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Press Release Columbia Music Entertainment Issues Notice Of
No.2007014 August 10, 2007 Press Release Columbia Music Entertainment Issues Notice of Consolidated Business Results for First Quarter of Fiscal Year Ending March 2008 ~ Substantial Profit & Loss Improvement Over Previous Year’s Same Term ~ Columbia Music Entertainment Inc. (hereinafter CME; Head Office: Minato-ku, Tokyo; Chief Executive Officer (CEO): Sadahiko Hirose) today gives notice that it has issued its consolidated business results indicating the Company’s overall performance for the first quarter of the fiscal year ending March 31, 2008 (FY 2007 Q1; April 1 ~ June 30, 2007). During the quarter under review, our sales were higher than in the same quarter of the previous fiscal year, led by the digital business, which recorded a 20% increase. However, as the result of an 802 million reduction in sales booked by the P&D business according to a change in the accounting procedure from a total sales method to a handling fee method, and also because there were no hits of comparable size to those of the same quarter of the previous fiscal year, the Company’s consolidated sales totaled 4,406 million yen (a decline of 22.2% compared with the same quarter of the previous fiscal year). Moving on to the profit and loss situation, although total sales declined, the gross margin profit rate rose by 9.3 points to 45.4%. In addition, advertising expenses and general administrative expenses declined, resulting in a major improvement compared our performance for the same quarter of the previous fiscal year. The ordinary loss for the quarter under review was 50 million yen (compared with a loss of 200 million yen for the same quarter of the previous fiscal year). -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR. -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
CHALLENGE How Shall We Teach a Child to Reach
CHALLENGE How shall we teach A child to reach Beyond himself and touch The stars, We, who have stooped so much? How shall we say to Him, "The way of life Is through the gate Of Love" We, who have learned to hate? Author Unknown Great ideals and principles do not live from genera- tion to generation just because they are right, not even because they are carefully legislated. Ideals and principles continue from generation to genera- tion only when they are built into the hearts of children as they grow up. --George S. Benson from "World Scouting" RECIPE (For one dealing with children) Take lots and lots of common sense, Mix well with some intelligence; Add patience, it will take enough To keep it all from being tough; Remove all nerves (there's no place for them, Childish noises only jar them); Sprinkle well with ready laughter, This adds a better flavor after; Put sense of humor in to spice it, Add love and understanding. Ice it With disposition sweet and mild, You're ready now to train a child. --Margaret Hite Yarbrough CHORISTERS GUILD LETTERS Volume XIII 1961-62 September Number 1 Ruth Krehbiel Jacobs, Founder Arthur Leslie Jacobs, Editor Norma Lowder, Associate Editor Helen Kemp and Nancy Poore Tufts, Contributing Editors Published for its members by the CHORISTERS GUILD Box 211 Santa Barbara, California Copyright (C) 1961 Choristers Guild - 1 - Several years ago, the following appeared in the first Fall issue of the Letters. The inventory is as pertinent today as then, and should be used by all of us as a check chart. -
Mini-Grant Master List Thru 2019-2020
Mini-Grant Master List thru 2019-2020 Year Campus Applicant First Applicant Last Project Title 19/20 ALA @ Euclid Jeremiah Birmingham Chicken Coop Enclosure 19/20 ALA @ Fox Tech Emily Delgado Word! Play! 19/20 Arnold Andrea Gongora Engaging STEM Activities 19/20 Arnold Alice Martinez Sit, Listen, and Read 19/20 Arnold Cynthia Duke Let's Enjoy Reading 19/20 Arnold Christina Psencik STEM in Head Start 19/20 Ball Wendy Nieves Portable Makerspace 19/20 Barkley-Ruiz Isabel Ponce Flexible Seating 19/20 Barkley-Ruiz Janellie Mendez Constructivism 19/20 Barkley-Ruiz Marisa Lopez Project Based Learning 19/20 Barkley-Ruiz Dorothy Uzzell Flexible Seating 19/20 Barkley-Ruiz Sarah Klebahn Flexible Seating 19/20 Barkley-Ruiz Stephanie Cox Flexible Seating for Independent Reading 19/20 Barkley-Ruiz Jeanette Jaramillo Flexible