Chess Kitab May 2006 Pdf

ÀÇßÐÁÀÉÚÀÍ ÉÀÐÛØËÀÐÛ THE AZERBAIJAN TOURNEYS

Informaltourney «Olimpiya dunyasi» 2006 (newspaper) Sections: studies, #2, #3, H#2 . Free themes. Columnist : Ilham Aliev. Judges: #2 E.Bogdanov (Ukraine), #3- R.Aliovsadzade (USA), studies- I.Aliev, H#2- ? ¹4 may 2006 Address: [email protected] Closing date: 20.10.2006 The publication (max 3 per author) and award will be sent participants by e-mail.

Informaltourney «Kaspiy» 2006 (newspaper) Sections: #2, #3, studies, H#2 . Free themes. Columnist : Elmar Abdullayev. Judges: #2 - R. Aliovsadzade (USA), #3- Y.Gordian (Ukraine), studies- A. Almammadov (Azerbaijan), H#2- ?. The publication and award will be sent participants by e-mail. The prizes : books. Original compositions should be sent (max 3 per author) by 1.10.2006 to: [email protected].

Salman Javadzade -70 JT Sections: #2, #3 - Miniatures. Free themes. Judge: S.Javadzade BAKU Judge - organizer: Elmar Abdullayev. Address: [email protected] (max 3 per author). Tourney Director: Ilham Aliev. Closing date: 31.09.2006. The prizes Magazine on a composition.

Mejnun Vahidov - 60 JT Section: #3 Judge: M.Vahidov. Judge - organizer: Elmar Abdullayev. Address: [email protected] (max 3 per author). Tourney Director: Ilham Aliev. Closing date: 31.09.2006. The prizes books of M.Vahidov

PLEASE REPRINT……PLEASE REPRINT……PLEASE REPRINT

Æóðíàëûí öç ãàáûüûíäà Àçÿðáàéúàí Õàëã Úöìùóðèééÿòèíèí (1918-1920-úè èë) õÿðèòÿñè âåðèëèá. Ìöáàùèñÿëè ÿðàçèëÿð ýþñòÿðèëìÿéèá. Chess composition ÌßÊÒÓÁËÀÐ / ËÅÒÒÅÐ'Ñ ¹4 may 2006 Congratulations, Ilham, on the first issue of this Azerbaijani composition magazine of which you are, I see, the chief editor. It is an excellent publication - with better quality photographs than EG's!. John Roycroft “EG” chief editor (Ëîíäîí, England)

Òÿáðèêëÿð! Èëùàì, øàùìàò áÿñòÿ÷èëèéè öçðÿ Àçÿðáàéúàí æóðíàëûíûíûí èëê ñàéûíäàí ýþðöðÿì êè, Ñèç áàø ðåäàêòîðñóç. Áó, ÿëà äÿðúäèð. Éàõøû êåéôèééÿòëè øÿêèëëÿðèíÿ ýþðÿ «ÅÝ»-äÿí öñòöíäöð! John Roycroft “EG” jurnalinin redaktoru (Ëîíäîí, Èíýèëòÿðÿ)

Òèðàú: 50 íöñõÿ. Dear Mr. Aliev, I am pleased to have received notice of the Olimpiya Dunyasi Tourney and the Azerbaijan Chess Composition Commission - 35 Tourney. This much activity makes Èëùàì ßëèéåâ, 8 ì/ð, 18/29-51, Ñóìãàéûò ÀÇ-5008. your region the center of the endgame study world. By participating in these tourneys, I Òåë: åâ (+994 18) 644-82-23, cèá (+994 50) 515-40-99 feel I bring myself closer to the center of action, closer to an association with my fellow composers around the World. Sincerely, Richard Becker (Oregon City, U. S. A).

Ñèçèí éàðûøëàð ùàãäà èíôîðìàñèéàíû àëäûüûìà ÷îõ ðàçûéàì. Áó áþéöê èø ñèçèí þëêÿíè äöíéà åòöä ìÿðêÿçëÿðèíäÿí áèðèíÿ ÷åâèðèð. Áó éàðûøëàðäà èøòèðàê åäÿðÿê, ìÿí ùàäèñÿëÿðèí ìÿðêÿçèíÿ éàõûíëàøäûüûìû âÿ áöòöí äöíéà áÿñòÿ÷èëÿðè èëÿ äàùà éàõûí òÿìàñäà îëäóüóìó ùèññ åäèðÿì. Ùþðìÿòëÿ, Richard Becker (Oregon , AÁØ). 1. Ìÿêòóáëàð 3 2. Àçÿðáàéúàí Øàùìàò Áÿñòÿ÷èëèéè Êîìèññèéàñû -35 Éóáèëåé éàðûøû 4-20 Hello Ilham, (Àçåðáàèæàí ÚÚÚ-35 ÆÒ, 2006 ( +=, #2, H#2) Already you have sent the results of the Azerbaijan Chess Composition Commission-35 3. Ïîåçèéà ñÿùèôÿñè «Ì.Ô.Àõóíäîâ» 5 JT. Thank you! As with the "Olimpiya Dunyasi" tourney, the results are out promptly. 4. Àíàòîëèé Âàñèëåíêî (Óêðàèíà) Your tourneys are an example for others. I am looking forward to your next tourney. Thanks again, Richard. «Âàðèàöèè íà òåìó ýëèìèíàöèè» 21-23 5. Õÿáÿðëÿð 12, 16, 20, 23, 24, 25 Ñàëàì Èëùàì, 6. ÂÛÛÛ Êîìàíäà äöíéà ÷åìïèîíàòû ìþâçóëàðûíûí òÿðúöìÿñè 26-27 Ñèç àðòûã Àçÿðáàéúàí Øàùìàò Áÿñòÿ÷èëèéè êîìèññèéàñûíûí 35 èëëèê éóáèëåéèíÿ ùÿñð 7. Àçÿðáàéúàí éàðûøëàðû / The Azerbaijan tourneys 28 îëóíìóø éàðûøûí íÿòèúÿëÿðèíè ýþíäÿðìèñèíèç. «Îëèìïèéà äöíéàñû»-näà îëäóüó êèìè íÿòèúÿëÿðèí òåç åëàí îëóíìàñû ñåâèíäèðèúè ùàëäûð. Ñèçèí éàðûøëàð áàøãàëàðû ö÷öí íöìóíÿäèð. ×îõ ñÿáèðñèçëèêëÿ ñèçèí íîâáÿòè éàðûøëàðûíûçû ýþçëÿéèðÿì. Ðèåæå àááðåâèàòèîíñ: Òÿøÿêêöðëÿð, Richard. Ø = Êèíý Dear chess friend Ilham, V = Ãóååí I received the award of the tourney “Olimpiya dunyasi” 2005. I am happy for my result. T = Ðîîê Thank you for a fast and accurate award. A = Êíèýùò Best wishes, Marco Campioli (Italy) F = Bishop ßçèç øàùìàò äîñòó Èëùàì, piyada = Pawn Ìÿí “Olimpiya dunyasi” 2005 éàðûøûíûí òÿëòèôèíè àëäûì. Ýþñòÿðäèéèì íÿòèúÿéÿ ýþðÿ õîøáÿõòÿì. Ñöðÿòëè âÿ ñÿëèñ ùàêèìëèéÿ ýþðÿ òÿøÿêêöð åäèðÿì. Foreign subscribers $5 per issue (postage included). Õîø àðçóëàðëà, Marco Campioli (Italèyà) Àçÿðáàéúàí Øàùìàò Áÿñòÿ÷èèëëèèéèè Êîìèèññèèéàñûû - 35 Éóáèèëëåé Éàðûûøûû Áèðè øàùäû, áèðè âÿçèð, éàíëàðûíäà èêè ôèë, Azerbaijan Chess Composition Commission - 35 Jubilee Tourney ßýÿð äöøìÿí ùöúóì åòñÿ, íàýÿùàí, ãÿôèë, Øàùû ãîðóéàðëàð èêè àò, èêè ãÿñðè-ãàëà äà, Ùÿì äÿ þíäÿ äóðìóø ñÿêêèç ïèéàäà. Àçÿðáàéúàíäà øàùìàòûí òàðèõè ÷îõ ãÿäèìäèð. Òàðèõè Àëòìûø äþðä õàíÿëè ùÿðá ìÿúëèñèíäÿ, ãàéíàãëàðäàí, 13 ÿñðèí ñîíó 14 ÿñðèí ÿââÿëÿðèíäÿ éàøàìûø Àü-ãàðà ðÿíýëÿðëÿ áÿçÿíìèø ìåéäàí, òàíûíìûø Àçÿðáàéúàí øàèðè Ãÿòðàí Òÿáðèçèíèí «Ìåùð âÿ Ìöøòÿðè» ïîåìàñûíäàí ýþðöíäöéö êèìè, øàùìàò Øàù ñÿðáÿñò îëñà äà ùÿð ãÿäÿìèíäÿ, þëêÿìèçäÿ àðòûã ÂÛ ÿñðäÿ ìÿëóì èäè. Øàùìàò ùàããûíäà ÌÈÐÇß ÔßÒßËÈ Éåðèøè áèð õàíÿ, ìöëêö õàíÿäàí. Õàãàíè (1126-1199) âÿ Íèçàìè (1141-1209), Ìÿùñÿòè (12 Âÿçèð ùÿð àí úÿëääèð, ùöäóäà ãÿäÿð. ÿñð), Íÿñèìè (1369-1417), Ôöçóëè (1494-1556) âÿ äèýÿð øàèð- ÀÕÓÍÄÎÂ Éà äöç, éà ÷ÿïÿêè äöøìÿíè ýöäÿð. ìöòÿôÿêêöðëÿðèí ÿñÿðëÿðèíäÿ ðàñò ýÿëìÿê îëóð. Éàçû÷û âÿ Ôèëëÿð ùÿðÿêÿòäÿ äàèì ÷ÿï ýåäÿð, ôèëîñîô Ìèðçÿ Ôÿòÿëè Àõóíäîâ «Øÿòðÿíú îéóíó» øåèðèíäÿ Ãàëàëàð ÿêñ éîëó - äöçö ñå÷ÿðëÿð. (1864) ïîåçèéà âàñèòÿñè èëÿ øàùìàò îéóíó ãàéäàëàðûíû ØÀÙÌÀÒ ÎÉÓÍÓ Îéóíà áÿçÿê àòëàðûí þç éåðèøè, äþíìÿéè âàð, òÿñâèð åäèá. 1864-úö èë Èêè õàíÿ ñû÷ðàéàðàã, õàíÿ éàíà åíìÿéè âàð. Àçÿðáàéúàí øàùìàò÷ûëàðû Øÿðãäÿ ÿí ýöúëöëÿðäÿí èäèëÿð Ðÿãèáè þíäÿ ýþðñÿ, ßçðàéûë òÿê éåíìÿéè âàð. (Úÿëàëÿääèí Íàõ÷ûâàíè - ÛÕ ÿñð), ßëÿääèí Òÿáðèçè Øÿòðÿíúè Ïèéàäà àääûìëà, ñàêèò, íèçàìëà, (ÕÛÂ-ÕÂ ÿñð) èñÿ Òåéìóðëÿíý èìïåðèéàñûíäà ÿí ýöúëö èäè, Äöøìÿí ñÿðùÿääèíè êå÷ÿð èíàìëà. îíóí áèð ÷îõ ìÿíñóáÿëÿðè ýöíöìöçÿäÿê ýÿëèá ÷àòûáäûð. Éàíäàí ùöúóì åòñÿ, äöøìÿí âóðóëàð, 1970-úè èëäÿ À.Â.Ñàðû÷åâèí (02.08.1909- 07.12.1986) ðÿùáÿðëèéè èëÿ Àçÿðáàéúàí ×àòñà ñîí õàíÿéÿ, î, âÿçèð îëàð. Øàùìàò Ôåäåðàñèéàñû òÿðêèáèíäÿ øàùìàò áÿñòÿ÷èëèéè êîìèññèéàñû éàðàäûëäû. Î, þìðöíöí Øàù òÿê-òÿíùà ãàëñà, äöøìÿíëÿð è÷èíäÿ ñîíóíà êèìè êîìèññèéàíûí ÿâÿçåäèëìÿç ñÿäðè îëäó (1970-1986). Ìöõòÿëèô äþâðëÿðäÿ Ãà÷ìàüà ùå÷ èìêàíû éîõñà ÿëèíäÿ, Ðàóô ßëþâñÿòçàäÿ (1986-1989), Ìÿúíóí Âàùèäîâ âÿ Áÿõòèéàð Ðöñòÿìîâ êîìèññèéàíûí Òÿðúöìÿ: Ùþêìÿí ÿñèð îëàúàã, øàù ãàëàúàã ìàò ñÿäðëÿðè îëìóøëàð. 