Robert Browning
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University Microfilms, a XERQ\Company, Ann Arbor, Michigan
72- 19,021 NAPRAVNIK, Charles Joseph, 1936- CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING. The University of Oklahoma, Ph.D. , 1972 Language and Literature, general University Microfilms, A XERQ\Company, Ann Arbor, Michigan (^Copyrighted by Charles Joseph Napravnlk 1972 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE UNIVERSITY OF OKIAHOMA GRADUATE COLLEGE CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY CHARLES JOSEPH NAPRAVNIK Norman, Oklahoma 1972 CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OF ROBERT BROWNING PROVED DISSERTATION COMMITTEE PLEASE NOTE: Some pages may have indistinct print. Filmed as received. University Microfilms, A Xerox Education Company TABLE OF CONTENTS Chapter Page I. INTRODUCTION...... 1 II. BACKGROUND AND RATIONALE.................. 10 III, THE RING, THE CIRCLE, AND IMAGES OF UNITY..................................... 23 IV. IMAGES OF FLOWERS, INSECTS, AND ROSES..................................... 53 V. THE GARDEN IMAGE......................... ?8 VI. THE LANDSCAPE OF LOVE....... .. ...... 105 FOOTNOTES........................................ 126 BIBLIOGRAPHY.............. ...................... 137 iii CONVENTIONAL AND CREATED IMAGERY IN THE LOVE POEMS OP ROBERT BROWNING CHAPTER I INTRODUCTION Since the founding of The Browning Society in London in 1881, eight years before the poet*a death, the poetry of Robert -
The Qualities of Browning
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Mid-West Quarterly, The (1913-1918) Mid-West Quarterly, The (1913-1918) 1914 The Qualities of Browning Harry T. Baker Follow this and additional works at: https://digitalcommons.unl.edu/midwestqtrly Part of the Arts and Humanities Commons Baker, Harry T., "The Qualities of Browning" (1914). Mid-West Quarterly, The (1913-1918). 43. https://digitalcommons.unl.edu/midwestqtrly/43 This Article is brought to you for free and open access by the Mid-West Quarterly, The (1913-1918) at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Mid-West Quarterly, The (1913-1918) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in THE MID-WEST QUARTERLY 2:1 (October 1914), pp. 57-73. Published by G.P. Putnam’s Sons & the University of Nebraska. THE QUALITIES OF BROWNING I The opening lines of Pippa Passes pulse with the tremendous vitality which the reader of Browning has early learned to expect of his poetry: "Day! Faster and more fast, O'er night's brim day boils at last: Boils, pure gold, o'er the cloud-.cup's brim Where spurting and suppressed it lay, For not a froth-flake touched the rim Of yonder gap in the solid gray Of the eastern cloud, an hour away; But forth one wavelet, then another, curled, Till the whole sunrise, not to be suppressed, Rose, reddened, and its seething breast Flickered in bounds, grew gold, then overflowed the world." Of this remarkable vital force the last poem from his pen, the Epilogue to Asolando, shows no diminution. -
Robert Browning (1812-89)
Robert Browning (1812-89) Life.- Robert Browning was born at Camberwell, May 7, 1812, and was privately educated. His first published poem, Pauline, appeared in 1833.In 1846 he married Elizabeth Barrett, then more widely known as a poet than himself. Their happy married life was spent almost entirely in Florence. After Mrs Browning’s death in 1861, Browning settled in London, though he still made long visits to the Continent. In November 1889 he joined his son in Venice, and there he died on 12th December of that year. Works.- Pauline (1833) Strafford (1837) Sordello (1840) Bells and Pomegranates (8 parts, 1841-6) Christmas Eve and Easter Day (1850) Men and Women (1855) Dramatis Personae (1864) The Ring and the Book (1868-9) Balaustion’s Adventure (1871) Prince Hohenstiel-Schwangau (1871) Fifine at the Fair (1872) Red Cotton Night-Cap County (1873) Aristophanes’s Apology (1875) The Inn Album (1875) Pacchiarotto (1876) La Saisiaz (1878) The Two Poets of Croisic (1878) Dramatic Idylls 1879-80) Jacoseria (1883) Ferishtah’s Fancies (1884) Parleying with Certain People (1887) Asolando (1889) Character.- Browning was a man of intense and vigorous personality, his consciousness of health was vivid and had a boundless capacity for enjoyment. He loved life and was a familiar figure in society and a regular diner-out. Sound in body and mind, he was altogether unaffected by the melancholy which accompanied the spiritual upheaval of his age. His robust optimism, though stated in terms of the religious philosophy by which it was reinforced, had its roots in his healthy and happy nature. -
