Robert Browning - Poems
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Samuel Johnson's Childhood Illnesses and the King's Evil
SAMUEL JOHNSON'S CHILDHOOD ILLNESSES AND THE KING'S EVIL by LAWRENCE C. McHENRY, JR. AND RONALD MAC KEITH 'HERE is a brave boy,' proclaimed George Hector,* when he brought Samuel Johnson into the world. From this moment and throughout most of his childhood, young Sam was harassed by a variety of afflictions that troubled his daily existence, but did not prevent him from eventually becoming one of England's outstanding literary figures. Samuel Johnson's adult illnesses and the history of his childhood have been described by many writers, but no separate work is available on his childhood medical history. The purpose ofthis paper is to describe Johnson's childhood medical disorders and their consequences. The principal source of information on this period in Johnson's life is from an autobiographical sketch, An account of the life of Dr. Samuel Johnson from his birth to his eleventh year, written by himself. Johnson apparently called this his 'Annals' and his two principal biographers, Boswell and Hawkins, did not know of its existence. This was written when he was 55 years old and was 'among the mass of papers which were ordered to be committed to the flames a few days before his death.'** Johnson's 'Annals' gives a record of his early affections, but it contains a rather questionable medical implication that has been perpetuated as fact. This is that Johnson developed tuberculosis during the first few weeks of his life. We propose to point out that this is unlikely and to show that it is much more probable that he developed tuberculosis later, when he was about two years old. -
RAPHAEL JONATHAM DE OLIVEIRA SOARES.Pdf
UNIVERSIDADE FEDERAL DO PARANÁ RAPHAEL JONATHAM DE OLIVEIRA SOARES HA PRAZER EM CANTAR: UMA INTRODUÇÃO À POESIA DE ROBERT BROWNING CURITIBA 2017 RAPHAEL JONATHAM DE OLIVEIRA SOARES HÁ PRAZER EM CANTAR: UMA INTRODUÇÃO À POESIA DE ROBERT BROWNING Dissertação apresentada ao Curso de Pós- Graduação em Letras, Setor de Humanas, da Universidade Federal do Paraná, como requisito parcial à obtenção do título de Mestre em Letras. Orientador(a): Prof(a). Dr(a). Caetano Waldrigues Galindo. CURITIBA 2017 FICHA CATALOGRÁFICA ELABORADA PELO SISTEMA DE BIBLIOTECAS/UFPR - BIBLIOTECA DE CIÊNCIAS HUMANAS COM OS DADOS FORNECIDOS PELO AUTOR ___________ Fernanda Emanoéla Nogueira - CRB 9/1607_____________________ Soares, Raphael Jonatham de Oliveira Há prazer em cantar : uma introdução à poesia de Robert Browning. / Raphael Jonatham de Oliveira Soares. - Curitiba, 2017. Dissertação (Mestrado em Letras) - Setor de Ciências Humanas da Universidade Federal do Paraná. Orientador : Prof. Dr. Caetano Waldrigues Galindo 1. Browning, Robert, 1812-1889 - Crítica e interpretação. 2. Poesia inglesa. 3. Tradução e interpretação. I. Galindo, Caetano Waldrigues, 1973-. II. Título. CDD - 821.8 MINISTÉRIO DA EDUCAÇÃO UNIVERSIDADE FEDERAI DO PARANÁ PRÓ-REITORIA DE PESQUISA E PÓS-GRADUAÇÃO Setor CIÊNCIAS HUMANAS . UFPR Programa de Pós-Graduação LETRAS TERMO DE APROVAÇÃO Os membros da Banca Examinadora designada pelo Colegiado do Programa de Pós-Graduação em LETRAS da Universidade Federal do Paraná foram convocados para realizar a arguição da Dissertação de Mestrado de RAPHAEL JONATHAM DE OLIVEIRA SOARES intitulada: HÁ PRAZER EM CANTAR: UMA INTRODUÇÃO Á POESIA DE ROBERT BROWNING,após terem inquirido o aluno e realizado a avaliação do trabalho, são de parecer pela sua CÁ s -> > -» t /O, no rito de defesa. -
The Armstrong Browning Library Newsletter God Is the Perfect Poet
The Armstrong Browning Library Newsletter God is the perfect poet. – Paracelsus by Robert Browning NUMBER 51 SPRING/SUMMER 2007 WACO, TEXAS Ann Miller to be Honored at ABL For more than half a century, the find inspiration. She wrote to her sister late Professor Ann Vardaman Miller of spending most of the summer there was connected to Baylor’s English in the “monastery like an eagle’s nest Department—first as a student (she . in the midst of mountains, rocks, earned a B.A. in 1949, serving as an precipices, waterfalls, drifts of snow, assistant to Dr. A. J. Armstrong, and a and magnificent chestnut forests.” master’s in 1951) and eventually as a Master Teacher of English herself. So Getting to Vallombrosa was not it is fitting that a former student has easy. First, the Brownings had to stepped forward to provide a tribute obtain permission for the visit from to the legendary Miller in Armstrong the Archbishop of Florence and the Browning Library, the location of her Abbot-General. Then, the trip itself first campus office. was arduous—it involved sitting in a wine basket while being dragged up the An anonymous donor has begun the cliffs by oxen. At the top, the scenery process of dedicating a stained glass was all the Brownings had dreamed window in the Cox Reception Hall, on of, but disappointment awaited Barrett the ground floor of the library, to Miller. Browning. The monks of the monastery The Vallombrosa Window in ABL’s Cox Reception The hall is already home to five windows, could not be persuaded to allow a woman Hall will be dedicated to the late Ann Miller, a Baylor professor and former student of Dr. -
