Life and Writings of Robert Browning

Total Page:16

File Type:pdf, Size:1020Kb

Life and Writings of Robert Browning presented tu (She lubrorti Of tllC lluiiuTsttu nf (Turoutn Bertrar . -ivis the books of the late Lionel Davis, K.C. "(Sreat Winters.' LIFE AND WRITINGS OF ROBERT BROWNING ,ife and Writings of Robert Browning BY WILLIAM SHARP Condon and fclling-on-Cyne: THE WALTER SCOTT PUBLISHING CO., LTD. NEW YORK AND MELBOURNE (All rights reset ved.) 3 CONTENTS. CHAPTER I. PAGE his immediate London, Robert Browning's birthplace ; pre- decessors and contemporaries in literature, art, and music; 1812 of the ; born May 7th, ; origin Browning family assertions as to its Semitic connection apparently ground- a descendant of the Micaiah less ; the poet putative Captain Browning mentioned by Macaulay; Robert Browning's his father a man mother of Scottish and German origin ; Mr. of exceptional powers, artist, poet, critic, student; of his son's the home in Browning's opinion writings ; childhood Camberwell ; Robert Browning's ; concerning his optimism; his fondness for Carravaggio's "Andromeda " his of "The and Perseus ; poetic precocity; origin Flight " writes verse is sent to school of the Duchess ; Byronic ; his afternoons sees London at Peckham ; holiday ; by Hill the of the night, from Heme ; significance spectacle • • to him . • .11 CHAPTER II. He wishes to be a poet; writes in the style of Byron and Pope; " " his written when twelve the Death of Harold ; poems, the Rev. \V. Fox's years old, shown to Miss Flower; J. criticisms on them; he comes across Shelley's "Daemon of the World "; Mrs. Browning procures Shelley's poems, CONTENTS. PACK also for her son the those of Keats, ; perusal of these volumes proves an important event in his poetic develop- he leaves school fourteen ment ; when years old, and studies at home under a tutor; attends a few lectures at University College, 1829-30; chooses his career, at the age of twenty; earliest record of his utterances concerning his life in 1SS1 youthful printed Century Magazine, ; he a series of monodramatic life- plans epics ; Browning's work, collectively one monodramatic "epic"; Shak- e's and methods Browning's compared ; Browning writes "Pauline" in 1832; his own criticism on it; his ; his aunt's the parents' opinions generous gift ; poem published in January 1S33; description of the poem; written under the inspiring stimulus of Shelley; its auto- psychical significance; its importance to the student of " the works from " poet's ; quotations Pauline . 29 CHAPTER III. The public reception of "Pauline"; criticisms thereupon; Mr. Fox's notice in the Monthly Repository, and its results; Dante Gabriel Rossetti reads "Pauline" and writes to the author; Browning's reference to Tennyson's of "Maud" in 1 s ling -, 5 5 Browning frequents literary •: rends at the British 1 Museum; makes the acquaint- " " ance of Charles Itickens and Ion Talfourd; a volume <i( poems by Tennyson published simultaneously with in he "Pauline"; 1833 commences his travels; goes to ; the sole record of his experiences there to be found in the poem "Ivan Ivanovitch," published in Dramatic I with acquaintance Maznni ; wning r Italy; visits Asolo, whence he di " hints foi .-Ho" and 1 : in S Pippa 1 ; 4 he irnt to Camberwell in of ; autumn 1834 and wintei -1 " •• S commcnci write- Paracelsus," an 1 poems; hi- love for Venice; a new voice audible in ' "Johai ricola" and "Porphyria CONTENTS. 5 PAGE " in his .own of Paracelsus," published 1S35 ; explanation " in of Paracelsus" it; his love of walking the dark; some in a wood near Dulwich and of "Strafford" composed ; concerning "Paracelsus" and Browning's sympathy with of the the scientific spirit; description and scope poem; and its four quotations therefrom; estimate of the work, lyrics .......... 