2002-úè èëäÿí øàùìàò áÿñòÿ÷èëèéè êîìèññèéàñûíûí ñÿäðè Ìàùèð Áó áèð çÿíýèí îéóí, àäû äà øàùìàò. Ìÿììÿäîâäóð. Î, áóéàõûíëàðäà Àçÿðáàéúàí Øàùìàò Ôåäåðàñèéàñûíûí Âèòñå- Àçÿð ÐßÙÌÀÍÎÜËÓ Ïðåçèäåíòè ñå÷èëèá, áóíà ýþðÿ áèç îíó òÿáðèê åäèðèê âÿ óüóðëàð àðçóëàéûðûã! Åñòü øàõ è åñòü âèçèð è äâà ñëîíà, The origin of chess in Azerbaijan dates back as far as the 6th century. This is evident À ÷òîáû øàõ ñ äâîðîì áûë îõðàíåí ñïîëíà from the poem “Mehr and Mushtery” by the famous Azebaijanian poet G.Tebrizy who Åñòü äâà êîíÿ; â óãëàõ äâå êðåïîñòè åñòü òîæå. lived at the end of the 13th and the beginning of the 14th centuries. The proof that chess Ñòðîé ïåøåê âïåðåäè, ÷òî íà ñîëäàò ïîõîæè. game was played in Azerbaijan long time ago comes also from the works of Hagani Èõ ïîëå áèòâû øåñòüäåñÿò ÷åòûðå êëåòêè (1126-1199), Mehseti (12th century), Nizami (1141-1209), Nasimi (1369-1417), Fizuli Ïîïåðåìåííû ÷åðíî-áåëûå ðàñöâåòêè. (1494-1556), M.F. Akhundov(1812-1878), prominent Azerbaijanian writers at their Ñàì øàõ ñòóïàåò ëèøü íà øàã respective times. Some Azerbaijanian chess players were among the best in the East, Íàçàä, âïåðåä, íàëåâî ëè, íàïðàâî, th th th À âîéñêî ðåçâîå åìó äîáóäåò ñëàâó. like, D.Nakhcivani (9 century), A.T.Shatrangi (the 14 -15 centuries) who, by the way, ÌÈÐÇÀ ÔÀÒÀËÈ Âèçèðü æå äâèæåòñÿ íå çíàÿ, was the best in the Tamerlan's (1336-1405) times. È ïðÿìèêîì, è âêîñü îò êðàÿ è äî êðàÿ, The Azerbaijan Chess Composition Commission began in 1970 under the ÀÕÓÍÄÎÂ Ñëîíû íàèñêîê èäóò ïî ïîëþ áîÿ. leadership of International Master in Chess Composition Aleksandr Sarichev (1909- Äâèæåíüå êðåïîñòåé òÿæåëîå, ïðÿìîå. 1986). After his death, the Commission was run in succession by M.Vahidov, ØÀÕÌÀÒÍÀß ÈÃÐÀ Êîíü ñêà÷åò âñþäó,îí ïîëåçåí äëÿ ñðàæåíüÿ: R.Aliovsadzade and B.Rustamov, with the current President being Mahir Mammadov. 1864 ã. Âïåðåä è â ñòîðîíó âîò ïóòü åãî äâèæåíüÿ, Éàðûøûí áàüëàíûø ýöíö / Closing date: 20.11.2005. Çà øàãîì øàã âïåðåä, ñïîêîéíî è áåç ñïåøêè Èëêèí òÿëòèô / Provisional award: 17. 02. 2006 - 01. 04. 2006 Â ñòàí íåïðèÿòåëÿ õîòÿò ïðîíèêíóòü ïåøêè. Åòöäëÿðèí ñÿùâ âÿ ñÿëÿôëÿðèíèí òàïûëìàñûíäà ìÿñëÿùÿòëÿðèíÿ ýþðÿ Èóðè Àêîáèà-éà È òîé, ÷òî ïîâåçåò, åñò, ïðàâî, ÷åì ãîðäèòüñÿ: (Ýöðúöñòàí) âÿ ìÿòíè èíýèëèñ äèëèíÿ òÿðúöìÿ åòäèéèíÿ ýþðÿ Ðàóô ßëþâñÿòçàäÿéÿ (ÀÁØ) Îíà íåìåäëåííî â âèçèðÿ ïðåâðàòèòñÿ. õöñóñè ìèííÿòäàðëûüûìû áèëäèðìÿê èñòÿðäèì. À åñëè øàõ îäèí âî âðàæüåì îêðóæåíüè Special thanks should go to Iuri Akobia (Georgia) for his invaluable and professional Åìó ãðîçèò íåìåäëÿ ïîðàæåíüå. help (studies) and Rauf Aliovsadzade for translating the text into English ! Ïåðåâîä: Êîëü íåò çàùèò îò íàïàäåíüÿ, íåò ïðåãðàä, Àëåêñàíäð ÃÐÀ× Øàõ ãèáíåò, èáî ïîëó÷àåò ìàò. AZERBAIJAN CCC-35 JT, 2006 Iuri Akobia, David Gurgenidze (Göðúöñòàí) 1.Ìöêàôàò /1st Prize 1.c4! [1.Òh8+!? Øg4 2.Òg8+ (2.cxd3 Òxd3+ 3.Øc2 Òa3 4.Òb8 b4) 2...Øf3 3.Òf8+ Øe2 4.cxd3 SON TßLTIF / FINAL AWARD Øxd3 5.Øb2 (5.Òd8+ Øe4+) 5...Òe3 6.Òf5 Øc4 7.Òf4+ Ød5 8.Òf5+ Òe5; 1.cxd3!? Òxd3+ 2.Øc2 Òa3 3.Òb8 b4] 1...a4+! [1...bxc4+ 2.Òxc4+; 1...d2+ 2.Øc2 Òd3 3.Ød1 b4 4.Òa8 Øg3 Ùàêèì / Judge: Èëùàì ßëèéåâ / Ilham Aliev (Àçÿðáàéúàí /Azerbaijan) 5.c5 Øf3 6.c6 b3 7.c7 b2 8.Òb8 Òc3 9.Øxd2] 2.Øc3!! [2.Øb4!? bxc4 3.Øxc4 d2 4.Òd8 Òg2] 2...b4+! [2...a3 3.cxb5 a2 4.Òa8 d2+ 5.Øxd2 Òg8 6.Òa4+] 3.Øxb4 a3! 4.Øc3! a2 5.Òa8 10 þëêÿäÿí 29 áÿñòÿ÷èäÿí 39 åòöä ýþíäÿðèëìèøäè / 39 studies were received by the 29 listed [5.Òh8+!? Øg4 6.Òh1 (6.Òa8 Øf4 7.c5 d2+ 8.Øxd2 Òg1) 6...Øf3 7.c5 Øe4 8.c6 Òg2 9.Øb3 below composers from 10 countries: Azerbaijan ( Araz Almammadov, Elmar Abdullayev, Òc2] Samir Badalov, Muradxan Muradov, Taci Isbandiyarov, Akif Kalbiyev, Samir Karimov, A) - 5...Òf3 6.Òh8+ Øg4 7.Òh1 Øf4 8.Òe1! Òe3 9.Òa1 Òh3 10.Òe1 Òe3 11.Òa1 Òh3 12.Òe1 Ramil Allajov, Rashad Hasanov, Kenan Velikhanov) Germany (Gerd Wilhelm Hoerning, ìþâãåëè ùå÷-ùå÷ÿ/positional draw , âÿ / or 12…Òf3 13.c5! Òg3 14.c6! =. Dözgön cÿhd Gerhard Josten), U.S.A. ( Richard Becker, Will Tseng), France (Alain Pallier), Georgia deyil / Wrong try is 14.Òa1 Øe4! 15.c6 Òg2 16.Øb3 d2 17.Òxa2 d1Â+ - +; 14.Òf1+!? Øe4 (Iuri Akobia, David Gurgenidze), Ukraine (Sergiy Didukh, Leonid Topko, Viktor 15.c6 Òg2 -+; 14…d2+ 15.Øxd2 =; Syzonenko, Aleksandr Tsaplin), Italy (Franco Bertoli, Marco Campioli, Pietro Rossi, Piero B) - 5... d2+ 6.Øxd2 Òg8! 7.Òa7!! [7.Òa6?? Òg1 8.Òxa2 Òg2+] 7...Òg7 8.Òa8 Òg8 9.Òa7 Angelini), Romania ( Florin Voiculescu), Russia (Yuri Bazlov, Alex Sochnev), New ìþâãåëè ùå÷-ùå÷ÿ/positional draw, âÿ/ or 9…Òg1 10.Òh7+! (mÿhz buna gorÿ 7.Òa7! Zealand (Emil Melnichenko). lazûm idi / That is why it was necessary 7.Òa7!, 7.Òa6?? on 7…Òg1 8.Òh6+ Øg5!) 10…Øg3 11.Òg7+ Øf2 12.Òf7+ Øg2 13.Òg7+ Øh2 14.Òh7+ ìþâãåëè ùå÷-ùå÷ÿ / ÑßËßÔËßÐ / ANTICIPATIONS: Gerd Wilhelm Hoerning, Gerhard Josten (Øg1/Øg6) - positional draw. Dawson, 1925 À=Øg1, Ôg5, pb3, f6 / Ã=Øh7, Àb1, pb7, e6 1.f7 Øg7 2.Ôe7 Øxf7 3.Ôb4; Ýöðúö ìöÿëëèôëÿðèíèí éåíè òîï «øàù ÿñÿðè»! ßëà ýèðèø îéóíó, à2 ïèéàäàñûíûí âóðóøóíäàí Pietro Rossi (Øb6/Øf4) Hooper, 1975 À=Øe4, Àe6, pc5 / Ã=Øg4, Àb3, pg5 1.c6 Àa5 2.c7 âàëåùåäèúè èìòèíà èëÿ ÿëà ïóàíòà (7.Òà7!!). Ñàäÿ ìþâãåäÿ àüëàð ö÷ ìþâãåëè ùå÷-ùå÷ÿ Àc4 3.Ød5 Àb6+ 4.Øc6 Àc8 5.Øb7 Àe7 [5...Àd6+ 6.Øb8 Øh4 7.Àg7 g4 8.Àf5+] 6.Àd4 Øf4 êå÷èðìÿéÿ íàèë îëóðëàð. 7.Àc6 Àf5! 8.Øc8! [8.Øb6? Àd6 9.Àe7 Øe5] 8...Àd6+ 9.Ød7 Àc4 10.Àe7 Øe5 11.Àf5! Àb6+ Excellent introdutory play with a nice point (7.Ra7!!) and a surprising capture refusal [11...Øxf5 12.Øc6!; 11...Ød5 12.Àe3+] 12.Øc6 Àc8 13.Øb7. of the Pa2 make this study another R-masterpiece by Georgian authors. In a simple ÑßÙÂËßÐ Âß ÄÓÀËËÀÐ / INCORRECT & DUALS: position ,White carries out three positional draws. Muradkhan Muradov (Øh1/Ød6, Provisional award -1.HM) Dual: 7.Ôe3 Øxc4 8.Ôf2 Àxg2 8.Ôxg2 Àxg2 10.Øxg2 =, Franco Bertoli (Øe6/Øg6) Ñÿùâäèð/Incorrect 4...Âg7 5.Âf4+ Alex Sochnev (Rusiéa) 2.Ìöêàôàò/ 2nd Prize Àg5+ 6.Ød6 Øh7 7.Âf5+ Øg8 8.Àxd3; Alain Pallier (Øe8/Øf5) Dual 3.a5! bxa5 4.Øxh6 e5 1.f6 d4 [1...Ôxf6 2.Øxf6 Ôd3 3.g7 Ôh7 4.Ôg6 Ôg8 5.Ôf7 Ôh7 6.Øg5 d4 7.Øh6+-; 1...Ôc4 5.Øg7; Dual 4.a5!, Ramil Allaúov, Rÿøad Hÿsÿnov (Øh2/Øe8) Dual: 7.Øh4 Òg1 8.g8Â+ 2.g7 d4+ 3.Øe7 Ôxg7 4.fxg7 ÿñàñ âàðèàíòà ýÿòèðèð] 2.g7 [2.Øe7? Ôxf6+! 3.Øxf6 Ôd3 4.g7 Òxg8 9.Òxg8+-; Dual 10.Òb5 Øe6 11.Øg3 Ød6 12.Øf3 Øc6 13.Òb8+-; Yuri Bazlov Ôh7=] 2...Ôc4+ 3.Øe7!! [Éàíëûø èç 3.Øf8? Ôxg7+ 4.fxg7 d3 5.Ôf7 d2! 6.g8Â+ Øf2!=] (Øh7/Øb5) Dual: 7.Øh6 Ôe8 8.Øg7! g3 9.Øf8 Ôh5 (9...Ôb5 10.Òb1+-) 10.Øe7 Ôf3 11.Ød6+; 3...Ôxg7 4.fxg7 d3 5.Ôf7 d2! 6.g8Â+ Øf2! 7.Âf8! [f8 õàíàñû àçàääûð! 7.Qd8? ùå÷-ùå÷ÿéÿ Emil Melnichenko (Øf2/Øh4) Dual 5.Ôd4! Òg5+ 6.Øh2! Òh5 7.Àg7 Òh7 8.Àf7 (Àf3) àïàðûðäû 7…Øe1!! 8.Ôxh5 Ôe2=] 7...Øe1! 8.Ôxc4! [8.Ôxh5? Ôe2=] 8...d1Â 9.Âf4! Âg4 8...Øg4+ 9.Øg2 Øf4 10.Ôf6 Øe3 11.Àg5 Nalimov cÿdvÿlinÿ gþrÿ qalib gÿlirlÿr / win [9...Âd2 10.Âf1#] 10.Âe3+ Ød1 11.Ôb3# according to "TB Nalimov"; Aleksandr Tsaplin (Øa8/Øh8) Dual 2.Òe7+ Øg8 3.Ôxb2; Ìÿëóì ôèíàë ìàò ìþâãåñè ÿëà òÿðòèáàòëà, úàçèáÿëè éàíëûø èçëÿðëÿ âÿ ö÷öíúö ýåäèøäÿ Aleksandr Tsaplin (Øg1/Øa7) 1.c4 Øa6 2.Ôd3 Øb7 3.Ôe4+ ( Dual 3.c5). õàíàíûí ìÿíòèãè ñå÷èìè èëÿ. Well-known mate finale is realized in a nice setting , with attractive tries and a logical I.Akobia, D.Gurgenidze Alex Sochnev Sergiy Didukh choosing of the right square on the 3rd move. 1.Ìöêàôàò /1st Prize 2.Ìöêàôàò/ 2nd Prize 3. Ìöêàôàò / 3rd Prize rd Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Sergiy Didukh (Ukraéíà) 3.Ìöêàôàò/ 3 Prize 1.Òa1 (1.Òxg2? f3+) 1...f3+ 2.Øh4! f2 3.a7 Ôxa7 4.Òc1! Ôc5! (4...Øg8 5.e6) 5.Òxc5 g1Â 6.Òc8+ Âg8 7.Ôf8! Âc4+! (7...Âe6 8.Ôg7#) 8.Òxc4 f1Â 9.Ôg7+ Øg8 10.Òc8+ Øf7 11.Òf8+ Øg6 12.Òf6+! óäóø /wins (12.Òxf1? ïàò / stalemate). Òîïóí ôÿàë îéóíó, î äþðä äÿôÿ âóðóøäàí èìòèíà åäèð âÿ Â êîìàíäà äöíéà ÷åìïèîíàòûíûí ìþâçóñó. Active R-play with a fourfold capture refusal and the WCCT 5 theme.

