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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Digitalisation and Intermediaries in the Music Industry
CREATe Working Paper 2017/07 (June 2017) Digitalisation and intermediaries in the Music Industry Authors Morten Hviid Sabine Jacques Sofia Izquierdo Sanchez Centre for Competition Policy, Centre for Competition Policy, Department of Accountancy, Finance, University of East Anglia University of East Anglia and Economics, University of Huddersfield [email protected] [email protected] [email protected] CREATe Working Paper Series DOI:10.5281/zenodo.809949 This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. Abstract Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of artists [composers, lyricists and musicians] supplying creative expressions to a small number of larger record labels and publishers who funded, produced, and marketed the resulting recorded music to subsequently sell these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with “self- publishing” by artists, will lead to the demise of powerful firms in the record label segment, thus shifting market power from the record label and publisher segment to the retail segment, rather than increasing the number of segments with market power. i Table of Contents 1. Introduction ................................................................................................................................. 1 2. How the advancement of technologies shapes the music industry ................................. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Cheap Rolling Stones Tickets
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R Kelly Double up Album Zip
1 / 5 R Kelly Double Up Album Zip The R. Kelly album spawned three platinum hit singles: "You Remind Me of ... Kelly began his Double Up tour with Ne-Yo, Keyshia Cole and J. Holiday opening .... R. Kelly, Happy People - U Saved Me (CD 2) Full Album Zip ... Saved Me is the sixth studio album and the second double album by R&B singer R. Kelly, where ... Kelly grew up in a house full of women, who he said would act .... R. kelly double up songbook . Manchester, tn june 15 r kelly performs during the 2013 bonnaroo music . Machine gun kelly ft quavo ty dolla sign trap paris video .. siosynchmaty/r-kelly-double-up-album-zip. siosynchmaty/r-kelly- double-up-album-zip. By siosynchmaty. R Kelly Double Up Album Zip. Container. OverviewTags.. For your search query R Kelly Double Up Album MP3 we have found 1000000 songs matching your query but showing only top 10 results. Now we recommend .... Kelly's 13th album, The Buffet, aims to be a return to form after spending nearly 10 ... Enter City and State or Zip Code ... Instead, this "Buffet" celebrates Kelly's renowned musical diversity, serving up equal parts lust and love. ... Up Everybody" drips with sexuality without the eye-rolling double-entendres.. kelly discography, r kelly discography, machine gun kelly ... R. Commin' Up 5. ... is the sixth studio album and the second double album by R&B singer R. 94 ... itunes deluxe version 2012 zip Ne-Yo - R. His was lame as HELL .. literally. The singer has been enjoying some time-off of her Prismatic World tour, which picks back up in September, and decided to spread her ... -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Rough Draft of Essay Due: Nov 8 Second Draft Due: Dec 13 Third Draft Due: Jan 17
Week 6 Notes – 25 Oct 2017 A. Freewriting: 5 mins Think about what you’ve heard, tasted, smelled, seen, and touched today before this class. Write down as many of these images as you can, the best way you can, in the English words you know. Don’t worry about making proper sentences or following standard grammar. Imagine you are trying to make someone else feel exactly the way you felt, and write the words that you think will do that. B. Share models - grps of 3. Describe the essay you brought to share. Why do you like it? Do you plan on “stealing” any formal elements from it for your own essay? Which ones? C. Peer review of proposals - groups of 3 - Read your classmate’s proposal. - Write your name. Underneath, write: 1. one question you’d like to ask them about their essay 2. one suggestion/idea you have which might help them as they continue writing Discuss in groups. Schedule for your essay project: Rough draft of essay due: Nov 8 Second draft due: Dec 13 Third draft due: Jan 17 HW for next week (31 Oct 2017): Listening/Reading: This week I’d like to focus on a different genre of essay: a music review. I’d like you to read Lester Bangs’ review of the Van Morrison album Astral Weeks. It’s one of the most famous album reviews ever written, probably because it’s very passionate, subjective, and personal—qualities we don’t usually associate with art criticism. Before you read the review, you should listen to the Van Morrison album, which many people consider to be one of the greatest rock/pop albums of all time. -
The White Animals
