Robbie the Reindeer Press Pack
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
April 2014 Jilla Burgess-Allen Specialty Registrar in Public Health, Derbyshire County Council
April 2014 Jilla Burgess-Allen Specialty Registrar in Public Health, Derbyshire County Council 1 Executive Summary Health Needs Glossopdale is characterised by its proximity to Manchester to the West and to rural Derbyshire to the East. The boundary issues, geographical location and relative lower level of need compared with the rest of Tameside and Glossop, has impacted on historical service provision within Glossop. Compared with the rest of Derbyshire, Glossop has a relatively high level of substance misuse-related health need. For example, both alcohol related and attributable mortality have, between 2007 and 2011, been higher in Glossopdale than in Derbyshire as a whole, and for alcohol attributable deaths the trend has been increasing in Glossopdale whilst it decreased county wide. Alcohol specific and attributable hospital admissions for men have also been increasing in Glossopdale. Alcohol-related community safety issues have improved in the area over recent years though the area still has a higher rate of alcohol-related violent crime than average for the police division. Class A drug use is seen as relatively low by service providers and agencies working in the area, but interviews with service users suggest there may be a greater problem than agencies are aware of. While service providers report declining prevalence, service users perceive a local increase and report that class A drugs are more available in the area than before. Cannabis use is reported to be high in the area and is perceived to be socially normalised. However, cannabis related offending rates are low. Substance misuse issues are less visible in the area compared to neighbouring Tameside & Greater Manchester, and stigma may play a role in this alongside less visible and accessible service provision. -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
How the Experience of Cyberspace Contributes to the Emerging Story of Self in Young People
Morph Constructing identity: how the experience of cyberspace contributes to the emerging story of self in young people. Jill Lesley Clough Thesis submitted towards the degree of Doctor of Philosophy in the School of English Literature Language, and Linguistics Newcastle University April 2013 Awarded October 2013 Supervisors: Professor Linda Anderson, Professor Jackie Kay Abstract for Morph. Constructing identity: how the experience of cyberspace contributes to the emerging story of self in young people. This thesis develops from the belief that young people construct identities for themselves which inevitably surprise their parents, particularly where so much of their coming-of-age is influenced by hidden virtual experiences. The novel which explores this is Morph. Joey, the protagonist, is uneasy about her gender. She has a loving family, intelligence, a satisfying way of life, but loathes her body. She investigates alternative futures, initially online. Her closest friend also has a secret, revealed after a suicide attempt that Joey averts: sexual abuse by her father. Each has to discover how to live with the evolving sense of self. If Joey wishes to change gender her character may alter, too; she finds she can be violent when confronting the abusive father. The story is told through Joey’s eyes and activities in cyberspace, which she thinks of as a free place, parallel to the mountains over which she loves to run. She feels at ease in both places. Eventually she decides to live as both male and female (Other) because she does not have a ‘condition’ needing to be cured. Classification in the natural world allows for infinite variety, and she want similar opportunities for herself. -
Christmas TV Schedule 2020
ChristmasTVSchedule.com’s Complete Christmas TV Schedule 2020 • All listings are Eastern time • Shows are Christmas themed, unless noted as Thanksgiving • Can’t-miss classics and 2020 Christmas movie premieres and are listed in BOLD • Listings are subject to change. We apologize for any inaccurate listings • Be sure to check https://christmastvschedule.com for the live, updated listing Sunday, November 8 5:00am – Family Matters (TBS) 5:00am – NCIS: New Orleans (Thanksgiving) (TNT) 6:00am – Once Upon a Holiday (2015, Briana Evigan, Paul Campbell) (Hallmark) 6:00am – A Christmas Miracle (2019, Tamera Mowry, Brooks Darnell) (Hallmark Movies) 7:00am – The Mistle-Tones (2012, Tori Spelling) (Freeform) 8:00am – 12 Gifts of Christmas (2015, Katrina Law, Aaron O’Connell) (Hallmark) 8:00am – Lucky Christmas (2011, Elizabeth Berkley, Jason Gray-Stanford) (Hallmark Movies) 9:00am – Prancer Returns (2001, John Corbett) (Freeform) 10:00am – A Christmas Detour (2015, Candace Cameron-Bure, Paul Greene) (Hallmark) 10:00am – The Christmas Train (2017, Dermont Mulroney, Kimberly Williams-Paisley) (Hallmark Movies) 10:00am – Sweet Mountain Christmas (2019, Megan Hilty, Marcus Rosner) (Lifetime) 12:00pm – Pride, Prejudice, and Mistletoe (2018, Lacey Chabert, Brendan Penny) (Hallmark) 12:00pm – Christmas in Montana (2019, Kellie Martin, Colin Ferguson) (Hallmark Movies) 12:00pm – Forever Christmas (2018, Chelsea Hobbs, Christopher Russell) (Lifetime) 2:00pm – Holiday Baking Championship (Thanksgiving) (Food) 2:00pm – Snow Bride (2013, Katrina Law, Patricia -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Wordsearch - Q Christmas TV Specials a Seek out the TV Seasonal Offerings in the Grid