Ùå÷-ùå÷ÿ (=) Óäóø (+) Óäóø (+) Richard Becker Iuri Akobia Alex Sochnev Iuri Akobia (Görúöñòaí) 1.Ôÿõðè ðÿé / 1st Honourable Mention st nd Õöñóñè ìöêàôàò/ Special Prize 1.Ôÿõðè ðÿé / 1 HM 2.Ôÿõðè ðÿé / 2 HM 1.Ød8! (1.Ød7!? Òd1+ 2.Øe8 Òe6+ 3.Øf7 Òc6 4.Øe8 Òe6+=; 1.Òh1!? Òxh1 2.Òxh1 Òg6! Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT 3.Ød7 Òg7+ 4.Ød8 Òg8+ 5.Ød7 Òg7+ 6.Ød6 Òg6+=; 1.Òc4!? Òd6 2.Òh8 a2 3.Òa4+ Øb6 4.Øb8 Òc6 5.c8Â Òxc8+ 6.Òxc8 a1Â 7.Òxa1 Òxa1 8.Òxc3 Òh1=; 1.Òb4!? Òc6 2.Òhh4 Òf8+ 3.Ød7 c2 4.Øxc6 c1Â+ 5.Òbc4 Òf6+ 6.Ød7 Òf7+ 7.Øc6 Òf6+=) 1...Òf8+ 2.Ød7! (2.Øe7!? Òc8 3.Òc4 Øb7=) 2...a2 3.c8Â Òxc8 4.Øxc8+ Øa8 5.Òh1 a1Â 6.Òxa1 Òxa1 7.Òc7 Òc1 8.e3!! zz BTM (Thematic try 8.e4!? Òc2 zz WTM 9.e5 Òc1 zz WTM 10.e6 c2 zz WTM 11.e7 Òe1 12.Òxc2 Òxe7=) 8...Òc2 (8...c2 9.e4 Òe1 10.Òxc2 Øa7 11.Øc7 Øa6 12.Øc6 Øa7 13.Ød5+-) 9.e4 zz BTM Òc1 10.e5 zz BTM Òc2 (10...c2 11.e6+-) 11.e6 óäóø. Òîïóí óäóøó èëÿ áàøà ÷àòàí èêèòÿðÿôëè ïèéàäà ÷åâðèëìÿñè îëàí äÿéèøìÿ ýèðèø îéóíóíäàí ñîíðà, ìàðàãëû èêèòÿðÿôëè ñóãñâàíã ìþâãåñè éàðàíûð. Mutual captures in the introductory play ,a P-advancement to win the Rook result in an interesting mutual Zugzwang. Ùå÷-ùå÷ÿ (=) Óäóø (+) Óäóø (+) nd Richard Becker (AÁØ) Õöñóñè ìöêàôàò/ Special Prize Alex Sochnev (Rusiéa) 2.Ôÿõðè ðÿé / 2 Honourable Mention 1.c5 [1.Ôxg8? d2 2.h6 d1Â+ 3.Øc7 (3.Øe7 Âe2+ -+) 3...Âd4 4.h7 Øe3 5.Øb7 (5.g5 1.Ôe2 f3! 2.gxf3 g3 3.Òa4! [3.Ôf1? g2 4.Ôxg2 Øxg2 5.Òa1 Øxf3=] 3...g2 4.Òh4+ Âg7+ 6.Øb6 Ød4 7.Øc6 (7.c5 Âe5 8.c6 Âb8+ -+) 7...Øc3 8.Øb6 Øb4 9.Øc6 Øa5 10.Ød6 Øb6 Øg1 5.Òg4 Øh1 6.Òxg2! f1Â! 7.Òh2+! Øxh2 8.Ôxf1 óäóø, âÿ 4. ...Øg3 5.Òg4+ Øh3 6.Òxg2! 11.c5+ Øb5 12.c6 Øb6 -+) 3...Âg7+ 4.Øb6 Ød4 5.g5 Øc3 6.c5 Øb4 7.c6 Âd4+ 10.Øb7 Øb5 f1Â! 7.Òh2+! Øxh2 8.Ôxf1 óäóø. Éöíýöë ìþâãåëè åòöä. Ãàðàëàðûí ÿêñ ñÿäà õàíàëàðäà ïàò 11.c7 Âb6+ 12.Øa8 Âc6+ 13.Øb8 Øb6 14.c8À+ Øa6 15.Ôc4+ Âxc4 16.h8Â Âf4+ 17.Àd6 ÿêñ îéóíó, åéíè îéóíëó òîïóí ãóðáàíû èëÿ òÿêçèá îëóíóð. Âxd6+ 18.Øc8 Âc6+ 19.Ød8 Âa8+ -+] 1...Òg5 [1...Òxg4 2.Øc6! Òb4 3.h6 d2 4.h7 Òh4 Light position.Black's counter-play, conducted on two echo-squares, is refuted by the same (4...Òb8 5.Ôb3 Òxb3 6.h8Â d1Â 7.Âh2 + =) 5.Ôb3 Òxh7 6.Ød5 Òh5+ 7.Øc4 Òh4+ manner with a R-sacrifise. 8.Øc5=] 2.Ôc4! [2.Ôb3? Òxc5 3.h6 Òb5 4.Ôd1 (4.Ôa4 Òa5 (Òg5) 5.h7 Òa7+ -+) 4...Òb1 Yuri Bazlov Samir Bÿdÿlov 5.Ôa4 Òa1 (Òg1) 6.h7 Òh1 7.Øe6 Òxh7 8.g5 Òa7 (Òh4) 9.Ôb3 Òa3 10.Ôd1 Øe1 11.Ôh5 Òa5 rd 12.Øf6 d2 -+] 2...d2 3.Ôb3! Òxc5 4.Øe7 [4.Øe6? Øe3 5.Øf7 (5.h6 Òc6+ 6.Øf7 Òxh6 7.g5 Òb6 3.Ôÿõðè ðÿé / 3 HM Õöñóñè ôÿõðè ðÿé/ Special HM -+) 5...Òc3 6.Ôa4 Òa3 7.Ôd1 Òa1 8.Ôc2 Òc1 9.Ôa4 Ød3 10.h6 Òa1 11.Ôb3 Øc3 -+] [4.h6? Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Òb5 5.Ôc2 Òb2 6.Ôa4 Òb4 7.Ôd1 Øe1 -+] A) 4...Øe3 5.h6 [5.Øf7? Òb5 6.Ôa4 Òb4 7.Ôd1 Òb1 8.Ôc2 Òc1 9.Ôb3 Ød3 10.h6 Øc3 Yuri Bazlov (Rusiéa) 3.Ôÿõðè rd 11.Ôa4 Øb4 -+] 5...Òc3 6.Ôa4 [It is too soon for Bd1. 6.Ôd1? Òc1 7.Ôa4 Ød3 8.g5 Òa1 -+] ðÿé / 3 Honourable Mention 6...Òa3 7.Ôc2 Òa2 8.Ôb3 Òb2 9.Ôa4 Ød3 10.Øf7! [10.Øf6? Òc2 11.Ôxc2+ Øxc2 12.h7 d1Â 1.Ôd5+! Øb5! (1…Ød6 13.h8Â Âd4+ -+] [10.Øf8? Òb4 11.Ôd1 Òb1 12.h7 Òxd1 13.h8Â Òf1+ 14.Øe7 d1Â 2.Ôxg2+) 2.Òg5! (2.Ôxg2? 15.Âd8+ Øe4 -+ ] 10...Òb4 11.Ôd1 Òb1 12.h7 Òxd1 13.h8Â Òf1+ 14.Øe6! Òe1+ [14...d1Â Ôxh5!) 2…g1Â 3.Ôg2+! 15.Âd8+ Øe4 16.Âxd1 Òxd1 17.g5= ] 15.Øf5! d1Â 16.Âd8+ Øe3 17.Âxd1 Òxd1 18.g5 = ; Óäóø (+) Óäóø (+) Øxà4 (3…Ôf5 4.Ôú6+!) B) 4...Øg3 5.Øf6 [5.h6? Øxg4 6.Øf6 Òc6+ 7.Øg7 Øg5 8.h7 Òc7+ 9.Øg8 Øg6 10.h8À+ Øf6 -+ ] 4.Òxg4+ Øà5! 5.b4+! Øb6! 5...Òc6+ 6.Øg5 [ 6.Øf5? Øh4 -+] 6...Òc5+ 7.Øf6 Òc3 8.Ôa4 [ It is too soon for Bd1. 8.Ôd1? 5.Òg7! (Tÿùëöêÿ /Threat Øf4 9.h6 Òc6+ 10.Øg7 Øg5 11.h7 Òc7+ 12.Øg8 13.h8À+ Øf6 14.g5+ Øxg5 15.Àf7+ Øf6 6.Òb7#!) 5…à5 (5…Øb5 16.Àd6 Òc1 -+] 8...Òc4 [ 8...Øf4 9.h6 Òc6+ 10.Øg7 Øg5 11.h7 Òc7+12.Øg8 Øg6 13.Ôe8+ = 6.Ôú6+) 6.Òb7+ Øà6 7.b5 # ] 9.Ôb3 Øxg4 [9...Øf4 10.h6 Òc6+ 11.Øg7 Øg5 12.h7 Òc7+ 13.Øg8 Øg6 14.Ôf7+ Øg5 Óäóø (+) Óäóø (+) 15.Ôb3=] 10.Ôd1+ Øf4 11.h6 Òc1 12.Ôa4 [12.h7? Òxd1 13.h8Â Òf1 -+] 12...Òc4 13.Ôd1 Òc6+ 14.Øg7 Øg5 15.h7 Òc7+ 16.Øg8 Øg6 17.Ôh5+! Øxh5 18.h8Â+ Øg6 19.Âh3 =. 4-úö Àü ôèë ïóñãóäà äóðóð âÿ áàòàðåéà éàðàäàðàã ãàðà øàùà êöíúäÿí ÷ûõìàüà èìêàí âåðìèð. ýåäèøäÿí ñîíðà øàõÿëÿíìÿ èëÿ òÿðÿôëÿðèí ìàðàãëû îéóíó, ùÿð èêè òÿðÿô äàâàìúûë îëàðàã þç Ùöúóìó íÿçÿðÿ ÷àðïìàéàí àü ïèéàäà èêè äöçýöí ìàò éàðàäàðàã, äàùà äà ýöúëÿíäèðèð. ïëàíûíû ùÿéàòà êå÷èðèð. Ùÿð äÿôÿ ãàðàëàð ìÿãñÿäëÿðèíÿ ÷àòûð äåéÿ äöøöíäöêäÿ, àüëàðûí Ùåéèô, àü àò èëêèí ìþâãåäÿ ýþòöðöëöð. àçñàéëû ãöââÿëÿðèíèí áèðýÿ ìöáàðèçÿñè îíëàðû õèëàñ åäèð. ×îõ äÿðèí âÿ ùÿëë ö÷öí ÷îõ ÷ÿòèí The wB's ambush with battery creation holds the bK at bay. The play is intensified by the åòöä. Éöíýöë ôèãóðà ÷åâðèëìÿ, ÿëàâÿ âàðèàíòëàðäà ìþâãåëè ùå÷-ùå÷ÿ, ùÿì÷èíèí ÷îõñàéëû unpretentious wP that delivers two model mates. Pity that the Knight is captured on its ìàðàãëû éàíëûø èçëÿð åòöäö äàùà äà ýþçÿëëÿøäèðèð. Åòöä ìöÿëëèôèí Ðîññè-80 éóáèëåé starting square. éàðûøûíäà 3-úö ìöêàôàò àëìûø ÿñÿðèíèí éàíëûø èçèíäÿí éàðàíûá. Interesting play branching on the 4th move,with both White and Black having a Samir Bÿdÿlov (Bakû, Azÿrbaéúan) Õöñóñè ôÿõðè ðÿé / Special Honourable Mention plan.Every time Black is about to fulfil its plan White pieces (being in small numbers!) 1.Àb5! [1.Àxf7+? Øg7 2.Ôa2 Òe2 3.Âh6+ Øg8 4.Âh8+ Âxh8 5.Àxh8 Ôxd8] 1...Ôxb5 come to the rescue of each other. Rich and difficult study.Underpromotions ,positional [1...Ôh7 2.Àxd4 Òexa3+ 3.Òa2 Òxa2+ 4.Ôxa2 Òxa2+ (4...Àb4 5.Ôf6+) 5.Øxa2 Àb4+ draws in side variations and tries are a plus.The study is created out of a try of one of the 6.Øb3 Àxc6 7.Àxc6] 2.Âh6+ Øg8 3.Ôh7+ Øh8 4.Ôd3+! [4.Ôe7? Òaxa3+ 5.Ôxa3 Âf4 6.Òc8+ author's study (3rd Pr.,Rossi-80JT). (6.Âxf4 Òxa3+! 7.Øb1 Àxf4) 6...Òe8 7.Òxe8+ Ôxe8 8.Âxf4 Àxf4 ] 4...Øg8 5.Ôe7!! Òexe7 [5...Òaxe7 6.Ôh7+ Øh8 7.Ôg6+ Øg8 8.Òc8+ Ôe8 9.Òxe8+ Òxe8 10.Âh7+ Øf8 11.Âxf7#] Piero Angelini (Ètalèyà) 3.Òÿðèôíàìÿ/ 3rd Commendation 6.Ôh7+ Øh8 7.Ôb1+! [7.Òg1? Òxa3+! (7...Âxg1+? 8.Ôb1+) ] 7...Øg8 8.Òg1+! Âxg1 9.Òg2+! 1.Ôb2 [1.Øb7? Øg5 2.Ôb2 h5 3.Ôa3 Øf4 4.Ôe7 Øxf3 5.Øxb6 Øg4 6.Øxa5 f4 7.Øb4 f3 8.Ôc5 h4 Âxg2 10.Ôh7+ Øh8 11.Ôg6+ Øg8 12.Âh7+ Øf8 13.Âh8# 9.a5 h3 10.a6 f2=] 1...Øg5 2.Ôc1+ f4 3.Ôd2 [3.Ôa3? Øh4 4.Ôe7+ (4.Øb7 Øg3 5.Øxb6 h5 ßëáÿòòÿ êè, áó åòöääÿí äàùà ÷îõ êîìáèíàñèéàäûð. Àíúàã áöòöí äàøëàð îéóíäà èøòèðàê 6.Ôe7 Øxf3=) 4...Øg3 5.Øb7 Øxf3 6.Øxb6 Øg4 7.Øxa5 f3 8.Ôc5 h5 9.Øb5 h4 10.a5 h3 11.a6 åäèð, àüëàð äþðä äàøûíû ãóðáàí âåðèð âÿ áèð äÿíÿ äÿ îëñóí ãàðà äàø ýþòöðìöð! ßëà ïóàíòà f2=] 3...h5 4.Ôe1 h4 [4...b5 5.axb5 a4 6.Ôd2 a3 7.Ôc1 a2 8.Ôb2 h4 9.b6 h3 10.b7 h2 âàð 5.Ôå7!!, ôèë 4 äàøûí çÿðáÿñè àëòûíà ãîéóëóð. À.Íèìñîâè÷èí «Ìÿíèì ñèñòåìèì» 11.b8Â h1Â 12.Âd8+ +-] 5.Ôf2 h3 6.Ôg1 Øf5 [6...Øg6 7.Øb7 b5 8.axb5 a4 9.b6 a3 10.Øc6 êèòàáûíäàêû ñàäÿ äÿðñëèê ìþâãåñè ãÿëèç ìèòòåëøïèë åòöäöíÿ ÷åâðèëèá. À=Øh2, Âh6, Òd2, a2 11.b7 a1Â 12.b8Â Øh7 (12...Âxg1 13.Âg8++-) 13.e6+-] 7.Ôh2! [7.Øb7? b5 8.axb5 a4 Ôf5 Ã=Øg8, Âa8, Òa5, Òa2, Ôd5, pf7. 1.Ôh7+ Øg8 2.Ôc2+ Øg8 3.Òg2+ Ôxg2 4.Ôh7+ Øh8 9.b6 a3 10.Øc6 a2 11.b7 a1Â 12.b8Â Âxg1 13.Âh8 Âg6+ 14.Øc5 (14.Øb5 f6 15.exf6 h2 5.Ôg6+ Øg8 6.Âh7+ Øf8 7.Âxf7# 16.Âxh2 Âe8+ 17.Øb4 Âf8+18.Øxc4 Âf7+19.Øc5 Âc7+=) 14...f6 15.exf6 Âg1+ 16.Øb5 Sure, it is more a combination from a practical game than a study.But the good thing about Âb1+17.Øc6 Âe1 18.Âxh3+ Øxf6 19.Âh6+ Øe7 20.Âg5+ Øe6 21.Âd5+ Øf6 22.Âd4+ this work is that,all White pieces are active (with the excellent 5.Be7!!), and, there are no (22.Âxc4 Âe3 23.Âd4+ Øg6=) 22...Øe7 23.Âxc4 (23.Øb5 Âe3 24.Âc5+ Øf6 25.Âh5 Âd3 captures of black units to boot. A simple educational position from A.Nimsovich's 'My 26.Øc5 Âe3+27.Øxc4 Âe2+ 28.Øb3 Âd1+29.Øb4 Âb1+30.Øc5 Âg1+31.Øc6 Âe3 32.c4 System' is made into a difficult middle-game study. W=Kh2, Qh6, Rd2, Bf5 B=Kg8, Qa8, Âe6+ 33.Øb5 (33.Øc5 Âe3+=) 33...Âd7+ 34.Øb4 Âd2+=) 23...Âe3=] 7...b5 8.axb5 a4 Ra5, Ra2, Bd5, pf7. 1.Bh7+ Kg8 2.Bc2+ Kg8 3.Rg2+ Bxg2 4.Bh7+ Kh8 5.Bg6+ Kg8 9.b6 a3 10.b7 a2 11.b8Â a1Â+ 12.Âa7! [12.Øb7? Âxc3 13.Âc8+ Øxe5 14.Âxh3 (14.Âc5+ 6.Qh7+ Kf8 7.Qxf7# Øf6 15.Âd6+ Øg7 16.Âxf4 Âb2+ 17.Øc7 Âg2 18.Ôg3 c3 19.Âg4+Øh7 20.Âf5+ Øg8 L.Topko,V.Syzonenko Akif Kÿlbiyev Piero Angelini 21.Âg5+Øh7 22.Âh4+ Øg6 23.Âe4+ Øg7 24.Ôe5+ f6 25.Ôxc3 h2=) 14...Âb4+ 15.Øc6 1.Òÿðèôíàìÿ/ 1st Com 2.Òÿðèôíàìÿ/ 2nd Com 3.Òÿðèôíàìÿ/ 3rd Com Âd6+ 16.Øb5 Âd5+ 17.Øb4 Ød4 18.Ôg1+ (18.Ôxf4 Âb7+=) 18...Ød3 19.Âf1+ Ød2=] Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT 12...Âxc3 13.Âxf7+ óäóø. Ôèëèí à1-äÿí ù2-éÿ êèìè èëàíâàðè ùÿðÿêÿòè! Àíúàã ùåéèô, âàðèàíòëàð ÷îõ äàðûõäûðûúûäûð. Bishop's snake-like moves from a1 to h2! The play is rather boring. Yuri Bazlov Alain Pallier 4.Òÿðèôíàìÿ/ 4th Com Õöñóñè òÿðèôíàìÿ/ Special Com Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT

