Angus Mackay Diaries Volume IX (1989 - 1990)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Anti-Zionism and Antisemitism Cosmopolitan Reflections
Anti-Zionism and Antisemitism Cosmopolitan Reflections David Hirsh Department of Sociology, Goldsmiths, University of London, New Cross, London SE14 6NW, UK The Working Papers Series is intended to initiate discussion, debate and discourse on a wide variety of issues as it pertains to the analysis of antisemitism, and to further the study of this subject matter. Please feel free to submit papers to the ISGAP working paper series. Contact the ISGAP Coordinator or the Editor of the Working Paper Series, Charles Asher Small. Working Paper Hirsh 2007 ISSN: 1940-610X © Institute for the Study of Global Antisemitism and Policy ISGAP 165 East 56th Street, Second floor New York, NY 10022 United States Office Telephone: 212-230-1840 www.isgap.org ABSTRACT This paper aims to disentangle the difficult relationship between anti-Zionism and antisemitism. On one side, antisemitism appears as a pressing contemporary problem, intimately connected to an intensification of hostility to Israel. Opposing accounts downplay the fact of antisemitism and tend to treat the charge as an instrumental attempt to de-legitimize criticism of Israel. I address the central relationship both conceptually and through a number of empirical case studies which lie in the disputed territory between criticism and demonization. The paper focuses on current debates in the British public sphere and in particular on the campaign to boycott Israeli academia. Sociologically the paper seeks to develop a cosmopolitan framework to confront the methodological nationalism of both Zionism and anti-Zionism. It does not assume that exaggerated hostility to Israel is caused by underlying antisemitism but it explores the possibility that antisemitism may be an effect even of some antiracist forms of anti- Zionism. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
SQUARING the CIRCLE Also Available from Faber & Faber
SQUARING THE CIRCLE Also available from Faber & Faber by Tom Stoppard UNDISCOVERED COUNTRY (a version of Arthur Schnitzler's Das weite Land) ON THE RAZZLE (adapted from Johann Nestroy's Einen Jux will er sich machen) THE REAL THING THE DOG IT WAS THAT DIED and other plays FOUR PLAYS FOR RADIO Artist Descending a Staircase Where Are They Now? If You're Glad I'll be Frank Albert's Bridge SQUARING THE CIRCLE BY TOM STOPPARD t1 faber andfaber BOSTON • LONDON First published in the UK in 1984 First published in the USA in 1985 by Faber & Faber, Inc. 39 Thompson Street Winchester, MA 01890 © Tom Stoppard, 1984 All rights whatsoever in this play are strictly reserved, and all enquiries should be directed to Fraser and Dunlop (Scripts), Ltd., 91 Regent Street, London, WlR 8RU, England All rights reserved. No part of this work may be reproduced, or transmitted in any form by any means, electronic or mechanical, including photocopying and recording or by any information storage or retrieval system, without the written permission of the publisher, except for brief passages quoted by a reviewer Printed in the United States of America Library of Congress Cataloging in Publication Data Stoppard, Tom. Squaring the circle. I. Title. PR6069.T6S6 1985 822'.914 84-28732 ISBN 0-571-12538-7 (pbk.) IN TRODUC TION At the beginning of 1982, about a month after the imposition of martial law in Poland, a film producer named Fred Brogger suggested that I should write a television film about Solidarity. Thus began a saga, only moderately exceptional by these standards, which may be worth recounting as an example of the perils which sometimes attend the offspring of an Anglo-American marriage. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
22 August 2008 Page 1 of 6 SATURDAY 16 AUGUST 2008 Hudd …
