DOCSLIB.ORG

Volume 66, Number 09 (September 1948) James Francis Cooke

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume 66, Number 09 (September 1948) James Francis Cooke Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1948 Volume 66, Number 09 (September 1948) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 66, Number 09 (September 1948)." , (1948). https://digitalcommons.gardner-webb.edu/etude/169 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. OLGA SAMAROFF Pianist - Teacher - Lecturer 1882-1948 —; ) The Music Dial is shown here very much reduced in size. This Handy-Dial Guide to Great Operas^ Composers ere’s an easy way to learn important Instantly will appear the composer’s na- H facts about great operas and famous tionality, dates of birth and death, great- composers. This clever device increases est works, an interesting fact about him •people choose urlitzer Today, more W your listening-enjoyment and apprecia- the opera’s first performance, locale, composer, number of acts, leading char- those any other name. tion of opera and symphonic music. pianos than of acters, principal arias! Yours FREE Just keep it near your radio. Flick the WHETHER OR NOT YOU KEEP dial to the names of operas or THE NEW MILTON CROSS BOOK Wurlitzer’s unquestioned leadership has been earned composers you hear mentioned. AFTER FREE EXAMINATION! throughout the years by giving honest piano value. Always moderately priced, Wurlitzer pianos have the beauty of design, richness of tone and skilled construction that have brought true pride of posses- sion to Wurlitzer owners the world over. NOW TftctfS&foGtWM TELLS YOU When you choose a piano, let Wurlitzer leadership be your guide. EVERYTHING YOU WANT TO KNOW ABOUT THE THE RUDOLPH WURLITZER COMPANY, DE KALB, ILLINOIS World’s Great Operas At last you can enjoy all the drama of the World’s Great Operas right in your own home. This brahd-new book—written by Milton Gross for radio and record listeners— is so complete , so easy to follow that it brings the atmosphere of the opera house right into your living room. Yours for 5-days’ FREE EXAMINATION! erb, In one big 627-page book, are H the complete stories of 72 of the MILTON CROSS world’s greatest operas told more clear- What a Glorious Treasure-House of Music! — Famous radio personality and ly and more enjoyably than ever before! musical authority , whose are the Here 72 operas described in this 627-page voice is heard each week be- Certainly you have heard Milton book. Each is COMPLETE—all the action thor- tween the scenes of the Met- Cross’ wonderful broadcasts from the oughly explained, each aria identified, descriptions of ropolitan Opera Broadcast. "cuts” and changes frequently made in modern per- Metropolitan Opera House. Now Mr. formances, casts of characters, etc. Cross has expanded his between-the-scenes narratives into a fas- cinating book. Every bit of essential action is fully described. Every L’Africaine The Flying Das Rheingold Aida Dutchman Die Walkure important aria, duet, chorus, etc. is identified and explained —as well The Love of La Forza Siegfried as the overtures and incidental orchestral music within the operas. Three Kings del Destino Die Not only is each story made clear, scene-by-scene and action-by- Ariadne auf Naxos Der Freischutz Gotterdammerung action, but the dramatic meaning of the musical themes is Bartered Gianni of * clearly 1 The Schicchi Daughter Bride La Gioconda the Regiment explained. I The Masked Ball Les Huguenots Romeo and Juliet 1 La Boheme Lakme Hansel and Gretel Boris Godunof Lohengrin Rosenkavalier Designed for Opera LISTENERS as Well as Opera GOERS 5 Der — Carmen Tales of Hoffman Salome j I Cavalleria Louise Samson et Dalila Many “opera books” are written only for those fortunate enough Rusticana Lucia di Die Meistersinger 1 Le Coq d'Or Lammermoor Simon Boccanegra to attend regular performances. Much of the story-action is omitted, Cosi Fan Tutte Madame Butterfly Tannhauser because it is perfectly clear to people seeing the opera. But, to the Don Giovanni Manoa Thais _ - HOW TO ENJOY AN radio or record listener, much is usually left unexplained. Don Fasquale Manon Lescaut Tosca a highly informa- Elektra Martha Marriage OPERA, g In Milton Cross’ new you get story-and-music L'Elisir d’Amore Mignon of Figaro tive introduction to opera ap- book COMPLETE Eugen Onegin Norma The Pearl Fishers preciation that helps you to develop your narratives that add immeasurably to your enjoyment—BOTH as an The Barber Otello The Queen of Spades own standards and tastes; HIS- opera-goer and as a listener. In addition, there are large and inter- of Seville Abduction from Orpheus and Euridice A BRIEF Falstoff