively high level of substance misuse-related health need. For example, both alcohol related and attributable mortality have, between 2007 and 2011, been higher in Glossopdale than in Derbyshire as a whole, and for alcohol attributable deaths the trend has been increasing in Glossopdale whilst it decreased county wide. Alcohol specific and attributable hospital admissions for men have also been increasing in Glossopdale. Alcohol-related community safety issues have improved in the area over recent years though the area still has a higher rate of alcohol-related violent crime than average for the police division. Class A drug use is seen as relatively low by service providers and agencies working in the area, but interviews with service users suggest there may be a greater problem than agencies are aware of. While service providers report declining prevalence, service users perceive a local increase and report that class A drugs are more available in the area than before. Cannabis use is reported to be high in the area and is perceived to be socially normalised. However, cannabis related offending rates are low. Substance misuse issues are less visible in the area compared to neighbouring Tameside & Greater Manchester, and stigma may play a role in this alongside less visible and accessible service provision. -
13 December 2019 Page 1 of 11
Radio 4 Extra Listings for 7 – 13 December 2019 Page 1 of 11 SATURDAY 07 DECEMBER 2019 Producer: Liz Allard Roy Kinnear and Simon Cadell star in Michael Snelgrove’s First broadcast on BBC Radio 4 in August 2004. sitcom about the less-than-competent leader of a crack SAT 00:00 David Garnett - Lady into Fox (b00cmz8m) SAT 02:15 A History of Britain in Numbers (b053c3pd) undercover police squad. 2. Escape Series 2 Supt Brabazon ...... Roy Kinnear Despite Richard Tebrick's increased security for their new Voting Dep Asst Commissioner ...... Simon Cadell home, his vixen wife escapes to begin a new family life in the Andrew Dilnot, chair of the UK Statistics Authority Sigaloff ...... Royce Mills woods... (2012-2017), brings to life the numbers conveying the big WPI Nuttkins ...... Susie Blake David Garnett's terrifying novel of transformation is concluded trends that have transformed the shape and scope of the British MacTooley ...... Alex Norton by Ben Miles. state. Humby ...... Stephen Frost Abridged by Doreen Estall He looks at what governments through the centuries have spent, Derek ...... Anthony Jackson Directed at BBC Northern Ireland by Lawrence Jackson. borrowed, taxed, regulated and built; and he considers how we Donna ...... Karen Archer Made for BBC Radio 7 and first broadcast in July 2008. came to organise a national life that reaches into every corner of Producer: Jonathan James-Moore SAT 00:30 Last Orders (b00qpslw) private life, from the delivery of pensions and healthcare to the First broadcast on BBC Radio 4 in October 1987. Episode 1 surveillance of emails or rules about the temperature of a hot SAT 05:00 1834 (b01137b8) A celebration of the pub landlord and landlady. -
Wordsearch - Q Christmas TV Specials a Seek out the TV Seasonal Offerings in the Grid
Wordsearch - q Christmas TV specials a Seek out the TV seasonal offerings in the grid. Words go up down, diagonally – and forwards and backwards T P B N D S S G I B S L Q U A L E Q L N E M S S R A G D R I D M H T N L S G O T L C M G D E H L U E R A E D C N W B B S O M K C J J H C T L P U X O V U O S H U L L N Q A A J R N E A V E E T V O M M E C G I A W H G D Z X W I M G O D M H Q R T C U E F I A I D W I P B I T T Z A W A T A P T A V B G O S W Q B H D K L J O J B J G I H Y K R T S W I H S H C D E W Y t S H H E O S E E T S G C H E F A B I R D I N T H E H A N D O F T S W T D C T P D E Y A O S T R E A L R E R H H I Y Q H S Z Q U S U F I Q T N C L F P W R H A O I O E Y J Y P B N N S U P E D X R S S F M E R T G B A Z N Z H F W F Z D R K W L X E E M O T O P R M O S X M K A N I Z C U M E T I L O D H R D B L T U G U K B Y G I K S X S E W T F U G S E L I S Y E E M N G Z J D S B V W R I R E C A W B L J L C E S C F Y K C H K A E S U B F S V Z S A O R G T O R J K G K T D E E P E F A T P T O D C D G U J Z G O S X N D E I S Y O A E T O M O R D S O E R U I S S B I N E E S S D E R U Z A K K R W G Q S R J D U K R C L N M S H M T V Y I I j L P C Q N K G P I N E K A C G D I E V I H J G D Z J A M G T T C H H L O T A E E S L C R R L S F Z R R O V T N N L O C H N O U T Z Y N J F Z M S Z P C Y H C R I S S H O N I K H T H A H M B W E M I M J M E U F E R I N Q S G Q K K V C M Z Y J F R E I S A I O F B R F R R C B P A P G G V D C P E E R Y M I I D K A I Z Y H B Y Q M R T R I H S E E R H F E H L I A A D S F M J A M H C E Y M N L N Y N S D E Y N J I X L A V F K E -
