Cambridge University Press 978-1-107-06949-7 — a Cultural History of Modern Chinese Literature Fuhui Wu Index More Information
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Submitted for the Phd Degree at the School of Oriental and African Studies, University of London
THE CHINESE SHORT STORY IN 1979: AN INTERPRETATION BASED ON OFFICIAL AND NONOFFICIAL LITERARY JOURNALS DESMOND A. SKEEL Submitted for the PhD degree at the School of Oriental and African Studies, University of London 1995 ProQuest Number: 10731694 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10731694 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 A b s t ra c t The short story has been an important genre in 20th century Chinese literature. By its very nature the short story affords the writer the opportunity to introduce swiftly any developments in ideology, theme or style. Scholars have interpreted Chinese fiction published during 1979 as indicative of a "change" in the development of 20th century Chinese literature. This study examines a number of short stories from 1979 in order to determine the extent of that "change". The first two chapters concern the establishment of a representative database and the adoption of viable methods of interpretation. An important, although much neglected, phenomenon in the make-up of 1979 literature are the works which appeared in so-called "nonofficial" journals. -
Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
Modernism in Practice: Shi Zhecun's Psychoanalytic Fiction Writing
Modernism in Practice: Shi Zhecun's Psychoanalytic Fiction Writing Item Type text; Electronic Thesis Authors Zhu, Yingyue Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 14:07:54 Link to Item http://hdl.handle.net/10150/642043 MODERNISM IN PRACTICE: SHI ZHECUN’S PSYCHOANALYTIC FICTION WRITING by Yingyue Zhu ____________________________ Copyright © Yingyue Zhu 2020 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by Yingyue Zhu, titled MODERNISM IN PRACTICE: SHI ZHECUN’S PSYCHOANALYTIC FICTION WRITING and recommend that it be accepted as fulfilling the dissertation requirement for the Master’s Degree. Jun 29, 2020 _________________________________________________________________ Date: ____________ Dian Li Fabio Lanza Jul 2, 2020 _________________________________________________________________ Date: ____________ Fabio Lanza Jul 2, 2020 _________________________________________________________________ Date: ____________ Scott Gregory Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfilling the Master’s requirement. -
Also by Jung Chang
Also by Jung Chang Empress Dowager Cixi: The Concubine Who Launched Modern China Mao: The Unknown Story (with Jon Halliday) Wild Swans: Three Daughters of China THIS IS A BORZOI BOOK PUBLISHED BY ALFRED A. KNOPF Copyright © 2019 by Globalflair Ltd. All rights reserved. Published in the United States by Alfred A. Knopf, a division of Penguin Random House LLC, New York. Originally published in hardcover in Great Britain by Jonathan Cape, an imprint of Vintage, a division of Penguin Random House Ltd., London, in 2019. www.aaknopf.com Knopf, Borzoi Books, and the colophon are registered trademarks of Penguin Random House LLC. Library of Congress Control Number: 2019943880 ISBN 9780451493507 (hardcover) ISBN 9780451493514 (ebook) ISBN 9780525657828 (open market) Ebook ISBN 9780451493514 Cover images: (The Soong sisters) Historic Collection / Alamy; (fabric) Chakkrit Wannapong / Alamy Cover design by Chip Kidd v5.4 a To my mother Contents Cover Also by Jung Chang Title Page Copyright Dedication List of Illustrations Map of China Introduction Part I: The Road to the Republic (1866–1911) 1 The Rise of the Father of China 2 Soong Charlie: A Methodist Preacher and a Secret Revolutionary Part II: The Sisters and Sun Yat-sen (1912–1925) 3 Ei-ling: A ‘Mighty Smart’ Young Lady 4 China Embarks on Democracy 5 The Marriages of Ei-ling and Ching-ling 6 To Become Mme Sun 7 ‘I wish to follow the example of my friend Lenin’ Part III: The Sisters and Chiang Kai-shek (1926–1936) 8 Shanghai Ladies 9 May-ling Meets the Generalissimo 10 Married to a Beleaguered -