the Seraglio La Sonnambula TORY OF THE OPERA from its earliest esting sections on “How to Enjoy An Opera,” “History of the Faust Pagliacci La Traviata inception in Italy until the present day, Opera,” and “The Ballet in Opera.” Andrea Chenier Parsifal Tristan and tracing La Juive Pelleas et and Isolde THE BALLET IN OPERA Mofistoiele Melisande II Trovatore the history of this art. Complete Index. Fidelio Rigoletto Turandot Selected Reading Guide. Charming illus- FREEEXAMINATrONCOUPON The Magic Flute trations by Dolores Ramos. NELSON DOUBLEDAY. Inc.. Dept. ET9, Garden City, New York Above is the beautiful new Wurlitzer Model 535. Send me. for 5 days’ FREE examination COMPLETE STORIES OF THE OPERAS by Milton Cross. I may examine it for 5 days. If I deride not to keep it, I will You may have it in selected blond oak (as shown), return it without obligation. Otherwise, I will send only $1.75 (plus few cents for post- age and handling) as my first payment; then $2 one month later, as payment in full. mahogany or figured walnut. Wurlitzer grand, up- right, spinette and student pianos are available in a SEND NO MONEY— FREE 5 DAY TRIAL % wide variety of styles and finishes, including the Name et this book help you to enjoy to the full the in- final payment. But if you are NOT completely new Wurlitzer plastic fabric. If your Wurlitzer Li spiring music that is so readily available today. delighted, merely return the book, pay nothing, dealer is not listed in your classified telephone direc- the Coupon owe nothing. You take no risk. Mail FREE EXAMINATION Address Handy - Dial Guide to If you act now, you will receive Operas and Composers. tory, write us for complete information. (WITHOUT MONEY, if you prefer) and receive ABSOLUTELY Stories On this offer the pub- Milton Cross’ 627-page COMPLETE STORIES FREE (with Complete of the Operas) the lishers will include OF THE OPERAS bound in handsome maroon Music Dial-Guide described above. You may keep Zone No. FREE, the fascinating City (if any) State Music Wheel described library cloth, gilt stamped. If, after 5 days, you are the Dial free—whether or not you decide to keep above. ( You may keep SAVE POSTAGE CHARGES. Cherk here if enclosing the Dial — whether or that it is the finest book of its kind you the book! Mail the coupon NOW. convinced $3.75 WITH this coupon as payment in full. Then we will not you return the hook prepay postage and l have ever seen, send only $1.75, plus small postage NELSON DOUBLEDAY. Inc., handling charges. Same 5-day money- Act XOW — quantity is bark privilege applies, of course. limited! and handling charge. One month later, send $2 as Dept. ET9, Garden City, New York SEPTEMBER, 1948 MUSIC STUDY EXALTS LIFE” 517 ' . Editorial ,£Tr^ introducing by HARVEY S. WHISTLER 'Holed merican ~y$rtidt C e || MONTHLY ^Jhe PaAiinff o/ a J»[| MODERN HOHMANN-WOHLFAHRT Beginning PUBLISHED ^ . c PHILADELPHIA, PA. 'bsittO Position $0.60 PRESSER CO.. Method for Violin, Vol. I. First BY THEODORE I IMIH1 MODERN HOHMANN-WOHLFAHRT Beginning and advisory staff Violin, Vol. II. First Position 75 editorial marriage was Method for Tchaikovsky) . Her COOKE, Editor-in-Chief to wake (pupil of Anton Rubinstein and DR. JAMES FRANCIS Samaroff went to sleep, not POSITIONS for Violin, Vol. I. Editor MID-MAY Madame Olga in an annulment.^ INTRODUCING THE Guy McCoy, Assistant N had taught unfortunate, and ended shortly thereafter 75 Music Editor York City where she Third and Fifth Positions Dr. Rob Roy Peery, again, at her home in New January 8, 1905, at — - — " ' Materora.er in America occurred Karl W. Gehrkens Dr.ur. Guyoay tribute Her pianistic debut Dr. Nicholas Douty " •' I world paused to pay Berkley Dr. Alexander'cr McCurdy musical POSITIONS for Violin, Vol. II. Harold Elizabeth Gear of pupils. The whole Walter INTRODUCING THE Maurice Dumesml Pago scores the New York Symphony Orchestra, Ruth Evans Buhman George C. Krick N CUfford Page she was Carnegie Hall, with Seventh higher positions .75 Ed 1 Reed in musical history. When Second, Fourth, Sixth, and Pietro Deiro J" DJI Peter Hugh of the foremost women extensive tours in William D. Revelll to one conducting. This was followed by Hickenlooper, no little girl Damrosch study in double note Mary Olga Agnes DEVELOPING DOUBLE-STOPS for Violin. A complete course of born in Texas, Lucy and other parts of the world. Her numerous native countiy. 1 America, Europe, first through fifth positions 1.25 representative of her and chord development. Covers all phases; T HEO DORR P It L S S L II- could have been more Machine Company are now -founded 1 S S3 BY Her recordings for the Victor Talking Carlos and Jane Loening Hickenlooper was the daughter of collectors.
