Penny Mclean Penny Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Penny McLean Penny mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Penny Country: Russia Released: 2005 Style: Disco MP3 version RAR size: 1719 mb FLAC version RAR size: 1118 mb WMA version RAR size: 1951 mb Rating: 4.9 Votes: 390 Other Formats: AUD MIDI ASF MOD VQF MPC AIFF Tracklist Hide Credits Dance, Bunny Honey, Dance 1 3:33 Written-By – M. Kunze*, St. Klinkhammer* 24 Hours Of Love 2 3:43 Written-By – H. Berka*, M. Kunze* Disco Dandy 3 3:27 Written-By – M. Kunze*, St. Klinkhammer* Summernight Stomp 4 4:36 Written-By – M. Kunze*, St. Klinkhammer* Mambo Mama 5 4:08 Written-By – M. Kunze*, St. Klinkhammer* Nosiree 6 3:29 Written-By – M. Kunze*, St. Klinkhammer* Please Mr. B 7 5:05 Written-By – M. Kunze*, St. Klinkhammer* Midnight Angel 8 3:43 Written-By – M. Kunze*, St. Klinkhammer* Big Bells 9 3:24 Written-By – B. Mason*, M. Kunze* One Little Smile 10 3:28 Written-By – C. Orieux*, I. Cramer*, M. Kunze* Credits Arranged By – Stefan Klinkhammer Bass – Gary Unwin Drums – Martin Harrison Engineer – Zeke Lund, Zeke Lund Flute, Saxophone – Giuseppe Solera Guitar – Mats Björklund, Sigi Schwab* Keyboards – Charly Ricanek Percussion [Latin] – Joseph Spector Photography By [Fotos] – Didi Zill Producer – Michael Kunze Violin – Fritz Sonnleitner's Fantastic Strings Notes Produced by Michael Kunze for Butterfly Music ℗ © 1977 24-Bit Digital Remastering (p)2005 Other versions Category Artist Title (Format) Label Category Country Year Penny Penny (LP, 25 095 OT Jupiter Records 25 095 OT Germany 1977 McLean Album) Penny Penny (LP, 25 095 OT Jupiter Records 25 095 OT Hong Kong 1977 McLean Album) Penny (CD, Penny 25 095 OT Album, RE, RM, Jupiter Records 25 095 OT Russia 2015 McLean Unofficial) Penny Penny (Cass, 57 096 GT Jupiter Records 57 096 GT Germany 1977 McLean Album) PCC 90446, Penny Columbia, Inter PCC 90446, Penny (LP) Canada 1977 PCC-90446 McLean Global Music PCC-90446 Related Music albums to Penny by Penny McLean Kunze - Kunze: Macht Musik Heinz Rudolf Kunze - Der Schwere Mut Udo Jürgens - Das Live Konzert '87 Silver Convention - Summernights Heinz Rudolf Kunze - Wunderkinder Enigma - The Fall Of A Rebel Angel Heinz Rudolf Kunze - Du Bist Nicht Allein Peter Maffay - Die Grössten Erfolge.

Copy Link

Recommended publications

The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
[Show full text]
Cultural Memory in Localized Pop Music(Al) I Am from Austria (2017) –
ISSN 1347-2720 ■ 西洋比較演劇研究 Vol.18 No.1 March 2019 A Jukebox Musical, or an »Austro-Musical« ? – Cultural Memory in Localized Pop Music(al) I am from Austria (2017) – Rina TANAKA Abstract I am from Austria (2017) is an Austrian jukebox musical by United Stages Vienna. The performances of this musical—inside and outside of the theater—were concerned with cultural and identity politics as well as the history of the musical with pop music in Vienna. This paper gives a picture of the local prerequisites for I am from Austria in terms of the actual and historical settings of musicals in Vienna, where the imported concepts of the “musical” and later the “jukebox musical” have been indigenized. Looking at the process of production, performance and reception, I am from Austria was the culmination of the attempts to launch an original musical from Vienna together with the financial support of the municipal government, where the cultural-political mission of musical was discussed. Meanwhile, musicals in Vienna were driven by two motivations: (1) to hybridize this genre with European music theater to reactivate Viennese musical theater, and (2) to interpret it in the contemporary context on site for broader and younger audience, following the nature of popular musical theater that the performing style and form are constantly forced to keep up with the rapid transformation of popular culture on site. The latter perspective is crucial to understanding the growth of the potential audience for I am from Austria as a result of the simultaneous and interactive localization of pop music and musical since the 1960s in Austria.