The Voice, Volume L Number 3, June 1929
Longwood University Digital Commons @ Longwood University Student Publications Library, Special Collections, and Archives 6-1929 The oiceV , Volume l Number 3, June 1929 Longwood University Follow this and additional works at: http://digitalcommons.longwood.edu/special_studentpubs Recommended Citation Longwood University, "The oV ice, Volume l Number 3, June 1929" (1929). Student Publications. 104. http://digitalcommons.longwood.edu/special_studentpubs/104 This Book is brought to you for free and open access by the Library, Special Collections, and Archives at Digital Commons @ Longwood University. It has been accepted for inclusion in Student Publications by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected]. 3u«p. 1023 Digitized by the Internet Archive in 2010 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/voicejune192913stat Volume I. Number 3 Published by CUNNINGHAM AND RUFFNER LITERARY SOCIETIES THE STAFF Editor-in-Chief JULIA WILSON Assistant Editor MARY ELLEN CATO Literary Editor MARJORIE CODD Assistant Literary Editor JULIET MANN Art Editor LILLIAN RHODES Business Manager IDA WHYTE Assistant Business Manager NELLIE TALLEY Typist ELIZABETH ATWATER Proof-Reader ISABEL MACDONALD FARMVILLE, VIRGINIA JUNE, 1929 Qlnntenta DANCE OF THE ELVES—Wloodcut—Lillian Rhodes, '29 3 BROWNIN'GS MEN AND WOMEN, Carolea Harris, '29 4 ART CORNER—ANDREA DEL SARTO, Lillian Rhodes, '29 16 POETRY- DANDELIONS—Elizabeth P. Falconer, '31 17 DISILLUSIONMENT—Mary Ellen Cato, '31 17 LIFE—Alice Harrison, '32 18 THE SEA—E. F., '31 18 AH, NO, I'VE NOT FORGOTTEN ALL THOSE DAYS—G. J. K., '29 19 ON YOUR LEAVING—Frances Willis, '29 19 A MISUNDERSTANDING—J. -
'B' Class: XI Topic: Meeting at Night Date: 02.07.2020 About the Po
ST. LAWRENCE HIGH SCHOOL A JESUIT CHRISTIAN MINORITY INSTITUTION STUDY MATERIAL 4 Sub: ENGLISH ‘B’ Class: XI Topic: Meeting At Night Date: 02.07.2020 About the Poet: Robert Browning (7 May 1812 – 12 December 1889) was an English poet and playwright whose mastery of the dramatic monologue made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humour, social commentary, historical settings, and challenging vocabulary and syntax. He is widely recognized as a master of dramatic monologue and psychological portraiture. Browning wrote eight plays and fifty-one poems during his lifetime. He established his career first as a poet and then as a playwright. His works won global recognition marked by allusive imagery, symbolic structures, dramatic monologue, a blend of dark humour and irony. Browning successfully used dramatic monologue techniques which enabled the readers to see an event using the character’s lenses. Moreover, he explored the beauty of the real-world using artistic techniques in his poems. Some of his famous poems include My Last Duchess, The Pied Piper of Hamelin, Porphyria’s Lover, Hilde Roland to the Dark Tower, The Lost Leader, Meeting at Night, Fra Lippo Lippi, and The Laboratory. Besides poetry, he tried his hands on plays. Some of them include Colombe’s Birthday, King Victor and King Charles, Pippa Passes and In a Balcony. Browning’s literary ideas have left deep imprints on English as well as international literature. His distinctive writing approach and unique way of expression made him stand among the best Victorian poets. His thoughtful ideas influenced many great poets and writers including Robert Frost, Ezra Pound, and T.S. -
Catalogue of the Library of the Browning Society of Boston
