Brand New Cadillac.Ptb

Total Page:16

File Type:pdf, Size:1020Kb

Brand New Cadillac.Ptb BRAND NEW CADILLAC As recorded by The Clash (From the 1979 Album LONDON CALLING) Transcribed by Eoin Watson Words and Music by V. Taylor ([email protected]) E5 A5 A B5 B A7 x xx 7 fr. xxx 5 fr. xx 5 fr. xxx 7 fr. xx 7 fr. xx 5 fr. A Intro P = 146 1 4 I 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V Gtr I let ring let ring let ring let ring T A (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) B 0 0 1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 0 0 3 3 0 0 3 3 E5 Gtr II c k c k j _ _ _ _ _ _ _ 5 I V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V let ring let ring let ring let ring let ring T A (0) (0) (0) 0 (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) (0) B 0 0 1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 0 0 3 3 0 0 3 3 B 1st Verse E5 E5 E5 E5 E5 E5 E5 E5 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 9 I V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V T A B 0 0 1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 0 0 3 3 0 0 3 3 V V V V V V V V V W V V W I k u j u k k k u j u k k k u Gtr III 12 12 12 12 [[[[[[[[[[[[[[[[[ [[[[[[[[[[[[[[ T 12 12 12 12 12 12 A 12 (12) 12 B sl. sl. 2002 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org BRAND NEW CADILLAC - The Clash Page 2 of 9 A5 A5 A5 A5 E5 E5 E5 E5 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 5fr.6 5fr. 6 5fr.6 5fr. 6 5fr.6 5fr. 6 5fr.6 5fr. 6 open6 open 6 open6 open 6 open6 open 6 open6 open 13 I V V V V eV V V V V V eV V V V V V V V V V V V eV V V V V V V V eV V T A 0 0 1 0 0 0 1 0 B 0 0 3 3 0 0 3 3 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 V V k V j V k k k V j V k k k W V W I u u u u u 5 5 5 5 [[[[[[[[[[[[[[[[[ [[[[[[[[[[[[[[ T 5 5 5 5 12 12 A 12 (12) 12 B sl. C Chorus B B5 A E5 E5 B5 c k k _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 7fr.6 7fr. 6 open6 open 6 open6 open c 17 eV k gV k V V V V I gV V V V V V V V V V gV V V V V V V V V V V V V V V V V V V V V V V T 4 2 4 4 4 2 9 9 9 (9) A 4 4 4 4 4 2 9 9 9 (9) 9 9 9 9 9 9 B 2 2 2 2 2 2 2 0 7 7 7 (7) 9 9 9 9 9 9 0 0 0 7 7 7 7 7 7 V gV gV V c V V V V V V V V V V V V I V V V V k u u 1/4M T 10 9 7 12 12 12 12 12 9 7 12 12 12 (12) 12 12 (12) A 9 7 7 B sl. sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org BRAND NEW CADILLAC - The Clash Page 3 of 9 D 2nd Verse E5 E5 E5 E5 E5 E5 E5 E5 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 6 open6 open 21 I V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V T A B 0 0 3 0 5 0 6 5 0 0 3 0 5 0 6 5 0 0 3 0 5 0 6 5 0 0 3 0 5 0 6 5 V V V V V V V V V V V V I k u j u k k k u k k k u j u k k k u k k Gtr III 12 12 12 12 12 12 12 12 12 12 12 12 T 12 12 12 12 12 12 12 12 12 12 12 12 A B sl. sl. sl. sl. A5 A5 A5 A5 E5 E5 E5 E5 _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 5fr.6 5fr. 6 5fr.6 5fr. 6 5fr.6 5fr. 6 5fr.6 5fr. 6 open6 open 6 open6 open 6 open6 open 6 open6 open 25 I V