Ùå÷-ùå÷ÿ (=) Ùå÷-ùå÷ÿ (=) Óäóø (+) Leonid Topko, Viktor Syzonenko (Ukraénà) 1.Òÿðèôíàìÿ/ 1st Commendation 1.Âa7+ (1.Ød2+? Ôxh1 2.Òxb5 Ôc6 3.Òxb2 (3.Òa5+ Ôa4 4.Òxa4+ Òxa4) 3...Âg5+ 4.Øe1 Øxb2; 1.Øf2+? Ôxh1 2.Òxb5 Ôc6; 1.Òxb5? Òc1+ 2.Ød2 Âg5+ 3.Ød3 Ôc4+ 4.Øe4 Âg4+ 5.Àf4 Ôxb5-+) 1…Òa4 2.Âxa4+! Âxa4 3.0-0+! b1Â 4.Òxb1+ Øxb1 [4...Òxb1+ 5.Òxb1+ Óäóø (+) Óäóø (+) b) pg2 g4 Øxb1 6.Àc3+] 5.Òxb5+ Øc2! [5...Âxb5 6.Àc3+] 6.Òxd5 Âe4 7.Òf5! Âg4+ 8.Øh1! Âh3+ 9.Øg1 Âg4+ 10.Øh1 Âxe2 [10...Âxf5 11.Àd4+] 11.Òf2! Âxf2 êöíúäÿ ïàò / stalemate in Yuri Bazlov (Rusiéa) 4.Òÿðèôíàìÿ / 4th Commendation corner. Ãÿäèì ôèíàë ïàòû ãàëàãóðìà, ãóðáàíëàð âÿ àü ôèãóðëàðûí àñìà ìþâãåñè èëÿ 1.Àh7! (1.Àf7? Øf4 2.Ôd3 Øå3! 3.Øú2 Ød4=) 1…Øf4 2.Ôd3 Øå5! (2…Øå3 3.Ôb1! +-) 3.Àf8! ñèíòåçäÿ. Áàõìàéàðàã êè, åòöääÿ âóðóø ÷îõäóð, îéóí õîø òÿñèð áàüûøëàéûð. Ød4 4.Ød2! d5 (4…Ôf4+ 5.Øå2 d5 6.Àå6+ Øå5 7.åd! Øxd5 8.Àxf4 +-) 5.å5! Ôxå5 (5…Øxå5 Old stalemate finale combined with castling , sacrifise and hanging position of White 6.Àd7+ Ø~ 7.Àxb8 +- ) 6.Àå6# pieces. Despite of many captures the whole thing leaves a good impression. Éåíÿ äÿ ìÿëóì ôèíàë ìàòû éåíè îáðàçäà âÿ êè÷èê êîìáèíàñèéà èëÿ. Another well-known finale done in a new fashion and with some combination. Akif Kÿlbiyev (Lerik, Azÿrbaéúan) 2.Òÿðèôíàìÿ/ 2nd Commendation 1.Ôxc6+! Øxc6 2.Øxf4 g3 3.Øg4! g2 4.Ôb6! Øxb6 5.Øxh3 g1À+ [5...g1Â stalemate] 6.Øg2 Alain Pallier (Franñà) Õöñóñè òÿðèôíàìÿ/ Special Commendation Àe2 7.Øf1= , âÿ 1...Øxc7 2.Øxf4 g3 3.Øg4! g2 4.Ôxg2! hxg2 5.Øh3 g1À+ (5...g1Â stalemate) A) 1.g3! (1.gxh3? Øxb6 etc.= see position after move 11. / bax 11 gediødÿn sonrakû 6.Øg2 Àe2 7.Øf1 =. Êëàññèê ôèíàë ïàò ñîíëóüó ôèëëÿðèí ãóðáàíû èëÿ îëàí ÿêñ ñÿäà òÿðòèáàòëà. mþvqe) 1… Øxb6 2.Ød5 Øa6 (7) 2…Øc7 3.Øxe5 Ød7 (3…Øc6 4.Øf6! Ød7 5.e5 Øe8 6.Øe6 +- Ìþâçóíóí èêèëÿøäèðèëìÿñè åòöäÿ éåíè ùÿéàò âåðèð. for instance / mÿsÿlÿn 6…b5 7.axb5 a4 8.b6 Ød8 9.Ød6 ! a3 10.e6 a2 11.e7+ Øe8 12.b7 Classic stalemate finale. Nice echo and B-sacrifises. Doubling the idea gives the study a a1Â 13.b8Â+) 4.Ød5! Øe7 (4…Øc7 5.Øc5) 5.e5 Ød7 6.e6+ Øe7 7.e4 Ød8 8.Ød6 +- or 7…b5 new life. 8.axb5 a4 9.Øc4 (9.b6 also) +- 3.Øxe5 b5 ! 4.axb5 (+) ! 4.Øf6? bxa4 -+ ; 4.Ød6? bxa4 and White cannot win after mutual Q-promotion / vÿ aülar ikitÿrÿfli irÿlilÿmÿdÿn sonra qalib gÿlÿ bilmirlÿr 4.Ød4? bxa4 (or 4…b4) 4…a4 4…Øxb5? (if Black has played 2…Øa6) Èêèýåäèøèë / Twomovers 5.Ød6! a4 6.e5 a3 7.e6 a2 8.e7 a1Â 9.e8Â+ Øb4 10.Âe4+ Øb3 11.Âd3+ Øb4 12.Âd4+ Âxd4 13.exd4 +-) 4…Øb6 5.Ød5(4) ÿsas variant/ see main line. 5.Ød4 Øb6! (5…a3 6.Øc3 a2 7.Øb2 a1Â+ 8.Øxa1 Øb6 9.Øb2 Øxb5 10.Øc3 +-) 6.Øc4 ! (6.e5 ? a3 7.Øc3 Øxb5 8.e6 (or 8.Øb3 SON TßLTIF / FINAL AWARD Øc6 9.Øxa3 Ød5 10.Øb3 Øxe5 11.Øc3 Øe4) 8…Øc6 9.e7 Ød7 10.e8Â Øxe8 11.Øb3 Øe7 Ùàêèì / Judge: Givi Mosiashvili (Ýöðúöñòàí/ Georgia) 12.Øxa3 Øe6 13.Øb3 Øe5 14.Øc3 Øe4 15.Ød2 Øf3 16.Ød3 h4 ! 17.g4 [17.gxh4 h5=] 17…Øxg4 18.Øe4 h5 19.Ød4 Øf3=) 6…a3 (6…Øa5 7.e5 a3 8.Øb3 (8.e6 ? a2 9.e7 a1Â 10.e8Â Âa2+ 10 þëêÿäÿí 23 áÿñòÿ÷èäÿí 39 ìÿñÿëÿ ýþíäÿðèëìèøäè / There were 39 entries from 23 11.Øc5 Âc2+ 12.Ød5 Âxh2) 8…Øxb5 9.Øxa3 +-) 7.Øb3 Øxb5 8.Øxa3 and, for instance : entrants representing 10 countries: Azerbaijan (Araz Almammadov, Salman Javadzade, 8…Øc5 (8…Øc4 9.Øb2 or 9.Øa4 +-) 9.Øb3 Ød6 10.Øc4 Øe5 11.Ød3 wins. With white ph3 Ramil Javadov, Islam Kazimov, Haji Mammadov), Brasil (Alberlandes Pereira instead of pg3 (after 1.gxh3 ?), position would be a draw, thanks to stalemate or to a Barbosa), Germany (Dieter Muller, Sven Trommler), USA (Rauf Aliovsadzade, theoretical draw with h pawns : 11…h4 ! 12.Øe2 Øxe4 13.Øf2 h5 = Mikhail Satanovsky, Robert Linkoln, Will Tseng), Russia (Vladimir Shumarin, B) 1.gxh5! (1.g5? Øxb6 etc. see position after move 11. / bax 11 gediødÿn sonrakû mþvqe) Aleksandr Melnichuk, Vladimir Shmatov), Romania (Visa Horia Teodor, Florin 1…Øxb6 (1…h6 2.Ød5 (2.Øc5? stalemate) 2…Øxb6 3.Ød6! Øa6(7) 4.Øxe5 etc.) 2.Ød5 Voiculescu), Poland (Henryk Grudzinski), Italy (Alessandro Cuppini), Slovakia Øa6(7) 3.Øxe5 b5 ! 4.axb5(+) a4 5.Ød4 Øb6 6.Øc4 a3 7.Øb3 Øxb5 8.Øxa3 Øc5 9.Øb3 Ød6 (Zoltan Labai), Ukraine (Aleksandr Tsaplin, Jevgenij Bogdanov, Anatoly Vasylenko). 10.Øc4 Øe5 11.Ød3 +- Zoltan Labai Rauf Aliovsadzade Anatoly Vasylenko With white pawn on g5 instead of h5 (after 1.g5 ?), position is a draw (1.g5?-dÿn sonra st - nd st- nd 1-2.Ìöêàôàò / 1 2 Prize 1-2.Ìöêàôàò /1 2 Prize 3.Ìöêàôàò / 3rd Prize mþvqe he÷-he÷ÿdir 11… h4 12.Øe2 Øxe4 13.Øf2 Øf5 14.Øf3 Øxg5 15.e4 (15.Øe4? Øg4 Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT 16.Ød4 [16.Ød5? Øf3!] 16…Øf5 [16…Øf3? 17.Ød3!] 17.Ød5 Øf6 18.e4 [18.Ød6 Øf5=] 18…Øe7 19.Øe5 h5 20.Øf5 Øf7 draw) 15…Øf6 16.Øf4 Øe6 17.e5 Øe7 18.Øf5 Øf7 19.e6+ Øe7 20.Øe5 h5 draw. With h5 pawn (main line), White wins easily : for instance / h5 piyadasû ilÿ (ÿsas variant), aülar asanlûqla qalib gÿlirlÿr. Mÿsÿlÿn: 11…h6 12.Øe2 Øxe4 13.Øf2 Øf5 14.Øf3 Øg5 15.e4 Øxh5 (15…Øf6 16.Øf4 Øe6 17.e5 Øe7 18.Øf5 Øf7 19.e6+ Øe7 20.Øe5 Øe8 21.Øf6 Øf8 22.Øg6+-) 16.Øf4 Øg6 17.Øe5 Øf7 18.Ød6 Øe8 19.Øe6 h5 20.e5 h4 21.Øf6 Øf8 22.e6 Øe8 23.e7 +-). Åêèç ïèéàäà åòöäëÿðè, ùÿð äÿôÿ ìÿíàñû 11 ýåäèøäÿ àéäûí îëàí, èëê ýåäèøäÿ éàíëûø èç èëÿ. Îí áèð ýåäèøëè þíúÿäÿíýþðìÿ åôôåêòè, àíúàã ùåéèô êè, îéóí áèð àç äàðûõäûðûúûäûð. Twin P-study with a try on the 1st move in either one, the logic of which becomes evident only on the 11th move. The play is monotonous. #2 #2 #2 Zoltan Labai (Slovakiéa) 1-2.Ìöêàôàò / 1st - 2nd Prize «ÎÑÊÀÐ» 2005 1.c4? (2.Âf6#) 1...Âxe5 2.Âxf7#, 1...Øxe5 2.Âe3# 1...Àxc4!; 1.Òe1? A (2.Àc7# B) Ðóñèéàíûí «64» øàùìàò úóðíàëû (áàø ðåäàêòîð À.Ðîøàë) 11-æè äÿôÿ ÿíÿíÿâè «Îñêàð» 1...Âxe5 2.Âf6# C, 1...Àxe5 2.g8Â# 1...Àxd6! Ùÿëëè: 1.Òd1! (2.Âf6# C), 1... Âxe5 ìöñàáèãÿñèíèí íÿòèæÿñèíè åëàí åòäè. Áó ìöêàôàò þòÿí èëèí ÿí éàõøû øàùìàò÷ûñûíà òÿãäèì îëóíóð. 2.Àc7# B, 1...Øe5 2.Òe1# A (1...Ôf5 2.Âxf5#) 2005-æè èëèí «Îñêàð»-ûíûí ñàùèáè áîëãàð ãðîññìåéñòåðè, FIDE äöíéà ÷åìïèîíó Âåñåëèí Ëå Ãðàíä âÿ Äîìáðîâñêèñ ìþâçóëàðûíûí ñèíòåçè öñòÿýÿë àüëàðûí Òå1 ýåäèøèíèí Òîïàëîâ îëäó. ôóíêñèéàñûíûí äÿéèøèêëèéè. Combination of le Grand and Dombrovskis with function Ùåñàáëàìà çàìàíû 68 þëêÿäÿí 361 ñèéàùû íÿçÿðÿ àëûíäû. Ñÿñ âåðÿíëÿð àðàñûíäà øàùìàò change of Re1. ìþâçóñó èëÿ ÷ûõûø åäÿí úóðíàëèñòëÿð, òàíûíìûø øàùìàò ìöòÿõÿññèñëÿðè âàð èäè. 293 ñèéàùûäà èëê îíëóãäà Â.Òîïàëîâ áèðèíæè éåðäÿ ãÿðàð òóòóá. Öìóìè ùåñàáäà î 4376 õàë òîïëàéûá. Rauf Aliovsadzade (AÁØ) 1-2.Ìöêàôàò / 1st - 2nd Prize Àçÿðáàéæàí øàùìàò÷ûñû Òåéìóð Ðÿæÿáîâ 307 õàëëà áó ñèéàùûäà 13-æö îëóá. Äàùà áèð 1…d5 2.Àg5,Òe1#- A, B Ùÿëëè: 1.Òxc5! (2.Àcd4#), 1...Ôc3 2.Àg5#- A (2.Àfd4#); òàíûíìûø øàùìàò÷ûìûç Øÿùðèéàð Ìÿììÿäéàðîâ èëê 15-ëèéÿ äàõèë îëìàñà äà, îíóí ñîí óüóðëàðû 1...Ôxd8 2.Òe1# - B; ßëàâÿ 1...Òxc5 2.Òxd6#; 1...dxc5 2.Âxd7#; 1...Ôg8 2.Âe8#; âÿ áó ìöñàáèãÿäÿ èëäÿí-èëÿ äàùà ÷îõ õàë òîïëàìàñû, ýÿëÿæÿêäÿ îíóí äà áó ñèéàùûäà îëàæàüûíà 1...Ôf~ 2.Âe8# Îðèæèíàë åëåìåíòëÿðè äàøûéûð, ùàëáóêè àü äàøëàðûí þçöíö áàüëàìàñû âÿ òàì èíàì âåðèð. à÷ûëûøûíà äÿôÿëÿðëÿ ðàñò ýÿëèíèá. With some elements of originality, though this selfpin- Øàùìàò úóðíàëûíûí ðÿñìè ñàéòûíäà (www.64.ru) ìöñàáèãÿéÿ ãîøóëàíëàðûí ñèéàùûñû âåðèëèá. unpin has been done many times. Þëêÿìèçäÿí áó ñîðüóäà éåääè ìÿòáóàò îðãàíû èøòèðàê åäèá. Ñåâèíäèðèæè ùàëäûð êè, îíëàð àðàñûíäà úóðíàëûìûçûí äà àäû âàð. Îíëàðû ñèçÿ òÿãäèì åäèðèê: È.ßëèéåâ «Îëèìïèéà äöíéàñû» âÿ rd Anatoly Vasylenko (Ukraénà) 3.Ìöêàôàò / 3 Ïðèçå «Øàùìàò áÿñòÿ÷èëèéè», Í.Êÿðèìîâ «×åìïèîí», Å.Àáäóëëàéåâ «Êàñïèé», Ð.Àëëàæîâ «168 ñààò», * 1...Ôg5 [a] 2.Òg5 [A] #, 1...Ôe5 [b] 2.Àe7#, (1...Øe6 2.g8Â# )]; 1.Âh5+? Ôg5! Ìàùèð Ìÿììÿäîâ www.azerichess.com, Ì.Ìÿùÿììÿäîâ âÿ Ê.Áÿäÿëîâ «Õàëã ãÿçåòè». ßëáÿòòÿ êè, þëêÿìèçäÿ øàùìàò ùàãäà ãÿçåòëÿðäÿ âåðèëÿí ìÿãàëÿëÿðè íÿçÿðÿ àëñàã, þëêÿ 1.g8Â+? Òe6!, 1.Âf4? [2.Âe4#] 1...Ôe5 [b] 2.Âe5#, 1...Òe6 [c] 2.Ôc4#) (1... Øe6 ìåäèàñûíûí áó òÿäáèðäÿ çÿèô èøòèðàê åòìÿñèíè ãåéä åòìÿê îëàð. 2.g8Â#) 1...Àd3! Ùÿëëè: 1.Âh1! [2.Òge2#] 1...Ôe5 [b] 2.Òg6#, 1...Òe6 [c] 2.Òg5 [A] #, 1...Øe6 2.g8Â#. 12 13 Ìîäåðí öñòÿýÿë êëàññèêà, Ëåâìàí, Ñîìîâ ìþâçóëàðûíûí âÿ ìàòëàðûí ñàäÿ A.Melnichuk, V.Shmatov Jevgenij Bogdanov Haúû Mÿmmÿdov äÿéèøèêëèéèíèí ñèíòåçè óñòàëûãëà ùÿéàòà êå÷èðèëèá. Àíúàã éàíëûø èçèí (1…Àõä3!) òÿêçèáè Spec. HM for miniature Com.without distinction Com.without distinction ÷îõ êîáóääóð. Modern plus classic.Combination of Levmann, Somov and cange of play Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT is done very well. 1...Sxd3 is a fly in the ointment. Araz Almÿmmÿdov Dieter Müller Sven Trommler HM without distinction HM without distinction HM without distinction Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT

