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Title: the Disclosure of Self in Robert Browning's Dramatic Monologues
Title: The Disclosure of self in Robert Browning's dramatic monologues Author: Agnieszka Adamowicz-Pośpiech Adamowicz-Pośpiech Agnieszka. (2014). The Disclosure of Citation style: self in Robert Browning's dramatic monologues. W: W. Kalaga, M. Mazurek, M. Sarnek (red.) "Camouflage : secrecy and exposure in literary and cultural studies" (S. 112-126). Katowice : Wydawnictwo Uniwersytetu Śląskiego Agnieszka Adamowicz-Pośpiech The Disclosure of Self in Robert Browning’s Dramatic Monologues “To read poems,” wrote George Eliot in a review of Browning’s work, “is often a substitute for thought; fine-sounding conventional phrases and the sing-song of verse demand no co-operation in the reader; they glide over the mind.”1 Contrary to Eliot’s assessment, the aim of this paper is to show that by creating a disturbing persona characterized by a fluctuating self-consciousness which was distinctive not only of the fictional character but also of the listener/reader and the writer, Browning hampers uninvolved reading. In his dramatic monologues, the poet employs certain techniques to hide the real nature of his monologists, and the reader is forced painstakingly to gather the dispersed allusions, implications and insinuations so as to uncover the secrets of the speakers. Doubleness in Victorian poetry has been perceived by some critics as one of its defining characteristics.2 Amongst the terms coined to describe it is E.D.H. Johnson’s “dark companion”: “The expressed content [of a poem] has a dark companion, its imaginative counterpart, which accompanies and comments on apparent meaning in such a way as to suggest ulterior motives.”3 Isobel Armstrong proposed a parallel concept “double companion.”4 However, the essential words, seem to me, to be the “imaginative counterpart” – since it is only in the imagination of the reader that the counterpart may arise on condition that the reader becomes involved in unraveling the text. -
University Microfilms, a XERQ\Company, Ann Arbor, Michigan
72- 19,021 NAPRAVNIK, Charles Joseph, 1936- CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING. The University of Oklahoma, Ph.D. , 1972 Language and Literature, general University Microfilms, A XERQ\Company, Ann Arbor, Michigan (^Copyrighted by Charles Joseph Napravnlk 1972 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE UNIVERSITY OF OKIAHOMA GRADUATE COLLEGE CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY CHARLES JOSEPH NAPRAVNIK Norman, Oklahoma 1972 CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING PROVED DISSERTATION COMMITTEE PLEASE NOTE: Some pages may have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company TABLE OF CONTENTS Chapter Page I. INTRODUCTION...... 1 II. BACKGROUND AND RATIONALE.................. 10 III, THE RING, THE CIRCLE, AND IMAGES OF UNITY..................................... 23 IV. IMAGES OF FLOWERS, INSECTS, AND ROSES..................................... 53 V. THE GARDEN IMAGE......................... ?8 VI. THE LANDSCAPE OF LOVE....... .. ...... 105 FOOTNOTES........................................ 126 BIBLIOGRAPHY.............. ...................... 137 iii CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING CHAPTER I INTRODUCTION Since the founding of The Browning Society in London in 1881, eight years before the poet*a death, the poetry of Robert -
Victorian Supplemental
Revised Spring 2019 WESTERN UNIVERESITY DEPARTMENT OF ENGLISH PhD QUALIFYING EXAMINATION READING LIST English 9914 (SF)/ 9934 (PF) SUPPLEMENTARY LIST FOR THE VICTORIAN PERIOD 1. Additional Instructions Students for whom the nineteenth century is their Primary Field should supplement the general list with material chosen from the following, as suits the particular focus of their studies. Students who choose to concentrate on the Victorian Period within their major field should reduce the material on the Romantic part of the nineteenth-century list by approximately two thirds, and should replace this material with material drawn from the following list. In addition, the list for the major or primary field should contain 20% more material overall than for the secondary field. OPTIONAL TEXTS POETRY E. Barrett Browning: “A Sea-Side Walk”; “Felicia Hemans”; “Bertha in the Lane”; “Grief”; “To George Sand: A Desire”; “To George Sand: A Recognition”; “Hiram Powers’ ‘Greek Slave’”; “Sonnets from The Portuguese”; Aurora Leigh; “Lord Walter’s Wife”; “The Best Thing in the World”; “Mother and Poet”. Alfred Lord Tennyson: Song (‘A spirit haunts the year’s last hours’); “The Kraken”; “The Hesperides”; “To---. With the Following Poem”; “The Palace of Art “St Simeon Stylites”; “Break, Break, Break”; “Locksley Hall”; from The Princess ‘Sweet and low, sweet and low’; ‘Tears, idle tears’; ‘Now sleeps the crimson petal’; ‘Come down, O maid’; “The Eagle”; “Ode on the Death of the Duke of Wellington”; “The Charge of the Light Brigade”; “Enoch Arden” ; “The Higher Pantheism”; “Rizpah”; Idylls of the King; ‘Frater Ave atque Vale’; “Demeter and Persephone”; “Far—Far—Away”; “To the Marquis of Dufferin and Ava”; “Crossing the Bar” Edward Fitgerald: The Rubayiat of Omar Khayyam. -