[Show full text]
Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna Via Japan
ReVisions Musicals in Post- Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan Rina Tanaka Published on: Mar 14, 2017 Updated on: Jan 04, 2018 ReVisions Musicals in Post-Globalization: the Case of “Ever-Growing” Musicals from Vienna via Japan 1. Introduction The end of the globalization era meant the beginning of new methods, regardless of regional predominance. Today, a new style of performances is coming from non-English-speaking countries even in the genre of musical, which is originally from English-speaking countries. However, it has been overlooked due to the commercial or even mass productive nature of musicals (McMillin 2006, pp. 28- 29), which has been a dominant pattern in musicals for decades[1]. How have musicals been changing in the post-globalization era? This paper analyzes the interactions established between Vienna and Japan by musicals since the 1990s as a possible illustration of the post- global theater. It consists of the following four parts. Section 1 presents two key concepts of this paper, “post-global” and “interweaving cultures in performances” as well as the current situation regarding musicals. Section 2 deals with the short history of musicals in Vienna in the post-war era until the launch of the first successful “Wiener [Viennese]” musical Elisabeth. As Vienna started taking its musical productions to the world, Japan was the first importer of Elisabeth. Section 3 considers two adaptations of Elisabeth in Japan as examples, indicating the reactions of other countries as well as Vienna, including the “re-import” phenomenon. After the great popularity of the Wiener musicals in Japan and the successive adaptations in the world, a new type of co-production developed in Japan.
[Show full text]
Bakalářská Práce Michael Kunze a Jeho Dramamuzikály
MASARYKOVA UNIVERZITA FILOZOFICKÁ FAKULTA KABINET DIVADELNÍCH STUDIÍ PŘI SEMINÁŘI ESTETIKY Ludvík Brouček BAKALÁŘSKÁ PRÁCE MICHAEL KUNZE A JEHO DRAMAMUZIKÁLY Vedoucí práce: PhDr. Margita Havlíčková BRNO 2007 Prohlašuji, že jsem svoji bakalářskou práci vypracoval zcela samostatně, pouze za pomocí pramenů a literatury uvedených v závěru práce. 2 Děkuji především PhDr. Margitě Havlíčkové za její obětavou pomoc při vzniku práce a Prof. Peteru BackVegovi a Mag. Monice Bjelik za poskytnutí materiálů. 3 OBSAH ÚVOD ....................................................................................................... 5 I. MICHAEL KUNZE – BIOGRAFICKÉ HESLO ............................. 6 II. TEORIE DRAMAMUZIKÁLU ...................................................... 17 III. DRAMAMUZIKÁLY ..................................................................... 20 A, Elisabeth ............................................................................................. 20 B, Tanz der Vampire ............................................................................... 31 C, Mozart! – das Musical ........................................................................ 40 D, Rebecca ............................................................................................... 48 E, Marie Antoinette ................................................................................. 56 ZÁVĚR ................................................................................................... 58 PŘÍLOHA .............................................................................................
[Show full text]
The Drink Tank
Cover—A Tribute to Sweeney Todd by Maurine Starkey!!! Page 3—Editorial by Alissa McKersie Page 4—My Favorite Musicals by Chris Garcia Art from Sheryl Birkhead Page 6—How a Boy from Albuquerque Came to Love Musicals by Ron Oakes Art by Sheryl Birkhead Page 10—Theatrical Problems by Bernadette Durbin Art by Chris Page 12—Jubilee: Around the World with Cole Porter and Moss Hart by Laura Frankos Page 18—First Broadway: First Date by Steven H Silver and Melanie Silver Photo courtesy Steven H Silver Page 22—The Rocky Horror Picture Show by Juan Sanmiguel Page 24—Regina Love Victorious by Jay Hartlove Photos courtesy Jay Hartlove (And remember to nominate The Mirror’s Revenge for Best Dramatic Presentation Short Form in 2019!) Page 25—Two Shades of Musicals by Richard von Busack Art by Michele Wilson Page 34—Musicals on the Far East End of Broadway by Kurt Erichsen Page 45—Teaneck Tanzi by Chris Page 47—Some Quick Shots from Ron Oakes Page 49—Galavant by Espana Sheriff Page 51—Musicals by Graham CHarnock Page 53—Gilbert & Sullivan & Murder: 10 Mysteries Set around G&S Productions By Petrea Mitchell When I was four-years-old, my mum took me to audition for my first musical, The Sound of Music. I knew the song I was supposed to sing, and we practiced in the restroom be- forehand. When it came time to sing in front of people, I really did NOT want to sing “Do-Re -Mi”. I wanted to sing “Twinkle, Twinkle”, and they let me.