Radio 7 Listings for 16 – 22 August 2008 Page 1 of 6 SATURDAY 16 AUGUST 2008 Hudd …. Philip Fox moon, before the ship returns to Earth. Norton …. John Rowe Futuristic tale set in 1965 written and produced by Charles SAT 00:00 Time Hops (b007k1sp) Prison Officer …. Stephen Hogan Chilton. Time's Up Director: Cherry Cookson Jet Morgan …. Andrew Faulds The children are convinced that the man from the BBC will First broadcast on BBC Radio 4 in August 2004. Lemmy Barnett …. Alfie Bass help them. But is he really what he seems? SAT 06:00 Like They've Never Been Gone (b00cz8np) Doc …. Guy Kingsley-Poynter Conclusion of the comedy sci-fi by Alan Gilbey and David Series 4 Mitch …. David Williams Richard-Fox. Episode 6 All Other Parts …. David Jacobs Stars Sara Crowe as EK6, David Harewood as RV101, Nicola It’s Tommy and Sheila’s anniversary – 40 years in showbiz! Music composed and orchestra conducted by Van Phillips. Stapleton as Steph, Paul Reynolds as Baz, Dax O'Callaghan as Lewis is hoping it’ll pass quietly and cheaply. But will a short The original 1953 recordings of this futuristic series were Max, Ian Masters as Norton, Joshua Towb as Horatio, Neville hospital stay force Tommy to start taking life easier? erased. Jason as Tailor and Margaret John as Mrs Miller. Mike Coleman's sitcom starring Roy Hudd and June Whitfield. This series was re-recorded and first broadcast on the BBC Music by Richard Attree. Ageing showbiz couple Tommy Franklin and Sheila Parr battle Light Programme in April 1958. -
Gb 1456 Thomas
GERALD THOMAS COLLECTION GERALD THOMAS COLLECTION SCOPE AND CONTENT Documents relating to the career of director GERALD THOMAS (Born Hull 10/12/1920, died Beaconsfield 9/11/1993). When Gerald Thomas died, his producer partner of 40 years Peter Rogers said: ‘His epitaph will be that he directed all the Carry On films.’ Indeed, for an intense 20-year period Thomas directed the Carry On gang through their innuendo laden exploits, and became responsible, along with Rogers, for creating one of the most enduring and endearing British film series, earning him his place in British popular culture. Thomas originally studied to become a doctor, before war service with the Royal Sussex Regiment put paid to his medical career. When demobilised in 1946, he took a job as assistant in the cutting rooms of Two Cities Films at Denham Studios, where he took Assistant Editor credits on Laurence Olivier’s Hamlet (1948) and the John Mills thriller The October Man (1947). In 1949, he received his first full credit as editor, on the Margaret Lockwood melodrama Madness of the Heart (1949). During this time Peter Rogers had been working as associate producer with his wife, producer Betty Box, on such films as It’s Not Cricket (1949) and Don’t Ever Leave Me (1949). It was Venetian Bird in 1952 that first brought Thomas and Rogers together; Thomas employed as editor by director brother Ralph, and Rogers part of the producer team with Betty Box. Rogers was keen to form a director/producer pairing (following the successful example of Box and Ralph Thomas), and so gave Gerald his first directing credit on the Circus Friends (1956), a Children’s Film Foundation production. -
Patrick Ryecart
3rd Floor, Joel House 17-21 Garrick Street London WC2E 9BL Phone: 0207 420 9350 Email: [email protected] Web: www.shepherdmanagement.co.uk Photo: Dean Roberts Patrick Ryecart Other: Equity, AEA Greater London, England, United Location: Eye Colour: Blue Kingdom Hair Colour: Blond(e) Height: 5'11" (180cm) Hair Length: Mid Length Weight: 12st. (76kg) Voice Character: Relaxed Nationality: British Voice Quality: Strong Television 2019, Television, Earl Marshall Duke of Norfolk, The Crown, Left Ban Netflix, Steven Daldry 2016, Television, Bernard - Duke of Norfolk, THE CROWN, Netflix, Steven Daldry/Philip Martin 2016, Television, Sir Hugh Bodrugan, POLDARK (Series 1 & 2), Mammoth Film for BBC One, Ed Bazalgette/William McGregor 2013, Television, Sir Anthony Morgan, POIROT, Andy Wilson 2013, Television, Gavin De Souza QC, THE ESCAPE ARTIST, BBC Endor Films, Brian Welsh 2012, Television, Devereaux, MIDSOMER MURDERS, BBC, Simon Langton 2010, Television, Sir Fred, HUSTLE, BBC, Ian B McDonald 2005, Television, Lord Macefield, JERICHO, ITV Television, Jimmy Goldsmith, THE LAVENDER LIST, BBC Television Television, MUCH ADO ABOUT NOTHING, BBC Television, Brian Percival Television, AFTER ALL, Granada Television Television, Sergius, ARMS AND THE MAN, BBC Television, Jimmy Cellan Jones Television, BEAUTIFUL LIES, BBC Scotland Television, BELIEVE NOTHING, Alomo Productions Television, HOLBY CITY, BBC Television Television, Tommy Mortimer, NANCHERROW, ITV, Simon Langton Television, Tommy Mortimer, COMING HOME, ITV, Giles Foster Television, CRIMESQUAD, -