Load more

Recommended publications
  • My Musical Lineage Since the 1600S
    Paris Smaragdis My musical lineage Richard Boulanger since the 1600s Barry Vercoe Names in bold are people you should recognize from music history class if you were not asleep. Malcolm Peyton Hugo Norden Joji Yuasa Alan Black Bernard Rands Jack Jarrett Roger Reynolds Irving Fine Edward Cone Edward Steuerman Wolfgang Fortner Felix Winternitz Sebastian Matthews Howard Thatcher Hugo Kontschak Michael Czajkowski Pierre Boulez Luciano Berio Bruno Maderna Boris Blacher Erich Peter Tibor Kozma Bernhard Heiden Aaron Copland Walter Piston Ross Lee Finney Jr Leo Sowerby Bernard Wagenaar René Leibowitz Vincent Persichetti Andrée Vaurabourg Olivier Messiaen Giulio Cesare Paribeni Giorgio Federico Ghedini Luigi Dallapiccola Hermann Scherchen Alessandro Bustini Antonio Guarnieri Gian Francesco Malipiero Friedrich Ernst Koch Paul Hindemith Sergei Koussevitzky Circa 20th century Leopold Wolfsohn Rubin Goldmark Archibald Davinson Clifford Heilman Edward Ballantine George Enescu Harris Shaw Edward Burlingame Hill Roger Sessions Nadia Boulanger Johan Wagenaar Maurice Ravel Anton Webern Paul Dukas Alban Berg Fritz Reiner Darius Milhaud Olga Samaroff Marcel Dupré Ernesto Consolo Vito Frazzi Marco Enrico Bossi Antonio Smareglia Arnold Mendelssohn Bernhard Sekles Maurice Emmanuel Antonín Dvořák Arthur Nikisch Robert Fuchs Sigismond Bachrich Jules Massenet Margaret Ruthven Lang Frederick Field Bullard George Elbridge Whiting Horatio Parker Ernest Bloch Raissa Myshetskaya Paul Vidal Gabriel Fauré André Gédalge Arnold Schoenberg Théodore Dubois Béla Bartók Vincent
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D.