Tony Roberts
Tony Roberts Living with Browning: an appreciation of the poet in his bicentennial year I sometimes feel that Robert Browning and I were related, distant cousins perhaps. It stems from the ghostly intimacy of having read nine biographies of the man. His poetry and the books that feed on it have taken up five feet of my bookshelves for many years. Of course I frequently reread the poems, too, and quote Randall Jarrell in my defence. Celebrating Wallace Stevens’ work, in Poetry and the Age , Jarrell concluded: A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great. By that measure Robert Browning is a great poet. On my count there are a dozen or more lightning strikes among the thicket of collections written by this most relentless of Victorians i. What I have loved of Browning is the plain speaking, “hip to haunch”, intimacy of the dramas. We are there with the watch seizing “brother Lippo”; at dinner with the worldly prelate, Bishop Blougram; gathered with the sons at the deathbed of the bishop of Saint Praxed’s; attending on the dry, sadistic duke at Ferrara; eavesdropping on the cuckolded “faultless painter”. Here and elsewhere, Browning exhibits his genius for character and atmosphere – and for fine detail (“the ferrel of his stick/Trying the mortar’s temper ‘tween the chinks”), the perfect image ii , sensuality (upper iii and lower caste iv ), the memorable aphorism (“incentives come from the soul's self;/ The rest avail not.”) adroit rhythms and rhymes and – in lighter moments – a sometimes knockabout sense of humour v. -
The Township Institute
STATE OF I N DIANA The Township Institute I ssued by the STATE DEPARTMENT OF PUBLI C A I NSTRUCTION 1 9 1 7 - 1 9 1 8 HORACE ELLIS State Superintendent of Public Instruction mm WAYNE mm'rme comm“ com mons i ron su m pm e m am mo 1917 k s Boo s are you r , Within those silent ch ambers treasure li es Preserved from age to age ; more preci ous far Than that a ccumulated store of gold An d ori ent em s W hi ch for a da of need g , y , The ul an hide dee i n an estral t s t s p c ombs . These hoard of tr th o an n s u y u c u lock at Will . ords or W w th. ’ Every difficulty that i s overcome by a pupil s own eflorts tends to develop i n hi m an ambiti on to con r other di i Fe if an ue fficul t es . w o q , y, j ys can be compared with th e ecstati c joy of vi c tory ” Thi nki n and Learni n to ead Shaefier. g g R , ~ D. of D NOV 3 19 17 I NTRODUCTI ON The townshi p institute shoul d be looked upon as a serious business affair . It has been authorized by law and the public treasury has been opened to make certain its existence . Thi s is done in order that the teachers of our state may be made better . -
Title: the Disclosure of Self in Robert Browning's Dramatic Monologues
Title: The Disclosure of self in Robert Browning's dramatic monologues Author: Agnieszka Adamowicz-Pośpiech Adamowicz-Pośpiech Agnieszka. (2014). The Disclosure of Citation style: self in Robert Browning's dramatic monologues. W: W. Kalaga, M. Mazurek, M. Sarnek (red.) "Camouflage : secrecy and exposure in literary and cultural studies" (S. 112-126). Katowice : Wydawnictwo Uniwersytetu Śląskiego Agnieszka Adamowicz-Pośpiech The Disclosure of Self in Robert Browning’s Dramatic Monologues “To read poems,” wrote George Eliot in a review of Browning’s work, “is often a substitute for thought; fine-sounding conventional phrases and the sing-song of verse demand no co-operation in the reader; they glide over the mind.”1 Contrary to Eliot’s assessment, the aim of this paper is to show that by creating a disturbing persona characterized by a fluctuating self-consciousness which was distinctive not only of the fictional character but also of the listener/reader and the writer, Browning hampers uninvolved reading. In his dramatic monologues, the poet employs certain techniques to hide the real nature of his monologists, and the reader is forced painstakingly to gather the dispersed allusions, implications and insinuations so as to uncover the secrets of the speakers. Doubleness in Victorian poetry has been perceived by some critics as one of its defining characteristics.2 Amongst the terms coined to describe it is E.D.H. Johnson’s “dark companion”: “The expressed content [of a poem] has a dark companion, its imaginative counterpart, which accompanies and comments on apparent meaning in such a way as to suggest ulterior motives.”3 Isobel Armstrong proposed a parallel concept “double companion.”4 However, the essential words, seem to me, to be the “imaginative counterpart” – since it is only in the imagination of the reader that the counterpart may arise on condition that the reader becomes involved in unraveling the text. -