V eV V V V eV V V V V V V V V V V V V V V V eV V V V V V V V eV V T A B 0 0 3 0 5 0 6 5 0 0 3 0 5 0 6 5 0 0 3 0 5 0 6 5 0 0 3 0 5 0 6 5 V V k V j V k k k V j V k k k W V W I u u u u u 5 5 5 5 [[[[[[[[[[[[[[[[[ [[[[[[[[[[[[[[ T 5 5 5 5 12 12 A 12 (12) 12 B Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org BRAND NEW CADILLAC - The Clash Page 4 of 9 E Chorus B B5 A E5 B5 c k _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 7fr.6 7fr. c 29 eV k gV k V V V V I gV V V V V V V V V V gV V V V V V V V V V V V V V V V V V V V V V V V V V V T 4 2 4 4 4 2 9 9 9 9 A 4 4 4 4 4 2 9 9 9 9 9 9 9 9 9 9 9 B 2 2 2 2 2 2 2 0 7 7 7 7 9 9 9 9 9 9 9 0 0 0 0 7 7 7 7 7 7 7 7 V gV gV V c V V V V V V V V V V V V I V V V V k u u u u 1/4M T 10 9 7 12 12 12 12 12 12 9 7 12 12 12 (12) 12 12 A 9 7 7 B sl. sl. F Guitar Solo E5 E5 E5 E5 k k _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 6 open 6 open6 open 6 open6 open 6 open 33 I V V V V V V eV V V V V V V V eV V V V V V V V eV V V V V V V V eV V T A B 0 0 1 0 0 0 1 0 0 0 1 0 0 0 1 0 0 0 3 3 0 0 3 3 0 0 3 3 0 0 3 3 V V V V V V V V V V V V gV V V V V V V V V V V V V V V V V V V V V V V V V V V V V I k u fff Full Full Full Full Full 1/4 1/4 12 M12 12 M12 12 M 12 12 M12 12 M12 12 M M T 12 12 12 12 12 12 12 12 12 12 12 15 14 12 12 14 14 14 14 14 14 12 14 12 12 14 12 12 A 14 14 (14) B Generated using the Power Tab Editor by Brad Larsen.
Recommended publications
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • The White Animals
    The 5outh 'r Greatert Party Band Playr Again: Narhville 'r Legendary White AniMalr Reunite to 5old-0ut Crowdr By Elaine McArdle t's 10 p.m. on a sweltering summer n. ight in Nashville and standing room only at the renowned Exit/In bar, where the crowd - a bizarre mix of mid­ Idle-aged frat rats and former punk rockers - is in a frenzy. Some drove a day or more to get here, from Florida or Arizona or North Carolina. Others flew in from New York or California, even the Virgin Islands. One group of fans chartered a jet from Mobile, Ala. With scores of people turned away at the door, the 500 people crushed into the club begin shouting song titles before the music even starts. "The White Animals are baaaaaaack!" bellows one wild-eyed thirty­ something, who appears mainstream in his khaki shorts and docksiders - until you notice he reeks of patchouli oil and is dripping in silver-and-purple mardi gras beads, the ornament of choice for White Animals fans. Next to him, a mortgage banker named Scott Brown says he saw the White Animals play at least 20 times when he was an undergrad at the University of Tennessee. He wouldn't have missed this long-overdue reunion - he saw both the Friday and Saturday shows - for a residential closing on Mar-A-Lago. Lead singer Kevin Gray, a one-time medical student who dropped his stud­ ies in 1978 to work in the band fulltime, steps onto the stage and peers out into the audience, recognizing faces he hasn't seen in more than a decade.