    [Show full text]
  • Marquetry on Drawer-Model Marionette Duo-Art
    Marquetry on Drawer-Model Marionette Duo-Art This piano began life as a brown Recordo. The sound board was re-engineered, as the original ribs tapered so soon that the bass bridges pushed through. The strings were the wrong weight, and were re-scaled using computer technology. Six more wound-strings were added, and the weights of the steel strings were changed. A 14-inch Duo-Art pump, a fan-expression system, and an expression-valve-size Duo-Art stack with a soft-pedal compensation lift were all built for it. The Marquetry on the side of the piano was inspired by the pictures on the Arto-Roll boxes. The fallboard was inspired by a picture on the Rhythmodic roll box. A new bench was built, modeled after the bench originally available, but veneered to go with the rest of the piano. The AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS’ ASSOCIATION SEPTEMBER/OCTOBER 2005 VOLUME 42, NUMBER 5 Teresa Carreno (1853-1917) ISSN #1533-9726 THE AMICA BULLETIN AUTOMATIC MUSICAL INSTRUMENT COLLECTORS' ASSOCIATION Published by the Automatic Musical Instrument Collectors’ Association, a non-profit, tax exempt group devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls and perforated music books. AMICA was founded in San Francisco, California in 1963. PROFESSOR MICHAEL A. KUKRAL, PUBLISHER, 216 MADISON BLVD., TERRE HAUTE, IN 47803-1912 -- Phone 812-238-9656, E-mail: [email protected] Visit the AMICA Web page at: http://www.amica.org Associate Editor: Mr. Larry Givens VOLUME 42, Number
    [Show full text]
  • Central Opera Service Bulletin
    CENTRAL OPERA SERVICE BULLETIN WINTER, 1972 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Center Plaza • Metropolitan Opera • New York, N.Y. 10023 • 799-3467 Sponsored by the Metropolitan Opera National Council Central Opera Service • Lincoln Canter Plaza • Metropolitan Opera • New York, NX 10023 • 799.3467 CENTRAL OPERA SERVICE COMMITTEE ROBERT L. B. TOBIN, National Chairman GEORGE HOWERTON, National Co-Chairman National Council Directors MRS. AUGUST BELMONT MRS. FRANK W. BOWMAN MRS. TIMOTHY FISKE E. H. CORRIGAN, JR. CARROLL G. HARPER MRS. NORRIS DARRELL ELIHU M. HYNDMAN Professional Committee JULIUS RUDEL, Chairman New York City Opera KURT HERBERT ADLER MRS. LOUDON MEI.LEN San Francisco Opera Opera Soc. of Wash., D.C. VICTOR ALESSANDRO ELEMER NAGY San Antonio Symphony Ham College of Music ROBERT G. ANDERSON MME. ROSE PALMAI-TENSER Tulsa Opera Mobile Opera Guild WILFRED C. BAIN RUSSELL D. PATTERSON Indiana University Kansas City Lyric Theater ROBERT BAUSTIAN MRS. JOHN DEWITT PELTZ Santa Fe Opera Metropolitan Opera MORITZ BOMHARD JAN POPPER Kentucky Opera University of California, L.A. STANLEY CHAPPLE GLYNN ROSS University of Washington Seattle Opera EUGENE CONLEY GEORGE SCHICK No. Texas State Univ. Manhattan School of Music WALTER DUCLOUX MARK SCHUBART University of Texas Lincoln Center PETER PAUL FUCHS MRS. L. S. STEMMONS Louisiana State University Dallas Civic Opera ROBERT GAY LEONARD TREASH Northwestern University Eastman School of Music BORIS GOLDOVSKY LUCAS UNDERWOOD Goldovsky Opera Theatre University of the Pacific WALTER HERBERT GIDEON WALDKOh Houston & San Diego Opera Juilliard School of Music RICHARD KARP MRS. J. P. WALLACE Pittsburgh Opera Shreveport Civic Opera GLADYS MATHEW LUDWIG ZIRNER Community Opera University of Illinois See COS INSIDE INFORMATION on page seventeen for new officers and members of the Professional Committee.
    [Show full text]
  • Symphony Shopping
    Table of Contents | Week 1 7 bso news 15 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 21 a message from andris nelsons 22 this week’s program Notes on the Program 24 The Program in Brief… 25 Dmitri Shostakovich 33 Pyotr Ilyich Tchaikovsky 41 Sergei Rachmaninoff 49 To Read and Hear More… Guest Artist 55 Evgeny Kissin 58 sponsors and donors 78 future programs 82 symphony hall exit plan 83 symphony hall information the friday preview talk on october 2 is given by bso director of program publications marc mandel. program copyright ©2015 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo of Andris Nelsons by Chris Lee cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D.