49 CHAPTER IV. Criticisms upon "Paracelsus," important one written by John Forster; Browning meets Macready at the house of Mr. Fox; personal description of the poet; Macready's opinion of the poem; Browning spends New Year's Day, 1836, at the house of the tragedian and meets John Forster; Macready urges him to write a play; his subsequent interview with the tragedian; he plans a drama to be " " entitled Narses ; meets Wordsworth and Walter Savage Landor at a supper party, when the young poet is toasted, and Macready again proposes that Browning should write a play, from which arose the idea of "Strafford"; his acquaintance with Wordsworth and Landor; MS. of "Strafford" accepted; its performance at Covent Garden Theatre on the 26th May 1837; runs for five nights; the author's comments; the drama issued Messrs. & Co. the in by Longman ; performance 18S6; " estimate of Strafford "; Browning's dramas; comparison between the Elizabethan and Victorian dramatic eras ; Browning's soul-depictive faculty; his dramatic method; estimate of his dramas; Landor's acknowledgment of the " " dedication to him of Luria 73 CHAPTER V. " " the of Brown- Profundity" and "Simplicity ; faculty wonder; " first of Passes" his residence in ing|s conception Pippa ; London; his country walks; his ways and habits, and his 6 CONTENTS. TA«iK a heart-episodes; debates whether to become clergyman; is "Pippa Passes" a drama? estimate of the poem;. Browning's rambles on Wimbledon Common and in Dulwich Wood, where he composed his lines upon asserts there is romance in Camberwell as Shelley ; well as in Italy; "Sordello"; the charge of obscurity the against "Sordello"; the nature and intention of poem; quotations therefrom; anecdote about Douglas Barot's Jerrold; Tennyson's, Carlyle's, and M. Odysse opinions on "Sordello"; "enigmatic" poetry; in 1863 Browning contemplated the re-writing of "Sordello"; dedication to the French critic, Milsand . -93 CHAPTER VI. three dramatic " The and the Browning's great poems ; Ring " Book his finest work; its uniqueness; Carlyle's criticism i: I of , etiy versus Tour-de-Force; "The Ring and the Book" begun in 1866; analysis of the poem; kinship of " " The and the Book" and "Aurora Ring Leigh ; explana- tion of title; the idea taken from a parchment volume in Florence the at Browning picked up ; poem planned Casa Guidi ; "O Lyric Love," etc.; description and analysis of "The Ring and the Book," with quotations; " ..pared as a poem with The Inn Album," "Pauline," "Men and etc. "Asolando," Women," ; imaginary be entitled "Transcripts from Life" and "Flow e Vine"; Browning's greatest period; Bl wi:n L ;', primary importance ..... 113 CHA1TI I; VII. life of Elizabeth Barrett Browning; born in 1820; the "I chii R hot life; the b.irrett family settle I Cry of the Children" and ; . lice! OD her ol Bl the ma poetry; acquaintance in 184 CONTENTS. 7 TAGE a her her early belief in him as poet; physical of delicacy and her sensitiveness feeling ; personal appear- ance of Robert Browning; his "electric" hand; Elizabeth Barrett discerns his personal worth, and is susceptible Mr. Barrett's to the strong humanity of Browning's song; their Miss Barrett's jealousy ; engagement ; acquaintance Mrs. in 1846; Mr. Barrett s with Jameson ; quiet marriage resentment; the Brownings go to Paris; thence to Italy with Mrs. Jameson; Wordsworth's comments; resi- the dence in Pisa; "Sonnets from the Portuguese"; in thence to where spring they go to Florence, Ancona, " The Guardian Angel" was written; Casa Guidi; W. W. of the rooms at Casa Guidi union Story's account ; perfect 135 CHAPTER VIII. March 1849, birth of Robert Wiedemann Barrett Browning; Browning writes his "Christmas Eve and Easter Day"; "Casa Guidi Windows" commenced; 1850, they go to Rome; "Two in the Campagna"; proposal to confer poet-laureateship on Mrs. Browning; return to London; winter in Paris; summer in London; Kenyon's friendship; return in autumn to Casa Guidi ; Browning's Essay on for the letters Shelley twenty-five spurious Shelley ; midsummer at Baths of Lucca, where "In a Balcony" was in part written; winter of 1853-4 in Rome; record Karshook's of work ; "Pen's" illness; "Ben Wisdom"; return to Florence; (1856) "Men and Women" the to in summer published ; Brownings go London ; "Aurora Leigh" issued; 1858, Mrs. Browning's waning health with ; 1S55-64 comparatively unproductive period R. Browning; record of work; July 1855, they travel to Normandy; "Legend of Pornic"; Mrs. Browning's ardent interest in the Italian struggle of 1859; winter in Rome; "Poems before Congress"; her last poem, "North and South"; death of Mrs. Browning at Casa Guidi, 28th June 1S61 