    [Show full text]
  • The Clash and Mass Media Messages from the Only Band That Matters
    THE CLASH AND MASS MEDIA MESSAGES FROM THE ONLY BAND THAT MATTERS Sean Xavier Ahern A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill © 2012 Sean Xavier Ahern All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis analyzes the music of the British punk rock band The Clash through the use of media imagery in popular music in an effort to inform listeners of contemporary news items. I propose to look at the punk rock band The Clash not solely as a first wave English punk rock band but rather as a “news-giving” group as presented during their interview on the Tom Snyder show in 1981. I argue that the band’s use of communication metaphors and imagery in their songs and album art helped to communicate with their audience in a way that their contemporaries were unable to. Broken down into four chapters, I look at each of the major releases by the band in chronological order as they progressed from a London punk band to a globally known popular rock act. Viewing The Clash as a “news giving” punk rock band that inundated their lyrics, music videos and live performances with communication images, The Clash used their position as a popular act to inform their audience, asking them to question their surroundings and “know your rights.” iv For Pat and Zach Ahern Go Easy, Step Lightly, Stay Free. v ACKNOWLEDGMENTS This thesis would not have been possible without the help of many, many people.
    [Show full text]
  • Hot Rod Legends Chuck Berry, Jerry Arnold, Ray Charles Und Viele Andere
    neuerscheinungen wallets ROCK N’ ROLL Hot Rod Legends Chuck Berry, Jerry Arnold, Ray Charles und viele andere Label: Documents Genre: Rock ’N’ Roll Format: 10 CD Wallet Veröffentlichung: 14.10.2016 Katalognr.: 600343 Label Code: 12281 Preiscode: 10M9 4 0 5 3 7 9 6 0 0 3 4 3 0 Vertriebsgebiet: ww 200 Titel in einer 10 CD-Box mit rockiger Musik der 1950er Jahre rund ums Auto. Viele dieser Aufnahmen sind echte Raritäten, für die als Vinylplatten heute schwindelerregende Preise gefordert werden. Erstmalig ist hier dieses Musik-Thema auf 10 CDs in einer Box bildete sich eine feste Szene um diese Musik herum – ähnlich wie zusammengefasst. beim Surf und beim unvergänglichen Rockabilly wurde die Szene Neben den vielen relativ unbekannten Musikern sind natürlich zu einem echten Lebensgefühl. Viele Titel drehen sich oft und aber auch einige Rock & Roll Ikonen zu hören: Gene Vincent, Carl gern um die „hippen“ Automarken: Cadillac, Ford, Thunderbird, Perkins, Duane Eddy, The Beach Boys und Chuck Berry sind nur Lincoln, Oldsmobile und um Drag-Cars – aber in einigen Fällen einige von ihnen. ist auch von Motorrädern die Rede. Einige Titel findet man Ebenso wie die Surf-Music hat auch die Hot Rod-Szene ihren auch in der Surf-Szene wieder (Beach Boys „4 0 9“) und das Ursprung in Kalifornien. ist nicht verwunderlich, denn beide Themen pflegten eine enge In diesen Car-Songs dreht sich alles um Autos, knatternde Verwandtschaft - sowohl in der Musik als auch im Lebensgefühl. Motoren, heiße Mädchen und zu allererst um heiße Musik. Wie In den frühen 1950er Jahren gaben sich Gruppen auch gern mal man hier hören kann war das Auto bereits in den 1940 Jahren zu Autonamen: The Chevrolets, The Thunderbirds, The El Dorados einem Musik-Thema geworden – überwiegend im C&W-Bereich.
    [Show full text]
  • The Guardian, Week of August 3, 2020
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 8-3-2020 The Guardian, Week of August 3, 2020 Wright State Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State Student Body (2020). The Guardian, Week of August 3, 2020. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Retro Rewind: “London Calling” by The Clash Maxwell Patton August 3, 2020 Rock music in its various styles would in no way, shape, or form be what it is today without the influence of a certain British punk icon known as The Clash. Even though the band lays claim to one of the shortest lifespans in my Retro Rewind reviews (being active for only a decade), they have had a massive amount of influence on the rock realm with their distinctly political lyrics and driving, guitar-centered instrumentals. Their third record, by far their most popular, is the subject of my review today: the 1979 double album “London Calling,” which is viewed by many as a definitive album in the punk genre. Released on Dec. 14, 1979, the record contains 19 songs of varying styles and was supported by three singles: the title track “London Calling,” “Clampdown,” and “Train in Vain (Stand by Me).” The themes delved into throughout the album include unemployment, the usage of drugs, paranoia, and depression.