Women Writers from Ming Through Qing. Edited by Grace S
《中國文化研究所學報》 Journal of Chinese Studies No. 53 - July 2011 Book Reviews 337 The Inner Quarters and Beyond: Women Writers from Ming through Qing. Edited by Grace S. Fong and Ellen Widmer. Leiden, Boston: Brill, 2010. Pp. xiv + 431. €130.00/$185.00. This volume marks a new stage in the study of Chinese women’s history and Chinese women’s writing. Ably edited by Grace Fong (who is also the editor of the series, “Women and Gender in China Studies,” in which the book appears) and veteran editor Ellen Widmer, it brings together essays by leading scholars of Chinese women’s writing. The subjects of the essays are not virgin topics for their authors, as almost all have published extensively on closely related themes and bodies of texts. But rather than rehashing existing work (only Fong’s essay has appeared elsewhere), the authors distil from their depth of knowledge of sources and context what are often gems of insight. The most significant contribution of the volume lies in the light these essays shed on Ming and Qing women’s consciousness. This is not a collection focused on male constructions of the feminine or representations of women, dotted with speculation on women’s subjectivity. Through the sources the chapters bring to light, the authors’ sophisticated interpretations of these often highly convention-bound sources, and—one of the outstanding features of the volume—the inclusion in the body of the essays of long passages from the sources in Chinese with English translations, The Inner Quarters and Beyond greatly enhances our understanding of women’s lives, feelings, and both personal and political preoccupations. -
Kaiming Press and the Cultural Transformation of Republican China
PRINTING, READING, AND REVOLUTION: KAIMING PRESS AND THE CULTURAL TRANSFORMATION OF REPUBLICAN CHINA BY LING A. SHIAO B.A., HEFEI UNITED COLLEGE, 1988 M.A., PENNSYVANIA STATE UNIVERSITY, 1993 M.A., BROWN UNIVERSITY, 1996 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSPHY IN THE DEPARTMENT OF HISTORY AT BROWN UNIVERSITY PROVIDENCE, RHODE ISLAND MAY 2009 UMI Number: 3370118 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3370118 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 © Copyright 2009 by Ling A. Shiao This dissertation by Ling A. Shiao is accepted in its present form by the Department of History as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date W iO /L&O^ Jerome a I Grieder, Advisor Recommended to the Graduate Council Date ^)u**u/ef<2coy' Richard L. Davis, Reader DateOtA^UT^b Approved by the Graduate Council Date w& Sheila Bonde, Dean of the Graduate School in Ling A. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) The Study of Women Dress in Zhang Daqian Beauty Paintings Liu Yang Long Jiang School of Art School of Art Panzhihua University Panzhihua University Panzhihua, China Panzhihua, China Abstract—This paper analyses the Zhang Daqian paintings Guanyin is described in Avatamsaka Sutra as "brave man." of women dress from the perspective of the history of clothing Prior to Tang Dynasty, Guanyin appears as a male in most and clothing aesthetics, and it extracts the specific description cases, and in some cases, also appears as a female. But later, of female dress and classifies it. Then it explores Zhang Daqian especially since the legendary Miaoshan Princess, the image beauty paintings of women dress in clothing, hairstyles, of Guanyin in Han region is more and more feminine, for headwear and face and so on with women dress history in example, the 33 images of Guanyin that spreading among various dynasties as a reference. Thereby it can have a deep the people are all females. Some scholars directly call understanding of the influence of Zhang Daqian’s aesthetic Guanyin as the Eastern goddess [1]. Therefore, this paper taste, value orientation and spiritual world of on his also refers Guanyin as a female. description of women dress. Dress is short for clothing and making up. In particular, Keywords—Zhang Daqian; beauty paintings; women dress; it refers to the beauties’ clothing and appearance, including classification; aesthetic facial makeup, hair style, headware, shoes, etc. All the forms or objects that can make body decoration are all the I. -
