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Tony Roberts
Tony Roberts Living with Browning: an appreciation of the poet in his bicentennial year I sometimes feel that Robert Browning and I were related, distant cousins perhaps. It stems from the ghostly intimacy of having read nine biographies of the man. His poetry and the books that feed on it have taken up five feet of my bookshelves for many years. Of course I frequently reread the poems, too, and quote Randall Jarrell in my defence. Celebrating Wallace Stevens’ work, in Poetry and the Age , Jarrell concluded: A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great. By that measure Robert Browning is a great poet. On my count there are a dozen or more lightning strikes among the thicket of collections written by this most relentless of Victorians i. What I have loved of Browning is the plain speaking, “hip to haunch”, intimacy of the dramas. We are there with the watch seizing “brother Lippo”; at dinner with the worldly prelate, Bishop Blougram; gathered with the sons at the deathbed of the bishop of Saint Praxed’s; attending on the dry, sadistic duke at Ferrara; eavesdropping on the cuckolded “faultless painter”. Here and elsewhere, Browning exhibits his genius for character and atmosphere – and for fine detail (“the ferrel of his stick/Trying the mortar’s temper ‘tween the chinks”), the perfect image ii , sensuality (upper iii and lower caste iv ), the memorable aphorism (“incentives come from the soul's self;/ The rest avail not.”) adroit rhythms and rhymes and – in lighter moments – a sometimes knockabout sense of humour v. -
University Microfilms, a XERQ\Company, Ann Arbor, Michigan
72- 19,021 NAPRAVNIK, Charles Joseph, 1936- CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING. The University of Oklahoma, Ph.D. , 1972 Language and Literature, general University Microfilms, A XERQ\Company, Ann Arbor, Michigan (^Copyrighted by Charles Joseph Napravnlk 1972 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE UNIVERSITY OF OKIAHOMA GRADUATE COLLEGE CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY CHARLES JOSEPH NAPRAVNIK Norman, Oklahoma 1972 CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING PROVED DISSERTATION COMMITTEE PLEASE NOTE: Some pages may have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company TABLE OF CONTENTS Chapter Page I. INTRODUCTION...... 1 II. BACKGROUND AND RATIONALE.................. 10 III, THE RING, THE CIRCLE, AND IMAGES OF UNITY..................................... 23 IV. IMAGES OF FLOWERS, INSECTS, AND ROSES..................................... 53 V. THE GARDEN IMAGE......................... ?8 VI. THE LANDSCAPE OF LOVE....... .. ...... 105 FOOTNOTES........................................ 126 BIBLIOGRAPHY.............. ...................... 137 iii CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING CHAPTER I INTRODUCTION Since the founding of The Browning Society in London in 1881, eight years before the poet*a death, the poetry of Robert -
Victorian Supplemental
Revised Spring 2019 WESTERN UNIVERESITY DEPARTMENT OF ENGLISH PhD QUALIFYING EXAMINATION READING LIST English 9914 (SF)/ 9934 (PF) SUPPLEMENTARY LIST FOR THE VICTORIAN PERIOD 1. Additional Instructions Students for whom the nineteenth century is their Primary Field should supplement the general list with material chosen from the following, as suits the particular focus of their studies. Students who choose to concentrate on the Victorian Period within their major field should reduce the material on the Romantic part of the nineteenth-century list by approximately two thirds, and should replace this material with material drawn from the following list. In addition, the list for the major or primary field should contain 20% more material overall than for the secondary field. OPTIONAL TEXTS POETRY E. Barrett Browning: “A Sea-Side Walk”; “Felicia Hemans”; “Bertha in the Lane”; “Grief”; “To George Sand: A Desire”; “To George Sand: A Recognition”; “Hiram Powers’ ‘Greek Slave’”; “Sonnets from The Portuguese”; Aurora Leigh; “Lord Walter’s Wife”; “The Best Thing in the World”; “Mother and Poet”. Alfred Lord Tennyson: Song (‘A spirit haunts the year’s last hours’); “The Kraken”; “The Hesperides”; “To---. With the Following Poem”; “The Palace of Art “St Simeon Stylites”; “Break, Break, Break”; “Locksley Hall”; from The Princess ‘Sweet and low, sweet and low’; ‘Tears, idle tears’; ‘Now sleeps the crimson petal’; ‘Come down, O maid’; “The Eagle”; “Ode on the Death of the Duke of Wellington”; “The Charge of the Light Brigade”; “Enoch Arden” ; “The Higher Pantheism”; “Rizpah”; Idylls of the King; ‘Frater Ave atque Vale’; “Demeter and Persephone”; “Far—Far—Away”; “To the Marquis of Dufferin and Ava”; “Crossing the Bar” Edward Fitgerald: The Rubayiat of Omar Khayyam. -