CATALO GUE OF THE LIBRARY OF THE BRO W NING SO CIETY OF BO STO N ' BOSTON PUBLIS HE D BY THE SOC IETY MD CCC' CVII r Ah , that b ave n s one r r Bou ty of poet , the oyal ace r w a s o r i n r ' That eve , will be , the wo ld They give n o gift that bou nds its elf a nd ends ’ I the giving a nd the taking : thei rs so b reeds . ’ ’ I r a n d s 0 r s o r ns s the hea t oul the take , t a mute m a n n w a s m a n r The who o ly a befo e , r s i n his rn ca n That he g ow godlike tu , give ’ s s r s r He al o ha e the poet p ivilege , r n r n e w ne w r . B i g fo th good, beauty , f om the old B ’ ALAU STI ON S A D V E NT U R E . IFI I K CLASS CAT ON OF BOO S ON THE S HE LV ES . n n C omplete wo rk s arra ged ch ro ologically . r n rr n r n Pa tial collectio s a a ged ch o ologically . Sin gle wo rk s arranged ch ron ologically . Selection s a n d adaptatio ns . Lette rs . Songs with music . Bibliography . Biography . C ritical a n d illus t rative wo rks . -
Primer of Browning
PR I ME R O F B R OW NI NG By E DW AR D BE RDOE m , A uthor o The B r own in C clo a'dia f g y p , LON DON G EORG E ROU T LEDG E SON S LT D , NEW YORK : E . P. DUTTON CO B Y THE SAME A UTHOR THE B ROW NI NG CYCLOPJEDI A ii - o. r 1 0 Fourt h Edition. Pages x v l 57 P i ce 16 T HE R E O PI NI ONS OF P SS. — l ime T T s . Conscientio us and painstaking. u ' t v —Morn A work sugges i e of imme n se indu stry. t rug P os . “ B as I t is not too mu ch to say that Dr. e rdoe h a n d the a i ud of e ve ad o f B o w and e r e gr t t e ry re er r ning, h as ate iall aid e d th e s ud o f E nglis h l i e ra ure m r y t y — t t i v o B ri i lr IV k/ . in o ne of i s r p s d l p e n s . t s a y “ t e t e e m t A o ea n d and c ed tab ec o f w k m st l r e r i le pi e or . — Not a d fi cu is sh k ed . -
"Great 'Wlriters."
"Great 'Wlriters." EDITED BY ERIC ROBERTSON AND FRANK T. MARZIj\LS. LIFE OF BRO WNING. ·tI. FpR FULL LIST OF THB VOLUMES IN TutS SERIES, SEE CATALOGUE AT END OF BOOK , Dhananjayarao Gadgil libraI'}' : L I ~ 1111111111111111111111111111111111111111 ~. GIPE-PUNE-002575 ' ROBERT BROWNI,NG RV WILLIAM SHARP. LONDON W.ALTER SCOTT, LIMITED PATERNOSTER SQUARE (A II rigkts reserved) ..l"J- o Ill/ 1~11l w C7 1-->( S- CONTENTS. - CHAPTER L PAOli London, ltobert Browning's birthplace; his. immediate pre· decessors and contemporaries in literature, art, and mnsic; born May 7th. 1812; origin or the Browning family; assertions as to its Semitic CODDection apparently gronnd. less; the poet a putative descendant or the Captain Micaiah Browning mentioned by Macanlay; Robert Browning's mbther or Scottish and German origin; his rather "a man of esceptional powen, artist, poet. critic:, student; Mr. Browning's opinion or his son's writings; the home in CambenreU; Robert Browning's childhood; concerning his optimism; his fondness for Canavaggio's "Andromeda and Perseus"; his poetic precocity; origin oJ "The Flight of the Duchess"; writes Byronic ver.;e; is sent to school at Peckham; his holiday afternoons; sees London by night, from Heme Hill; the significance of the spectacle to him· II CHAPTER IL iIe wishes to be a poet; writes in the style or Byron and Pope; the •• Death of Harold"; his poems, written wben twelve years old, shown to Miss Flower; the Rev. W. J. Fox's criticisms on them; "he comes aaoss Shelley's "Dzmon of the World"; Mrs. Browning procnres Shelley's poems, 4 CONTENTS. -
A Historical and Critical Study of Browning's Asolando Volume
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 3-1961 A Historical and Critical Study of Browning's Asolando Volume Paulina Estella Buhl University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the English Language and Literature Commons Recommended Citation Buhl, Paulina Estella, "A Historical and Critical Study of Browning's Asolando Volume. " PhD diss., University of Tennessee, 1961. https://trace.tennessee.edu/utk_graddiss/2989 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Paulina Estella Buhl entitled "A Historical and Critical Study of Browning's Asolando Volume." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. Kenneth L. Knickerbocker, Major Professor We have read this dissertation and recommend its acceptance: Alwin Thaler, Bain T. Stewart, Reinhold Nordsieck, LeRoy Graf Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Copyl'ight by PAULINA ESTELLA BUHL 1961 March 2, 1961 To the Graduate Council: I am submitting herewith a thesis written by Paulina Estella Buhl entitled 11A Historical and Critical Study of Browning's Asolando Volume ." I reconunend that it be accepted in partial fulfillment of the require ments for the degree of Doctor of Philosophy, with a major in English. -