Marriage Practice of the Chinese Communist Party in Modern Era, 1910S-1950S
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-23-2011 12:00 AM From Marriage Revolution to Revolutionary Marriage: Marriage Practice of the Chinese Communist Party in Modern Era, 1910s-1950s Wei Xu The University of Western Ontario Supervisor James Flath The University of Western Ontario Graduate Program in History A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Wei Xu 2011 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Asian History Commons, Chinese Studies Commons, Cultural History Commons, Family, Life Course, and Society Commons, Gender and Sexuality Commons, History of Gender Commons, Inequality and Stratification Commons, Social Control, Law, Crime, and Deviance Commons, Social History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Xu, Wei, "From Marriage Revolution to Revolutionary Marriage: Marriage Practice of the Chinese Communist Party in Modern Era, 1910s-1950s" (2011). Electronic Thesis and Dissertation Repository. 232. https://ir.lib.uwo.ca/etd/232 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. FROM MARRIAGE REVOLUTION TO REVOLUTIONARY MARRIAGE: MARRIAGE PRACTICE OF THE CHINESE COMMUNIST PARTY IN MODERN ERA 1910s-1950s (Spine -
Connotators, Blended Spaces, and Figures of Grammar: Reflections on Traditional Chinese Poetics Through a Semiotic Study of Su Manshu’S Poetry
CONNOTATORS, BLENDED SPACES, AND FIGURES OF GRAMMAR: REFLECTIONS ON TRADITIONAL CHINESE POETICS THROUGH A SEMIOTIC STUDY OF SU MANSHU’S POETRY Ke Tang Abstract: This essay probes into the craft and criteria of traditional Chinese poetry through a study of Su Manshu’s poetry. Su Manshu has been praised as one of the last representative figures of classical Chinese poetry, while his distinctive poetic techniques rendered him a precursor of the New Literary Movement in the early years of the Republic of China. A semiotic examination of Su Manshu’s poetry and its intricate relationship with tradition and transformation in Late Qing literary arena makes an ideal case study of the criteria of classical Chinese poetry. Su Manshu’s poetry is interwoven with connotative elaboration —allusions, metaphors and multifarious figures of speech. Meanwhile, function words, colloquial markers and illocutionary acts play in its “less poetic” grammar, making it the construction of both archaic and modern transmutations in the era of paradigm shifts. The approaches of semiotics and linguistics are expected to offer novel perspectives of the poet, providing a methodology hitherto rarely used, if ever, in studies of Chinese poetics. Introduction When it comes to the question of demarcating poetry from “non-poetry” in the Chinese literary context, accounts differ, and opinions vary. It is widely accepted, however, that the principles of Chinese poetic criticism underwent a tremendous change with the rise of vernacular poetry in early 20th century. Su Manshu 蘇曼殊 (1884-1918) has been praised as one of the last representative figures of classical Chinese poetry. (Xie 1998, 151) His poetry1 incorporates diverse legacies of quintessence from Chinese literary tradition, and his distinctive word organization renders him a precursor of the New Literary Movement in the early years of the Republic of China. -
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On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze Age, ca. 1000-500 B.C.E Minna Wu Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMIBIA UNIVERSITY 2013 @2013 Minna Wu All rights reserved ABSTRACT On the Periphery of a Great “Empire”: Secondary Formation of States and Their Material Basis in the Shandong Peninsula during the Late Bronze-Age, ca. 1000-500 B.C.E. Minna Wu The Shandong region has been of considerable interest to the study of ancient China due to its location in the eastern periphery of the central culture. For the Western Zhou state, Shandong was the “Far East” and it was a vast region of diverse landscape and complex cultural traditions during the Late Bronze-Age (1000-500 BCE). In this