Wordsearch - q Christmas TV specials a Seek out the TV seasonal offerings in the grid. Words go up down, diagonally – and forwards and backwards T P B N D S S G I B S L Q U A L E Q L N E M S S R A G D R I D M H T N L S G O T L C M G D E H L U E R A E D C N W B B S O M K C J J H C T L P U X O V U O S H U L L N Q A A J R N E A V E E T V O M M E C G I A W H G D Z X W I M G O D M H Q R T C U E F I A I D W I P B I T T Z A W A T A P T A V B G O S W Q B H D K L J O J B J G I H Y K R T S W I H S H C D E W Y t S H H E O S E E T S G C H E F A B I R D I N T H E H A N D O F T S W T D C T P D E Y A O S T R E A L R E R H H I Y Q H S Z Q U S U F I Q T N C L F P W R H A O I O E Y J Y P B N N S U P E D X R S S F M E R T G B A Z N Z H F W F Z D R K W L X E E M O T O P R M O S X M K A N I Z C U M E T I L O D H R D B L T U G U K B Y G I K S X S E W T F U G S E L I S Y E E M N G Z J D S B V W R I R E C A W B L J L C E S C F Y K C H K A E S U B F S V Z S A O R G T O R J K G K T D E E P E F A T P T O D C D G U J Z G O S X N D E I S Y O A E T O M O R D S O E R U I S S B I N E E S S D E R U Z A K K R W G Q S R J D U K R C L N M S H M T V Y I I j L P C Q N K G P I N E K A C G D I E V I H J G D Z J A M G T T C H H L O T A E E S L C R R L S F Z R R O V T N N L O C H N O U T Z Y N J F Z M S Z P C Y H C R I S S H O N I K H T H A H M B W E M I M J M E U F E R I N Q S G Q K K V C M Z Y J F R E I S A I O F B R F R R C B P A P G G V D C P E E R Y M I I D K A I Z Y H B Y Q M R T R I H S E E R H F E H L I A A D S F M J A M H C E Y M N L N Y N S D E Y N J I X L A V F K E -
Lawrence Batley Theatre
WHAT’S ON Autumn/Winter 2017-18 BOX OFFICE 01484 430528 www.thelbt.org Hello and welcome. THE LBT PEOPLE DISCOUNTS SEASON PREVIEW THU 31 AUGUST This autumn you can see our long term relationships with artists and LYNDA HORNSBY, Executive Director of Dark Horse Theatre, UNDER 26s KIRKLEES PASSPORT HOLDERS an lbt resident company our commitment to bringing the best shows to you really paying off. Under 26s are entitled to tickets for just £8 and Kirklees Passport holders Join us for the unveiling of our Autumn / Winter season with Director of the can claim a discount of £3 off full price tickets for many shows in our lbt, Victoria Firth, and special guests from our forthcoming programme. We have a long standing commitment to And when we need something special and Autumn / Winter season.* James Beale from Proper Job Theatre joins us to talk about their new adaptation support companies in residence here at our unique to the lbt we’re making it here. In 2016 Look for the icons and call us on 01484 430528 or visit our website to book. of medusa; director Joyce Branagh returns to talk about the lbt’s traditional Queen Street premises and we are delighted we produced our first traditional pantomime *Ts & Cs apply. Please bring id as you may be asked for proof of age. Please remember to bring your Passport with pantomime jack & the beanstalk; creatives from the ruck discuss the lbt and to present some of their latest creations. Dark and first in-house production for 10 years, you to the performance as proof may be required. -
This Sunday! Roger Allam, Celia Imrie & Kevin Bishop
PRESS RELEASE 16-10-2017 IMAGES CAN BE DOWNLOADED HERE www.whitherwouldyougo.com / #whitherwouldyougo / @WhitherWould THIS SUNDAY! ROGER ALLAM, CELIA IMRIE & KEVIN BISHOP JOIN ALL-STAR CAST OF – ‘WHITHER WOULD YOU GO?’ - DIRECTED BY JAMIE LLOYD FOR REFUGEES On October 22nd at the Harold Pinter Theatre, a host of stars will gather to perform scenes from Shakespeare’s plays in response to modern-day refugee video stories. The evening will be directed by Jamie Lloyd. All profits go to the UN Refugee Agency, UNHCR. The burgeoning cast includes such luminaries as Roger Allam, Kevin Bishop, Zoe Boyle, Bertie Carvel, Lee Evans, Martin Freeman, Kobna Holdbrook-Smith, Celia Imrie, Eleanor Matsuura, Wunmi Mosaku, James Norton, Jack Whitehall, Olivia Williams & many more will join together to create a one-night-only, never-to-be-repeated gala event in support of the millions of forcibly displaced people around the world. The evening includes a special guest performance by actor Jay Abdo, himself a refugee of his native Syria. Inspired by Shakespeare’s ‘refugee’ speech from ‘The Book of Sir Thomas More’, written as a plea for tolerance during the London riots of May 1517 (500 years ago this year), ‘Whither Would You Go?’ pairs scenes from Shakespeare, read by stars of stage and screen with genuine refugee stories from around the world. Jamie Lloyd says ‘Whither Would You Go? uses the words of William Shakespeare to highlight our shared humanity. When we focus on what we all have in common, we can start a conversation. With more than 65m forcibly displaced people in the world – the highest levels ever recorded - we should be talking and we should be acting. -