The Tomb of the Author in Robert Browning's Dramatic Monologues
Előd Pál Csirmaz The Tomb of the Author in Robert Browning’s Dramatic Monologues MA Thesis (for MA in English Language and Literature) Eötvös Loránd University (ELTE), Budapest, Hungary, 2006 Supervisor: Péter Dávidházi, Habil. Docent, DSc. Abstract Even after the death of the Author, its remains, its tomb appears to mark a text it cre- ated. Various readings and my analyses of Robert Browning’s six dramatic mono- logues, My Last Duchess, The Bishop Orders His Tomb at Saint Praxed’s Church, Andrea del Sarto, “Childe Roland to the Dark Tower Came,” Caliban upon Setebos and Rabbi Ben Ezra, suggest that it is not only possible to trace Authorial presence in dramatic monologues, where the Author is generally supposed to be hidden behind a mask, but often it even appears to be inevitable to consider an Authorial entity. This, while problematizes traditional anti-authorial arguments, do not entail the dreaded consequences of introducing an Author, as various functions of the Author and vari- ous Author-related entities are considered in isolation. This way, the domain of metanarrative-like Authorial control can be limited and the Author is turned from a threat into a useful tool in analyses. My readings are done with the help of notions and suggestions derived from two frameworks I introduce in the course of the argument. They not only help in tracing and investigating the Author and related entities, like the Inscriber or the Speaker, but they also provide an alternative description of the genre of the dramatic monologue. Előd P Csirmaz The Tomb of the Author ii Contents 1 INTRODUCTION 1 2 THE THEORY OF THE AUTHOR 1 2.1 A History of the Death of the Author 2 2.2 From the Methodological to the Ontological and Back: The Functions of the Author and its Death 3 A. -
Overseas 2011
overSEAS 2011 This thesis was submitted by its author to the School of Eng- lish and American Studies, Eötvös Loránd University, in partial fulfilment of the requirements for the degree of Master of Arts. It was found to be among the best theses submitted in 2011, therefore it was decorated with the School’s Outstanding Thesis Award. As such it is published in the form it was submitted in overSEAS 2011 (http://seas3.elte.hu/overseas/2011.html) C ERTIFICATE OF R ESEARCH By my signature below, I certify that my ELTE MA thesis, entitled “And I Choose Never to Stoop”: Focalisation and Diegesis in Robert Browning’s Complementary Dramatic Monologues is entirely the result of my own work, and that no degree has previously been conferred upon me for this work. In my thesis I have cited all the sources (printed, electronic or oral) I have used faithfully and have always indicated their origin. The electronic version of my thesis (in PDF format) is a true representation (identical copy) of this printed version. If this pledge is found to be false, I realize that I will be subject to penalties up to and including the forfeiture of the degree earned by my thesis. Date: 2nd May 2011. Signed: ....................................................... “And I Choose Never to Stoop”: Focalisation and Diegesis in Robert Browning’s Complementary Dramatic Monologues „Márpedig sértést nem tűrök”: Fokalizáció és diegézis Robert Browning párverseiben SZAKDOLGOZAT Vesztergom Janina Témavezető: Dr. Csikós Dóra egyetemi adjunktus MA in English Anglisztika MA Eötvös Loránd Tudományegyetem 2011 Abstract The first and foremost aim of my thesis is to demonstrate that a comparative analysis of Robert Browning‟s complementary dramatic monologues, “My Last Duchess – Ferrara” and “Count Gismond – Aix en Provence”, does not only lead to a better understanding of the individual poems, but also draws the readers‟ attention to significant aspects of interpretation which otherwise would remain unnoticed. -
The Voice, Volume L Number 3, June 1929