Lawrence Batley Theatre
WHAT’S ON Autumn/Winter 2017-18 BOX OFFICE 01484 430528 www.thelbt.org Hello and welcome. THE LBT PEOPLE DISCOUNTS SEASON PREVIEW THU 31 AUGUST This autumn you can see our long term relationships with artists and LYNDA HORNSBY, Executive Director of Dark Horse Theatre, UNDER 26s KIRKLEES PASSPORT HOLDERS an lbt resident company our commitment to bringing the best shows to you really paying off. Under 26s are entitled to tickets for just £8 and Kirklees Passport holders Join us for the unveiling of our Autumn / Winter season with Director of the can claim a discount of £3 off full price tickets for many shows in our lbt, Victoria Firth, and special guests from our forthcoming programme. We have a long standing commitment to And when we need something special and Autumn / Winter season.* James Beale from Proper Job Theatre joins us to talk about their new adaptation support companies in residence here at our unique to the lbt we’re making it here. In 2016 Look for the icons and call us on 01484 430528 or visit our website to book. of medusa; director Joyce Branagh returns to talk about the lbt’s traditional Queen Street premises and we are delighted we produced our first traditional pantomime *Ts & Cs apply. Please bring id as you may be asked for proof of age. Please remember to bring your Passport with pantomime jack & the beanstalk; creatives from the ruck discuss the lbt and to present some of their latest creations. Dark and first in-house production for 10 years, you to the performance as proof may be required. -
SQUARING the CIRCLE Also Available from Faber & Faber
SQUARING THE CIRCLE Also available from Faber & Faber by Tom Stoppard UNDISCOVERED COUNTRY (a version of Arthur Schnitzler's Das weite Land) ON THE RAZZLE (adapted from Johann Nestroy's Einen Jux will er sich machen) THE REAL THING THE DOG IT WAS THAT DIED and other plays FOUR PLAYS FOR RADIO Artist Descending a Staircase Where Are They Now? If You're Glad I'll be Frank Albert's Bridge SQUARING THE CIRCLE BY TOM STOPPARD t1 faber andfaber BOSTON • LONDON First published in the UK in 1984 First published in the USA in 1985 by Faber & Faber, Inc. 39 Thompson Street Winchester, MA 01890 © Tom Stoppard, 1984 All rights whatsoever in this play are strictly reserved, and all enquiries should be directed to Fraser and Dunlop (Scripts), Ltd., 91 Regent Street, London, WlR 8RU, England All rights reserved. No part of this work may be reproduced, or transmitted in any form by any means, electronic or mechanical, including photocopying and recording or by any information storage or retrieval system, without the written permission of the publisher, except for brief passages quoted by a reviewer Printed in the United States of America Library of Congress Cataloging in Publication Data Stoppard, Tom. Squaring the circle. I. Title. PR6069.T6S6 1985 822'.914 84-28732 ISBN 0-571-12538-7 (pbk.) IN TRODUC TION At the beginning of 1982, about a month after the imposition of martial law in Poland, a film producer named Fred Brogger suggested that I should write a television film about Solidarity. Thus began a saga, only moderately exceptional by these standards, which may be worth recounting as an example of the perils which sometimes attend the offspring of an Anglo-American marriage. -
The Good Guys Tweed Heads South Celebrate Australia
.HHSLQJLWLQWKH THE TWEED )DPLO\ Volume 3 #20 Thursday, January 27, 2011 Advertising and news enquiries: Phone: (02) 6672 2280 [email protected] [email protected] The family behind the business www.tweedecho.com.au LOCAL & INDEPENDENT Page 8 Rose, Biosphere status Young urged for Tweed Achiever Murray Simpson the McPherson and Border ranges and possibly even the marine reserve A grand plan to have the Tweed Val- off Byron Bay. ley declared a ‘biosphere reserve’ has It will spill from Tweed shire to By- using her been launched by the Caldera Envi- ron, Lismore, Kyogle and Northern ronment Centre. Rivers shire councils and will link But it has nothing to do with Dis- with Queensland’s scenic rim scheme brains neyland-type glass bubbles, says co- which runs