[Show full text]
Deutsches Musicalarchiv: Sammlung Klaus Baberg, SMA 0002 Stand: 19.09.2017
Albert-Ludwigs-Universität Freiburg, Zentrum für Populäre Kultur und Musik Titelblat Deutsches Musicalarchiv: Sammlung Klaus Baberg, SMA 0002 Stand: 19.09.2017 Deutsches Musicalarchiv: Sammlung Klaus Baberg SMA 0002 Umfang: 5 kleine, 7 große Archivboxen; eine Archivbox in Übergröße; ca. 15 Regalmeter mit Programmheften, Leitz-Ordnern und Einzelmappen; ca. 8 Regalmeter mit Tonträgern. Inhalt: Material zu Musicalaufführungen, v. a. deutschsprachige, der 1970er- bis 2010er Jahre: gut 1000 Programmhefte, Werbeflyer und Presseberichte, 1117 Plakate, rund 200 Fachbücher, Musik- und Filmaufnahmen (362 CDs, 13 DVDs, 26 + 89 Tonkasseten, 32 Videokasseten, 409 Langspielplaten, 23 Singles), Texthefte, Fotos, PR-Material, einzelne Fachzeitschriften. Herkunft: Klaus Baberg hate seine ersten Berührungen mit dem Musical durch die Opereten- und Musical- Fernsehfilme in den 1960er Jahren. Seit 1979 sammelte er intensiv Programmhefte und Programme von Musicals. Verschiedene Exponate aus seiner Sammlung waren auf Ausstellungen zu sehen. Klaus Baberg ist Vorstandsmitglied im 2011 gegründeten Förderverein des Deutschen Musicalarchivs „Freunde und Förderer des Deutschen Musicalarchivs e.V.“ Baberg ist seit 1980 bei der Sparkasse Iserlohn beschäftigt. Hinweis: Der größte Teil der Bestände ist in diesem Dokument erschlossen. Die Bücher und das Notenmaterial der Sammlung sind im Bibliothekskatalog des ZPKM nachgewiesen (Recherche: Eingabe "abl: sbab" in den Suchschlitz). Die Musicalplakate der Sammlung Baberg wurden separiert und werden mit anderen Graphiken aufbewart.
[Show full text]
Veranstaltungshinweis Stand: 02.10.2021 12:43
Veranstaltungshinweis Stand: 02.10.2021 12:43 Tell Me on a Sunday (Bleib noch bis zum Sonntag) Wann? Beginn: Do, 07.11.2019 21:00 Ende (ca.): Do, 07.11.2019 21:00 Wo? Pfalztheater Kaiserslautern Grosses Haus Willy-Brandt-Platz 4+5 67657 Kaiserslautern Altersstufe? keine Beschränkung Mein Programm-PDF ist ein Service von miadi Stand: 02. Oktober 2021, 12.43 Uhr Seite 1 von 2 Veranstaltungshinweis Stand: 02.10.2021 12:43 Beschreibung Tell Me on a Sunday (Bleib noch bis zum Sonntag) Musical von Andrew Lloyd Webber Text von Don Black Deutsch von Michael Kunze Musikalische Leitung: N.N. Inszenierung: Astrid Vosberg Bühne und Kostüme: Thomas Dörfler Mit dir bin ich froh und verrückt. Ich will die beste Frau sein, die es für dich gibt. Sheldon Bloom, lass mich’s tun! Mit Welterfolgen wie „Jesus Christ Superstar“, „Evita“, „Cats“ und „Das Phantom der Oper“ wurde der englische Komponist Andrew Lloyd Webber zu einem Großmeister des modernen Musicals. Neben diesen spektakulären West End- und Broadway-Shows schrieb er mit „Tell Me on a Sunday“ ein überraschend intimes One-Woman-Musical, das auch leise, nach innen gekehrte Töne kennt. Ursprünglich war das Stück als ein Fernseh-Special für die englische Sängerin Marti Webb konzipiert, bevor es, ergänzt um zusätzliche Songs, auf die Bühne kam. Nummern wie „Take That Look Off Your Face“ und „Tell Me on a Sunday“ stürmten auch die Charts. In deutscher Sprache nahm Gitte Haenning als Erste Webbers Songzyklus als Konzeptalbum auf und landete mit „Freu dich bloß nicht zu früh“ einen großen Hit. In einer kleinen, aber feinen Instrumentalbesetzung ist „Tell Me on a Sunday“ ein großes Musicalereignis für einen kleinen Theatersaal.