157 8 CONTENTS. CHAPTER IX. tai;e nine's allusions to death of his wife; Miss Browning resides with her brother from 1S66; 1868, collected works published; first part of "The Ring and the Book" pub- " lished in November 1S66; Herve Riel" written; Brown- Tauchnitz editions of his ing's growing popularity ; poems in 1S72; also first book of selections; dedication to Lord Tennyson; 1877, he goes to La Saisiaz, near Geneva; • I. a Saisiaz" and "The Two Poets of Croisic" pub- lished 1S7S; Browning's later poems; Drowning Society 1SS1 letter to established ; Browning's thereupon Mr. Yates; trip-, abroad; his London residences; his last letter to Tennyson; revisits Asolo; Palazzo Rezzonico; his belief in immortality; his death, Thursday, Dec. I2th, 1889; funeral in Westminster Sonnet Abbey ; by George Mere- dith; new star in Orion; R. Erowning's place in literature; Summary, etc. ........ 176 NOTE. In all important respects I leave this volume to speak for itself. For obvious reasons it does not pretend to be more than a Mdmoire pour servir : in the nature of things, the definitive biography cannot appear for many years to come. None the less gratefully may I take the present opportunity to express my indebtedness to Mr. R. Barrett Browning, and to other relatives and intimate friends of Robert Browning, who have given me serviceable information, and otherwise rendered kindly aid. For some of the hitherto unpublished details my thanks are, in particular, due to Mrs.
Recommended publications
  • Tony Roberts
    Tony Roberts Living with Browning: an appreciation of the poet in his bicentennial year I sometimes feel that Robert Browning and I were related, distant cousins perhaps. It stems from the ghostly intimacy of having read nine biographies of the man. His poetry and the books that feed on it have taken up five feet of my bookshelves for many years. Of course I frequently reread the poems, too, and quote Randall Jarrell in my defence. Celebrating Wallace Stevens’ work, in Poetry and the Age , Jarrell concluded: A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great. By that measure Robert Browning is a great poet. On my count there are a dozen or more lightning strikes among the thicket of collections written by this most relentless of Victorians i. What I have loved of Browning is the plain speaking, “hip to haunch”, intimacy of the dramas. We are there with the watch seizing “brother Lippo”; at dinner with the worldly prelate, Bishop Blougram; gathered with the sons at the deathbed of the bishop of Saint Praxed’s; attending on the dry, sadistic duke at Ferrara; eavesdropping on the cuckolded “faultless painter”. Here and elsewhere, Browning exhibits his genius for character and atmosphere – and for fine detail (“the ferrel of his stick/Trying the mortar’s temper ‘tween the chinks”), the perfect image ii , sensuality (upper iii and lower caste iv ), the memorable aphorism (“incentives come from the soul's self;/ The rest avail not.”) adroit rhythms and rhymes and – in lighter moments – a sometimes knockabout sense of humour v.
    [Show full text]
  • The Township Institute
    STATE OF I N DIANA The Township Institute I ssued by the STATE DEPARTMENT OF PUBLI C A I NSTRUCTION 1 9 1 7 - 1 9 1 8 HORACE ELLIS State Superintendent of Public Instruction mm WAYNE mm'rme comm“ com mons i ron su m pm e m am mo 1917 k s Boo s are you r , Within those silent ch ambers treasure li es Preserved from age to age ; more preci ous far Than that a ccumulated store of gold An d ori ent em s W hi ch for a da of need g , y , The ul an hide dee i n an estral t s t s p c ombs . These hoard of tr th o an n s u y u c u lock at Will . ords or W w th. ’ Every difficulty that i s overcome by a pupil s own eflorts tends to develop i n hi m an ambiti on to con r other di i Fe if an ue fficul t es . w o q , y, j ys can be compared with th e ecstati c joy of vi c tory ” Thi nki n and Learni n to ead Shaefier. g g R , ~ D. of D NOV 3 19 17 I NTRODUCTI ON The townshi p institute shoul d be looked upon as a serious business affair . It has been authorized by law and the public treasury has been opened to make certain its existence . Thi s is done in order that the teachers of our state may be made better .