Starved Rock
Starved Rock By Edgar Lee Masters STARVED ROCK As a soul from whom companionships subside The meaningless and onsweeping tide Of the river hastening, as it would disown Old ways and places, left this stone Of sand above the valley, to look down Miles of the valley, hamlet, village, town. It is a head-gear of a chief whose head, Down from the implacable brow, Waiting is held below The waters, feather decked With blossoms blue and red, With ferns and vines; Hiding beneath the waters, head erect, His savage eyes and treacherous designs. It is a musing memory and memorial Of geologic ages Before the floods began to fall; The cenotaph of sorrows, pilgrimages Of Marquette and LaSalle. The eagles and the Indians left it here In solitude, blown clean Of kindred things: as an oak whose leaves are sere Fly over the valley when the winds are keen, And nestle where the earth receives Another generation of exhausted leaves. Fatigued with age its sleepless eyes look over Fenced fields of corn and wheat, Barley and clover. The lowered pulses of the river beat Invisibly by shores that stray In progress and retreat Past Utica and Ottawa, And past the meadow where the Illini Shouted and danced under the autumn moon, When toddlers and papooses gave a cry, And dogs were barking for the boon Of the hunter home again to clamorous tents Smoking beneath the evening's copper sky. Later the remnant of the Illini Climbed up this Rock, to die Of hunger, thirst, or down its sheer ascents Rushed on the spears of Pottawatomies, And found the peace Where thirst and hunger are unknown. -
Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 8-2015 Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon Eric Teixeira Mendes Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Asian History Commons, Buddhist Studies Commons, and the History of Religions of Eastern Origins Commons Recommended Citation Mendes, Eric Teixeira, "Ancient Magic and Modern Accessories: Developments in the Omamori Phenomenon" (2015). Master's Theses. 626. https://scholarworks.wmich.edu/masters_theses/626 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON by Eric Teixeira Mendes A thesis submitted to the Graduate College in partial fulfillment of the requirements for the degree of Master of Arts Comparative Religion Western Michigan University August 2015 Thesis Committee: Stephen Covell, Ph.D., Chair LouAnn Wurst, Ph.D. Brian C. Wilson, Ph.D. ANCIENT MAGIC AND MODERN ACCESSORIES: DEVELOPMENTS IN THE OMAMORI PHENOMENON Eric Teixeira Mendes, M.A. Western Michigan University, 2015 This thesis offers an examination of modern Japanese amulets, called omamori, distributed by Buddhist temples and Shinto shrines throughout Japan. As amulets, these objects are meant to be carried by a person at all times in which they wish to receive the benefits that an omamori is said to offer. In modern times, in addition to being a religious object, these amulets have become accessories for cell-phones, bags, purses, and automobiles. -
Women and Nationalistic Politics in Robert Browning’S Poetry: a Feminist Reading of ‘’Balaustion’S Adventure and ‘’Aristophanes Apology
International Journal of English and Literature (IJEL) ISSN (P): 2249-6912; ISSN (E): 2249-8028 Vol. 7, Issue 4, Aug 2017, 43-64 © TJPRC Pvt. Ltd WOMEN AND NATIONALISTIC POLITICS IN ROBERT BROWNING’S POETRY: A FEMINIST READING OF ‘’BALAUSTION’S ADVENTURE AND ‘’ARISTOPHANES APOLOGY IGNATIUS NSAIDZEDZE Department of English, Faculty of Arts the University of Buea, South West Region, America ABSTRACT Using the feminist critical theory, this paper analyses two epic poems by Robert Browning telling the story of a 14 year old girl from Rhodes, an ally of Athens who was using Euripides as her idol and his tragedy as her weapon liberates Athens from Spartan occupation with its foreign comedy of Aristophanes.Balaustion here is similar to Saint Joan in George Bernard Shaw’s Saint Joan who liberates the French nation from the English occupation.The paper argues that Balaustion portrays herself as a ‘’New-Woman’’ when she exhibits