[Show full text]
The Aesthetics of Takarazuka: a Case Study on Erizabēto – Ai to Shi No Rondo
The aesthetics of Takarazuka: a case study on Erizabēto – ai to shi no rondo A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Japanese Department of Japanese University of Canterbury By Daniela Florentina Mageanu 2015 1 Contents Acknowledgements .......................................................................................................... 4 Abstract ............................................................................................................................. 5 Introduction ...................................................................................................................... 6 Chapter 1 ............................................................................................................................ 1.1 Takarazuka brief background .................................................................................. 8 1.2 Elisabeth – an introduction ..................................................................................... 9 1.3 Methodology .......................................................................................................... 11 1.4 Literature review ................................................................................................... 14 Chapter 2 ............................................................................................................................ 2.1 Early beginnings of the Takarazuka Revue ........................................................... 29 2.2 Takarazuka – war
[Show full text]
Birgit Rommel
Geisteswissenschaft Birgit Rommel Aus der 'Schwarzen Möwe' wird 'Elisabeth' Entstehung und Inszenierungsgeschichte des Musicals über die Kaiserin von Österreich Diplomarbeit Bibliografische Information der Deutschen Nationalbibliothek: Bibliografische Information der Deutschen Nationalbibliothek: Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de/ abrufbar. Dieses Werk sowie alle darin enthaltenen einzelnen Beiträge und Abbildungen sind urheberrechtlich geschützt. Jede Verwertung, die nicht ausdrücklich vom Urheberrechtsschutz zugelassen ist, bedarf der vorherigen Zustimmung des Verla- ges. Das gilt insbesondere für Vervielfältigungen, Bearbeitungen, Übersetzungen, Mikroverfilmungen, Auswertungen durch Datenbanken und für die Einspeicherung und Verarbeitung in elektronische Systeme. Alle Rechte, auch die des auszugsweisen Nachdrucks, der fotomechanischen Wiedergabe (einschließlich Mikrokopie) sowie der Auswertung durch Datenbanken oder ähnliche Einrichtungen, vorbehalten. Copyright © 2003 Diplomica Verlag GmbH ISBN: 9783836604178 http://www.diplom.de/e-book/228935/aus-der-schwarzen-moewe-wird-elisabeth Birgit Rommel Aus der 'Schwarzen Möwe' wird 'Elisabeth' Entstehung und Inszenierungsgeschichte des Musicals über die Kaiserin von Österreich Diplom.de Diplomarbeit ISBN: 978-3-8366-0417-8 Birgit Rommel Aus der 'Schwarzen Möwe' wird 'Elisabeth' Entstehung und Inszenierungsgeschichte des Erfolgsmusicals Diplom.de Birgit Rommel
[Show full text]
A Reflection on Austrian History Through Elisabeth Das Musical by Carolyn Nicole Richardson
“If I Were Your Mirror” A Reflection on Austrian History Through Elisabeth das Musical by Carolyn Nicole Richardson A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Arts in German (Honors Scholar) Honors Baccalaureate of Science in Mechanical Engineering (Honors Scholar) Presented May 25, 2021 Commencement June 2022 AN ABSTRACT OF THE THESIS OF Carolyn Nicole Richardson for the degree of Honors Baccalaureate of Arts in German and Honors Baccalaureate of Science in Mechanical Engineering presented on May 25, 2021. Title: “If I Were Your Mirror” – A Reflection on Austrian History Through Elisabeth das Musical. Abstract approved:_____________________________________________________ Benita Blessing This project examines the portrayal of the life and times of Kaiserin Elisabeth von Österreich (Empress Elisabeth of Austria) in the popular Austrian musical Elisabeth das Musical (Elisabeth the Musical), written by Michael Kunze and Sylvester Levay. Elisabeth was first performed in Vienna in 1992 and has since become the most successful German-language musical of all time. The musical is used as a case study to investigate contemporary Austria’s relationship with – and denial of – its own history by examining the musical’s portrayal of historical figures and events. Elisabeth is further analyzed for its depiction of the titular character in her roles as a wife, mother, and Empress. The effects these roles have on her mental health is also explored. Despite Elisabeth’s popularity, the musical’s social commentary has seldom been examined in an academic context. This project seeks to address these lacunae in Austrian History and Women and Gender Studies through the translation and analysis of critical lyrics from the musical.