down to the border. ordinator Edward ‘Hop. e’ Hopkins. ‘It all centres on the biodiversity ‘We want to become part of a global hot-spot we have where the McPher- network of biospheres promoted by son and Border ranges meet roughly UNESCO,’ he said. at the head of the Limpinwood Valley,’ ‘There are 546 biospheres world- he said. wide in 109 countries and 15 in Aus- Rarest of the rare tralia. ‘We’re looking at biosphere status ‘We’ve got species there that exist Murray Simpson received a Year 12 Rotary prize for cit- Mr McDonald received recogni- for the Border Ranges and Noosa to nowhere else.’ izenship and the Defence Force Long tion for his services to the cattle in- provide a green belt, or lungs, at either The roots of the biosphere reserve The strange world of teenagers’ brains Tan leadership and teamwork award. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Mark Gatiss Got His Ideas for the Medusa Touch
FINAL CUT When cult TV comedy The League Of Gentlemen devoted an episode to bizarre SM games in a provincial B&B, it looked like someone on the team must have remarkable inside knowledge. So we sent Liz Tray to find out just where writer Mark Gatiss got his ideas for The Medusa Touch invention. It turns out that Mark based his character on a chance meeting at a wedding. “He was a photographer and would say things like [in sleazy voice] ‘I’d like to photograph you, you’re very beautiful – let me tell you about the recdum, a beautiful organ’. He actually said ‘recdum’ with a ‘d’!” So none of this remarkable tale was based on actual personal experience of the perv scene? Apparently not. “But,” Mark recalls, “I did cover a Dungeon In The Sky event for Boyz magazine about six years ago. I was not trying to be cynical but it was so funny. I Deep breaths: Daddy (Steve Pemberton) ready to embark on a went to a spanking workshop and it was little light asphyxiation with his Medusa-suited neophytes gloriously unerotic. The demonstration irst televised in 1999, The League his head underwater. So I drowned him, was on a pillow instead of a bottom and Of Gentlemen has become a fucked him and went home. No, I’m just it was covered with white chalk marks FBritish TV comedic institution kidding! We needed a way that all the showing you how to improve your aim. It and a cult hit worldwide. So we clearly characters would die.” was like a WI jam-making workshop.” couldn’t ignore the League’s recent sortie Inspiration for the inflatable suits into the world of extreme SM breath came, unsurprisingly, from late night TV. -
Angus Mackay Diaries Volume IX (1989 - 1990)
Angus Mackay Diaries Volume IX (1989 - 1990) ANGUS MACKAY DIARY NO. 90 April 17 1989 - June 18 1989. Monday April 1989 Oh dear, the sentimentality and muddle-headedness over the football disaster! Because it is sacred football. How grateful I am that I know nothing and care less about it, any more than motoring! I shall wait, I expect patiently, for both activities to fall apart from the inside, and perhaps, become rational. But oh, how I bleed for those poor dead young people. Tuesday April 18 1989 Now Liverpool Council are offering complete financial support for all the families of the dead, funeral expenses, everything. I wonder if the same would have been if ninety-five people had been suffocated on the stairs after a semi-gala at Liverpool Playhouse. Odd peoples’ love of crowds. I think I must have as little of the herd instinct as anyone. Last night I thought I might go to see A. Hopkins in M. Buller fly which is previewing. When I got there, the foyer was so full at 7.30 for 8.0, that I didn’t even enquire whether there was a ticket, - I turned away and came back home. Another aspect of the whole thing, is the lower middle class male being very very reluctantly dragged into reality. I hope he’s not too upset about it to work. Later. It seemed like next day! Out at 2.15 to buy some summer pyjamas, 3 prs. £41 M and S, Oxford St. Then to buy coffee beans, Gourmet Noir. -
Index to Wooster Sauceand by The