    [Show full text]
  • Usos Do Disco, Do Rádio E Da História Da Música Como Instrumentos De Educação E Divulgação Musicais
    SAID TUMA “Elevar o nível” e “frear” a decadência do gosto: usos do disco, do rádio e da história da música como instrumentos de educação e divulgação musicais SÃO PAULO 2017 2 SAID TUMA “Elevar o nível” e “frear” a decadência do gosto: usos do disco, do rádio e da história da música como instrumentos de educação e divulgação musicais Versão Corrigida Tese apresentada ao Programa de Pós- Graduação em Música, Área de Concentração Musicologia, Linha de Pesquisa Musicologia e Etnomusicologia da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do título de Doutor em Música, sob orientação do prof. Dr. Mário Rodrigues Videira Júnior SÃO PAULO 2017 3 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. 4 TUMA, Said. “Elevar o nível” e “frear” a decadência do gosto: usos do disco, do rádio e da história da música como instrumentos de educação e divulgação musicais. 2017. 217 f. Tese (Doutorado em Música) – Escola de Comunicações e Artes, Universidade de São Paulo, São Paulo, 2017. Aprovado em: Banca Examinadora Prof. Dr. _____________________________________________________ Instituição: _____________________________________________________ Julgamento: _____________________________________________________ Prof. Dr. _____________________________________________________ Instituição: _____________________________________________________ Julgamento: _____________________________________________________
    [Show full text]
  • Doctoral Dissertation Template
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE ALLISON NELSON: PIANIST, TEACHER AND EDITOR A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By LYNN WORCESTER Norman, Oklahoma 2015 ALLISON NELSON: PIANIST, TEACHER AND EDITOR A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. Jane Magrath, Chair ______________________________ Dr. Stephen Beus, Co-Chair ______________________________ Dr. Barbara Fast ______________________________ Dr. Edward Gates ______________________________ Dr. Eugene Enrico ______________________________ Dr. Joseph Havlicek © Copyright by LYNN WORCESTER 2015 All Rights Reserved. ACKNOWLEDGMENTS This work would not have been possible without the guidance and support of the faculty members who served on my committee, Dr. Jane Magrath, Dr. Barbara Fast, Dr. Edward Gates, Dr. Eugene Enrico, Dr. Stephen Beus and Dr. Joseph Havlicek. To Dr. Jane Magrath: Thank you for your patience and continued support through every turn and for showing me how to be the finest professional I can be. Your guidance has allowed me to come in to my own as a pianist, teacher and writer. Special gratitude is reserved for Dr. Allison Nelson who shared her time, memories, and efforts over the course of this past year. Her wisdom, energy, and passion for music will stay with me for the rest of my life. Thank you to all of Dr. Nelson’s colleagues and former students who shared their time and participated in this study. A special thanks is owed to my family—my father, Mark Worcester, my mother, Eiki Worcester and my sister, Leya Worcester—whose love and dedication will always be cherished.
    [Show full text]
  • Schenker's First “Americanization”: George Wedge, the Institute of Musical Art, And
    Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic Volume 4 Issue 1 Article 7 January 2011 Schenker’s First “Americanization”: George Wedge, the Institute of Musical Art, and the “Appreciation Racket” David Carson Berry [email protected] Follow this and additional works at: https://trace.tennessee.edu/gamut Part of the Music Commons Recommended Citation Berry, David Carson (2011) "Schenker’s First “Americanization”: George Wedge, the Institute of Musical Art, and the “Appreciation Racket”," Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic: Vol. 4 : Iss. 1 , Article 7. Available at: https://trace.tennessee.edu/gamut/vol4/iss1/7 This A Music-Theoretical Matrix: Essays in Honor of Allen Forte (Part III), edited by David Carson Berry is brought to you for free and open access by Volunteer, Open Access, Library Journals (VOL Journals), published in partnership with The University of Tennessee (UT) University Libraries. This article has been accepted for inclusion in Gamut: Online Journal of the Music Theory Society of the Mid-Atlantic by an authorized editor. For more information, please visit https://trace.tennessee.edu/gamut. SCHENKER’S FIRST “AMERICANIZATION”: GEORGE WEDGE, THE INSTITUTE OF MUSICAL ART, AND THE “APPRECIATION RACKET” DAVID CARSON BERRY quarter of a century ago, William Rothstein first employed a now common phrase when A he spoke of the “Americanization of Schenker”—that is, the accommodation that had to be made to bring Schenker’s ideas into the American academy, a process that involved ex- punging (or at least reconstituting) “those elements of Schenker’s thought [that clashed] most spectacularly with the American mind.”1 Rothstein focused mainly on émigrés displaced by the Second World War (e.g., Oswald Jonas, Ernst Oster, and Felix Salzer), and on Americans a generation younger (e.g., Milton Babbitt and Allen Forte).