    [Show full text]
  • Robert Browning Post by Wende
    Tea Time: Robert Browning Post by Wende Robert Browning was born in a suburb of London, England on May 7, 1812. His mother was an accomplished pianist and a devout Christian. His father, who worked as a bank clerk, was an artist, scholar, and collector of books and pictures. Through most of his childhood, Robert was homeschooled, being proficient at reading and writing by the age of five, and learning Latin, Greek, and French by the time he was fourteen. In 1828, he enrolled at the University of London, but he soon left, desiring to read and learn at his own pace. Robert Browning enjoyed the poetry of Elizabeth Barrett, and after corresponding with her for a time, married her in 1846. The couple moved to Italy, where they both continued to write. They had a son, Robert "Pen" Browning, in 1849. After Elizabeth’s death in 1861, Robert and Pen moved to London. In his long life Robert Browning wrote many volumes of poems. The Pied Piper of Hamelin is always a favorite with children, as are How they brought the Good News from Ghent to Aix, and Ratisbon. His most popular poems are Pippa Passes, The Ring and the Book, A Blot on the 'Scutcheon, and Saul. Robert Browning died on the same day that his final volume of verse, Asolando, was published, in 1889. The following poem “Spring Song”, excerpted from Pippa Passes, is great for younger children to memorize and recite due to its simple rhyme scheme and vocabulary. The year’s at the spring, And day’s at the morn; Morning’s at seven; The hillside’s dew-pearled; The lark’s on the wing; The snail’s on the thorn: God’s in His Heaven – All’s right with the world! Activities: Read Poetry for Young People, Robert Browning Recite and/or memorize the poem, “Spring Song” Record what you learn about Robert Browning on the notebooking page.
    [Show full text]
  • Nineteenth-Century Perceptions of Robert Browning: the Poet Through His Own Eyes and Those of His Victorian Critics and Devoted Readers
    NINETEENTH-CENTURY PERCEPTIONS OF ROBERT BROWNING: THE POET THROUGH HIS OWN EYES AND THOSE OF HIS VICTORIAN CRITICS AND DEVOTED READERS By KRISTI MARTIN A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of English May 2010 Winston-Salem, North Carolina Approved By: Melissa Jenkins, Ph.D., Advisor ______________________________ Examining Committee: Eric Wilson, Ph.D., Chairman ______________________________ Jefferson Holdridge, Ph.D. ______________________________ Table of Contents Abstract…………………………………………………………………………………..iii Introduction………………………………………………………………………………1 Chapter One: The Good, the Bad, and the Fanatical: Browning and His Nineteenth- Century Reception……………………………………………………..…………5 Chapter Two: Going Where No Victorians Have Gone Before: The London Browning Society…………………………………………………………………………...29 Chapter Three: Being Robert Browning: The Autobiographical Poems of the Poet……52 Conclusion……………………………………………………………………………….81 Bibliography……………………………………………………………………………..85 ii Abstract Thesis under the direction of Melissa Jenkins, Ph.D., Professor of English. The London Browning Society has been addressed by scholars in modern biographies such as The Life of Robert Browning: A Critical Biography (1996) by Clyde De L. Ryals, and it was studied in a 1969 book by William S. Peterson titled Interrogating The Oracle: A History of the London Browning Society. However, this thesis goes further by approaching the Society as the equivalent of a modern day “fan” community, and by providing a close look at some of the Society’s published documents. The purpose of doing so is to form a picture of Browning’s reputation during his life and career based on the perceptions of the critics of the day, the Society members, and the thoughts he had on himself and his own works.