Arthur Mathews
Arthur Mathews Agent Katie Haines ([email protected]) In Development: PREPPERS (BBC Comedy) FLEMP (Roughcut Television) TOOTHTOWN with Simon Godley (Yellow Door Productions) Television: ROAD TO BREXIT (Objective/BBC Two) Starring Matt Berry TOAST OF LONDON (Objective/C4) Series 1, 2 & 3 Co-written with Matt Berry Nominated for BAFTA Best Situation Comedy 2014 Winner of the Rose d'Or for Best Sitcom at the 53rd Rose d'Or Festival 2014 Nominated for an RTS Programme Award 2013 TRACEY ULLMAN SHOW (BBC) 2015/16 Sketches FORKLIFTERS (Channel 4) VAL FALVEY (Grand Pictures / RTE1) Series 2 2010; Series 1 2008-9 6 x 30’ - co-written with Paul Woodfull Co-Director (Series 1) THIS IS IRELAND (CHX / BBC2) 2004 Writer and Script Editor BIG TRAIN (Talkback Productions / BBC2) Series 1 & 2 1998-2001 Co-Creator and Writer HIPPIES (Talkback Productions / BBC) 1999 Co-created and co-written with Graham Linehan FATHER TED (Hat Trick Productions / Channel 4) 3 Series 1995-1998 Co-created & Co-written with Graham Linehan HARRY & PAUL (Tiger Aspect Productions / BBC) SERIES C 2010 Various sketches THE EEJITS (Objective / Channel 4) 2007 Comedy Showcase Pilot MODERN MEN (TalkbackThames/Channel 4) 2007 Guest Writer / Script Editor for Armstrong & Bain IT CROWD (TalkbackThames/Channel 4) Series 2 2006 Writing Consultant STEW (Script Editor and Writer) 2003 -2006 Grand Pictures for RTE THE CATHERINE TATE SHOW (Tiger Aspect/BBC2) Series 1 & 2 2004/2005 Sketch Material BRASS EYE (TalkBack /Channel 4) 1997 Various Sketches THE FAST SHOW (BBC2) 1994-1997 -
Pre Visit Activity 2
Animation Pre Visit Activity 2. Types of Animation. Basic Types of Animation: 1. • Traditional animation (also called cel animation or hand-drawn animation) was the process used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, which are first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels, which are filled in with paints in assigned colors or tones on the side opposite the line drawings. The completed character cels are photographed one-by-one onto motion picture film against a painted background by a rostrum camera. 2. • Stop-motion animation is used to describe animation created by physically manipulating real-world objects and photographing them one frame of film at a time to create the illusion of movement. There are many different types of stop-motion animation, usually named after the type of media used to create the animation. • Puppet animation typically involves stop-motion puppet figures interacting with each other in a constructed environment, in contrast to the real-world interaction in model animation. The puppets generally have an armature inside of them to keep them still and steady as well as constraining them to move at particular joints • Clay animation, or Plasticine animation often abbreviated as claymation, uses figures made of clay or a similar malleable material to create stop-motion animation. The figures may have armature or wire frame inside of them, similar to the related puppet animation (below), that can be manipulated in order to pose the figures. -
Loads More Lies to Tell Small Kids Free
FREE LOADS MORE LIES TO TELL SMALL KIDS PDF Andy Riley | 96 pages | 01 May 2007 | Plume Books | 9780452288560 | English | New York, NY, United States Loads More Lies to Tell Small Kids by Andy Riley Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Loads more laughs? Each hilarious cartoon tells a tall tale guaranteed to trouble guileless minds Loads More Lies to Tell Small Kids crack up the grown- ups. So, find you Loads more laughs? So, find yourself a wide-eyed youngster and ask: Did you know. If you rub two redheaded kids together, you can make fire? Your dad? If you drop a tooth in a glass of Coke, after a day it becomes a white butterfly? French people eat croissants? If you cut a badger in half with an axe it turns into two chipmunks If Andy Riley believed in wearing pants, they? For the inner child and pathological liar in all of us, Loads More Lies is truly hysterical. Get A Copy. Paperback96 pages. Published April 24th by Plume first published October 5th More Details Original Title. Lies to Tell Loads More Lies to Tell Small Kids Kids. Other Editions 6. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. This book is not yet featured on Listopia.