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UNIVERSIDADE FEDERAL DO PARANÁ RAPHAEL JONATHAM DE OLIVEIRA SOARES HA PRAZER EM CANTAR: UMA INTRODUÇÃO À POESIA DE ROBERT BROWNING CURITIBA 2017 RAPHAEL JONATHAM DE OLIVEIRA SOARES HÁ PRAZER EM CANTAR: UMA INTRODUÇÃO À POESIA DE ROBERT BROWNING Dissertação apresentada ao Curso de Pós- Graduação em Letras, Setor de Humanas, da Universidade Federal do Paraná, como requisito parcial à obtenção do título de Mestre em Letras. Orientador(a): Prof(a). Dr(a). Caetano Waldrigues Galindo. CURITIBA 2017 FICHA CATALOGRÁFICA ELABORADA PELO SISTEMA DE BIBLIOTECAS/UFPR - BIBLIOTECA DE CIÊNCIAS HUMANAS COM OS DADOS FORNECIDOS PELO AUTOR ___________ Fernanda Emanoéla Nogueira - CRB 9/1607_____________________ Soares, Raphael Jonatham de Oliveira Há prazer em cantar : uma introdução à poesia de Robert Browning. / Raphael Jonatham de Oliveira Soares. - Curitiba, 2017. Dissertação (Mestrado em Letras) - Setor de Ciências Humanas da Universidade Federal do Paraná. Orientador : Prof. Dr. Caetano Waldrigues Galindo 1. Browning, Robert, 1812-1889 - Crítica e interpretação. 2. Poesia inglesa. 3. Tradução e interpretação. I. Galindo, Caetano Waldrigues, 1973-. II. Título. CDD - 821.8 MINISTÉRIO DA EDUCAÇÃO UNIVERSIDADE FEDERAI DO PARANÁ PRÓ-REITORIA DE PESQUISA E PÓS-GRADUAÇÃO Setor CIÊNCIAS HUMANAS . UFPR Programa de Pós-Graduação LETRAS TERMO DE APROVAÇÃO Os membros da Banca Examinadora designada pelo Colegiado do Programa de Pós-Graduação em LETRAS da Universidade Federal do Paraná foram convocados para realizar a arguição da Dissertação de Mestrado de RAPHAEL JONATHAM DE OLIVEIRA SOARES intitulada: HÁ PRAZER EM CANTAR: UMA INTRODUÇÃO Á POESIA DE ROBERT BROWNING,após terem inquirido o aluno e realizado a avaliação do trabalho, são de parecer pela sua CÁ s -> > -» t /O, no rito de defesa. A outorga do título de mestre está sujeita à homologação pelo colegiado, ao atendimento de todas as indicações e correções solicitadas peia banca e ao pleno atendimento das demandas regimentais do Programa de Pós-Graduação. Curitiba, 31 de Outubro de 2017. CAETANÓ WALDRIGUES GALINDO Presidente da Barica Examinadora (UFPR) LUiS GONÇALES BUENO DÊ CAMARGO Avaliador Interno (UFPR) Avaliador Externo (PUC-RIO) Rua General Carneiro, 460,10° andar Sala 1019 - Curitiba - Paraná - Brasil CEP 80060-150 - Tel: (41) 3360-5102 - E-mail: [email protected] AGRADECIMENTOS Agradeço primeiramente à minha família, que tem me apoiado incondicionalmente na minha vida acadêmica. Como a família é grande, aqui vão nominalmente meu pai, Roberto Tito, e minha mãe Rosália de Oliveira. Ao meu grande amigo irmão, Denis Girotto Brito pelo apoio em vários aspectos da minha vida acadêmica e literária, e à Luanda Carvalho, que me apoia (e me enche de café) mesmo quando eu não mereço. A Dowland, Purcel e Britten. Não consigo escrever sem música, e como escrevia sobre literatura inglesa, a música inglesa serve para dar o clima, e a tríade citada é, sem dúvidas, o melhor em quatro séculos de música na ilha. Também tenho de agradecer aos vizinhos, que suportaram me ouvir cantando “Strike the viols” e “Thou tun'st this world” dia e noite sem chamarem a polícia. A todos os professores que têm me acompanhado durante a minha vida, e me ensinado grande parte do que sei. Aos professores da UFPR. Apesar do pouco contato, e por tempo muito curto, todas as experiências adquiridas aqui foram muito instrutivas e satisfatórias. O professor Dr. Walter que me apresentou à grandeza de Tchekhov (mas desculpa, Ibsen > Tchekhov ainda assim... masJardim o das Cerejeiras é uma obra prima), a professora Dra. Marilene que me abriu os olhos para todas as reflexões sobre o romance histórico, a professora Dra. Sandra que ministrou disciplina de poesia, e é sempre bom falar de poesia, o professor Dr. Bueno me fazendo pensar a historiografia literária a partir de novos horizontes, o professor Pedro que me aceitou como aluno clandestino nas aulas de grego. Cada uma dessas aulas gerou em mim novas perspectivas que não foram desprezíveis no desenvolvimento do presente trabalho. Agradecimento especial também ao professor Dr. Maurício: não fosse por nosso encontro casual em outra defesa de mestrado em Belém eu provavelmente não teria cogitado a pós da UFPR e talvez tivesse de rolar o dado uma segunda vez. Agradecimento também aos meus companheiros de jornada, embora nossos encontros tenham sido tão curtos e esparsos que mal posso chamá-los pelos nomes. Não poderia deixar de dar um agradecimento mais que especial ao meu orientador, o Dr. Caetano Galindo, a quem dei bem mais preocupações do que deveria. Mas cada uma de suas contribuições foram fundamentais para o desenvolvimento e aperfeiçoamento do trabalho, e sem a sua ajuda não chegaria até aqui. Aos meus amigos da vida real, vida essa que quase não tive durante os últimos dois anos: Christiane Christine, Cibelle Jemima, Dione Márcia, Samantha de Sousa, Valéria Anjos, Jairo Vansiler, Marcos Samuel, Ulisses Catulo, e os ex-professores Abílio Pacheco, Lília Chaves e minha ex-dona Izabela Leal. Um