Seating 19/20 Barkley-Ruiz Diana Pope Project Dictionary 19/20 Barkley-Ruiz Analisa Spicer Graphic Novels Grabbing Diverse Readers 19/20 Barkley-Ruiz Henri Obey Sensory Access 19/20 Baskin David Camacho Anytime is DEAR Time with Dr. Seuss Books 19/20 Baskin Bonnie Sixtos Read Your Heart Out! 19/20 Bilingual/ESL/Migrant Luz Garcia-Martin World Class Welcome Center 19/20 Bonham Patricia Del Toro Book Club Class Sets 19/20 Bonham Araceli Manriquez MAS Books and Resources 19/20 Bonham Crystal Valdez Literacy in the Music Classroom 19/20 Bonham Lucero Saldana Academic Comadres y Compadres 19/20 Bowden Tabitha Williams LOTC 19/20 Bowden John Wilkins Campus Athletic Transition 19/20 Bowden Dawn Barrera Colors Speak Louder than Words 19/20 -
Facebook Profiles the Facebook Phenomenon
VERITAS SUPER OMNIA www.phillipian.net Volume CXXXI, Number 6 Phillips Academy, Andover, Massachusetts March 7, 2008 Gay Students at Deerfield Targeted By Apparent Copycat of SPS Letters By TIM GHOSH whose information leads to the “I wasn’t really shocked by arrest and indictment of the per- what happened because my work and JULIET LIU petrators, according to an email with CAMD has shown me that Eight Deerfield students last sent to St. Paul’s students. racism still exists,” said Lui. week received handwritten, per- Currently, Deerfield is decid- “Even though the letters were sonally addressed notes targeting ing whether to compare samples sent to another school, I felt like them “based on their affiliation of students’ handwriting to the they were a personal attack on with the Gay Student Alliance,” handwriting on the personalized me.” according to Deerfield Dean of notes, said Emerson. Rachel Cohen ’08 said in re- Students Toby Emerson. “Right now, we’re conduct- sponse to the Deerfield incident, The notes, written on napkins, ing a lot of internal investigation “I’m just so surprised that in an were sent through Deerfield’s in- to get to the bottom of it,” said era where kids are comfortable ternal mail service. Emerson. “The investigation will being openly gay, we’re back at Emerson said that it was continue and exhaust every op- square one.” “speculative, but likely that [the tion to find who is responsible for She continued, “These kids Deerfield incident] was copied it.” feel unsafe, more so than in public after [the incident at] St. -
Press Release Columbia Music Entertainment Issues Notice Of
No.2007027 November 16, 2007 Press Release Columbia Music Entertainment Inc. Columbia Music Entertainment Issues Notice of Consolidated Business Results for First Half of Fiscal Year Ending March 2008 Columbia Music Entertainment Inc. (hereinafter CME; Head Office: Minato-ku, Tokyo; Chief Executive Officer (CEO): Sadahiko Hirose, Chairman: Strauss Zelnick) today issued its consolidated business results indicating the Company’s overall performance for the first half (April 1 ~ September 30, 2007) of the fiscal year ending March 31, 2008. During the first half of the current fiscal year, although consolidated sales for the fiscal half year under review fell below the initially planned figure, the Company was nevertheless able to surpass its initially planned figures for operating profit, ordinary profit, and overall net profit for the period. The Company’s consolidated sales totaled 8,723 million yen (a decline of 27.6% compared with the same period of the previous fiscal year). This result was due mainly to a reduction of 2,311 million yen based upon a change in the accounting procedure for sales in the P&D business from a total sales method to a handling fee method, and also due to the paring down of releases of less profitable works. Moving on to the profit and loss situation: Although younger audiences are buying fewer CDs , audio software purchases by older consumers are flourishing. As a result of strong sales of catalogue titles that yield high profit margins, the Company’s gross profit margin was at about the same level as in the same period of the previous fiscal year at 43.8%. -
Press Release Columbia Music Entertainment Issues Notice Of