#2 #2 #2 #2 #2 #2 Jevgenij Bogdanov (Ukraénà) Áÿðàáÿð ãöââÿëè òÿðèôíàìÿ / Commendations (without distinction) 1.Òb1? Àb5! z 1…Àc~ (a) 2.Àd6# (A), 1…Àd5 (b) 2.Àd6# (B), 1…Àe~ 2.Òb4#, 1…Àd4! 2.Àd6#, 1…Ød4 2.Òb4#; 1.d6 (B)? Ød4! Z 1…Àc~ (a) 2.Âa8# (C), 1…Àd5! #2 #2 #2 (b) 2.Òc4# (D) Ùÿëëè: 1.Âa8 [C] ! z 1…Àc~ (a) 2.d6# (B), 1…Àd5! (b) 2.Âd5#, Ô~ Araz Almÿmmÿdov (Azÿrbaéúan) 2.Òc4# (D), 1...Ôd4 2.Àd6 [A] # (sm. 1.Òb1?), 1...Ød4 2.Âa4# (2…Àa4?) ßëàâÿ: 1.Âe6? Áÿðàáÿð ãöââÿëè ôÿõðè ðÿé / Honourable mentions (without distinction) (2.Òc4#) 1…Àb5 2.Âf5# 1…Kd4! 1.Âb1? [2.Ò3d4#] 1...Ôxd3 2.Âxd3# 1...fxe2 2.f3# 1...Ôxf2!, 1.Âe1? [2.Àc3#] 1...Ôxd5 Ìàòëàðûí äÿéèøèêëèéè âÿ Ñàëàçàð ìþâçóñó. There are play change and Salasar. 2.Àd4# 1...fxe2 2.f3# 1...Ôe3!. Ùÿëëè: 1.Âb7! [2.Âe7#] 1...Ôd4 2.Ò3xd4#, 1...Òxf5 Haúû Mÿmmÿdov (Ãobustan, Azÿrbaéúan) 2.Ò5d4#, 1...Ôxd3 2.Òe5#, 1...Ôxd5 2.Âxd5# Áÿðàáÿð ãöââÿëè òÿðèôíàìÿ / Commendations (without distinction) Àü áàòàðåéàëàðûí ö÷ãàò ñå÷èìè ìàòëàðûí ñîíðàêû äÿéèøèêëèéè èëÿ. Úÿëáåäèúè ìÿñÿëÿäèð. *1....Ô- 2.Àxd3, 1....Ôxf3 2.Òxg4 Ùÿëëè: 1.Âb4! (2.Âd2#), 1…Àxf3, Àc4, 2.Òxg4, Àe6# Threefold white battery choosing with change of play. Nice. Ðóõëèñ ìþâçóñóíóí òèïèê íöìóíÿñè, ãàðà äàøûí à÷ûëûøû âÿ áàüëàíìàñû. Ëàêèí, ùÿëëäÿ Dieter Müller (Àëìàíèéà) 1…Àå~ ýåäèøè òÿùëöêÿäÿí ìöäàôèÿ åòìèð. Áÿðàáÿð ãöââÿëè ôÿõðè ðÿé / Honourable mentions (without distinction) Typical Rukhlis , unpin-pin. Pity that 1...Se~ in solution doesn't parry the threat. 1...Òh5/Ôf3/d5 2.Òd1=X1/Àf5=Y1/Àc6=Z1#, 1.Âa5? (2.Âd5,Âc5)? Òh5!, 1.c5? Ramil Úavadov Robert Linkoln Aleksandr Tsaplin (2.Âd5,Âa4)? Ôe6!, 1.Âb1? (2.Âe4=a, Âd3=b, Àb5=c)? Òh5/Ôf3/Òd1 2.a,b/b,c/c,a# Com.without distinction Spec.Com for mini. Spec.Com. for shape problem Øc4! Ùÿëëè: 1.Âa8! (2.Âe4=X2, Àb5=Y2, Âd5=Z2)! 1...Òh5/Ôf3/d5 2.X2/Y2/Z2#, Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT 1...Àc7/Àf6/Àd6 2.-“-, 1...Ôe6/Ôf5/Ôe2 2.X2,Y2/Y2,Z2/Z2,X2#, 1...Øc4 2.Âa4=a# Éàëíûç äóàëëàð ìþâçóñó. Äöçäöð, áåëÿ ìÿñÿëÿëÿðè òÿðòèá åòìÿê åëÿ äÿ àñàí äåéèë. The duals theme , and that's it.True, it is hard to compose problems like this one. Sven Trommler (Àëìàíèéà) Áÿðàáÿð ãöââÿëè ôÿõðè ðÿé / Honourable mentions (without distinction) 1.Òh5? (2.Ôxf5#) À /Àõe3 2.Ôõd5# (A)/Àg3# (B) 1… Ôg5! Ùÿëëè: 1.Àb4! (2.Ôxd5#(A)) À /À:e3 2.Àg3# (B) / Òxe3# (C), 1…Òa5 2.Âd3# Ìàòëàðûí äÿéèøìÿñè íþâáÿëÿíìÿ àíëàðû èëÿ. Change of play with some reciprocal moments. Aleksandr Melnichuk & Vladimir Shmatov (Rusiéa) Õöñóñè ôÿõðè ðÿé (ìèíèàòöðÿ ýþðÿ) / Special Hon. Men. for miniature 1.Àc5? [2.Àb3[a], Àd3[B]#], 1...Òa3 2.Àd3#, 1...e1À 2.Àb3#, 1...e1Â 2.Àd3# 1...Òxc2! #2 #2 #2 1.Àf4? [2.Àd3 [B) Àxe2 [C #] 1...e1Â 2.Àd3#, 1…e1À 2.Àe2#, 1…Òa3 2.Àd3, Àe2# Ramil Úavadov (Èsmayûllû, Azÿrbaéúan) 1...Rxc2!, 1.Ôb3?+ Øb1!, 1.Ôd3?+ Ød1! Ùÿëëè: 1.Àd4! [2.Àb3 [C] , Àxe2 [A] #], 1...Òa3 Áÿðàáÿð ãöââÿëè òÿðèôíàìÿ / Commendations (without distinction) 2.Àxe2#, 1...e1Â 2.Àb3#, 1...Òxc2 2.Âxc2#. AB-BC-CA ïðèíñèïè èëÿ ö÷ äþâðè òÿùëöêÿ, 1.f4? 1…Àb~ 2.Àe6#, 1…Àf~ 2.Âd2#, 1…Øc5 2.Ôe3#, 1…Øe5 2.Ôb2# 1…c5!; 1.Àc5? îéóíëàðûí äÿéèøèêëèéè âÿ Ôëåê ìþâçóñó, ìèíèàòöð ö÷öí åëÿ äÿ àç äåéèë. Øxc5 2.Ôe3#, 1…Àb~ 2.Àe6#, 1…Àg7 2.Âd2# 1…Øe5!; 1.Àe5? Øxe5 2.Ôb2#, 1…Àe7 Cycle of threats (AB-BC-CA), play change, Fleck. Not bad for a miniature. 2.Àf3#, 1…Àh4 2.Àc6#, 1…Àb~ 2.Àf3#, 1…c5 2.Àc6# 1…Øc5!] Ùÿëëè: 1.Ød1! (2.Âf2#) 1...Øc5+ 2.Àd3#, 1...Øe3+ 2.Àd5#. 14 15 Êþùíÿ öñëóáëó éàõøû ìÿñÿëÿ - ãàðà øàùûí ýåäèøëÿðèíÿ åéíè çàìàíäà áèðáàøà âÿ äîëàéû Éàðäûìëû ìàò / Helpmates áàòàðåéàëàð èøëÿéèð. Good old style. The black King is attacked both by direct and indirect batteries. SON TßLTIF / FINAL AWARD Robert Linkoln (AÁØ) Ùàêèì / Judge: Áÿõòèéàð Ðöñòÿìîâ / Bakhtiyar Rustamov (Azerbaijan) Õöñóñè òÿðèôíàìÿ (ìèíèàòöðÿ ýþðÿ) / Special Commendation for miniature 1.Àb3? c4 2.Âh1# 1…Øe4!, 1.Âc2? cd 2.Âc6#, 1…c4 2.Âf5# 1…b3!, Ùÿëëè: 1.Âe3! (2.Âe6#), 1...cxd4 2.Âxd4#, 1...c4 2.Âe5#; 1...Øc4 2.Âb3# 16 þëêÿäÿí 40 áÿñòÿ÷èäÿí 58 ìÿñÿëÿ ýþíäÿðèëìèøäè. Ìÿíèì ôèêðèìúÿ éàðûøûí ñÿâèééÿñè ÷îõ 1…ú4 ýåäèøèíÿ ìàòëàðûí ÿëà äÿéèøèêëèéè. Nice change of play to 1...c4. éöêñÿêäèð, ÷îõëó ìàðàãëû ìÿñÿëÿ äàõèë îëóá. Ôÿðãëÿíìÿëÿð àøàüûäàêû øÿêèëäÿ áþëóíóá. There were 58 entries from 40 entrants representing 16 countries. One problem was Aleksandr Tsaplin (Ukraénà) withdrawn by the author. There were many good problems. And here is my decision: Õöñóñè òÿðèôíàìÿ / Special Commendation for shape problem Skaxoãðàôèê ìÿñÿëÿ- 35. Azÿrbaéúan Øàùìàò Áÿñòÿ÷èëèéè êîìèññèéàñûíûí 35 èëëèéèíÿ ùÿñð Azerbaijan (Araz Almammadov, Elmar Abdullayev, Salman Javadzade, Anatoli îëóíóð (ìöÿëëèô). 1.Âe4+? Àxe4! Piriverdiyev, Kenan Velikhanov), Germany (Dieter Muller, Frank Richter, Sven Ùÿëëè: 1.Âc4! (2.Àd7,Àd3#), 1...f5 2.Àd7#; 1...Ød6 2.Âxf4#, 1…Ôc8 2. Àd7#] Trommler), Argentina (Walter Alejandro Diaz, Jorge J. Lois), Russia (Eugene «35» Ôëåê ìþâçóñó îëäóãúà éàõøûäûð! «35» plus Fleck -very good! Fomichev, Yevgeny Vaulin, Vadim Vinokurov, Vladislav Nefedov, Valery Barsukov), Switzerland (Andreas Schoenholzer), Sweden (Christer Jonsson), Romania (Eric Huber), Latvia (Andreys Strebkovs), Israel (Leonid Makaronez , Semion Shifrin, Leonid Ljubashevskij, Misha Shapiro), Poland (Henryk Grudzinski, Krzysztof «International Solving Contest» «Áåéíÿëõàëã Ùÿëëåòìÿ Éàðûøû» Drazkowski), Ukraine (Aleksandr Tsaplin, Viktor Syzonenko, Gennadij Kozjura, 2006 Valerij Kopil, Anatoly Vasylenko, Aleksandr Semenenko, Valery Semenenko), Mongolia (Lkhundev Togookhuu), England (C.J.Feather), Italy (Alessandro Áàêûäà þëêÿ òàðèõèíäÿ èëê äÿôÿ 22 éàíâàð 2006-äà øàùìàò áÿñòÿëÿðèíèí ùÿëëè Cuppini), USA (Tomas Garai, Rauf Aliovsadzade), Brasil (Alberlandes Barbosa). öçðÿ áåéíÿëõàëã éàðûø êå÷èðèëäè. Éàðûøû Áåéíÿëõàëã Øàùìàò Ôåäåðàñèéàñûíûí (ÔÈÄÅ) éàíûíäà äàèìè ôÿàëèééÿò ýþñòÿðÿí Áÿñòÿ÷èëèê êîìèññèéàñû (ÏÚÚÚ) òÿøêèë ÑßËßÔËßÐ / ANTICIPATIONS: åòìèøäè. Éàðûøûí éåíèëèéè îíäàí èáàðÿò èäè êè, î åéíè çàìàíäà ìöõòÿëèô þëêÿëÿðäÿ êå÷èðèëèðäè. Ùÿð þëêÿäÿí áèð íöìàéÿíäÿ ñå÷èëÿðÿê, åéíè çàìàíäà ìöõòÿëèô Èëêèí òÿëòèôÿ äàõèë îëìóø àøàüûäàêû ìÿñÿëÿëÿðäÿ ñÿëÿôëÿð òàïûëäû: þëêÿëÿðäÿ ìÿñÿëÿëÿð îëàí ïàêåò à÷ûëûðäû. Áó éàðûøëàðäà éåðëè òÿøêèëàò÷û ðåñïóáëèêà The following problems from the preliminary award have been anticipated: øàùìàò áÿñòÿ÷èëèéè êîìèññèéàñû âÿ íöìàéÿíäÿ Èëùàì ßëèéåâ (Ñóìãàéûò) èäè. Sven Trommler (Øh4-Ød5) N.Dolginovich 1989. À=Øf2, Âh1, Òd1, Ôg8, ïc5, e6, f4 Áåéíÿëõàëã éàðûøäà 25 þëêÿäÿí 209 èäìàí÷û èøòèðàê åòäè. Ðóñèéàëû Àëåêñåé Ã=Ød5, Òc6, Òe4, Ôf1, Àd4, pc4, d6, f5, g4, h3. H#2 2 Ùÿëë 1.dc Òxf1 2.Àxe6 Òd1#, Ëåáåäåâ éöç ôàèçëèê íÿòèúÿ èëÿ 60 õàë òîïëàéàðàã ãàëèá àäûíû ãàçàíäû. Èêèíúè, 60 1.Òxc5 Âxf1 2.Òxe6 Âh1#, Sven Trommler (Øh6-Øa4) J.Rusek À=Øg8, Òd6, Ôf3 ìöìêöí õàëäàí 59 õàë òîïëàéàðàã, ùÿëëåòìÿ öçðÿ äöíéà ÷åìïèîíó, øàùìàò Ã=Øe8, Âd8, Òb8, Ôc7 H#2 2 Ùÿëë 1.Âd7 Ôc6 2.Òd8 Òe6#, 1.Âe7 Òe6 2.Ôd8 Ôc6#, Eric öçðÿ áåéíÿëõàëã ãðîññìåéñòåð Èíýèëòÿðÿëè Æîùí Íóíí (191 äÿãèãÿ), ö÷öíúö èñÿ Huber (Øa7-Øh8) Nikola Stolev Mat 07-08/1984 À=Øc2, Òe8, Ôg8 (3) Ã= Øh1, Òe1, 59 õàëëà (195 äÿãèãÿ) Àëìàíèéàëû Arno Zóäå îëäó. Ôd5, ph2 (4) h#2 2 Ùÿëë 1) 1.Òf1 Òe1 2.Òg1 Ôxd5#, 2)1.Ôf3 Ôd5 2.Ôg2 Òxe1#, Vadim Þëêÿ éàðûøû Àçÿðáàéúàí Äþâëÿò Áÿäÿí Òÿðáèéÿñè âÿ Èäìàí Àêàäåìèéàñûíûí Vinokurov (Øf3-Ød4) Ì. Sosedkin, v. KDDB 1966 À=Øc5, Àc1, pd4, e7 Ã=Øe4, pd2, øàùìàò îòàüûíäà êå÷èðèëäè. Ïèñ ùàâà øÿðàòèíÿ ýþðÿ, îí èêè äÿâÿò îëóíìóø f3, f4. H#2 2.1.1.1 1.d1À e8À 2.Àe3 Àd6#, 1.dõc1Ô e8Ô 2.Ôe3 Ôg6# & E.Nad, 1962 èäìàí÷ûìûçäàí éàëíûç éåääèñè éàðûøäà èøòèðàê åòäè. Êîìèññèéàìûç éåðëè À=Øc3, Àf6, pd7 Ã=Ød4, pe5, f2. H#2 b) + ãÀb3 a) 1.f1Ô d8Ô 2.Ôd3 Ôb6#, b)1.f1À d8À 2.Àe3 Àe6#, Vadim Vinokurov (Øc7-Øb3) S.Tkachenko 1995 À=Ød7, Òf7, Òa8, ùÿëë÷èëÿðÿ 50 ÀÁØ äîëëàðû ìöêàôàò àéûðäû (1.éåð: 20 ÀÇÍ , 2.éåð: 16 ÀÇÍ , 3.éåð: Ôg7, Àe4, Àf4, pb4, e3, e7 Ã=Øf3, Òa3, Òh7, Ôd4, Ôf1, Àb5, Àg2, pg4, g6. H#2 2.2.1.1 10 ÀÇÍ). 1.Òxe3 Øc6 2.Øxe4 Ød7#, 1.Òxe3 Àd5+ 2.Øxe4 Àf4#, 1.Ôxe3 Ôf6 2.Øxf4 Ôg7#, 1.Ôxe3 Àðàç Àëìÿììÿäîâ (Ãÿáÿëÿ) 48.5 õàëëà 21 éåðè òóòàðàã, Àçÿðáàéúàí Àf6+ 2.Øxf4 Àe4#. ùÿëë÷èëÿðè àðàñûíäà ÿí éàõøû íÿòèúÿíè ýþñòÿðèá, Ðàìèë Úàâàäîâ (Èñìàéûëëû) 39.5 õàëëà 46-50 éåðëÿðè, Ëöòôèéàð Ðöñòÿìîâ (Áàêû) 35 õàëëà 60-úû éåðè òóòóá. Äèýÿð Ñÿëÿôëÿðèíèí òàïûëìàñûíäà êþìÿêëèéÿ ýþðÿ Âëàäèìèð Ïåðñèéàíîâà (Âîëãàãðàä, èäìàí÷ûëàðûìûçäàí Ùàúû Ìÿììÿäîâ (Ãîáóñòàí) 21.5 õàëëà (230 äÿãèãÿ) 110- Ðóñèéà) þç ìèííÿòäàðëûüûìû áèëäèðìÿê èñòÿðäèì. úó, Àíàòîëè Ïèðèâåðäèéåâ (Áàêû) åéíè õàëëà, ëàêèí 240 äÿãèãÿ èëÿ 111-113-úö, Special thanks go to V.Persijanov (Russia) for finding predecessors. Ìóðàäõàí Ìóðàäîâ (Ãîáóñòàí) 12 õàëëà 165-úè, Åëìàð Àáäóëëàéåâ (ßëèáàéðàìëû) èñÿ 8.5 õàëëà 180-úè éåðè òóòóá. 16 17 Jorge J. Lois G. Kozjura, V.Kopil L.Makaronez, S.Shifrin Rauf Aliovsadzade (AÁØ) 4.Ìöêàôàò / 4th Prize st nd rd 1.Ìöêàôàò/ 1 Prize 2.Ìöêàôàò/ 2 Prize 3.Ìöêàôàò/ 3 Prize a) 1.Àd4! (1.Àxe3?) Òf5 [A] 2.Àxå3 Ôd3# [B], b)1.Àf3! (1.Øf4+?) Ôd3+ [B] 2.Øf4 Àg2# Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT [C], c) 1.Øf3! (Øxe3?) Àg2 [C] 2.Øf2 Òf5# [A] Èêè ñèñòåì: ãàðàëàðûí îéóíóíäà àèòèäóàëëàð, àüëàðäà èñÿ äþâðè íþâáÿëÿíìÿ (ÿâÿçëÿíìÿ). Two systems.Cycle in the play of White and antiduals in the play of Black.