    [Show full text]
  • The Clash MP3 Collection Mp3, Flac, Wma
    The Clash MP3 Collection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: MP3 Collection Country: Russia Style: Punk, New Wave, Dub, Reggae MP3 version RAR size: 1302 mb FLAC version RAR size: 1370 mb WMA version RAR size: 1878 mb Rating: 4.2 Votes: 342 Other Formats: AC3 WAV VOC MMF FLAC MP4 MP1 Tracklist The Clash 1 Clash City Rockers 2 I'm So Bored With The U.S.A. 3 Remote Control 4 Complete Control 5 White Riot 6 White Man-In Hammersmith Palais 7 London's Burning 8 I Fought The Law 9 Janie Jones 10 Career Opportunities 11 What's My Name 12 Hate & War 13 Police & Thieves 14 Jail Guitar Doors 15 Garageland Give'em Enough Rope 16 Safe European Home 17 English Civil War 18 Tommy Gun 19 Julie's Been Workin For The Drug Squad 20 Last Gang In Town 21 Guns On The Roof 22 Drug-Stabbing Time 23 Stay Free 24 Cheapskates 25 All Time Young Punks London Calling 26 London Calling 27 Brand New Cadillac 28 Jimmy Jazz 29 Hateful 30 Rudie Can't Fail 31 Spanish Bombs 32 The Right Profile 33 Lost In The Supermarket 34 Clampdown 35 The Guns Of Brixton 36 Wrong 'Em Boyo 37 Death Or Glory 38 Koka Kola 39 The Card Cheat 40 Lover's Rock 41 Four Horseman 42 I'm Not Down 43 Revolution Rock 44 Train In Vain Sandinista! (CD 1) 45 Magnificient Seven 46 Hitsville U.K 47 Junco Partner 48 Ivan Meets G.I. Joe 49 Washington Bullets 50 Broadway 51 Lose This Skin 52 Look Here 53 Mensforth Hill 54 Junkie Slip 55 Kingstone Advice 56 One More Dub 57 Lightning Strikes Not Once But Twice 58 Corner Soul 59 Career Opportunities 60 Shepherds Delight 61 Police
    [Show full text]
  • Bologna CLASH
    1 Giugno 1980 Piazza Maggiore – Bologna CLASH abstracts tratti da “Non disperdetevi” di Oderso Rubini e Andrea Tinti Il concerto dei Clash in Piazza Maggiore è stato l'inizio per tanti musicisti e per tanti giovani, che si sono avvicinati per la prima volta ad un genere musicale. La piazza era piena e tra il pubblico c'erano tantissimi adolescenti. Quel live colpì pure noi, che eravamo già un po' smaliziati, figuriamoci che impatto ebbe sui giovanissimi. Segnò la vita di tanti. Saverio Pasotti – Chitarra Wind Open Lavorai alla realizzazione dell'iniziativa voluta da Zangheri in stretta collaborazione e in piena sintonia con la squadra costituita da Mauro Felicori. La rassegna RITMICITTA’ culminò in un concerto in Piazza Maggiore destinato a suscitare, come ho già ricordato, molte polemiche. Il momento di maggior richiamo fu l'esibizione dei Clash, complesso che ci venne indicato da Massimo Buda, il nostro critico musicale; ma ovviamente cercammo di coinvolgere nella eassegna anche i gruppi bolognesi. Band nate in aperta contestazione con l'amministrazione comunale salivano sul palco di una manifestazione organizzata dal Comune. Eravamo consapevoli della scelta artistica un po' "al limite" che gruppi come i Clash rappresentavano, ma anche questo si collocava nel solco che poi avremmo percorso negli anni successivi. Walter Vitali – Sindaco di Bologna il Comune organizzò il concerto dei Clash in Piazza Maggiore, che forse non hanno mai suonato, durante tutta la loro carriera, in una cornice così suggestiva. Era la rivolta musicale britannica regalata su un piatto d'argento, per far capire ai ragazzi quanto il Comune fosse loro vicino.