masculine attributes like Juliet in Romeo and Juliet, her patriotism/nationalism and her quest for her people’s freedom when she liberates Athens from Spartan occupation.This paper reveals that by portraying such an active, nationalistic, man-like woman, Browning simply was paying tribute to his dead wife Elizabeth Barrett Browning who had died earlier.The story of King Admetos and his wife Alcestis paralleled that of Robert Browning and Elizabeth Barrett Browning. Browning and his wife were fervent admirers of the youngest of the three Greek tragedians Euripides and these two epics equally show Euripides’ importance as a nationalist tragedian in the ancient Greek world coming after Aeschylus and Sophocles. -
Silent Love the Annotation and Interpretation of Nabokov’S the Real Life of Sebastian Knight
Silent Love The Annotation and Interpretation of Nabokov’s The Real Life of Sebastian Knight Silent Love The Annotation and Interpretation of Nabokov’s The Real Life of Sebastian Knight GERARD DE VRIES Boston 2016 Library of Congress Cataloging-in-Publication Data: The bibliographic data for this title is available from the Library of Congress. © 2016 Academic Studies Press All rights reserved ISBN 978-1-61811-499-0 (cloth) ISBN 978-1-61811-500-3 (electronic) Book design by Kryon Publishing www.kryonpublishing.com On the cover: Portrait of R.S. Ernst, by Zinaida Serebriakova, 1921. Reproduced by permission of the Nizhnii Novgorod State Art Museum. Published by Academic Studies Press in 2016 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com For Wytske, Julian, Olivia, and Isabel. -
University Microfilms, a XERQ\Company, Ann Arbor, Michigan
72- 19,021 NAPRAVNIK, Charles Joseph, 1936- CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING. The University of Oklahoma, Ph.D. , 1972 Language and Literature, general University Microfilms, A XERQ\Company, Ann Arbor, Michigan (^Copyrighted by Charles Joseph Napravnlk 1972 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE UNIVERSITY OF OKIAHOMA GRADUATE COLLEGE CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY CHARLES JOSEPH NAPRAVNIK Norman, Oklahoma 1972 CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING PROVED DISSERTATION COMMITTEE PLEASE NOTE: Some pages may have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company TABLE OF CONTENTS Chapter Page I. INTRODUCTION...... 1 II. BACKGROUND AND RATIONALE.................. 10 III, THE RING, THE CIRCLE, AND IMAGES OF UNITY..................................... 23 IV. IMAGES OF FLOWERS, INSECTS, AND ROSES..................................... 53 V. THE GARDEN IMAGE......................... ?8 VI. THE LANDSCAPE OF LOVE....... .. ...... 105 FOOTNOTES........................................ 126 BIBLIOGRAPHY.............. ...................... 137 iii CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING CHAPTER I INTRODUCTION Since the founding of The Browning Society in London in 1881, eight years before the poet*a death, the poetry of Robert -
Robert and Elizabeth Barrett Browning Poems Pdf, Epub, Ebook
ROBERT AND ELIZABETH BARRETT BROWNING POEMS PDF, EPUB, EBOOK Robert Browning,Elizabeth Barrett Browning,Peter Washington | 256 pages | 28 Feb 2003 | Everyman | 9781841597522 | English | London, United Kingdom Robert and Elizabeth Barrett Browning Poems PDF Book Alexander Neubauer. A blue plaque at the entrance to the site attests to this. Retrieved 23 October Virginia Woolf called it "a masterpiece in embryo". Elizabeth Barrett Browning died in Florence on June 29, Her mother's collection of her poems forms one of the largest extant collections of juvenilia by any English writer. Retrieved 22 September Here's another love poem from the Portuguese cycle , too, Dictionary of Literary Biography Vol. Olena Kalytiak Davis Fredeman and Ira Bruce Nadel. Carl Sandburg Here's a very brief primer on a bold and brilliant talent. In the newly elected Pope Pius IX had granted amnesty to prisoners who had fought for Italian liberty, initiated a program looking forward to a more democratic form of government for the Papal State, and carried out a number of other reforms so that it looked as though he were heading toward the leadership of a league for a free Italy. During this period she read an astonishing amount of classical Greek literature—Homer, Pindar, the tragedians, Aristophanes, and passages from Plato, Aristotle, Isocrates, and Xenophon—as well as the Greek Christian Fathers Boyd had translated. Her prolific output made her a rival to Tennyson as a candidate for poet laureate on the death of Wordsworth. Gale Virtual Reference Library. Vice-Presidents: Robert Browning Esq. Burton Raffel. Sandra Donaldson et al.