Index to Wooster Sauce and By The Way 1997–2020 Guide to this Index This index covers all issues of Wooster Sauce and By The Way published since The P G Wodehouse Society (UK) was founded in 1997. It does not include the special supplements that were produced as Christmas bonuses for renewing members of the Society. (These were the Kid Brady Stories (seven instalments), The Swoop (seven instalments), and the original ending of Leave It to Psmith.) It is a very general index, in that it covers authors and subjects of published articles, but not details of article contents. (For example, the author Will Cuppy (a contemporary of PGW’s) is mentioned in several articles but is only included in the index when an article is specifically about him.) The index is divided into three sections: I. Wooster Sauce and By The Way Subject Index Page 1 II. Wooster Sauce and By The Way Author Index Page 34 III. By The Way Issues in Number Order Page 52 In the two indexes, the subject or author (given in bold print) is followed by the title of the article; then, in bold, either the issue and page number, separated by a dash (for Wooster Sauce); or ‘BTW’ and its issue number, again separated by a dash. For example, 1-1 is Wooster Sauce issue 1, page 1; 20-12 is issue 20, page 12; BTW-5 is By The Way issue 5; and so on. See the table on the next page for the dates of each Wooster Sauce issue number, as well as any special supplements. -
BBC 3 Final 18/7/06 14:02 Page 7
BBC 3 Final 18/7/06 14:02 Page 7 03 04 BBC 3 Final 18/7/06 14:02 Page 9 TORCHWOOD Torchwood follows the adventures of a team of investigators as they use alien technology to solve crimes, both alien and human. This new British sci-fi crime thriller, from Russell T Davies, follows the team as they delve into the unknown. They are fighting the impossible while keeping their everyday lives going back at home. The cast includes John Barrowman (Doctor Who) as the enigmatic Captain Jack Harkness, the ever-watchful heart of the team guarding against the fragility of humankind. Eve Myles (Doctor Who, Belonging) plays Gwen Cooper, initially an outsider whose first encounter with Torchwood sparks a burning curiosity to get to the truth and throws her into an unfamiliar but exciting world. Burn Gorman (Bleak House) plays the raw but charming medic, Owen Harper, and Naoko Mori (Absolutely Fabulous) is Toshiko Sato, the team member who specialises in all things technical. Torchwood is written by Russell T Davies and Chris Chibnall, with contributing writers including PJ Hammond,Toby Whithouse and Helen Raynor. A BBC production AF2 05 06 BBC 3 Final 18/7/06 14:02 Page 11 BODIES Tense, gripping, darkly humorous and scarily unsettling, the critically acclaimed Bodies, winner of the RTS Award for Best Drama Series, concludes with a 90-minute finale. Rob Lake’s (Max Beesley) life has changed beyond recognition since he fought to prevent patients coming to harm at the hands of his incompetent boss, Roger Hurley (Patrick Baladi). -
Disabling Comedy: “Only When We Laugh!”
Disabling Comedy: “Only When We Laugh!” Dr. Laurence Clark, North West Disability Arts Forum (Paper presented at the ‘Finding the Spotlight’ Conference, Liverpool Institute for the Performing Arts, 30th May 2003) Abstract Traditionally comedy involving disabled people has extracted humour from people’s impairments – i.e. a “functional limitation”. Examples range from Shakespeare’s ‘fool’ character and Elizabethan joke books to characters in modern TV sitcoms. Common arguments for the use of such disempowering portrayals are that “nothing is meant by them” and that “people should be able to laugh at themselves”. This paper looks at the effects of such ‘disabling comedy’. These include the damage done to the general public’s perceptions of disabled people, the contribution to the erosion of a disabled people’s ‘identity’ and how accepting disablist comedy as the ‘norm’ has served to exclude disabled writers / comedians / performers from the profession. 1. Introduction Society has been deriving humour from disabled people for centuries. Elizabethan joke books were full of jokes about disabled people with a variety of impairments. During the 17th and 18th centuries, keeping 'idiots' as objects of humour was common among those who had the money to do so, and visits to Bedlam and other 'mental' institutions were a typical form of entertainment (Barnes, 1992, page 14). Bilken and Bogdana (1977) identified “the disabled person as an object of ridicule” as one of the ten media stereotypes of disabled people. Apart from ridicule, disabled people have been largely excluded from the world of comedy in the past. For example, in the eighties American stand-up comedian George Carlin was arrested whilst doing his act for swearing in front of young disabled people.