    [Show full text]
  • Car Culture and Rock and Roll in Postwar America Overview
    CAR CULTURE AND ROCK AND ROLL IN POSTWAR AMERICA OVERVIEW ESSENTIAL QUESTION How did car culture intersect with and inspire Rock and Roll? OVERVIEW In 1949, General Motors introduced the Oldsmobile 88. Dubbed “Futuramic” and advertised as “the lowest-priced car with a ‘rocket’ engine,” the sleek new vehicle epitomized an American fascination with speed, exploration, and space travel in the early 1950s. The Oldsmobile’s appeal was so widespread, that in 1951, Jackie Brenston and His Delta Cats (an alternate name for Ike Turner’s Kings of Rhythm, with whom Brenston played saxophone and occasionally sang) recorded the song “Rocket 88” — an ode to the fantasy of driving the stylish car. Many historians would argue that “Rocket 88” was the first Rock and Roll song, citing the tremendous raw energy the band brought to the music. Without question, it signaled a connection between car culture and Rock and Roll. Cars had been part of the American experience since the early twentieth century. In 1908, Henry Ford debuted his assembly-line produced Model T. The car’s relatively low price and interchangeable parts enabled many middle- and working class Americans to own, and maintain, a car for the first time. The auto industry boomed through the 1920s, but with the onset of the Great Depression, sales began a sharp decline. In early 1942, America’s entry into World War II necessitated a complete halt in the production of domestic passenger vehicles while auto factories were reconfigured for wartime contracts. With no new models available for the duration of the war, car culture was effectively on hiatus.
    [Show full text]
  • Tutti Gli Album Tutte Le Canzoni
    Tutti gli album Tutte le canzoni Martin Popoff IL CASTELLO sommario INTRODUZIONE 6 10 THE CLASH 48 GIVE ’EM ENOUGH ROPE 74 LONDON CALLING 120 SANDINISTA! 180 COMBAT ROCK 210 CUT THE CRAP RINGRAZIAMENTI 234 L'AUTORE 234 CREDITI PER LE IMMAGINI 235 INDICE 236 T 2C 2 Proof 1 Remote Control STRUMMER/JONES 3:00 SOTTO: Out of Control Tour. Con “Remote a storia di “Remote Control” è ironica. Il testo di Mick Control,” Mick esprime la sua frustrazione esprime frustrazione nei confronti della burocrazia, nello nei confronti della burocrazia che ha specifico delle grandi imprese e del governo, che hanno affossato gran parte dell'Anarchy Tour complottato per ostacolare e poi affossare gran parte del 1976. L dell'Anarchy Tour del '76 (si potrebbe pensare, ragionevolmente, per fermare l'anarchia), con la partecipazione di Sex Pistols, Clash, Damned e Johnny Thunders and the Heartbreakers. Il colpo di grazia arriva da EMI, l'etichetta dei Pistols. Il riferimento della canzone a un incontro a Mayfair riguarda una riunione degli azionisti EMI il 7 dicembre 1976, che determina Così la band sviluppa un'avversione per il brano—bersaglio facile, “Remote Control” col B-side “London’s Burning l'abbandono dei Pistols da parte dell'etichetta. data la melodia quasi sdolcinata della strofa—e ricorda l'incidente (Live),” 13 maggio 1977. L'ironia sta nel fatto che una canzone che nel primo verso della traccia di risposta “Complete Control” (box pp. esprime la rabbia della band per la mancanza di 45–46). La mancanza di sostegno a “Remote Control” da parte della controllo viene scelta dalla CBS come singolo band arriva ai fan e, di conseguenza, il brano non entra in classifica.