Browning Once More*
·' BROWNING ONCE MORE* W. ]. ALEXANDER WHEN our President asked me to speak to the English Association on the present and future position of Browning's poetry, I conceived that the task imposed upon me was that of gathering the varying judgments of the critics of Browning in the publications of the first quarter of this twentieth century, of compar ing them with those current in the last quarter of the nineteenth century when Browning's reputation had reached its high-water mark, and of making some conjectures thence as to his permanent place in English literature. That I should find some falling off in reputation I took for granted, from the tendency of the present century to react against the ideas and art of the Victorian era .. A little investigation, however, showed me that I had a task much_ less straightforward and satisfactory. For I discovered that, at least during the last dozen years, there has been practically no evaluation of Browning's work either in periodicals or in more permanent publications; that, further, even in the earlier half of the first quarter of our century, not much appeared; and this was written by men who had already attained middle-age in the year 1900, so that it could not be accepted as expressing the ideas of the later era. I am therefore under the necessity of substituting for definite statements of contemporary criticism my own hazardous surmises as to the modern attitude towards Browning's poetry, and of the reasons why he has sunk in general estimation. That he has sunk, I infer not only from the general anti-Victorian tendencies of our day, and from the silence of the periodicals just alluded to, but also from various obiter dicta which have caught my attention in literature of recent years. -
'B' Class: XI Topic: Meeting at Night Date: 02.07.2020 About the Po
ST. LAWRENCE HIGH SCHOOL A JESUIT CHRISTIAN MINORITY INSTITUTION STUDY MATERIAL 4 Sub: ENGLISH ‘B’ Class: XI Topic: Meeting At Night Date: 02.07.2020 About the Poet: Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humour, social commentary, historical settings, and challenging vocabulary and syntax. He is widely recognized as a master of dramatic monologue and psychological portraiture. Browning wrote eight plays and fifty-one poems during his lifetime. He established his career first as a poet and then as a playwright. His works won global recognition marked by allusive imagery, symbolic structures, dramatic monologue, a blend of dark humour and irony. Browning successfully used dramatic monologue techniques which enabled the readers to see an event using the character’s lenses. Moreover, he explored the beauty of the real-world using artistic techniques in his poems. Some of his famous poems include My Last Duchess, The Pied Piper of Hamelin, Porphyria’s Lover, Hilde Roland to the Dark Tower, The Lost Leader, Meeting at Night, Fra Lippo Lippi, and The Laboratory. Besides poetry, he tried his hands on plays. Some of them include Colombe’s Birthday, King Victor and King Charles, Pippa Passes and In a Balcony. Browning’s literary ideas have left deep imprints on English as well as international literature. His distinctive writing approach and unique way of expression made him stand among the best Victorian poets. His thoughtful ideas influenced many great poets and writers including Robert Frost, Ezra Pound, and T.S. -
Life of Robert Browning
Life of Robert Browning William Sharp ****The Project Gutenberg Etext of Life of Robert Browning**** by William Sharp** Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files!! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. Life of Robert Browning by William Sharp September, 1996 [Etext #656] ****The Project Gutenberg Etext of Life of Robert Browning**** *****This file should be named shabr10.txt or shabr10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, shabr11.txt. VERSIONS based on separate sources get new LETTER, shabr10a.txt. This etext was created by typing the original text in twice, and then electronically comparing the two texts, correcting errors against the original. This should result in a very clean text. Typing and comparison by Alan Light, [email protected] We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. -
The Blessed Damozel