C. J. Feather (Èíýèëòÿðÿ) 1.Ôÿõðè ðÿé / 1st Honourable mention Û)1.Òf6 Àe8+ 2.Øe6 Àxg7#, ÛÛ)1.Âf6 Àxd5+ 2.Øe6 Àf4#, ÛÛÛ)1.Ôf6 Àxa6+ 2.Øe6 Àxc5#, b- Û)1.Àe7 c8Ô+ 2.Øc6 Ôd7#, ÛÛ)1.Àb6 c8Ò+ 2.Øe6 Òc6#, ÛÛÛ)1.Øc6 Òb7 2.Âd8+ cxd8À# Áàòàðåéà ñåðèéàñû. Ö÷ çÿèô ÷åâðèëìÿ, áÿçè ìàòëàð äöçýöí äåéèë. Battery play. Three underpromotions. Some mates are not model.

Christer Jonsson (Èñâå÷) 2.Ôÿõðè ðÿé / 2nd Honourable mention h#2 3 Ùÿël h#2 4 Ùÿël h#2 Ìÿòí/ Text a) 1.Ôg1 Ôd6 2.Àe7 Òf3#, b) 1.Òc3 Òf5 2.Àf7 Ôc5 # Jorge Lois (Argentina) 1.Ìöêàôàò/ 1st Prize. Àü âÿ ãàðà äàøëàðûí à÷ûëûøû âÿ þçöíö áàüëàìàñû èëÿ éàõøû ìÿñÿëÿ. Ìàòëàð äöçýöíäöð. I) 1.Ôe2 Âxc3! [Âxe3?] 2.Àd5 Âc8#, II) 1.Àc2 Âxd3! [Âxc3?] 2.Ôe5 Âd7#, Good problem showing unpinning and selfpinning. Models. III) 1.Ôb2 Âxe3! [Âxd3?] 2.Ôb5 Âe6# Anatoli Pirverdiyev Viktor Syzonenko Krzysztof Drazkowski ßëà ìÿñÿëÿäèð, äöçýöí ìàòëàð, ãàðàëàðûí îéóíóíäà äþâðè íþâáÿëÿíìÿ, àüëàðûí rd th th îéóíóíäà èñÿ àíòèäóàëëàð, àü äàøëàðûí à÷ûëûøû âÿ ãàðàëàðûí òÿúðèäè èëÿ ÷ÿòèí ìþâçó. 3.Ôÿõðè ðÿé / 3 HÌ 4.Ôÿõðè ðÿé / 4 HÌ 5.Ôÿõðè ðÿé / 5 HÌ Beautiful problem.Model mates. Cyclic functions of black pieces Bc3, Bd3 and Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Se3.Antiduals in the play of White. Unpinning. Gennadij Kozjura & Valerij Kopil (Ukraéna) 2.Ìöêàôàò/ 2nd Prize I) 1.Òe4 (Ôe4+?) Àa4+ 2.Ød5 Àb6#, ÛÛ)1.d5 (Âd5+?) Àb1+ 2.Øe4 Àd2#, ÛII) 1.Âf7 Àd5+ 2.Øe6 Àc7#, ÛÂ) 1.Ôg4 Àxe2+ 2.Øf5 Àg3# Èêè âàðèàíò õàíàëàðûí òÿúðèäñèçëÿøäèðèëìÿñè èëÿ áèðëÿøäèðèëèá. Ãàðà øàùûí õà÷âàðè ùÿðÿêÿòè, äþðä ìîäåë ìàò, Çèðñ áàòàðåéàñû îéóíó, 4 ùÿëë. Two solutions are united by tries and another two by unblocking of squares.Cross of bK.The Siers batterry. Leonid Makaronez & Semion Shifrin (Èsrail) 3.Ìöêàôàò/ 3rd Prize a) 1.Øb4 Òf4 2.Âc5 Àc6#, b) Ôa3 b4 1.Øc3 Òf2 2.Ôc4 Àb5#, c) Ôa3 c5 1.Àe3 Òf6 2.Ød4 h#2 4 ùÿël h#2 2 Ùÿël h#2 b) Ôc8 g8 Òf4#, d)Ôa3 d4 1.Øc5 Ôe5 2.Âc4 Ôd6#, e)Òf5 h5 1.Âe4 Àf5 2.Ød5 Àe3# Áàòàðåéàëàðûí éàðàíìàñû öñòÿýÿë ãàðà øàùûí óëäóçúóüó. Äþðä ìîäåë ìàòëàð, áåø åêèç, Anatoli Pirèverdiyev (Azÿrbaéúan) 3.Ôÿõðè ðÿé / 3rd Honourable mention ìåðåäèò. Battery formation plus a bK star. Five twins with models. Meredith. I) 1.Øxc4 Ôb4 2.Øb3 Àd2#, II) 1.Øxe4 Ôh4 2.Øf3 Àd2#, III) 1.Øc6 Àed6 2.Àd5 Àe5#; Rauf Aliovsadzade Chris..J.Feather Christer Jonsson IV)1.Øe6 d5+ 2.Øf5 Àg3# 4.Ìöêàôàò/ 4th Prize 1.Ôÿõðè ðÿé / 1st HÌ 2.Ôÿõðè ðÿé/ 2nd HÌ Ãàðà øàùûí óëäóçúóüó, äþðä åêèç, äöçýöí ìàòëàð, áèð âàðèàíòäà ìàò ñèììåòðèêäèð. Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT A bK's star, four solutions, models. Some symmetry.

Viktor Syzonenko (Ukraéna) 4.Ôÿõðè ðÿé / 4th Honourable mention Û)1.Øe4 Ôg2 2.Ôf7 Àg3#, ÛÛ)1.Øc3 Òc8 2.Òc2 Ôa5# Ãàðà áàüëàìàëàðûí äÿéèøèëìÿñè, äöçýöí ìàòëàð. Transformation of black pins. Models.