Longwood University Digital Commons @ Longwood University Student Publications Library, Special Collections, and Archives 6-1929 The oiceV , Volume l Number 3, June 1929 Longwood University Follow this and additional works at: http://digitalcommons.longwood.edu/special_studentpubs Recommended Citation Longwood University, "The oV ice, Volume l Number 3, June 1929" (1929). Student Publications. 104. http://digitalcommons.longwood.edu/special_studentpubs/104 This Book is brought to you for free and open access by the Library, Special Collections, and Archives at Digital Commons @ Longwood University. It has been accepted for inclusion in Student Publications by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected]. 3u«p. 1023 Digitized by the Internet Archive in 2010 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/voicejune192913stat Volume I. Number 3 Published by CUNNINGHAM AND RUFFNER LITERARY SOCIETIES THE STAFF Editor-in-Chief JULIA WILSON Assistant Editor MARY ELLEN CATO Literary Editor MARJORIE CODD Assistant Literary Editor JULIET MANN Art Editor LILLIAN RHODES Business Manager IDA WHYTE Assistant Business Manager NELLIE TALLEY Typist ELIZABETH ATWATER Proof-Reader ISABEL MACDONALD FARMVILLE, VIRGINIA JUNE, 1929 Qlnntenta DANCE OF THE ELVES—Wloodcut—Lillian Rhodes, '29 3 BROWNIN'GS MEN AND WOMEN, Carolea Harris, '29 4 ART CORNER—ANDREA DEL SARTO, Lillian Rhodes, '29 16 POETRY- DANDELIONS—Elizabeth P. Falconer, '31 17 DISILLUSIONMENT—Mary Ellen Cato, '31 17 LIFE—Alice Harrison, '32 18 THE SEA—E. F., '31 18 AH, NO, I'VE NOT FORGOTTEN ALL THOSE DAYS—G. J. K., '29 19 ON YOUR LEAVING—Frances Willis, '29 19 A MISUNDERSTANDING—J. -
Victorian Literature: an Anthology
423 From Pippa Passes2 Song The year’s at the spring And day’s at the morn; Morning’s at seven; The hill-side’s dew-pearled; Robert Browning The lark’s on the wing; 5 The snail’s on the thorn: God’s in his heaven— All’s right with the world! My Last Duchess3 FERRARA That’s my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Frà Pandolf’s4 hands Worked busily a day, and there she stands. Will’t please you sit and look at her? I said 5 ‘Frà Pandolf’ by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) 10 And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, ’twas not Her husband’s presence only, called that spot Of joy into the Duchess’ cheek: perhaps 15 Frà Pandolf chanced to say ‘Her mantle laps Over my Lady’s wrist too much,’ or ‘Paint Must never hope to reproduce the faint Half-flush that dies along her throat’; such stuff Was courtesy, she thought, and cause enough 20 Notes 2 title this song recurs throughout Pippa Passes. Pippa, a marriage in 1565 with the niece of the Count of Tyrol (Barbara young girl, works in a silk mill and passes through Asolo, an of Austria, 1539–72), using the count’s emissary, Nikolaus Italian town near Venice. -
An Examination of the Conclusions to Browning's Dramatic Monologues
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Tennessee, Knoxville: Trace University of Tennessee, Knoxville Trace: Tennessee Research and Creative Exchange Masters Theses Graduate School 3-1966 An Examination of The oncluC sions to Browning's Dramatic Monologues Charlotte Hudgens Beck University of Tennessee - Knoxville Recommended Citation Beck, Charlotte Hudgens, "An Examination of The onclusionC s to Browning's Dramatic Monologues. " Master's Thesis, University of Tennessee, 1966. https://trace.tennessee.edu/utk_gradthes/2899 This Thesis is brought to you for free and open access by the Graduate School at Trace: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of Trace: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Charlotte Hudgens Beck entitled "An Examination of The Conclusions to Browning's Dramatic Monologues." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Kenneth Knickerbocker, Major Professor We have read this thesis and recommend its acceptance: F. DeWolfe Miller, Norman Sanders Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official student records.) March 1, 19 66 To th e Graduate Council: I am su bmitting herewith a th esis wr i tten by Char l otte Hud gen s Beck en ti tl ed ·�n Examination of the Conclusions to Browning's Dra matic Monol ogues." I recommend th at it be accepted for nine quar ter hours of credit in partial fulfillment of the requirements for the degr ee of Master of Arts, wi th a maj or in En gl ish. -
Robert Browning: an Interpreter's Analysis of Selected Monologues