Edward Hirsch. How to Read a Poem and Fall in Love with Poetry (1999) • „The Four Subjects of Poetry" (William Matthews) 1. I went out into the woods today, and it made me feel, you know, sort of religious. 2. We're not getting any younger. 3. It sure is cold and lonely (a) without you, honey, or (b) with you, honey. 4. Sadness seems but the other side of the coin of happiness, and vice versa, and in any case the coin is too soon spent, and on what we know not what. • I have nothing to say and I am saying it and that is poetry. (John Cage) •Victorian Poetry •Continuation of Romantic tradition •Before 19th c. poet=maker, poem=product, if discussed in terms of emotions: readers’ emotion •After Romanticism: poem=expression of poet’s emotion, poem retains umbilical link w creator, •uninspired poet: no longer out of touch w external force, but in no proper touch w his own feelings •Lyrical poetry=„spontaneous overflow of powerful feelings” (Wordsworth) •Modernism: poem is an artefact whose existence is independent of poet’s emotions •Rhetoric: quarrel w others, arouse emotion in others vs Poetry: quarrel w ourselves, express emotion (Yeats) •Collingwood Principles of Art. Art: expression of emotions Craft: arouse emotions in others(rhetorics) •1st Romantic generation: Blake, Wordsworth, Coleridge •2nd generation: Byron, Shelley, Keats •3rd generation: Tennyson, Browning •4th generation: Rossetti, Morris, Swinburne Theoretical continuity • Expressive theory of art: poetry =overflow, utterance, or projection of the thought & feeling of the poet • poetry = imaginative process which modifies and synthetizes the images/thoughts/feelings of poet, • Artist = generates both artistic product and criteria by which it is to be judged (Keats. -
Victorian Period List for Phd Oral Examination, 2020, Compiled by Shalmi Barman * Indicates Overlap with Field List (Bibliography, Textual Studies, and Book History)
Victorian period list for PhD oral examination, 2020, compiled by Shalmi Barman * indicates overlap with field list (Bibliography, Textual Studies, and Book History) Prose fiction 1. Emily Brontë, Wuthering Heights (1847) 2. William Makepeace Thackeray, Vanity Fair (1848) 3. Elizabeth Gaskell, Mary Barton (1848) 4. Charles Dickens, Bleak House (1853) 5. Charlotte Brontë, Villette (1853) 6. George Eliot, The Mill on the Floss (1860) 7. Lewis Carroll, Alice’s Adventures in Wonderland (1865) 8. Wilkie Collins, The Moonstone (1868) 9. Anthony Trollope, The Way We Live Now (1875) 10. Thomas Hardy, The Return of the Native (1878) 12. Henry James, The Portrait of a Lady (1881) 12. Margaret Oliphant, Hester (1883) 13. Robert Louis Stevenson, Treasure Island (1883) 14. William Morris, News from Nowhere (1891) 15. George Gissing, New Grub Street (1891) 16. Ella Hepworth Dixon, The Story of a Modern Woman (1894) Poetry 17. Alfred Tennyson: “Mariana”, “The Lady of Shalott”, “The Palace of Art”, “The Lotos Eaters”, “Ulysses” (1842); selections from In Memoriam (Prologue, IV-VII, XXX, XLIX-LV, LXXVI, CXIII-CXVI, Epilogue) (1849); “Maud” (1855); “Tithonus” (1864); “The Holy Grail” (1869) 18. Robert Browning: “My Last Duchess”, “Porphyria’s Lover” (1842); “The Bishop Orders His Tomb At St. Praxed’s Church”, “Meeting at Night”, “Parting at Morning” (1845); “A Woman’s Last Word”, “Fra Lippo Lippi”, “An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician”, “Andrea del Sarto”, “Two in the Campagna” (1855); “Caliban Upon Setebos” (1864) 19. Elizabeth Barrett Browning: “The Cry of the Children” (1844); selections from Sonnets from the Portuguese (IV, IX, XIII, XVII, XXIX, XXXV, XLII, XLIII, XLIV) (1850); Aurora Leigh (1856); “The Runaway Slave at Pilgrim’s Point” (1850); “A Curse For a Nation” (1860); “A Musical Instrument” (1862) 20. -
Dramatic Lyrics
Dramatic Lyrics Robert Browning Dramatic Lyrics Table of Contents Dramatic Lyrics.........................................................................................................................................................1 Robert Browning............................................................................................................................................1 CAVALIER TUNES......................................................................................................................................2 ``HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX.''..............................................5 THROUGH THE METIDJA TO ABD−EL−KADR.....................................................................................7 SOLILOQUY OF THE SPANISH CLOISTER..........................................................................................13 THE LABORATORY..................................................................................................................................15 THE CONFESSIONAL...............................................................................................................................17 CRISTINA...................................................................................................................................................19 THE LOST MISTRESS...............................................................................................................................21 EARTH'S IMMORTALITIES.....................................................................................................................22 -