    [Show full text]
  • It's All Good Chicago , Illinois, 31 October 2009
    IT’S ALL GOOD BOB DYLAN 2009 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. It’s All Good — Bob Dylan 2009 page 2 of 133 1 INTRODUCTION .............................................................................................................................. 4 2 2009 AT A GLANCE ......................................................................................................................... 4 3 THE 2009 CALENDAR ..................................................................................................................... 4 4 NEW RELEASES AND RECORDINGS........................................................................................... 6 4.1 Together Through Life ................................................................................................................. 6 4.2 Christmas In The Heart ................................................................................................................ 7 4.3 The People Speak ......................................................................................................................... 7 4.4 Web Bob ....................................................................................................................................... 8 4.5 New recordings in circulation 2009 ............................................................................................
    [Show full text]
  • I'm Not There , Directed by Todd Haynes, Premieres at the Telluride Film Festival in Telluride, Colorado, USA
    I’M NOT THERE BOB DYLAN 2007 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES , NEW RELEASES , RECORDINGS & BOOKS . © 2010 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. I’m Not There — Bob Dylan 2007 page 2 of 107 1 INTRODUCTION .................................................................................................................................................................. 3 2 2007 AT A GLANCE ............................................................................................................................................................. 3 3 THE 2007 CALENDAR ......................................................................................................................................................... 4 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 6 4.1 LUCKY YOU ......................................................................................................................................................................... 6 4.2 DONT LOOK BACK - 65 TOUR EXCLUSIVE EDITION ............................................................................................................. 6 4.3 MARK RONSON ’S MOST LIKELY RE-VERSION .....................................................................................................................
    [Show full text]
  • 2007 Us Fall Tour
    STILL ON THE ROAD 2007 US FALL TOUR SEPTEMBER 15 Austin, Texas Stubb's Waller Creek Outdoor Amphitheater 16 Austin, Texas AT&T Blue Room Stage, Zilker Park 17 Nashville, Tennessee Sound Emporium Recording Studio 18 Nashville, Tennessee Sound Emporium Recording Studio 19 Washington, D.C. Theme Time Radio Hour, Episode 51: Hello 19 Nashville, Tennessee Ryman Auditorium 20 Nashville, Tennessee Ryman Auditorium 22 Duluth, Georgia The Arena at Gwinnett Center 23 Clemson, South Carolina Littlejohn Coliseum, Clemson University 25 Norfolk, Virginia Ted Constant Convocation Center 26 Washington, D.C. Theme Time Radio Hour, Episode 52: Young and Old 27 Charlottesville, Virginia John Paul Jones Arena 28 Columbia, Maryland Marjorie Merriweather Post Pavilion 29 Kingston, Rhode Island URI Ryan Center 30 Bridgeport, Connecticut Arena At Harbor Yard OCTOBER 2 Worcester, Massachusetts DCU Center Washington, D.C. Theme Time Radio Hour, Episode 53: Days of the Week 3 4 Portland, Maine Cumberland County Civic Center 5 Manchester, New Hampshire Verizon Wireless Arena 6 Albany, New York Times Union Center 8 Syracuse, New York War Memorial at Oncenter 9 Rochester, New York RIT Gordon Field House 10 Washington, D.C. Theme Time Radio Hour, Episode 54: California 11 Pittsburgh, Pennsylvania Petersen Events Center 12 Ypsilanti, Michigan Convocation Center 13 Columbus, Ohio Value City Arena 15 Cincinnati, Ohio Taft Theatre 16 Dayton, Ohio Ervin J. Nutter Center, Wright State University 17 Washington, D.C. Theme Time Radio Hour, Episode 55: Classic Rock 17 Louisville, Kentucky Freedom Hall 19 Bloomington, Indiana Assembly Hall 20 Bloomington, Illinois US Cellular Coliseum 22 St. Louis, Missouri Fox Theatre 24 Washington, D.C.
    [Show full text]