[Show full text]
Ramona Wulf Natural Woman Mp3, Flac, Wma
Ramona Wulf Natural Woman mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Natural Woman Country: Canada Released: 1977 Style: Disco MP3 version RAR size: 1867 mb FLAC version RAR size: 1722 mb WMA version RAR size: 1563 mb Rating: 4.7 Votes: 933 Other Formats: AAC FLAC APE MMF XM DTS MP1 Tracklist Hide Credits Natural Man (I'm A Natural Woman) A1 5:36 Written-By – M. Kunze*, S. Levay* I Can't Say No A2 4:52 Written-By – M. Kunze*, S. Levay* Teacher A3 3:17 Written-By – M. Kunze*, S. Levay* Step By Step A4 3:25 Written-By – M. Kunze*, S. Levay* Baby It's The Rain B1 3:56 Written-By – S. Prager*, S. Levay* When A Girl's In Love B2 3:18 Written-By – M. Kunze*, S. Levay* Please Call Me Now B3 3:34 Written-By – K. Wilson*, M. Chevalier* Save The Last Dance For Me B4 5:20 Written-By – D. Pomus*, M. Shuman* Credits Arranged By, Keyboards, Saxophone – Sylvester Levay Backing Vocals – Gitta*, Lucy*, Madeline Bell, Renate*, Su*, Sunny* Bass – Gary Unwin, Lothar Meid Congas – Joseph Spector Drums – Martin Harrison Engineer – Zeke Lund Flute – G. Solera* Guitar – Mats Björklund, Nick Woodland, Sigi Schwab* Producer – Michael Kunze Strings – Fritz Sonnleitner's Strings* Trombone – R. Fuessers* Trumpet – Gabor Kristof Notes ℗ 1977, except B1 & B4 ℗ 1976 Recorded at Union Studios, Munich All songs published by Black & White Music C8/Manufactured and distributed by — CBS Records Canada Ltd., Fabrique et distribue par — CBS Disques Ltee 1121 Leslie Street, Don Mills, Ontario M3C 2J9 Label and sleeve credits B3 to M.
[Show full text]
A „Concept Musical“ V Českém Prostředí
Masarykova univerzita Filozofická fakulta Katedra divadelních studií Teorie a dějiny divadla Petra Kostelecká „Book musical“ a „concept musical“ v českém prostředí Bakalářská diplomová práce Vedoucí práce: Mgr. Šárka Havlíčková Kysová, Ph.D. 2019 Prohlašuji, že jsem bakalářskou práci vypracovala samostatně s využitím uvedených pramenů a literatury. ............................................................................... Ráda bych na tomto místě poděkovala vedoucí své práce Mgr. Šárce Havlíčkové Kysové, Ph.D., za její vstřícný přístup, ochotu, připomínky a cenné rady při vedení této práce, a také za její nadšení pro zvolené téma. Také bych ráda poděkovala své rodině za umožnění studia a podporu při něm a obzvláště svým rodičům za to, že mě již od útlého věku vedli k divadlu a k muzikálům. Anotace Bakalářská práce se věnuje tématu „book musical“ a „concept musical“, a to i ve vztahu k českému divadelnímu prostředí. Jedná se o dva odlišné typy muzikálu, které nebyly dosud v českém prostředí z teoretického hlediska příliš reflektovány. Práce se nejprve zabývá problematikou české terminologie těchto pojmů a navrhuje jejich možné české ekvivalenty „příběhový muzikál“ („book musical“) a „tematický muzikál“ („concept musical“). Následně se práce zaměřuje na teoretické uchopení obou pojmů a zejména na odlišné přístupy jednotlivých autorů k nim. Získané teoretické poznatky jsou dále využity v analytické části práce, v níž dochází k rozboru původních českých muzikálů Koločava a Radúz a Mahulena. Klíčová slova muzikál, příběhový muzikál, tematický muzikál, Stanislav Moša, Petr Ulrych, Koločava, Radúz a Mahulena, Miss Saigon, Rent Abstract The bachelor thesis deals with topic of „book musical“ and „concept musical“, including their relation to the Czech theater. These are two different types of musical that have not been so far reflected in the Czech literature from a theoretical point of view.
[Show full text]