Krzysztof Drazkowski (Poløa) 5.Ôÿõðè ðÿé / 5th Honourable mention a) 1.Ôd1 Òg7 2.Àe2 Àxh5#, b) 1.Òe7 Òg5 2.Àe6 Àxe4 # Õÿòëÿðèí à÷ûëûøû âÿ òÿúðèäè èëÿ îðèæèíàë èäåéà. Original scheme with unpinning and blocking. h#2 b) Àf5 e5, c) Àf5 b7 h#2 3 Ùÿël b) c7 àüP h#2 b)Ød1 d2 18 19 Dieter Muller Yevgeny Vaulin Anatoly Vasylenko Ðåäàêñèéà: Æóðíàëûìûçûí 2-úè ñàéûíäà äÿðú îëóíìóø Ðàóô ßëþâñÿòçàäÿíèí «Òåìû â st nd rd 1.Òÿðèôíàìÿ / 1 Com. 2.Òÿðèôíàìÿ / 2 Com. 3.Òÿðèôíàìÿ / 3 Com. êîìïîçèöèè íàéäåííûå â Àçåðáàéäæàíå» ìÿãàëÿñè âÿ Æ.Áðàáåúèí (Ñëîâàêèéà) Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT Azerbaijan CCC-35 JT ìÿãàëÿñèíäÿí ñå÷ìÿëÿð áþéöê ÿêñ-ñÿäà äîüóðóá. Óêðàéíà Øàùìàò Áÿñòÿ÷èëèéè êîìèññèéàñûíûí Âèòñå-Ïðåçèäåíòè Àíàòîëè Âàñèëåíêîäàí áó ìþâçó áàðÿäÿ àëäûüûìûç ìÿêòóáó äèããÿòèíèçÿ ÷àòäûðûðûã. Ìàðàãëûäûð êè, î Ôöçóëè ðàéîíó Ùîðàäèç ãÿñÿáÿñèíäÿ àíàäàí îëóá. Àòàñû áóðàäà ñÿðùÿä çàñòàâàñûíûí ðÿèñè îëóá âÿ îíëàð 1951-úè èëäÿ Àçÿðáàéúàíäàí êþ÷öáëÿð. Íåñêîëüêî ñëîâ î òåìå “Âëàäèìèðîâà”. ß òîæå ïðèçíàþ â ýòîé òåìå ïðèîðèòåò àçåðáàéäæàíñêèõ êîìïîçèòîðîâ, õîòÿ áû ïîòîìó, ÷òî â ïåðâîé çàäà÷å Âëàäèìèðîâà ýòîé òåìû íåò è âîîáùå îíà, íà ìîé âçãëÿä, ÿâëÿåòñÿ íåïå÷àòíîé, ïîñêîëüêó íå ñîäåðæèò íè îäíîãî âàðèàíòà, à òåìàòè÷åñêèå õîäû ÷åðíûõ òîëüêî h#2 b) Ôh8 c7 h#2 2 Ùÿël h#2 2 Ùÿël äèôôåðåíöèðóþò ìàòû óãðîçû. Áîëåå òîãî, ÿ çíàþ, ÷òî Dieter Möller (Àëìàíèéà) 1.Òÿðèôíàìÿ / 1st Commendation òàê æå ñ÷èòàþò è ìíîãèå äðóãèå êîìïîçèòîðû, a) 1.Àc6 Òe6 2.Àe4 Òxc6#, b) 1.Àa6 Àb4 2.Ôa2 Àxa6# ðàçáèðàþùèåñÿ â ðåâåðñèâíîé òåìàòèêå. Âîçìîæíî, Ìþâçó- ìîäåë ìàòëàð, õÿòëÿð öçðÿ îéóí. Models with line play. ïîýòîìó, Äîìáðîâñêèñ ýòó çàäà÷ó ñðàçó è íå ïóáëèêîâàë. Â òî æå âðåìÿ ó ìåíÿ íåò îñíîâàíèé íå äîâåðÿòü ñëîâàì Yevgeny Vaulin (Rusiéa) 2.Òÿðèôíàìÿ / 2nd Commendation âåñüìà óâàæàåìîãî ìíîþ ßêîâà Âëàäèìèðîâà, î òîì, ÷òî I) 1.Âb5 Ôxe4+ 2.Øc5 Àd3#, II) 1.Àc5 Òd1 2.Ød5 Ôe4# èíèöèàòîðîì íàçâàíèÿ áåç âñÿêîãî óìûñëà ñòàë íå ìåíåå Òÿúðèä âÿ þçöíö áàüëàìà, ìàòëàð äöçýöíäöð. 8-úè êîìàíäà äöíéà ÷åìïèîíàòûíûí óâàæàåìûé ìíîé Àëüôðåä Äîìáðîâñêèñ. Ñêîðåå âñåãî, îí äåéñòâèòåëüíî íå ìþâçóñó èêèýåäèøëè ìÿñÿëÿäÿ. ïóáëèêîâàë çàäà÷ó Âëàäèìèðîâà, ïîñêîëüêó îíà áûëà, êàê ÿ óæå ïèñàë, Blocking and selfpinning. Models.The WCCT-8 theme done in a h#2. íåïå÷àòíîé. À êîãäà ïðèøëà çàäà÷à îò àçåðáàéäæàíñêèõ ïðîáëåìèñòîâ, è åìó ïðèøëîñü âûáèðàòü ìåæäó àëãåáðîé ñ ïîïûòêîé ñèñòåìàòèçàöèè è ñàìîé çàäà÷åé, Anatoly Vasylenko (Ukraéna) 3.Òÿðèôíàìÿ / 3rd Commendation òî îí ïî÷åìó òî âûáðàë ïåðâîå. Ê òîìó æå, íèãäå þðèäè÷åñêè íå óçàêîíåíî, êàê 1.Òxg4 …2.Òxg3 (a) Òxf5# (A)? I) 1.Òxg4 gh! 2.Òxh4 (c) Òxf5# (A); íóæíî íàçûâàòü òåìó. Íå äóìàþ, ÷òî òóò áûë êàêîé-òî ñãîâîð - â îòíîøåíèÿõ II) 1.Àxf3 …2.Àg5 (b) Àf6# (B)? 1.Àxf3 gf! 2.Àh4 (d) Àf6# (B). ñàìîãî Äîìáðîâñêèñà ñ Ìîñêâîé èç-çà ïîñòîÿííîé êðèòèêè ïóáëèêóåìûõ èì Äöçýöí áàòàðåéà ìàòëàðû èëÿ àüëàðûí òåìï îéóíó. Ðóõëèñ ìþâçóñó. äâóõõîäîâîê áûëî íå âñå ãëàäêî. Íå èñêëþ÷àþ, ÷òî ñûãðàëî ñâîþ ðîëü è òî Tempo-play with model battery mates. Rukhlis. îáñòîÿòåëüñòâî, ÷òî âñå òðè ðîäñòâåííûå òåìû (Äîìáðîâñêèñà, Õàííåëèóñà è Áàííîãî) áûëè íàçâàíû ïî ôàìèëèÿì è “Àçåðáàéäæàíñêàÿ” òåìà èëè òåìà ïîä òðåìÿ ôàìèëèÿìè íå âïèñûâàëèñü â ýòîò ðÿä. Êñòàòè è çàäà÷è Áàííîãî íà òåìó Áàííîãî áûëè îïóáëèêîâàíû ïî÷òè â îäíî âðåìÿ ñ çàäà÷àìè ëàòûøà Êèñèñà, áîëåå òîãî, â îäíîé èç çàäà÷ Êèñèñà, îïóáëèêîâàííîé â 1969 ãîäó, áûë îäèí âàðèàíò è ñ òåìîé Âëàäèìèðîâà. Óäèâèòåëüíî òàêæå, ÷òî â ýòîò íà÷àëüíûé ïåðèîä ñòàíîâëåíèÿ òåìû, íèêòî íå âñïîìíèë îá óêðàèíñêèõ ïðîáëåìèñòàõ Â.Ëóêüÿíîâå è Í.Íàãíèáèäå, òðåõõîäîâêè êîòîðûõ, îïóáëèêîâàííûå â êîíöå 60-õ ãîäîâ, ñîäåðæàëè âñå àòðèáóòû, ïðèñóùèå «Îëèìïèéà äöíéàñû» âÿ «Êàñïèé» ãÿçåòëÿðèíèí øàùìàò áÿñòÿ÷èëèéè ýóøÿëÿðè äâóõõîäîâûì ìåõàíèçìàì ñ âûðàæåíèåì òåìû Âëàäèìèðîâà. Èñòîðèÿ êîìïîçèöèè ñîäåðæèò ìíîãî òàêèõ "íåñïðàâåäëèâîñòåé". Âçÿòü õîòÿ áû òåìû Ðóõëèñà, Ñóøêîâà 2006-úû èë ö÷öí, àøàüûäàêû áþëìÿëÿð öçðÿ áåéíÿëõàëã éàðûøëàð êå÷èðèð: (+=) è äðóãèå. ß æå ñàì íèêîãäà íå áûë íè ñòîðîííèêîì, íè èíèöèàòîðîì åòöäëÿð, (#2) èêèýåäèøëè, (#3) ö÷ýåäèøëè, (Ù#2) éàðäûìëû ìàò. Ýóøÿëÿð ïåðåèìåíîâàíèÿ òåõ èëè èíûõ òåì. Ìíå âñåãäà èìïîíèðîâàëà ìóäðàÿ ïîçèöèÿ ùÿôòÿäÿ áèð äÿôÿ øÿíáÿ ýöíö ÷ûõûð. Îðèæèíàë áÿñòÿëÿðè (ùÿð ìöÿëëèôäÿí 3-äÿí Àçåðáàéäæàíñêîé ñòîðîíû, ñîñòîÿùàÿ â òîì, ÷òî íåñìîòðÿ íà ÿâíóþ àðòûã îëìàéàðàã) 31.09.2006 òàðèõÿäÿê àøàüûäàêû öíâàíà ýþíäÿðìÿê íåñïðàâåäëèâîñòü ïî îòíîøåíèþ ê âàì, âû ìåíüøå äðóãèõ ââÿçûâàëèñü â ýòîò ñïîð. Ëè÷íî äëÿ ìåíÿ ãîðàçäî âàæíåå òî, ÷òîáû ïîä òîé èëè èíîé òåìîé âñå ïîíèìàëè îëàð: îäíî è òî æå. ß ñ÷èòàþ, ÷òî â ëþáîì ñïîðå áîëåå âàæíû íå ñëîâà, à äåëà, ò.å «Îëèìïèéà äöíéàñû» èëùàìàëèåâ@ìàèë.ðó, òâîð÷åñòâî. À âû, àçåðáàéäæàíñêèå êîìïîçèòîðû ýòî äîêàçàëè. Åñëè ðàçäåëèòü «Êàñïèé» [email protected] êîëè÷åñòâî ïðåäëîæåííûõ âàìè òåì, íà êîëè÷åñòâî êîìïîçèòîðîâ, òî, íàâåðíîå 20 21 êîýôôèöèåíò ó âàñ áóäåò îäíèì èç ñàìûõ âûñîêèõ â ìèðå. 1.Rc4? [2.Rf4#], 1... Ra4 2.Qõd5#, 1...Rb4 2.f8Q#, 1...g5 2.Qf5#, 1...dõc4/d4 2.Qe4# Â âîïðîñå î òåìå Âëàäèìèðîâà åñòü åùå îäíî íåïîíÿòíîå ïÿòíî. Íà 1...Sõg3!, 1.d3? [2.Se5#], 1…Rõa7 2.Qõd5#, 1...Rb6 2. f8Q#, 1...eõd6 2.Qf6#, 1...d4 òåìàòè÷åñêèé êîíêóðñ, îáúÿâëåíûé â Àçåðáàéäæàíå âñêîðå ïîñëå îòêðûòèÿ òåìû, 2.Qe4# 1...Rc5! Ðåøåíèå: 1.d4! [2.Se5#], 1... Rõa3 2.Qõd5#, 1...Rb3 2.f8Q#, 1...eõd6 áûëè ïðèñëàíû Âåëèìèðîâè÷åì è Êîâà÷åâè÷åì î÷åíü õîðîøèå çàäà÷è. Íî, ïî÷åìó 2.Qf6#, 1...Sõg3 2. Rf2# òî êîíêóðñó îòêàçàëè â ñòàòóñå ìåæäóíàðîäíîãî. Íå ïîòîìó ëè, ÷òîáû íå Íî, ïîñëå àíàëèçà âñåõ âîçìîæíûõ âåðñèé, ÿ çàìåòèë, ÷òî âñå îíè, òàêæå êàê è ïîäìî÷èòü ïðèîðèòåò ñîâåòñêîé øêîëû? Ïîìíþ, ÷òî â ýòîì êîíêóðñå, ê àâòîðñêàÿ ïîçèöèÿ, ñîäåðæàò îäèí ñóùåñòâåííûé íåäîñòàòîê âûêëþ÷àåìûå íà ñîæàëåíèþ, íèêòî íå ïîäíÿëñÿ äî óðîâíÿ çàäà÷è Àëèîâñàòçàäå, Ëèîêóìîâè÷à è ïåðâîì õîäó áåëûå ôèãóðà (ñëîí a7 ëèáî ëàäüÿ a3) â ðåøåíèè ñòàíîâÿòñÿ ëèøíèìè. Âàõèäîâà, à óïîìÿíóòûå äâóõõîäîâêè þãîñëàâîâ áûëè èñêëþ÷åíû è ïîçæå Äëÿ òîãî, ÷òîáû âûêëþ÷àåìàÿ ôèãóðà ïðèíèìàëà ó÷àñòèå â ðåøåíèè, ïîëó÷èëè âûñîêèå ïðèçû â äðóãèõ êîíêóðñàõ. ïîòðåáîâàëàñü çàìåíà îäíîé èç íèõ áåëûì ôåðçåì. Â ðåçóëüòàòå ðîäèëàñü À.Âàñèëåíêî. Íîÿáðü, 2005 ñëåäóþùàÿ âåðñèÿ, â êîòîðîé ñîõðàíÿþòñÿ òîëüêî òåìàòè÷åñêèå âàðèàíòû ñ ïðîèçâîëüíîé ïåðåìåíîé èãðû, â ëîæíîì ñëåäå ñî âçÿòèåì ôèãóðû, à â ðåøåíèè ñ Ðåäàêñèéà: Ìöÿëëèôèí ãàëäûðäûüû ìÿñÿëÿ áèçè ÷îõ ìàðàãëàíäûðäû. Áèç îíó àðàøäûðìàüà ïåðåêðûòèåì ïî Áàðóëèíó. Ïåðåêðûâàåìûé ïåðâûì õîäîì ðåøåíèÿ áåëûé ôåðçü ÷àëûøàúàéûã. èãðàåò äâàæäû â òåìàòè÷åñêîì è äîïîëíèòåëüíîì âàðèàíòàõ. 1.d4? [2.Se5#], 1...Rõc3 2.Bõd5#, 1...Qõc3 2.Rf2# 1...Sf7 2.Rõf7# 1…Qõc2! Ðåøåíèå: 1.d3! [2.Se5#], 1... Rb6 2.B:d5#, 1...d4 2.Qc6#, 1...Qõc2 2.Qf6#, 1...Qõc3 Âàðèàöèè íà òåìó ýëèìèíàöèè 2.Rf2#, 1...Sf7 2.Rõ7# Òåïåðü ñ òî÷êè çðåíèÿ ýêîíîìèè ìàòåðèàëà âñå â ïîðÿäêå, îäíàêî ñïåöèàëèñòû Â æóðíàëå ¹2 “Shahmat bestechiliyi” áûëà íàïå÷àòàíà ñòàòüÿ Ðàóôà ïåðåìåíû èãðû ìîãóò ïðåäúÿâèòü êî âñåì ðàññìîòðåííûì ïîçèöèÿì Àëèîâñàòçàäå “Òåìû â êîìïîçèöèè îòêðûòûå â Àçåðáàéäæàíå.” Ê ñîæàëåíèþ â ñïðàâåäëèâûå çàìå÷àíèÿ ïî ïîâîäó îòñóòñòâèÿ ìåæäó ôàçàìè èñòèííîé ïåðåìåíû îäíîé èç äâóõõîäîâîê ¹7 Ç.Ýéâàçîâîé è Â.Ëèäåðà (“Canadian Ñhess Ñhat”,1982) ñ èãðû. Ýòî îáñòîÿòåëüñòâî çàñòàâèëî ìåíÿ çàíÿòüñÿ ïîèñêàìè äðóãèõ ìåõàíèçìîâ ñ ðåêîðäíûì ïÿòèêðàòíûì êîíòðîëåì ïîëÿ e3 è óäâîåííîé ýëèìèíàöèåé áûëî óäâîåííîé ýëèìèíàöèåé êîíòðîëÿ, ïîçâîëÿþùèìè áîëåå ÷èñòî ïðåäñòàâèòü â îáíàðóæåíî ïîáî÷íîå ðåøåíèå. òåìàòè÷åñêèõ âàðèàíòàõ ïåðåìåíó èãðû. Ðåçóëüòàòîì ýòèõ ïîèñêîâ ñòàëà Ìîè ïîïûòêè èñïðàâèòü çàäà÷ó ñ ñîõðàíåíèåì âñåõ òðåõ òåìàòè÷åñêèõ ñëåäóþùàÿ ïîçèöèÿ, â êîòîðîé â êàæäîé èç ôàç ïðèñóòñòâóþò, ïî êðàéíåé ìåðå, ïî âàðèàíòîâ, â êîòîðûõ ÷åðíûå ëèêâèäèðóþò êîíòðîëü áåëûìè ïîëÿ e3 ïî ñâîáîäíîé äâà âàðèàíòà ñ ïåðåìåíîé èãðû. ëèíèè, êàê â ëîæíîì ñëåäå òàê è â ðåøåíèè íå ïðèíåñëè ðåçóëüòàòà. Íàèáîëåå 1.Sfe4?[2.Bd7#] 1...Bõc3 2.Sc5#, 1...Qõc3 2.Bd5#, 1...fõe4 (a) 2.Qõf7# 1...Ra7!(b) ïðîñòûì èñïðàâëåíèåì, ìíå êàæåòñÿ, áûëî áû ñëåäóþùåå: çàìåíèòü ÷åðíóþ ëàäüþ Ðåøåíèå: 1.Sce4! [2.Bd7#] 1...eõf6 2.Rd6#, 1...Rõf6 2.Sõg5# a5 ÷åðíîé ïåøêîé c6 è äîáàâèòü ÷åðíîãî êîíÿ b2. Â ýòîì ñëó÷àå ëîæíûé ñëåä è 1...fõe4 (a) 2.Qg4#, 1...Ra7 (b) 2.Qõb3# (1...Qd5 2.Bõd5#) ðåøåíèå ìåíÿþòñÿ ìåñòàìè, â ðåøåíèè ñîõðàíÿåòñÿ òðè òåìàòè÷åñêèõ âàðèàíòà, à â Óäâîåííàÿ ýëèìèíàöèÿ êîíòðîëÿ ïðè ïÿòèêðàòíîì êîíòðîëå ïîëÿ d5 ñ äâóìÿ ëîæíîì ñëåäå äâà. 1. d4? Kd3! 1.d3! òåìàòè÷åñêèìè çàùèòàìè â êàæäîé èç äâóõ ôàç â ñèíòåçå ñ ïåðåìåíîé èãðû â Îäíàêî åñòü è äðóãèå âîçìîæíîñòè, êîòîðûå, íå èñêëþ÷àþ, ìîãëè áûòü ïîçèöèè áåç áåëûõ ïåøåê. ðàññìîòðåíû àâòîðàìè åùå ïðè ñîñòàâëåíèè çàäà÷è. Íàïðèìåð, âåñüìà ãàðìîíè÷íî âûãëÿäèò âåðñèÿ ñ ñîõðàíåíèåì òîëüêî äâóõ òåìàòè÷åñêèõ âàðèàíòîâ ñ Àíàòîëèé Âàñèëåíêî (Óêðàèíà, Êèåâ). ïåðåìåíîé ïî ïñåâäî-Ðóõëèñó, â ýòîì ñëó÷àå äîáàâëÿåòñÿ åùå îäíà ôàçà ñ âûáîðîì çàùèò.

49. Áåéíÿëõàëã êîíãðåññ - 49th World Congress of Chess Composition

Øàùìàò áÿñòÿ÷èëèéè öçðÿ 49. Áåéíÿëõàëã êîíãðåñ âÿ ùÿëëåòìÿ öçðÿ 30. äöíéà ÷åìïèîíàòû 29 èéóë - 5 àâãóñòäà Ùîëëàíäèéàíûí Wageningen øÿùÿðèíäÿ êå÷èðèëÿúÿê. Ñèôàðèøëÿðè 1 èéóíà êèìè ýþíäÿðìÿê ëàçûìäûð: H. le Grand, Heimanslaan 5, 6705 AD Wageningen, The Netherlands. Òel: +31 317 414618 e-mail: h.le.grandwanadoo.nl ßëàâÿ ìÿëóìàòëàðû www.Probleemblad.nl ñàéòûíäàí àëìàã îëàð.

#2 #2 #2 22 23 XßÁßÐËßÐ / NÅWÑ ÞËÊß ÒÀÐÈÕÈÍÄß ÐÅÊÎÐÄ ÀØÔ-äÿ éåíè ñå÷êèëÿð! Ãÿáÿëÿ ðàéîíóíóí Âÿíäàì êÿíäèíäÿ éàøàéàí òàíûíìûø øàùìàò áÿñòÿ÷èìèç Àðàç Ìàéûí 6-äà Ìèëëè Îëèìïèéà Êîìèòÿñèíèí èíçèáàòè áèíàñûíäà Àçÿðáàéúàí Àëìÿììÿäîâ 13 äÿôÿ (10 äÿôÿ ùÿëëåòìÿ âÿ 3 äÿôÿ òÿðòèá öçðÿ) Àçÿðáàéúàí ÷åìïèîíó Øàùìàò Ôåäåðàñèéàñûíûí ÛÂ ùåñàáàò-ñå÷êè êîíôðàíñû êå÷èðèëäè. Êîíôðàíñäà àäûíû ãàçàíûá! Îíóí ÿí éàõûí èçëÿéèúèñè Ëöòôèéàð Ðöñòÿìîâ (Áàêû) 6 äÿôÿ þëêÿ ÷åìïèîíó Àéíóð Ñîôèéåâà íþâáÿòè äþðä èë ö÷öí ÀØÔ-íèí Ïðåçèäåíòè, Ìàùèð Ìÿììÿäîâ îëóá. âÿ Ôàèã Ùÿñÿíîâ Âèòñå-Ïðåçèäåíò, Èáðàùèì Ìÿììÿäîâ èñÿ áàø êàòèá ñå÷èëäè. ÉÓÁÈËÅÉËßÐ