    [Show full text]
  • University Microfilms, a XERQ\Company, Ann Arbor, Michigan
    72- 19,021 NAPRAVNIK, Charles Joseph, 1936- CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING. The University of Oklahoma, Ph.D. , 1972 Language and Literature, general University Microfilms, A XERQ\Company, Ann Arbor, Michigan (^Copyrighted by Charles Joseph Napravnlk 1972 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE UNIVERSITY OF OKIAHOMA GRADUATE COLLEGE CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY CHARLES JOSEPH NAPRAVNIK Norman, Oklahoma 1972 CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING PROVED DISSERTATION COMMITTEE PLEASE NOTE: Some pages may have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company TABLE OF CONTENTS Chapter Page I. INTRODUCTION...... 1 II. BACKGROUND AND RATIONALE.................. 10 III, THE RING, THE CIRCLE, AND IMAGES OF UNITY..................................... 23 IV. IMAGES OF FLOWERS, INSECTS, AND ROSES..................................... 53 V. THE GARDEN IMAGE......................... ?8 VI. THE LANDSCAPE OF LOVE....... .. ...... 105 FOOTNOTES........................................ 126 BIBLIOGRAPHY.............. ...................... 137 iii CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING CHAPTER I INTRODUCTION Since the founding of The Browning Society in London in 1881, eight years before the poet*a death, the poetry of Robert
    [Show full text]
  • Draft Programme the Information in This Programme Is Correct As of 19Th February
    The Trollope Society Visit to Florence 1st - 5th April 2020 Draft Programme The information in this programme is correct as of 19th February. For the latest version of the programme visit www.trollopesociety.org/event/trip-florence/ Wednesday 1st April From 5pm Registration and pick up pack Reception, Hotel Ricasoli, Via Delle Mantellate 2, Firenze 6pm – 8pm Welcome to Florence by Dominic Hotel Ricasoli, Via Delle Edwardes, Chair of the Trollope Mantellate 2, Firenze Society Drinks Reception with canapes to include the launch of newly reprinted Fanny Trollope’s The Life and Adventures of Jonathan Jefferson Whitlaw (1836) Thursday 2nd April 10am to 1pm Walking tour of City Centre Meet at the carousel in Piazza della Repubblica, 50123 Firenze 3pm-4pm Talk by Mark Roberts, Consultant to Acton Room, Harold Acton the British Institute on Some 19th- Library, Century Literary Visitors to Florence British Institute, Lungarno Guicciardini, 9, 50125 Firenze See More Information 4.30pm – 6.30pm Visit to the British Institute with The Ferragamo Room, Harold afternoon tea and cake Acton Library, British Institute, Lungarno Guicciardini, 9, 50125 Firenze Friday 3rd April 9.30am Walk to Trollope Villa Trollope Villa, 21 Piazza della Indipendenza 10.15am to 12 Talk by Dominic Edwardes on The noon Life of Fanny Trollope. Talk by Julia Bolton Holloway, Hotel Ricasoli, Via Delle librarian, archivist and custodian of Mantellate 2, Firenze the English Cemetery, on Frances Trollope’s political and social activism The Trollope Society Visit to Florence 2020 – Draft Programme 23rd February 2.00pm Walk to English Cemetery OR English Cemetery, Piazzale 2.30pm Meet at English Cemetery Donatello, 38, 50132 Firenze Followed by refreshments at nearby café 7.00pm Dinner at Gran Caffè San Marco Gran Caffè San Marco, Piazza San Marco, 11/R, 50121 Firenze Included for those who have pre- booked and pre-paid Saturday 4th April 10am - 12 noon Free time or optional visit to the The Stibbert Museum, Via Stibbert Museum.
    [Show full text]
  • Victorian Supplemental
    Revised Spring 2019 WESTERN UNIVERESITY DEPARTMENT OF ENGLISH PhD QUALIFYING EXAMINATION READING LIST English 9914 (SF)/ 9934 (PF) SUPPLEMENTARY LIST FOR THE VICTORIAN PERIOD 1. Additional Instructions Students for whom the nineteenth century is their Primary Field should supplement the general list with material chosen from the following, as suits the particular focus of their studies. Students who choose to concentrate on the Victorian Period within their major field should reduce the material on the Romantic part of the nineteenth-century list by approximately two thirds, and should replace this material with material drawn from the following list. In addition, the list for the major or primary field should contain 20% more material overall than for the secondary field. OPTIONAL TEXTS POETRY E. Barrett Browning: “A Sea-Side Walk”; “Felicia Hemans”; “Bertha in the Lane”; “Grief”; “To George Sand: A Desire”; “To George Sand: A Recognition”; “Hiram Powers’ ‘Greek Slave’”; “Sonnets from The Portuguese”; Aurora Leigh; “Lord Walter’s Wife”; “The Best Thing in the World”; “Mother and Poet”. Alfred Lord Tennyson: Song (‘A spirit haunts the year’s last hours’); “The Kraken”; “The Hesperides”; “To---. With the Following Poem”; “The Palace of Art “St Simeon Stylites”; “Break, Break, Break”; “Locksley Hall”; from The Princess ‘Sweet and low, sweet and low’; ‘Tears, idle tears’; ‘Now sleeps the crimson petal’; ‘Come down, O maid’; “The Eagle”; “Ode on the Death of the Duke of Wellington”; “The Charge of the Light Brigade”; “Enoch Arden” ; “The Higher Pantheism”; “Rizpah”; Idylls of the King; ‘Frater Ave atque Vale’; “Demeter and Persephone”; “Far—Far—Away”; “To the Marquis of Dufferin and Ava”; “Crossing the Bar” Edward Fitgerald: The Rubayiat of Omar Khayyam.