No.2010012 August 11, 2010 Press Release Columbia Music Entertainment Issues Notice of Consolidated Business Results for First Quarter of Fiscal Year Ending March 2011 ~An Excellent Start for Our Centennial Year ~ Columbia Music Entertainment Inc. (hereinafter CME; Head Office: Minato-ku, Tokyo; Representative Executive Officer/President and Chief Operating Officer (COO): Yasuharu Hara) today gives notice that it has issued its consolidated business results indicating the Company’s overall performance for the first quarter of the fiscal year ending March 31, 2011 (April 1 2010 ~ June 30, 2010). Consolidated Business Performance for FY 2010Q1 1. Sales Revenue During the first quarter under review, the Company’s consolidated sales totaled 3,879 million yen (a decrease of 5.8% compared with the same period of the previous fiscal year). Although sales of digital distribution focused on J-Pop titles recorded an increase, there were fewer number major titles released when compared with prior year and also sales declined in the P&D (Production & Distribution) Business. 2.Profit & Loss Regarding the profit and loss situation, sales of digital distribution products and Custom Sales Business both increased and overall expenses in respect of executive compensation, staff salaries and retirement benefits declined. As a result, the Company reported an operating profit for the quarter under review of 167 million yen (compared with an operating loss of 198 million yen for the same quarter of the previous fiscal year). Since the disclosure of quarterly results began in the fiscal year ending March 2005, this year marks the first time that the Company has recorded an operating profit for the first quarter. -
Fairy Inc. Sheet Music Products List Last Updated [2013/03/018] Price (Japanese Yen) a \525 B \788 C \683
Fairy inc. Sheet Music Products list Last updated [2013/03/018] Price (Japanese Yen) A \525 B \788 C \683 ST : Standard Version , OD : On Demand Version , OD-PS : Piano solo , OD-PV : Piano & Vocal , OD-GS : Guitar solo , OD-GV : Guitar & Vocal A Band Score Piano Guitar Title Artist Tie-up ST OD ST OD-PS OD-PV ST OD-GS OD-GV A I SHI TE RU no Sign~Watashitachi no Shochiku Distributed film "Mirai Yosouzu ~A I DREAMS COME TRUE A A A Mirai Yosouzu~ SHI TE RU no Sign~" Theme song OLIVIA a little pain - B A A A A inspi'REIRA(TRAPNEST) A Song For James ELLEGARDEN From the album "BRING YOUR BOARD!!" B a walk in the park Amuro Namie - A a Wish to the Moon Joe Hisaishi - A A~Yokatta Hana*Hana - A A Aa Superfly 13th Single A A A Aa Hatsu Koi 3B LAB.☆ - B Aa, Seishun no Hibi Yuzu - B Abakareta Sekai thee michelle gun elephant - B Abayo Courreges tact, BABY... Kishidan - B abnormalize Rin Toshite Shigure Anime"PSYCHO-PASS" Opening theme B B Acro no Oka Dir en grey - B Acropolis ELLEGARDEN From the album "ELEVEN FIRE CRACKERS" B Addicted ELLEGARDEN From the album "Pepperoni Quattro" B ASIAN KUNG-FU After Dark - B GENERATION again YUI Anime "Fullmetal Alchemist" Opening theme A B A A A A A A Again 2 Yuzu - B again×again miwa From 2nd album "guitarium" B B Ageha Cho PornoGraffitti - B Ai desita. Kan Jani Eight TBS Thursday drama 9 "Papadoru!" Theme song B B A A A Ai ga Yobu Hou e PornoGraffitti - B A A Ai Nanda V6 - A Ai no Ai no Hoshi the brilliant green - B Ai no Bakudan B'z - B Ai no Kisetsu Angela Aki NHK TV novel series "Tsubasa" Theme song A A -
Press Release Columbia Music Entertainment Issues Notice Of
No.2006004 May 31, 2006 Press Release Columbia Music Entertainment, Inc. Columbia Music Entertainment Issues Notice of Consolidated Business Results Full Fiscal Year Ending March 2006 ~ Digital Music Sales Tripled and Financial Structure Strengthened ~ Columbia Music Entertainment Inc. (hereinafter CME; Head Office: Minato-ku, Tokyo; Chief Executive Officer (CEO): Sadahiko Hirose, Chairman: Strauss Zelnick) has today issued its consolidated business results, reporting the company’s overall performance for the fiscal year ending March 31, 2006 (FY 2005; April 1, 2005 ~ March 31, 2006). During the fiscal year under review, CME made steady progress towards the goal of continuing long-term profitability by strengthening its music entertainment business, by creating hit artists, and by expanding its digital business. The company has also continued pursuing comprehensive cost management and expense reduction, including the liquidation of unprofitable businesses. As a result of the company’s efforts, Kaela Kimura’s popularity grew rapidly as an artist, sales of digital music tripled compared with the previous fiscal year, and the company’s music entertainment business recorded a