Æîí Ðîéúðîôò-óí (Èíýèëòÿðÿ) ðåäàêòîðëóüó èëÿ Ùîëëàíäèéàíûí ÀÐÂÅÑ 2005-úè èëäÿ þëêÿ áÿñòÿ÷èëÿðèìèçäÿí Ðàóô ßëþâñÿòçàäÿíèí-60, Ìóðàäõàí Ìóðàäîâóí-55, (Àëåõñàíäð Ðóåá Âåðåíèýèíý âîîð ñúùààêåèíäñïåëÑòóäèå) Çöëåéõà Åéâàçîâàíûí-50 èèëèê éóáèëåéëÿðè îëäó. Áó èë èñÿ Ñàëìàí Úàâàäçàäÿíèí-70 âÿ úÿìèééÿòèíèí íÿøð åòäèéè «ÅÝ» åòöä æóðíàëûíûí 133 âÿ 146-úû ñàéëàðûíäà Ìÿúíóí Âàùèäîâóí -60 èëëèê éóáèëåéëÿðè îëàúàã (áàõ ñÿùèôÿ 28). Àçÿðáàéúàí åòöä÷öñö Èëùàì ßëèéåâèí èêè ìÿãàëÿñè äÿðú îëóíóá. Éóáèëéàðëàðû öðÿêäÿí òÿáðèê åäèðèê! Îíëàðà ùÿéàòäà âÿ éàðàäûúûëûãäà éåíè óüóðëàð www.gadyúîñòåôô.úîì/eg ñàéòûíà ýèðìÿêëÿ ùÿìèí ìÿãàëÿëÿðëÿ òàíûø îëà àðçóëàéûðûã! áèëÿðñèíèç (ÅÝ133, Èéóë 1999, ñÿùèôÿ 555-566, Creative conflict in the chess composition classics-Øàùìàò áÿñòÿ÷ëèéè êëàññèêëÿðè èëÿ éàðàäûúûëûã ìöáàùèñÿñè) âÿ (ÅÝ146, Îêòéàáð ØÀÙÌÀÒ ÁßÑÒßËßÐÈÍÈÍ ÙßËËÈ ÖÇÐß 29. ÄÖÍÉÀ ×ÅÌÏÈÎÍÀÒÛ 2002, ñÿùèôÿ 676-684, Òwèíñ-Åêèçëÿð). 6-7 ñåíòéàáð 2005. 29th World Chess Solving Championship, Eretria. 8. Êîìàíäà äöíéà ÷åìïèîíòû - 8 WCCT 8.Êîìàíäà äöíéà ÷åìïèîíòûíà (World Chess Composition Tournament) ñòàðò âåðèëèá. Êomanda:1.Áþéöê Áðèòàíèéà (Æîùí Íóíí, Æîíàòùàí Ìåñòåë, Ìèúùàåë Ìúäîwåëë)-158.5 ×åìïèîíàòûí äèðåêòîðó Ùàíñ Ýðóáåð, òÿøêèëàò÷û þëêÿ èñÿ Àëìàíèéàäûð. Þëêÿìèç àðòûã áó õàë, Èñðàèë (Ðàì Ñîôåð, Îôåð Úîìàé, Ìàðê Åðåíáóðý)-155.5 õàë, Ôèíëàíäèéà (Ïàóëè ìþòÿáÿð éàðûøäà èøòèðàê åòìÿê ö÷öí ãåéäèééàòäàí êå÷èá. ×åìïèîíàòäà èøòèðàê åòìÿê Ïåðêîíîæà, Æîðìà Ïààâèëàèíåí, Êàðè Êàðùóíåí)148.5 õàë. Øÿõñè: 1.Piotr Murdzia èñòÿéÿí þëêÿ áÿñòÿ÷èëÿðè øàùìàò áÿñòÿ÷èëèéè êîìèññèéàñûíà ìöðàúèÿò åäÿ áèëÿðëÿð. (POL)- 84.0, 2.Jonathan Mestel (GBR) -80.0, 3.John Nunn (GBR) -78.5. Îpen-turnir (5 ×åìïèîíàòûí ìþâçóëàðûíûí èíýèëèñ âåðñèéàñû èëÿ ÏÚÚÚ-íèí (Permanent Commission for ñåíéàáð 2005): 1.Æîùí Íóíí (GBR)-55, 2.Æîíàòùàí Ìåñòåë (GBR)-54.5, 3. Áîðèñ Chess Composition) ùòòï: www.ñúè.ôè/~stniekat/pccc ðÿñìè ñàéòûíäà òàíûø îëà áèëÿðñèíèç. Òóììåñ (ÝÅÐ)-54. Bÿstÿlÿri ÷empionatin direktoruna son gþndÿriø gönö-1 mart 2007. Þëêÿ éûüìà êîìàíäàñûíûí êapitanûía ñîí gþndÿriø gönö 15 fevral 2007 (áàõ ñÿù. 26-27). Éàêîâ Vladimirovun Ìîñêâàäà 2004 âÿ 2005-úè èëëÿðäÿ «Àñòðåë» íÿøðèééàòûíäà Öíâàí: Èlham ßliéev, 8 m/r, 18/29-51, Sumãayût AZ-5008 áóðàõûëìûø «1000 øàõìàòíûõ çàãàäîê» (ñÿùèôÿ 303, ìÿñÿëÿ 12à) âÿ «1000 øàõìàòíûõ E-mail: [email protected] Tel: ev ( 018 ) 644 82 23, cib ( 050 ) 515 40 99 çàäà÷» (ñÿùèôÿ 260, ìÿñÿëÿ 958) kitabëàðûnda òàíûíìûø áÿñòÿ÷èìèç Araz Àëìÿììÿäîâóí (Ãÿáÿëÿ) ìÿøùóð êîîïåðàòèâ ìÿñÿëÿñè âåðèëèá. Ùÿëë÷èëÿðèí éåíè ÿìñàëëàð úÿäâÿëè à÷ûãëàíäû! ÏÚÚÚ-íèí (ÔÈÄÅ-íèí Øàùìàò Áÿñòÿ÷èëèéè êîìèññèéàñû) ðÿñìè ñàéòûíäà øàùìàò áÿñòÿ÷èëèéè Araz Àëìÿììÿäîâ öçðÿ ùÿëë÷èëÿðèí ðåéòèíã ñèéàùûñû âåðèëèá. Àãøèí Ìÿñèìîâ (Áàêû) 2204 áàëëà 122-úè, Àíàòîëèæ Idee & form 1996-97, 1.Fÿõðè ðÿé Ïðèâåðäèåâ (Áàêû) èñÿ1917 áàëëà 252-úè ñûðàäà ãÿðàðëàøûá. Áåéíÿëõàëã ÿìñàëû îëàí äèýÿð ùÿëë÷èëÿðèìèçäÿí Àðàç Àëìÿììÿäîâ (Ãÿáÿëÿ, ÿ=2217), Áÿõòèéàð Ðöñòÿìîâ (Áàêû, ÿ=2037), àðòûã áèð íå÷ÿ èë áó éàðûøëàðäà èøòèðàê åòìÿäèéèíÿ ýþðÿ úÿäâÿëÿ ñàëûíìàéûá. Ìàðàãëû îðàñûíäàäûð êè, ÿìñàëëàð úÿäâÿëèíäÿ Àíàòîëè Ïèðèâåðäèéåâèí àäû èêè äÿôÿ âåðèëèá: Anatoly Piriviredov (ÿ= 2041).

Øàùìàò áÿñòÿëÿðèíèí ùÿëëè öçðÿ XXVII Àçÿðáàéúàí ÷åìïèîíàòû 15-16 àïðåë Áàêû øÿùÿðèíäÿ êå÷èðèëÿí þëêÿ ÷åìïèîíàòûíäà 22 éàøëû ùÿëë÷èìèç Ðàìèë Úàâàäîâ (Èñìàéûëëû) 90 ìöìêöí õàëäàí 78 õàë (294 äÿã) òîïëàéàðàã, èëê äÿôÿ ðåñïóáëèêà ÷åìïèîíó àäûíû ãàçàíûá. Èêèíúè 68.5 õàëëà (323 äÿã) Àðàç Àëìÿììÿäîâ (Ãÿáÿëÿ), ö÷öíúö èñÿ 54.5 õàëëà (347 äÿã) Àãøèí Ìÿñèìîâ (Áàêû) îëäó. H#2 -/ b) )+ c) %' d)!#

a) 1.Òb1 Òe3 2.Ò4b2 Òa4#, b) 1.Øa3 Ôg5 2.Ôa4 Ôc1#, c) 1.Àc2 Àd5 2.Àca1 Àc3#, d) 1.Øa3 e8Ò! 2.Øa4 Òa8# 24 25 ÌÝÝÝ kùüôòâô âúòíô þóüçøùòôåý üáìÿãäôêýòýò åöêñúüöûø Üöðâãâøííöå : Éôêô æôð ìö çøíôâôäôê ôÿôâóâøñø åóüôåøë àøéãê êùäãòã ùíòôíô 8 WCCT èøäüöÿ. Èøêèôæô èôåôêóíô ilö üôå óåüöíö øñôÿö ìóêøäüøê.

Bálmö: Ô. Økiïóâøæäø (#2). Bálmö: À. Öks mat (Û#3). Ôõäôêýò ïóâøæäöêøòøò üöòô âöíøæøëäøíø ìö éôêôäôêýò ëùêêóëûøíô ïóâøæäöêøòâöò øèôêöå Úþ ïóâøæö öëû üôå åöäöè ùäãòãê. Ùíãòãò ïóâøæøòâö 2 àøéãê Ôõ àøéãê Ô ìö ôõ , íô÷ãâ ûøòåóÿ åöäöè ùäãòãê. Ðöéøéø ðöääâö éôêôäôêýò øââøôûýÿ ìö öò ôÿý èøê ëùêêóëûøíôsýna ôõäôêýò éôêô àøéãê È («È»- ãÿôéìãêôò àøéãê ùäüôäýâýê) øäë ìöÿøííöåâö, íô÷ãâ ùíãòãò ïóâøæøòâö üôå óäôò óâöò ïóâøæäöêø ìôê. Ôõäôêýò ðöüøò ïóâøæäöêø èøêøòñø ïóâøæâö (ïóâøæäöêâö), (óíòø ìô÷åâô ùäüôûô âô ) «÷» ÷öååøòâö íóê åãåãêäôê. íô÷ãâ åöðäúëöâö (åöðäúëöäöêâö) öò ôÿý èøê íôòäýæ øÿâö ëóþüöäøâøê. Àôÿôäôêâô åóüôåøë Éôêôäôêýò óíòø «Ñ» àøéãêã 1- ñø ìö 2-ñø ïóâøæäöêø óâöêöë, öììöäñö Ô àøéãêãòã ìãêãê, üôåäôê íóïôòö ùäüôäýâýê. Åóüôåøë íôòlýæ øÿ (øÿäöê) èøêøòñø ïóâøæâö æôð óäôò óâøäüöâöò ûùòêô «÷» ÷öååøòø «È» àøéãêã úþúò ôæôõýâôëý üöéûöâäöêäö ôÿôâ óâøê (èùæôäâýê): höêöëöå ëóþüöäøâøê. Üáìñãâ èøê àøéãêãò ðôòûý ÷ôòôâôò ïóåüöíøòâöò ôûýäý ùäüôíôêôé ïöäâøíø üöéûöâøäö, òöÿôêöå, èôõäôüô, æôð, üôå, âãôääôêýò äöõì ùäãòüôûý ìö û. ÷ôòô ðöüøò ïóâøæøò üú÷åöäøà àôÿôäôêâô óíòø ïóâøæ ùäâãõãòã üúöííöò óâøê. Èøê üöðâãâøííöå éùíãäãê : «È» àøéãêãòâôò ôê÷ô àøéãê ëøüø èøêèôæô bôåareyaâôò Ëùêêóëûøíôòýò üó÷ôòøÿüøòâö åôü ûöêèöûåäøë ìóêøäøê, èøê æöêåäö ëø, ïóâøæø óíòø éôêô àøéãê øûåøàôâö óåüöë ùäüôÿ, èøê âö «Â» àøéãêã éôèôé àøéãê ëøüø «ïúääöäöíöêöë» 3- ñú ïóâøæâö íóêøòö íóåøêøê. üôå ìóêö èøäüöÿ. Øââøôûýÿ ïóâøæ üú÷åöäøà üöéûöâ âôæýíô èøäöê : Ô) qôêô àøéãêãò éóíêø üúöííöò ïóâøæø, È) bã àøéãêãò üúöííöò ÷öåå úÿêö ðöêöëöåø, Ñ) qôêô àøéãêãò éôèôõýòý ëöûüöë Bálmö: Ï. Nôõýä (Fairy). üöéûöâø øäö. «Âøêøäüö ÷ôòôäôêýòýò üúèôðøûöûø» üáìÿãûãòã öëû óåâøêöò ìö Ôòåø-ûøêûó éôíâôûýòô ãíõãò ïöäöò èøêèôæô øëøïóâøæäø üöûöäöäöê åöäöè ùäãòãê. Âøêøäüö ÷ôòôäôêýòýò üúèôðøûöûø Bálmö: È. Úþïóâøæäø (#3). ôæôõýâôëý ðôäâô èôæ ìóêö èøäöê: Íóïôòö èøê ÷ôòô økø üú÷åöäøà êöòïäø àøéãêãò Øëøòñø ïóâøæâö ôõ àøéãê, æôð âóüöüöë æöêåøäö, íóòøñö ïóâøæ óåüøæ éôêô àøéãêã «âøêøäüö» ÷ôòôûýòâôò øèôêöå ùäûô. Èã àøéãêäôêâôò èøêøòøò «âøêøäüöûøäö» âøïöêøòøò èôõäôíýê. Èôõäôüô èøêèôæô ùäüôéäô, èôõäôíôò ôõ àøéãê åöêöàøòâöò ðöíôåô ëóþøêøäüöäøâøê. «âøêøäüöûø», íô÷ãâ æôð âóíøäüöûø üúüëúò ùäüãê. Öò ôÿý øëø ìôêøôòå åöäöè ùäãòãê. Ôæôõýâôëý àøéãêäôê éêãçãòô øñôÿö ìóêøäøê. Ùòäôêâôò íôäòýÿ èøê éêãçâôò ìö èã éêãçâô íôäòýÿ èøê åøç àøéãêâôò øûåøàôâö óåüöíö øñôÿö ìóêøäøê. Bálmö: Ñ. Þù÷ïóâøæäø (#ò). Éêãç 1 Þöíøêåëö , Ûúìôêø Âáêâ ïóâøæäø üôå åöäöè ùäãòãê. Ðöéøéø ðöääâö öò ôÿý øëø ìôêøôòåâô ôõ àøéãêãò íô Éêãç 2 Þöíøêåëö , Åãääôòôò åùç, åãääôòôò àøä âøôéêôüâô åãåâãõã íóêøòö, íô âô ùíãò öûòôûýòâô ëóþâøíø íóêäöêâöò èøêøòö éôíýåüôûý Éêãç 3 Æøê, Åùç æøêø, Àøä æøêø åöäöè ùäãòãê. Èøêøòñø ïóâøæ éôíýåüô üó÷ôòøÿüøòøò èøê ðøûûöûø ùäô èøäöê ( Òãüãòö - 2). Éêãç 4 Äóù, Çôù, Ìôù Åöðäúëö åóüôåøë ìôêøôòåäôêâôò èøêø ùäô èøäöê ( Òãüãòö- 1, 2). Ôòåø-Ûøêûóòøò ðöê øëø òáìúòö øñôÿö ìóêøäøê. Ëôäìó (Ñôäìóå) ìö Æóíäôò(Ñðóíäôò) Ôòåø- Ûôâö éôíýåüôâôò èôæéô âùäôòüô öüöäøííôåýòâôò øèôêöå âôøêöìø «Êãòâäôãà» - Ûøêûó (åöíøòóâøñø) ïóâøæ óâöò øûåöòøäöò àøéãê (æôð ùäüôéäô) Ôòåø-Ûøêûó éôíâôûýòô ïáêö ôâäôòôò éôíýåüôíô âô øñôÿö ìóêøäøê. Íöòø àøéãê èôæéô øûåøéôüöåäö âö áÿ öììöäëø íóêøòö áÿúòúò øäë åô÷åôâô åãåâãõã íóêâö «âøêøäøê». Åùç, Àøä ìö Ôå ìãêãäâãéäôêý ÷ôòôòýò êöòïøòâö éôíýâô èøäöê. ùäôò ÷ôòôâô «âøêøäøê». Çøíôâôäôê ìö òôõýä àøéãêäôê ìãêãäâãéäôêý æôéãäø ÷öååâö «âøêøäøêäöê». Çøíôâô öïöê 8-ñø úàøéø ÷öååâö ìãêãêûô, ù çøíôâô ëøüø íù÷, þóìêøäöñöíø àøéãê ëøüø Bálmö: Â. Óåúâäöê (+ =). «âøêøäüöäøâøê». Èã ôòñôé ù ÿôüôò üúüëúòâúê ëø, þóìêøäöñöë àøéãêãò «âøêøäüö» ÷ôòôûý Ãâãæ, íô ðóþ-ðóþöâöò øèôêöå ùäôò óåúâúò èôæ ìôêøôòåýòâô üúâôàøöûøÿ éôäôò ôõ ìö èùæ ùäûãò. Ôòåø- Ûøêûóòøò øëø åøçø ìôê. Ëôäìó åøç-íöòø ìãêãäüô ÷ôòôûýòâô «âøêøäüö» ôæëôê íô éôêô àøéãê Ô èøêèôæô ÿöêèö ôäåýòâôâýê. Ôõäôê, íô÷ãâ éôêôäôê åö÷øêöûôäüôâôò , âöêðôä (äóéôä) ùäûãò, èøê âö Æóíäôò-«âøêøäüö» ïøÿäø ( éóíêø-äóéôä) ùäûãò. òáìèöåø ïóâøæäö âôðô èøê àøéãêã , Ô àøéãêãòãò êöòïøòâö ùäôò È àøéãêãòã âô ÿöêèö ôäåýòâô éùíãêäôê. Üúâôàøöûøÿ ùäôò èã àøéãê âô èøêèôæô ÿöêèö ôäåýòâô éôäýê. Ô ìö È øëø ôõ ìö íô øëø Ìÿòíèí òÿðúöìÿñèíÿ ýþðÿ Ñàëìàí Úàâàäçàäÿéÿ (Ýÿíúÿ) éôêô àøéãêãò óíòø ìô÷åâô ïáíâöò «ôûýäý» éôäüôûýòô ïöåøêøè þý÷ôêôò åóüôåøë ïóâøæäöê ûôëøå ïóâøæ, æôðûýÿ ìö ìãêãæûãÿ ùäüôäýâýê. Ô ìö È àøéãêäôêý çøíôâôâôò èôæéô øûåöòøäöò õöñóñè ìèííÿòäàðëûüûìûçû áèëäèðèðèê. àøéãê ùäô èøäöê. Éóíâ : 4 ûôíäý òúüãòöâö 4.Åè8 ïóâøæø åóüôåøë ûôíýäüýê, èô÷üôíôêôé ëø, ôõäôêýò øëø àøéãêã ïáíâöò «ôûýäý» éôäüýæâýê. Ôòñôé ìô÷å åöäöèø ãíõãò ïöäüøê, yalýnz 2.Åâ6 ïóâøæø åóüôåøë ûôíýäýê.

Bálmö: Ó. Úþ ïóâøæö yardýmlý üôå (Ð#3). Úþúòñú üôå ïóâøæøòâö ôõ àøéãê éôêôäôêýò ùíãòãòun ïóâøæøòâö èùæ éùíãè ïóåâøëäöêø ÷ôòôâôò üôå óäôò óâøê. Èøê òóþö ðöääö ìö óëøÿ üöûöäöäöêö øñôÿö ìóêøäøê, ôòñôé ÿóêù ìöÿøííöåøòâöò èôæéô.

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