Robert Browning: an interpreter's analysis of selected monologues Item Type text; Thesis-Reproduction (electronic) Authors Salgado, Ralph Henry, 1941- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 17:10:05 Link to Item http://hdl.handle.net/10150/317968 ROBERT BROWNING: AN INTERPRETER’S ANALYSIS OF SELECTED MONOLOGUES By Ralph H« Salgado3 Jr. A Thesis Submitted to the Faculty of the DEPARTMENT OF SPEECH In Partial Fulfillment of the Requirements' For the•Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 6 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED : f4. APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: <L'.A 6? J f ALETHEA SMITH MATTINGLY ' / Date Professor of Speech ACKNOWLEDGMENTS Sincere appreciation is extended to Alethea Smith Mattingly, Ph. -
The Dramatic Monologue Author(S): Ina Beth Sessions Source: PMLA, Vol
The Dramatic Monologue Author(s): Ina Beth Sessions Source: PMLA, Vol. 62, No. 2 (Jun., 1947), pp. 503-516 Published by: Modern Language Association Stable URL: http://www.jstor.org/stable/459275 . Accessed: 12/02/2014 08:55 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Modern Language Association is collaborating with JSTOR to digitize, preserve and extend access to PMLA. http://www.jstor.org This content downloaded from 155.207.156.2 on Wed, 12 Feb 2014 08:55:36 AM All use subject to JSTOR Terms and Conditions XXIX THE DRAMATIC MONOLOGUE THROUGH the years detailed attention has been given to the lyric, epic, short-story, drama, novel, and other literary forms, but compara- tively few references have been made to the dramatic monologue. A be- ginning towards the understanding of this neglected form was made by Stopford A. Brooke, who devoted one chapter to a discussion of Tenny- son's use of the dramatic monologue in his Tennyson, His Art and Re- lation to ModernLife.' S.S. Curry in his Browning and the Dramatic Mono- logue made a study of three characteristics of the form: speaker, audience, and occasion. -
An Examination of the Conclusions to Browning's Dramatic Monologues
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 3-1966 An Examination of The Conclusions to Browning's Dramatic Monologues Charlotte Hudgens Beck University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Beck, Charlotte Hudgens, "An Examination of The Conclusions to Browning's Dramatic Monologues. " Master's Thesis, University of Tennessee, 1966. https://trace.tennessee.edu/utk_gradthes/2899 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Charlotte Hudgens Beck entitled "An Examination of The Conclusions to Browning's Dramatic Monologues." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Kenneth Knickerbocker, Major Professor We have read this thesis and recommend its acceptance: F. DeWolfe Miller, Norman Sanders Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) March 1, 19 66 To th e Graduate Council: I am su bmitting herewith a th esis wr i tten by Char l otte Hud gen s Beck en ti tl ed ·�n Examination of the Conclusions to Browning's Dra matic Monol ogues." I recommend th at it be accepted for nine quar ter hours of credit in partial fulfillment of the requirements for the degr ee of Master of Arts, wi th a maj or in En gl ish. -
Gender Relations in Robert Browning's Dramatic Monologues
Ghent University Faculty Arts and Philosophy – English Literature Department Gender Relations in Robert Browning’s Dramatic Monologues FREYA MAENHOUT DISSERTATION SUBMITTED FOR THE DEGREE OF LICENCE IN GERMANIC PHILOLOGY Promotor: Prof. Dr. Marysa Demoor May 2007 Ghent University Faculty Arts and Philosophy – English Literature Department Gender Relations in Robert Browning’s Dramatic Monologues FREYA MAENHOUT DISSERTATION SUBMITTED FOR THE DEGREE OF LICENCE IN GERMANIC PHILOLOGY Promotor: Prof. Dr. Marysa Demoor May 2007 2 Acknowledgements First of all I would like to thank my promotor, Prof. Dr. Marysa Demoor, for her time and advice; Marianne Van Remoortel, for supplying me with additional information; the libraries of the English and Dutch department of Ghent University; the public library in Louvain; B.Brabant for his help; my proofreaders, C.Van Huele, C.Kelly, M.Repovž and L.Baldwin; and finally my parents for their support. 3 TABLE OF CONTENTS 1. INTRODUCTION ................................................................................................. 5 2. ROBERT BROWNING AND THE DRAMATIC MONOLOGUE ............................. 7 A. His Life and Work ....................................................................................................................................... 7 B. The Dramatic Monologue .............................................................................................................................. 11 1. The Term ―Dramatic Monologue‖ .........................................................................................................