    [Show full text]
  • AMICA New S Bulle Ti N of the a UTOM ATIC MUSICAL INSTRUMENT C O LLECTORS' ASSOCIATION
    CC;~e AMICA New s Bulle ti n of the A UTOM ATIC MUSICAL INSTRUMENT C O LLECTORS' ASSOCIATION ARENT ORGANIZATION ACTIVITIES • •••••••••••••P. 1 1OGRAPHI CAL SKETCHES •• ••••••••• •• ••• •••••• •P. 4 OUTHERN CALI FORNI A CHAPTER • ••••••• ••••••• ••P. 10 NSTRUMENTS • ••••• • • • ••••••••••••• ••••••••• ••·P. 12 oLLS & MUSic P. 15 rECHNICALI 'TIES ••••••• ••••••••••••• •• • •••••••F. 19 AMICA BOARD MEMBERS: F rank L o ob, Pre siden t Roger Jo hnso n, Vice President G in ny B il l in gs, Publisher 1971 Nick Jarr ett, Treasurer A ober ta Ch erney, Re co rd i ng Secretary Dick Re u t linger, Me m b er sh ip Secretary M el L u ch et t i , Adver t isi ng Secretary THE Al\tICA NEWS BULLETIN 1__---------------------------The AMICA News Bulletin .......----..... Published by the Automatic Musical Instrument Collectors' Association, a non-profit club devoted to the restoration, distribution and enjoyment of musical instruments using perforated paper music rolls. Contributions: All subjects of interest to readersof the bulletin are encouraged and invited by the publisher. All articles must be received by the first of the month. Every attempt will be made to publish all articles of general interest to AMICA members at the earliest possible time and at the discretion of the Publisher, in the following areas: * Letters to the Publisher * Research Findings *Questions and Answers * Biographical Sketches of Artists and Composers *Photographs, Old Advertisements *Technical Information * Anything elseof general interest to AMICA . Advertisements: Personal ads are accepted by the AMICA Bulletin Board. Businesses which are interested in placing ads must follow these rules: - Each ad will consist of one full standard page in the bulletin.
    [Show full text]
  • W Illem M Engelberg En Zijn Tijd
    11 3 Juni 2015 WM Willem Mengelberg en zijn tijd De Symfonie van César Franck Paul van Kempen W Dimitri Mitropoulos M Inhoud Van het bestuur en van de redactie 1 Kees de Leeuw Paul van Kempen 2 Programmatoelichting bij de Symfonie van Franck 13 Johan Maarsingh Mengelbergs herontdekking van een symfonie 18 Simon van Milligen De Symphonie van César Franck (1902) 21 Concertrecensies van de Symfonie van Franck 23 Francisco Joffily D. Mitropoulos – Two Concerts Not to Be Forgotten 33 Concertrecensies Tsjaikovski 39 Het Concertgebouworkest in Luik 47 Concertstatistiek Symfonie van Franck 49 Afbeelding v oorzijde Paul van Kempen getekend door Emil Stumpp, 1931 Colofon WM is een kwartaaluitgave van de Stichting Willem Mengelberg Society (WMS). Net als zijn voorganger, de Willem Mengelberg Vereniging, wil de WMS wereldwijd zoveel mogelijk men- sen in aanraking brengen met de muzikale nalatenschap van de dirigent Willem Mengelberg. Redactie Johan Maarsingh, Ronald de Vet Bestuur Voorzitter Frederik Heemskerk Vice -voorzitter Eveline Nikkels Secretaris Olga de Kort Penningmeester Jan Reinoud Lid Frits Zwart Website www.willemmengelberg.nl Erevoorzitter Riccardo Chailly Don aties: minimaal € 30 indien u woont binnen Europa, € 35 daarbuiten. Voor dat bedrag ontvangt u viermaal per jaar WM en krijgt u reductie op de entreeprijs van onze bijeenkom- sten. Gaarne overmaking naar NL36 INGB 0006 1486 87 t.n.v. stichting Willem Mengel- berg Society o.v.v. ‘donatie WMS’. Overname van de redactionele inhoud is alleen toegestaan na schriftelijke toestemming van de redactie. Aanleveren kopij voor WM 114 uiterlijk 15 augustus 2015. 28e jaargang, nummer 113. © 2015. ISSN 2213-9036. Van het bestuur Mengelberg en Van Kempen Op 9 mei jongstleden wijdde de Willem die van Mengelberg.