    [Show full text]
  • Browning's Dilemma in Romantic Inheritance: Dramatic Monologue and the Sense of Poetic Career
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyutacar : Kyushu Institute of Technology Academic Repository Browning's Dilemma in Romantic Inheritance: Dramatic Monologue and the Sense of Poetic Career 著者 虹林 慶 journal or 九州地区国立大学教育系・文系研究論文集 publication title volume 2 number 1 page range No.2 year 2014-10 URL http://hdl.handle.net/10228/00006684 Browning’s Dilemma in Romantic Inheritance: Dramatic Monologue and the Sense of Poetic Career Kyushu Institute of Technology Kei NIJIBAYASHI Browning is often considered to be one of the major successors of Romanticism, especially in any consideration of his versatile handling of love poetry, as in “Love among the Ruins”, or in his apocalyptic, Gothic poems like “Childe Roland to the Dark Tower Came” and the long, conceptual poems from early in his career: Pauline, Paracelsus and Sordello. However, as Britta Martens argues in Browning, Victorian Poetic and the Romantic Legacy, his inheritance of Romanticism does not enable a straightforward analysis of the specific techniques, themes and styles he adopted. Martens pays close attention to Browning’s ambivalence towards his poetic and private selves, and describes a fraught artistic struggle in the poet’s attachment to and gradual estrangement from Romanticism. One of the causes for Browning’s ambiguity about Romanticism was his urgent need to establish a professional poetic career, unlike the Romantics. 1 (Wordsworth stands as the major exception.) In the creation of the Romantic universe, the sense of career curiously diverged from the business world in favour of the imagination, and triumphant posthumous visions in which the poets gained their artistic and social apotheosis.
    [Show full text]
  • The Qualities of Browning
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Mid-West Quarterly, The (1913-1918) Mid-West Quarterly, The (1913-1918) 1914 The Qualities of Browning Harry T. Baker Follow this and additional works at: https://digitalcommons.unl.edu/midwestqtrly Part of the Arts and Humanities Commons Baker, Harry T., "The Qualities of Browning" (1914). Mid-West Quarterly, The (1913-1918). 43. https://digitalcommons.unl.edu/midwestqtrly/43 This Article is brought to you for free and open access by the Mid-West Quarterly, The (1913-1918) at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Mid-West Quarterly, The (1913-1918) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in THE MID-WEST QUARTERLY 2:1 (October 1914), pp. 57-73. Published by G.P. Putnam’s Sons & the University of Nebraska. THE QUALITIES OF BROWNING I The opening lines of Pippa Passes pulse with the tremendous vitality which the reader of Browning has early learned to expect of his poetry: "Day! Faster and more fast, O'er night's brim day boils at last: Boils, pure gold, o'er the cloud-.cup's brim Where spurting and suppressed it lay, For not a froth-flake touched the rim Of yonder gap in the solid gray Of the eastern cloud, an hour away; But forth one wavelet, then another, curled, Till the whole sunrise, not to be suppressed, Rose, reddened, and its seething breast Flickered in bounds, grew gold, then overflowed the world." Of this remarkable vital force the last poem from his pen, the Epilogue to Asolando, shows no diminution.