Joe Tucker Shaftesbury Avenue London W1D 6LD
www.cam.co.uk Email [email protected] Address 55-59 Joe Tucker Shaftesbury Avenue London W1D 6LD Telephone +44 (0) 20 7292 0600 Television Title Role Director Production CLOSE TO ME Jerry Michael Samuels Channel 4/Viaplay CASUALTY Keith Winchmore Rob Bangura BBC SMALL AXE: MANGROVE The Court Ofcer Steve McQueen BBC CHERNOBYL Plant Chief Johan Renck HBO HOLLYOAKS Vince Ian Curtis Lime Pictures DOCTORS Ian Shearling Eddy Marshall BBC Tracey Rooney/Sean EMMERDALE Paul ITV Healy/Peter Rose MOVING ON Gerry Reece Dinsdale BBC CORONATION STREET Glenn Judith Dine/Audrey Cooke ITV CASUALTY Mr Holt Jordan Hogg BBC THE FRANKENSTEIN CHRONICLES Mr Evans Benjamin Ross ITV Encore CRITICAL Kevin Curtis Philippa Langdale Hat Trick EASTENDERS DS Kain Various Directors BBC Kristoffer Nyholm/Stefan JO Ed Duroc Atlantique Schwartz/Sheree Folkson DOCTORS Ross Brook Jordan Hogg BBC SILENT WITNESS Vernon Reid Keith Boak BBC TV CASUALTY Richard Marriot Sunetra Sarker/Suzanne Packer BBC Television DOCTORS Gavin Edwards Niall Fraser BBC Television HUNTER Peter Richards Colm McCarthy BBC Television THE BILL Bill Moore Karl Nielson TalkbackThames BLUE MURDER (SERIES 1-4) Pete Lewis Graham Theakston Granada BODIES 3 Rich John Strickland Hat Trick Productions THE BILL Derek Hales Rob Bangura Talkbackthames CORONATION STREET Revd Sedgely Tony Prescott/Duncan Foster Granada A THING CALLED LOVE David Christie Ed Fraiman BBC Television DIRTY WAR DI Brook Daniel Percival BBC/HBO Films HEARTBEAT Barnforth Frank W Smith Granada Television ROSEMARY & THYME Harry Georgeson -
23 February 2018 Page 1 of 8 SATURDAY 17 FEBRUARY 2018 Episode Five Agatha Christie Novel in a Poll in September 2015
Radio 4 Extra Listings for 17 – 23 February 2018 Page 1 of 8 SATURDAY 17 FEBRUARY 2018 Episode Five Agatha Christie novel in a poll in September 2015. Mary Ann has an unwelcome encounter with a presence from Directed by Mary Peate. SAT 00:00 BD Chapman - Orbiter X (b0784dyd) her past. Shawna is upset by Michael's revelation. First broadcast on BBC Radio 4 in 2010. Inside the Moon StationDr Max Kramer has tricked the crew of Dramatised by Lin Coghlan SAT 07:30 Byzantium Unearthed (b00dxdcs) Orbiter 2, but what exactly is Unity up to on the Moon? Producer Susan Roberts Episode 1Historian Bettany Hughes begins a series that uses the BD Chapman's adventure in the conquest of space in 14 parts. Director Charlotte Riches latest archaeological evidence to learn more about the empire of Stars John Carson as Captain Bob Britton, Andrew Crawford as For more than three decades, Armistead Maupin's Tales of the Byzantium and the people who ruled it. Captain Douglas McClelland, Barrie Gosney as Flight Engineer City series has blazed a trail through popular culture-from Bettany learns how treasures found in the empire's capital, Hicks, Donald Bisset as Colonel Kent, Gerik Schelderup as Max ground-breaking newspaper serial to classic novel. Radio 4 are modern-day Istanbul, reveal much about the life and importance Kramer, and Leslie Perrins as Sir Charles Day. With Ian Sadler dramatising the full series of the Tales novels for the very first of a civilisation that, whilst being devoutly Christian and the and John Cazabon. -
A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope To
Fielding, Steven. "The Established Order Undermined." A State of Play: British Politics on Screen, Stage and Page, from Anthony Trollope to . : Bloomsbury Academic, 2014. 131–156. Bloomsbury Collections. Web. 27 Sep. 2021. <http://dx.doi.org/10.5040/9781472545015.ch-005>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 27 September 2021, 09:38 UTC. Copyright © Steven Fielding 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 5 The Established Order Undermined The number of novels glamorizing Westminster and expressing sympathy for its leading figures, as well as their adaptation for the stage and small screen, suggests that during the post-war period a significant number of Britons looked on politics in similar terms. Certainly, an unprecedented proportion of voters participated in general elections and belonged to the three main political parties at