meaningful sales increase. In addition, CME divested its domestic CD and DVD pressing business and, in anticipation of a sale in the near-term, discontinued its U.S. CD and DVD pressing business. Both operations were non-core businesses that had been operating at a continuous loss. Given all of the above developments, we are confident that the CME will continue to record stable and growing profits from the coming term. "We are very pleased that CME has accomplished its major long-term goals of improving its balance sheet and focusing on it core growth business- music and entertainment content, marketing, and distribution," said CME Chairman Strauss Zelnick. -
Press Release Columbia Music Entertainment Releases
No. 2008007 May 15, 2008 Press Release Columbia Music Entertainment, Inc. Columbia Music Entertainment Releases Consolidated Results for the Full Fiscal Year Ending March 2008 Columbia Music Entertainment Inc. (hereinafter CME; Head Office: Minato-ku, Tokyo; Chief Executive Officer (CEO): Sadahiko Hirose, Chairman: Strauss Zelnick) has today issued its consolidated business results indicating the Company’s overall performance for the fiscal year under review ending March 31, 2008 (April 1, 2007 ~ March 31, 2008). Following its return to profitability in FY 2004 (ending March 31,2005) after 14 consecutive years of losses, Columbia Music Entertainment remained profitable in terms of both operating profit and ordinary profit through FY 2006 (ending March 31, 2007). However, because of continuing declines in the sales of packaged products such as CDs and DVDs, the Company is booking consolidated operating and ordinary losses for FY2007. As a result, Columbia Music Entertainment has taken aggressive measures to enable the Company to operate profitably, including the implementation of the “Second Career Program”, increased focus of management resources on promising artists and drastically reducing the scale of the international department. As a part of these actions, the Company has already conducted a review of the artist lineup in the J-Pop/J-Rock Department and has radically scaled back the unprofitable International Department, including the cancelling its license contract with the British rock V2 Music Group. The Company implemented the “Second Career Program” under which 119 employees have applied to take voluntary early retirement as of the end of March 2008. The Company also transferred some employees engaged in its package sales business into the overall Music Entertainment Business, which is now expanding. -
Knowledge-Based Music Recommendation: Models, Algorithms and Exploratory Search
PHD THESIS In Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy from Sorbonne University Specialization: Data Science Knowledge-based Music Recommendation: Models, Algorithms and Exploratory Search Pasquale LISENA Defended on 11/10/2019 before a committee composed of: Reviewer Michel BUFFA, Université Côte d’Azur, INRIA, Sophia Antipolis, France Reviewer Mounia LALMAS, Spotify, University College London, United Kingdom Examiner Gaël RICHARD, TELECOM Paris, France Examiner Tommaso DI NOIA, Politecnico di Bari, Italy Examiner Pietro MICHIARDI, EURECOM, Sophia Antipolis, France Thesis Director Benoit HUET, EURECOM, Sophia Antipolis, France Thesis Co-Director Raphäel TRONCY, EURECOM, Sophia Antipolis, France Dedicated to my family Acknowledgements Firstly, I would like to sincerely thank my advisor Raphäel Troncy, for having strongly wanted me to start this PhD, for having directed and guided my research, for having constantly given value and importance to my work, and for having shared with me goals and responsibilities. I would like to thank the members of my research group for their feedback and cooperation, in particular Enrico Palumbo, which shared with me most of this journey. An acknowledgement goes to the members of the DOREMUS project, which it was a pleasure to work with. I would like to thank also the research group of VU Amsterdam which welcomed me in early 2019 in their vibrant research environment, and in particular Frank van Harmelen, Albert Meroño Peñuela and Ilaria Tiddi. A very special gratitude goes out to all colleagues at EURECOM which contributed to create a pleasant work environment, with a special thank to those that have become genuine friends for me here in France.