The Browning Society Newsletter the Browning Society Newsletter
The Browning Society Newsletter The Browning Society Newsletter Issue No: 4 March 2020 most devoted friends [he] ever had in Outreach efforts by library faculty P r o m o t i n g [his] life” and whose death, Edmund and the development of the ABL’s Gosse later wrote, precipitated the end of Teaching Fellows Program have led to an “a second stage in Browning’s life—that increase in the number of Baylor gradu- browning’s life which had lasted since the death of his ate and undergraduate students visiting wife in 1861.” the library. This semester, 750 students in & legacy art, English, history, honors, journalism, and music classes spent time at the ABL. Promoting Browning’s Life and Some students received tours of the li- Legacy, the Annual Browning Lecture brary building and learned about the li- was given at the Graveside in Poets’ Cor- brary’s history and the lives and works of ner, Westminster Abbey on 13th Decem- the Brownings. Other students examined ber 2019 by Jenifer Borderud, Associate the library’s letters, manuscripts, and rare Librarian and Director of the Armstrong books and now know how to find, handle, Browning Library (ABL), Baylor, Texas, and analyze these primary source materi- USA. als. The ABL is leveraging technolo- While a graduate student at Baylor Uni- gy to broaden its reach. Our Browning versity in Waco, Texas, I received a re- and Victorian letters have been digitized search assistantship at Baylor’s Arm- and are available to scholars online any- strong Browning Library, or ABL as it is time, anywhere. -
Robert Browning's Poetry
A NORTON CRITICAL EDITION ROBERT BROWNING'S POETRY AUTHORITATIVE TEXTS CRITICISM SECOND EDITION Selected and Edited by JAMES E LOUCKS THE OHIO STATE UNIVERSITY OF NEWARK ana ANDREW M. STAUFFER BOSTON UNIVERSITY W. W. NORTON & COMPANY New York * London Contents Preface ix The Texts of the Poems A Note on the Texts 3 The Experimental Phase (1833-45) 5 Pauline; A Fragment of a Confession (1833; final version 1888) 5 From Paracelsus (1835) 29 From Sordello (1840) 39 Pippa Passes (1841) 44 From Dramatic Lyrics (1842) 83 My Last Duchess 83 Count Gismond 84 Incident of the French Camp 88 Soliloquy of the Spanish Cloister 89 In a Gondola 92 Cristina 98 Johannes Agricola in Meditation 100 Porphyria's Lover 101 The Pied Piper of Hamelin 103 From Dramatic Romances and Lyrics (1845) 110 "How They Brought the Good News from Ghent to Aix" 110 Pictor Ignotus 112 The, Italian in England 114 The Englishman in Italy 118 The Lost Leader 124 ' Home-Thoughts, from Abroad 125 ["Here's to Nelson's Memory!"] 125 Home-Thoughts, from the Sea 126 The Bishop Orders His Tomb at St. Praxed's Church 126 Garden Fancies 130 The Laboratory 134 Meeting at Night; Parting at Morning 136 The Major Phase (1855-69) From Men and Women (1855) 137 Love Among the Ruins 137 A Lovers' Quarrel 139 Up at a Villa—Down in the City 144 CONTENTS A Woman's Last Word 147 Fra Lippo Lippi 148 A Toccata of Galuppi's 157 By the Fire-Side 160 Mesmerism 169 An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician 174 My Star 181 "Childe Roland to the Dark Tower Came" -
Life and Writings of Robert Browning
presented tu (She lubrorti Of tllC lluiiuTsttu nf (Turoutn Bertrar . -ivis the books of the late Lionel Davis, K.C. "(Sreat Winters.' LIFE AND WRITINGS OF ROBERT BROWNING ,ife and Writings of Robert Browning BY WILLIAM SHARP Condon and fclling-on-Cyne: THE WALTER SCOTT PUBLISHING CO., LTD. NEW YORK AND MELBOURNE (All rights reset ved.) 3 CONTENTS. CHAPTER I. PAGE his immediate London, Robert Browning's birthplace ; pre- decessors and contemporaries in literature, art, and music; 1812 of the ; born May 7th, ; origin Browning family assertions as to its Semitic connection apparently ground- a descendant of the Micaiah less ; the poet putative Captain Browning mentioned by Macaulay; Robert Browning's his father a man mother of Scottish and German origin ; Mr. of exceptional powers, artist, poet, critic, student; of his son's the home in Browning's opinion writings ; childhood Camberwell ; Robert Browning's ; concerning his optimism; his fondness for Carravaggio's "Andromeda " his of "The and Perseus ; poetic precocity; origin Flight " writes verse is sent to school of the Duchess ; Byronic ; his afternoons sees London at Peckham ; holiday ; by Hill the of the night, from Heme ; significance spectacle • • to him . • .11 CHAPTER II. He wishes to be a poet; writes in the style of Byron and Pope; " " his written when twelve the Death of Harold ; poems, the Rev. \V. Fox's years old, shown to Miss Flower; J. criticisms on them; he comes across Shelley's "Daemon of the World "; Mrs. Browning procures Shelley's poems, CONTENTS. PACK also for her