    [Show full text]
  • Browning Once More*
    ·' BROWNING ONCE MORE* W. ]. ALEXANDER WHEN our President asked me to speak to the English Association on the present and future position of Browning's poetry, I conceived that the task imposed upon me was that of gathering the varying judgments of the critics of Browning in the publications of the first quarter of this twentieth century, of compar­ ing them with those current in the last quarter of the nineteenth century when Browning's reputation had reached its high-water mark, and of making some conjectures thence as to his permanent place in English literature. That I should find some falling off in reputation I took for granted, from the tendency of the present century to react against the ideas and art of the Victorian era .. A little investigation, however, showed me that I had a task much_ less straightforward and satisfactory. For I discovered that, at least during the last dozen years, there has been practically no evaluation of Browning's work either in periodicals or in more permanent publications; that, further, even in the earlier half of the first quarter of our century, not much appeared; and this was written by men who had already attained middle-age in the year 1900, so that it could not be accepted as expressing the ideas of the later era. I am therefore under the necessity of substituting for definite statements of contemporary criticism my own hazardous surmises as to the modern attitude towards Browning's poetry, and of the reasons why he has sunk in general estimation. That he has sunk, I infer not only from the general anti-Victorian tendencies of our day, and from the silence of the periodicals just alluded to, but also from various obiter dicta which have caught my attention in literature of recent years.
    [Show full text]
  • 2013-X-0905-Rascoeelder.Pdf
    BULLETIN OF THE UNIVERSITY OF TEXAS NUMBER 92 HUMANISTIC SERIES NO. 5 APRIL t, 1907 The Grotesque in the Poetry of Robert Browning Thesis Presented to the Faculty of the College of Arts of the University of Texas for the Degree of Master of Arts, June, 1906, By LILY BESS CAMPBELL, B. L. Published by the University of Texas semi-monthly. Entered as seoond-dass mail matter at the postoffice at Austin AUSTIN, TEXAS PUBLICATIONS OF THE UN IVERS ITY 0 F TEX~A~S BOARD OF EDITORS WILLIAM JAMES BATTLE, Editor-in-Chief. HERBERT EUGENE BOLTON, Secretary and Manager. KlLLIS CAMPBELL, The University Record. WILLIAM SPENCER CARTER, Galveston, Medical Series. LINDLEY M. KEASBEY, Humanistic Series. THOMAS H. MONTGOMERY, JR., Scientific Series. PHINEAS L. WINDSOR, General Series. The publication!>. Of the University of Texas are issued twice a month. For postal purposes they are numbered consecutively as Bulletins without regard to the arrangement in series. With the exception of the Special Numbers any Bulletin will be sent to citizens of Texas free on request. Communications from other institutions in reference to exchange of publications should be addressed to the University of Texas Library. 132-5117-lm-801 BULLETIN OF THE UNIVERSITY OF TEXAS NUMBER 92 HUMANISTIC SERIES NO. 5 APRIL I, 1907 The Grotesque in the Poetry of Robert Browning Thesis Presented to the Faculty of the College of Arts of the University of Texas for the Degree of Master of Arts, June, 1906, By LILY BESS CAMPBELL, B. L. Published by the University of Texas semi-monthly. Entered as second-class mail matter at the postofjice at Austin AUSTIN, TEXAS Cultivated mind i& the guardian genius of de­ mocracy.
    [Show full text]
  • A PDF Link to the Newsletter of the the Browning
    The Browning Society Newsletter Issue No: 2 March 2017 his depiction of the Holy Family, particu- rescued by Stephen Evans from St Giles Man and Wife larly in the figure of the baby Jesus. The in the Fields, where it had been placed new-born child is shown blessing his prior to the old parish church’s demoli- Hanging above the altar in St. Maryle- parents and the world, as if already aware tion in 1949. The Brownings’ marriage bone Parish Church when Elizabeth Bar- of his allotted role in life. In his startling- is, therefore, now permanently commem- rett married Robert Browning in Septem- ly bold depiction of Jesus, West gives the orated at St. Marylebone, together with ber 1846 was an oil-painting of the Holy baby’s face an almost adult seriousness, the memory of one of their Italian admir- Family. The work of the Anglo-American which becomes the focus of the painting. ers and commentators. President of the Royal Academy, Benja- A shaft of light from above suggests the min West, the picture is still in the parish presence of God, while the Trinity is church today, but had been moved into completed by a dove roosting on a beam NOTES the old parish church when the architect above the baby’s head. The Deptford Heritage Festival was re- Thomas Harris reordered the present par- Just how much of this Robert and Eliza- vived in 2015 and, for the past two years, ish church in the 1880s. The painting the Browning Society has been invited to returned to the parish church in its pre- beth Barrett Browning saw during their wedding is unknown.
    [Show full text]