especial para a Daiana Almeida que me apresentou à poética de Stock, e seu marido John, que me acolheram em sua casa quando estive por Marabá. Quatro amigos, que não tenho o prazer de conhecer em pessoa, contribuíram positivamente para o presente trabalho, e seus nomes precisam ser mencionados, em ordem de importância: Pedro Mohallem, Matheus de Sousa Almeida (Mavericco), Henrique Gomes e Emmanuel Santiago. Um agradecimento a Robert Browning, claro... afinal, se não fosse por ele o trabalho não existiria. À CAPES, pois, sem a bolsa no primeiro ano de mestrado minha bibliografia estaria muito reduzida. À Better World Books também, onde comprei a quase totalidade das minhas obras sobre Browning e os vitorianos em geral, e onde gastei quase todo o dinheiro ganho durante o ano de bolsa. À qualquer outra coisa ou pessoa que eu deveria mencionar por alguma razão obrigatória, mas que no fim das contas eu não ligo. Normalmente terminaria com uma ironia em relação ao presidente, mas como a realidade da política atual é tão absurda e irônica, não faz sentido competir com ela. Não esqueçais escribas os somenos, as geografias pobres, os nordestes vagos, os setentriões desabitados e essas flores pétreas antilhanas. Há nesses mapas números pequenos, uns tempos esbraseados para pestes e muitos ossos tíbios chamuscados, faces perdidas, formas inumanas. Jorge de Lima Certainly, therefore, there are many confirmed admirers of Robert Browning to whom it will not have failed to occur that the consignment of his ashes to the great temple of fame of the English race was exactly one of those occasions in which his own analytic spirit would have rejoiced, and his irrepresible faculty for looking at human events in all sort of slanting coloured lights have found a signal opportunity. Henry James “Efficiency,” of course, is futile for the same reason that strong men, will-power and the superman are futile. That is, it is futile because it only deals with actions after they happen; therefore, it has no power of choice. An act can only be successful or unsuccessful when it is over; if it is to begin, it must be, in the abstract, right or wrong. There is no such thing as backing a winner; for he cannot be a winner when he is backed. There is no such thing as fighting on the winning side; one fighs to find out which is the winning side. If any operation has occured, that operation was efficient. If a man is murdered, the murder was efficient. A tropical sun is an efficient in making people lazy as a Lancashire foreman bully in making them energetic. Maeterlinck is as efficient in filling a man with strange spiritual tremors as Messrs. Crosse and Blackwell are in filling a man with jam. But it all depends on what you want to be filled with. Lord Rosebery, being a modern skeptic, problably prefers the spiritual tremors. I, being an orthodox Christian, prefer the jam. G. K. Chesterton RESUMO Robert Browning é um dos poetas vitorianos mais populares e influentes de todos os tempos. Obras acadêmicas e críticas sobre sua poesia são publicadas todos os anos, e existem muitas biografias, handbooks, estudos críticos e coleções de cartas listadas nas várias bibliografias especializadas sobre Browning e a poesia vitoriana em geral. A despeito de toda essa grande popularidade do poeta no mundo anglófono, no Brasil o poeta é quase um personagem secundário na história de amor entre ele e sua esposa, mais famosa por aqui. O presente trabalho tem o objetivo de introduzir o poeta Robert Browning para o público brasileiro. Inicio essa introdução comentando brevemente sobre a vida e obra do poeta e, em seguida, apresento um levantamento geral sobre o que foi dito sobre Robert Browning e os poemas que foram traduzidos em português. O trabalho se foca em analisar e explicar os elementos constituintes da poesia de Browning, a forma e estrutura de seus poemas, apresentado um retrato geral de sua obra, e fazendo uma leitura crítica de três monólogos característicos do início de sua obra madura: 'Soliloquy of the Spanish Cloister', 'Count Gismond' e 'Pictor Ignotus'. Concluo a dissertação apresentando uma tradução portuguesa dos três poemas já mencionados. Espero que com este trabalho o reconhecimento do gênio de Browning seja maior no mundo lusófono, bem como a compreensão da poesia vitoriana em geral. Palavras-chave: literatura inglesa; literatura vitoriana; vitorianismo; tradução; estética. ABSTRACT Robert Browning is one of most popular and influential Victorian poet, at all times. Scholarly and critical works about the poet are published every year, and there are many biographies, handbooks, studies, collections of letters listed in various of the specialized bibliographies about Browning and Victorian poetry in general. Despite the large popularity of the poet in the Anglophone world, in Brazil Robert Browning is almost a secondary character in the Barrett-Browning love story.
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  • Gender Relations in Robert Browning's Dramatic Monologues

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