this time. These parties were moreover often rooted in local popular cultures. The Young Conservatives, for example, had in excess of 150,000 members, many of whom enjoyed a vibrant collective social life that encompassed sports of various kinds and even holidays to Spain.1 In spite of this most Britons’ relationship with Westminster politics was hardly intimate, certainly not before 1939 nor during the 1950s, and as the latter decade gave way to the 1960s and 1970s it became increasingly distant.2 Hitherto Labour and the Conservatives had found class a useful means of mobilizing support and while they continued to employ class-based appeals, the rising salience of other forms of identity meant they became less effective.3 The established working- and middle-class communities in which the parties had found a niche were being transformed and replaced by the self-conscious individualism of a new kind of suburbia. -
05 Coldstream 1749.Indd
NICOLAS COLDSTREAM John Nicolas Coldstream 1927–2008 NICOLAS COLDSTREAM was born in Lahore on 30 March 1927, only son of John Coldstream, whose career was spent in the judicial arm of the Indian Civil Service and whose mother (Phyllis née Hambly) was from a military family, Lancers not Coldstreams. His father was knighted in 1938 after retirement but stayed on as fi rst minister of Kapurthala state until 1939. On returning to England the family took up residence in St John’s Wood, moving in 1952 to 180 Ebury Street, SWl. Nicolas, as he was always known, though too often with an added ‘h’, was educated at prep school in Eastbourne, then as a King’s scholar at Eton. St Cyprian’s at Eastbourne had a lasting impression on him, and he concurred with the picture of the school given by Cyril Connolly in Enemies of Promise and George Orwell in ‘Such, such were the joys’. He was one of the fi rst Raj children to travel by air, just once, in 1938, and his fi rst publication was based on it—Croydon to Kapurthala. My First Flight (Kapurthala, Jagatjit Electric Press, 1938); the Maharajah was so impressed that he had it privately printed at his own expense. His fi rst view of the Athenian Akropolis was when the plane stopped to refuel on this journey. At Eton he had to choose between his two best subjects, Classics and Mathematics, and plumped for the former; he much respected his Tutor, Francis Cruso. His career took a not unusual step, from Eton to King’s College Cambridge, but not until he had done his National Service, 1945–8. -
Carry on Cabby, Gender, and the Local Industrial Power Nexus
Carry on Cabby, Gender, and the Local Industrial Power Nexus Kieron O’Hara More than 900 years have passed since the Norman Conquest, and it is sobering to think that so many centuries of English history, that the slow, beneficent growth of a society so traditional and stable, that the legacy of Shakespeare, Jonson, Dryden and the like-should have issued at last with “Carry On Camping,” which opened yesterday at neighborhood theaters.’ For no man Laughs at old jests ....’ 1. Introduction The Curry On films have for a long time held an important place in British popular culture, although a place not acknowledged in the litera- ture on popular culture as often ‘as one might think. A series of comedy films played by a large ensemble of comedy actors, with little or no claim to art, whose humor would fairly be described as basic, the Curry Ons have a felt Englishness3 about them, often described as analogous to fish and chips, or saucy seaside postcards. They have not endeared them- selves to critics or intellectuals: feminists and the right deplore their near-obsession with the breasts and bottoms of a series of buxom actresses (chiefly Barbara Windsor); the left detect reactionary views: particularly of working relationships, perhaps most in evidence in Kenneth Cope’s doctrinaire and obstructive shop steward in Curry On At Your Convenience. Even where the influence of the Curry Ons is acknowledged without prejudice, it is not generally the case that that influence can be seen as a good one. For example, Peter Hutchings rightly notes the importance of the Curry On tradition for Hitchcock’s Fren~y;~however, no-one would claim that Frenzy was the most politi- cally correct of Hitch’s pictures.