    [Show full text]
  • The Continuo Arts Foundation Presents the 3Rd Annual
    The Minuetto Music Festival The Continuo Arts Foundation Presents The 3rd Annual June 24th, 26th, 28th, 2014 7:30 in the evening Central Presbyterian Church Summit, NJ Www.continuoarts.com Www.continuoarts.com The Minuetto Music Festival Www.continuoarts.com The Minuetto Music Festival Welcome to the 2nd Annual Minuetto Music Festival Presented by the Grand Summit Hotel FESTIVAL OBJECTIVES Provide musicians with an opportunity to meet, perform, share their musical achievement and creativity, enhance their skills, learn new repertoire and collaborate with one another Offer a rich and diverse program of artists of the highest standard from seasoned professionals to new and emerging talent Evaluate and reflect on musical achievements and creativity in a constructive and educationally focused way Run rehearsals and master classes to pass on knowledge and skills Facilitate individual personal development through the emotionally enriching experience acquired through musical expression Charge a reasonable price for participation and concert attendance Provide a stimulating cultural experience to all participants and visitors Encourage the view that Central New Jersey is an interesting and culturally rewarding musical destination Engage Festival Committee members from many surrounding communities Hold additional events as determined by the Festival Committee FESTIVAL VALUES A credo that exposure to the arts cannot be optional; it is a cultural right and heritage Production of a high quality musical event with cultural enrichment,
    [Show full text]
  • CD´S Mit Werken Von Und Mit Xaver, Philipp U. Walter Scharwenka
    Scharwenka Stiftung Die Tonträger können nach Voranmeldung Bestandsverzeichnis abgehört bzw. ausgeliehen werden CD´s mit Werken von & mit Xaver, Philipp und Walter Scharwenka Scharwenka Bearbeiter: Stand: 30.09.2019 Verleger Xaver Scharwenka Unterhaltsame Klaviermusik CD 1 „Gärten im Frühling“: Volkmar Schwerdtner/ Hans- Polnische Nationaltänze op.3 Nr.1 bis 5 Georg Schwerdtner Weitere Kompositionen von Carl Czerny, Jean Philippe Ramenau, Walter Eigenverlag Niemann, Hans-Willy Bergen Interpret am Klavier: Hans-Georg Schwerdtner Aufn.-dat. 1957 - 1963 CD 2 „Concertino“: Kompositionen von Albrecht Rosenstengel, Karl-Heinz Köper, Ernst Fischer/ H.-G. Schwerdtner, Julius Jacobsen, Lothar Mikuliez, Fried Walter Interpreten: Sabine Schwerdtner und Hans-Georg Schwerdtner Verleger Xaver Scharwenka Pianowerke 4: Polnische Tänze op. 47 Nr. 1 bis 4, Zwei Klavierstücke op. 65, Hyperion London 1975/ 2003 Six Waltzes op. 28, Variationen über ein Thema von C. H. Nr. 1 bis 13 op.57, LC 7533 CDH 55134 Drei Klavierstücke op. 86, Zwei Erzählungen am Klavier op. 5 Interpret: Seta Tanyel Aufn.-dat. 1975 Diese CD gibt es auch in einer anderen Cover- Version. Verleger Philipp Scharwenka Sonate op. 106; Carillion LC 8233 Außerdem: Robert Fuchs: Sechs Phantasiestücke op. 117, Sonate für Violine und Piano op. 86, Interpreten: Joachim Krist (viola), Michael Krist (piano) Aufn.-dat. 1988 Diese CD ist in zwei verschiedenen Cover- Versionen im Bestand vorhanden Verleger Xaver Scharwenka Polish Dance op.3 No.1; Lyrita SRCD.216 Weiterhin Johann Sebastian Bach: Toccata and Fugue d-moll (BWV 565); Frédéric Chopin: Marche funèbre (from Piano Sonata No.2 b-moll); Enrique Granados: Spanish Dance (No.5 Andaluza); Edvard Grieg: Funeral March; Claude Debussy: La Cathédrale engloutie (Preludes, Book 1 No.10); Aufn.-dat.
    [Show full text]