'It Does Not Mean Me, but a Supposed Person': Browning
Comparative American Studies, Vol. 12 No. 4, December 2014, 264–81 ‘It Does Not Mean Me, But a Supposed Person’: Browning, Dickinson, and the Dramatic Lyric University of Portsmouth, UK Abstract: Although scholars have explored the importance of the works of Elizabeth Barrett Browning to Emily Dickinson, very little research exists on the implications of her admiration for Robert Browning. Within the context of Browning’s nineteenth-century US reception, this essay considers the profound and seminal effect this writer had on Dickinson’s vocation as a poet and her understanding of poetry. Focusing in particular on Dickinson’s reading and response to Browning’s Men and Women (1855), it explores connections between Browning’s dramatic lyrics and Dickinson’s creation of dramatic speakers and situations. Developing earlier scholarship on Dickinson’s use of personae and the influence of drama and performance on her works, this essay argues that Dickinson found in Browning’s poetry distancing strategies that complicated the notion of the lyric as a form of personal address and/or biographical revelation. Rather than granting the reader access to the poet’s interiority or corporeal presence, Dickinson, like Browning, creates ‘supposed persons’ who speak in a confidential, intimate manner about particular events and incidents. Following Browning, Dickinson constructs speakers whose identities are divided, contradictory, and fragmented, and, in so doing, she further impersonalizes the personal lyric by creating the possibility of a difference between what her speakers say and what her poems mean. 1 In the early 1860s, Emily Dickinson wrote some of her greatest and most original poetry, drawing on the innovations and inventions of contemporary poets. -
Life and Letters of Robert Browning （Volume II）
Life and Letters of Robert Browning （Volume II） by Mrs. Sutherland Orr CONTENTS Chapter 9 ................................................................................................ 1 Chapter 10 ............................................................................................ 32 Chapter 11 ............................................................................................ 58 Chapter 12 ............................................................................................ 92 Chapter 13 .......................................................................................... 121 Chapter 14 .......................................................................................... 152 Chapter 15 .......................................................................................... 179 ★ Life and Letters of Robert Browning ★ Chapter 9 Introduction to Miss Barrett Engagement Motives for Secrecy Marriage Journey to Italy Extract of Letter fromMr. Fox Mrs. Browning's Letters to Miss Mitford Life at Pisa Vallombrosa Florence; Mr. Powers; Miss Boyle Proposed British Mission to the Vatican Father Prout Palazzo Guidi Fano; Ancona ‘ABlot in the 'Scutcheon' at Sadler's Wells. During his recent intercourse with the Browning family Mr. Kenyon had often spoken of his invalid cousin, Elizabeth Barrett, and had given them copies of her works; and when the poet returned to England, late in 1844, he saw the volume containing Lady Geraldine’s Courtship’, which had appeared during his absence. On hearing him express his admiration -
A Poet's Self-Observation: Robert Browning's Poems in Propria Persona
U n iv e r sit y Co l l e g e L o n d o n U n iv e r s it y o f L o n d o n A P o e t ’s S e l f -O b s e r v a t io n : Robert Browning’s Poems i n p r o p r i a p e r s o n a BY B r it t a M a r t e n s A THESIS SUBMITTED TO THE SCHOOL OF ENGLISH AND HUMANITIES FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LONDON 2002 ProQuest Number: U643225 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U643225 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Ab str a c t Robert Browning’s poemsin propria persona are usually considered as giving access to his poetics and private self. The contention of this thesis is that many of these poems do not seriously disclose the poet’s personality but partially subvert the reliability of their speaker.