The 5outh 'r Greatert Party Band Playr Again: Narhville 'r Legendary White AniMalr Reunite to 5old-0ut Crowdr By Elaine McArdle t's 10 p.m. on a sweltering summer n. ight in Nashville and standing room only at the renowned Exit/In bar, where the crowd - a bizarre mix of mid Idle-aged frat rats and former punk rockers - is in a frenzy. Some drove a day or more to get here, from Florida or Arizona or North Carolina. Others flew in from New York or California, even the Virgin Islands. One group of fans chartered a jet from Mobile, Ala. With scores of people turned away at the door, the 500 people crushed into the club begin shouting song titles before the music even starts. "The White Animals are baaaaaaack!" bellows one wild-eyed thirty something, who appears mainstream in his khaki shorts and docksiders - until you notice he reeks of patchouli oil and is dripping in silver-and-purple mardi gras beads, the ornament of choice for White Animals fans. Next to him, a mortgage banker named Scott Brown says he saw the White Animals play at least 20 times when he was an undergrad at the University of Tennessee. He wouldn't have missed this long-overdue reunion - he saw both the Friday and Saturday shows - for a residential closing on Mar-A-Lago. Lead singer Kevin Gray, a one-time medical student who dropped his stud ies in 1978 to work in the band fulltime, steps onto the stage and peers out into the audience, recognizing faces he hasn't seen in more than a decade. -
Note Di Produzione
! Note di produzione Questa è la storia dell’ascesa del gruppo più famigerato del mondo. Nel 1987, usando rime brutalmente vere e ritmi hardcore, cinque ragazzi —Ice Cube (O’SHEA JACKSON, JR.), Dr. Dre (COREY HAWKINS di Non-Stop), Eazy-E (JASON MITCHELL di Contraband), DJ Yella (NEIL BROWN, JR. di Fast & Furious) e MC Ren (ALDIS HODGE di Die Hard – Un buon giorno per morire) — hanno trasformato la loro frustrazione e rabbia nei confronti della vita nel loro quartiere a Los Angeles nell’arma più potente che avevano: la loro musica. Verso la fine degli anni ’80, le strade di Compton, California, erano tra le più pericolose del Paese. Il crack si stava diffondendo a una velocità tanto allarmante quanto il business violento delle bande che spingevano il suo uso. Il dipartimento di polizia di Los Angeles (LAPD) e la sua unità specializzata in gang conducevano una guerra contro la droga con una ferocia tanto incontrollata e senza freni da lasciare i residenti della comunità di quella cittadina della California del sud non semplicemente tesi ma scioccati, senza fiducia verso l’autorità e dolorosamente inaspriti. Eazy-E, un carismatico spacciatore e traffichino tanto sveglio da vedere un futuro nell’emergente scena rap di L.A., aveva un piano. Deciso a lasciarsi alle spalle la vita di strada si è messo in contatto con il suo amico Dr. Dre, un deejay locale che lavorava regolarmente nei club di Compton in coppia con DJ Yella. Anche loro erano stanchi di vicoli ciechi e affamati di cambiamento, e Eazy-E aveva le risorse e le connessioni per fare il grande cambiamento. -
BANG! the BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES
Presents BANG! THE BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES A film by Brett Berns 2016 / USA / Color / Documentary / 95 minutes / English www.BANGTheBertBernsStory.com Copyright © 2016 [HCTN, LLC] All Rights Reserved SHORT SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Here Comes The Night and Piece Of My Heart. He helped launch the careers of Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker Brett Berns brings his late father's story to the screen through interviews with those who knew him best and rare performance footage. Included in the film are interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Keith Richards and Paul McCartney. LONG SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Under The Boardwalk, Everybody Needs Somebody To Love, Cry Baby, Tell Him, Cry To Me, Here Comes The Night and Piece of My Heart. He launched the careers of Van Morrison and Neil Diamond, and was the only record man of his time to achieve the trifecta of songwriter, producer and label chief. -
Brand New Cadillac.Ptb
BRAND NEW CADILLAC As recorded by The Clash (From the 1979 Album LONDON CALLING) Transcribed by Eoin Watson Words and Music by V. Taylor ([email protected]) E5 A5 A B5 B A7 x xx 7 fr. xxx 5 fr. xx 5 fr. xxx 7 fr. xx 7 fr. xx 5 fr. A Intro P = 146 1 4 I 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V Gtr I let ring let ring let ring let ring T A (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) B 0 0 1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 0 0 3 3 0 0 3 3 E5 Gtr II c k c k j _ _ _ _ _ _ _ 5 I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V let ring let ring let ring let ring let ring T A (0) (0) (0) 0 (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) B 0 0 1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 0 0 3 3 0 0 3 3 B 1st Verse E5 E5 E5 E5 E5 E5 E5 E5 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 9 I V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V T A B 0 0 1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 0 0 3 3 0 0 3 3 V V V V V V V V V W V V W I k u j u k k k u j u k k k u Gtr III 12 12 12 12 [[[[[[[[[[[[[[[[[ [[[[[[[[[[[[[[ T 12 12 12 12 12 12 A 12 (12) 12 B sl.