research, the developmental trajectories of three different types of secondary states are examined. The first type is the regional states established by the Zhou court; the second type is the indigenous Non-Zhou states with Dong Yi origins; the third type is the states that may have been formerly Shang polities and accepted Zhou rule after the Zhou conquest of Shang. On the one hand, this dissertation examines the dynamic social and cultural process in the eastern periphery in relation to the expansion and colonization of the Western Zhou state; on the other hand, it emphasizes the agency of the periphery during the formation of secondary states by examining how the polities in the periphery responded to the advances of the Western Zhou state and how local traditions impacted the composition of the local material assemblage which lay the foundation for the future prosperity of the regional culture. -
Juexiao Mo Thesis (PDF 13MB)
MASTER OF DESIGN (RESEARCH) – EXEGESIS Submitted in fulfilment of the requirement for the degree of Master of Design(Research) Written and submitted by Mo, Juexiao School of Design Creative Industries Faculty 2018 Statement of Originality The work contained in this thesis has not been previously submitted to meet requirements for an award at this or any other higher education institution. To the best of my knowledge & belief, the project contains no material previously published or written by another person except where due reference is made. Signature: QUT Verified Signature Date: April 2018 1 / 110 ACKNOWLEDEGMENT This work would not have been possible without the incredible support and encouragement I have received over the years from my supervisors, my friends and my family. First, I would like to thank my principal supervisor, Dr Deb Polson, who has mentored me and always support me. Words cannot express the thanks I have to Deb, who first inspired me on the ARG when I was doing my MCI degree. Without your encouragement and support this research would never have been possible. I am thankful for the great attention you showed whenever we met, and your words of wisdom over many meetings, emails and phone calls. I would also like to thank you for your mountains of support on this project. Second, I would like to express my thanks to my associate supervisor, Dr Gavin Sade, who provided valuable feedback and advice in editing and writing this exegesis towards the end of my research journey. Many thanks for your support and amazing attention to detail, a wealth of theoretical knowledge and a helpful guiding hand. -
Acheng, , N, N Aisin Gioro Puyi, Alai
INDEX Acheng, -/, -.n, )1n Braester, Yomi, -0-, -0/n, -0.n, )*0 Aisin Gioro Puyi, -.1 Brooks, Peter, -/0, -.- Alai, -), -:, 0+, -*+, --1–-:-, ):), )::. Works: “Bloodstains of the Cai Rong, )/ Past” (Jiunian de xueji), --1–--.; Cao Juren, -1* “The Eternal Galo” (Yongyuan Cao Wenxuan, )-n, 0: de Galo), --/–--.; Red Poppies Cao Xueqin, 0*, -1) (Chen’ai luoding), -)*–-:- Chan, Shelley W., ;0–;1, -.*–-.- amnesia, --/, -)0, -0), -11, )*:, Chang, Eileen, -1*, -1), -10. Works: ):;; and aphasia, -), )::. See also “Chinese Life and Fashions,” -1/; memory “Sealed O,” (Fengsuo), -1+n anamnesis, -:0, -0;. See also memory Chen Jianguo, )*; aphasia, +:, /*, .., -)1, ):;. See also Chen Kaige, ):0 amnesia; language Chen Mengjia, )+), )+:n, )+0 Arendt, Hannah, -/1, ):* Chen Sihe, .–-*, )*, ::, +0n, ;:–;;, Aristotle, ) -0+n Armstrong, Nancy, and Leonard Chen Xiaoming, -+1n Tennenhouse, -/1 Chen Youliang, )-/–)-. Chen Zhongshi, ); Bakhtin, M.M., -.;, ):+n Chinese Communist Party (CCP), Barmé, Geremie R., -;. 1, :1, ;-–;:, ;/, 0), -*0, --:, -;), Barthes, Roland, --n, +-, 1/, -**n, -11, ):: -/*, -.+ Chou Ying-hsiung, +0n, +1, ;+ bastardy, ;/–0+, ):+; bastard hero, Chow, Rey, /1, ./, -*- -:, ;:, 0*–0-, 0+, ):+ Chow, Tse-tsung, 0n Bei Cun, ):0 Chu culture, -/, )0n, )/–). Beijing, -:, -*-, -)-, -:0, -;/–-0:, city, --, -:–-+, ;:n, ;+, 1)–1+, -::– -/+, ):; -;/, -00, -1*, -/-, -/:–-/+, -.)n, Benjamin, Walter, -**, -1;, -1., )).– -.+. See also Beijing; country; sex; ):*, ):1 Shanghai; Singapore Bersani, Leo, and Ulysse Dutoit, Confucianism, -., )1, 00, -*-–-*), -//,