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Absolutely Fabulous, 世均) Offer an Example of a Dreamy Celebrity Mar- Sodagreen (蘇打綠) Is That Rare Indie Band Riage Gone Sour
14 發光的城市 A R O U N D T O W N FRIDAY, JANUARY 1, 2010 • TAIPEI TIMES BY AndreW C.C. HuanG MUSIC STOP COMPILED BY HO YI Chen (陳泰銘) held last Saturday? Never hap- Absolutely pened? And anyway, Chen was still married last time local paparazzi checked. As for Hong Kong’s former diva Cherie Chung (鍾楚紅), the 49-year-old widow personally denied the speculation about fabulous her upcoming wedding with a certain wealthy Jolin Tsai, below, businessman from Singapore. is moving on While Hou has found her Mr Right, Jolin from pretty-faced Tsai (蔡依林) is getting cozy with fast-rising idol Eddie Peng model Godfrey Kao (高以翔), whose previous to model Godfrey claim to fame was his pair of delectable pinkish Kao, right. nipples, which he flagrantly exposed in his photo PHOTOS: TAIPEI TIMES book. It’s only a matter of time before intimate comparisons will be made between Kao and Tsai’s old flame Jay Chou (周杰倫). So what is the Mando-pop king, self-made film director and occasional actor doing with his love life? Not much. Unless you count the banter and teasing exchanges between him and supermodel-turned-actress Lin Chi-ling (林志玲) during the promotions for the fantasy adventure The Treasure Hunter (刺陵). The way Pop Stop sees it, the real-life flirting between the two is more convincing that the on-screen romance that they share in the movie, which was killed by the embarrassingly coy lines and dumb jokes that filled the clunky script. Finally, model-turned-housewife Hung Hsiao-lei (洪曉蕾) and her CEO-husband Wang Shih-chun (王 ndisputedly talented and absolutely fabulous, 世均) offer an example of a dreamy celebrity mar- Sodagreen (蘇打綠) is that rare indie band riage gone sour. -
An Ideological Analysis of the Birth of Chinese Indie Music
REPHRASING MAINSTREAM AND ALTERNATIVES: AN IDEOLOGICAL ANALYSIS OF THE BIRTH OF CHINESE INDIE MUSIC Menghan Liu A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2012 Committee: Jeremy Wallach, Advisor Kristen Rudisill Esther Clinton © 2012 MENGHAN LIU All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This thesis project focuses on the birth and dissemination of Chinese indie music. Who produces indie? What is the ideology behind it? How can they realize their idealistic goals? Who participates in the indie community? What are the relationships among mainstream popular music, rock music and indie music? In this thesis, I study the production, circulation, and reception of Chinese indie music, with special attention paid to class, aesthetics, and the influence of the internet and globalization. Borrowing Stuart Hall’s theory of encoding/decoding, I propose that Chinese indie music production encodes ideologies into music. Pierre Bourdieu has noted that an individual’s preference, namely, tastes, corresponds to the individual’s profession, his/her highest educational degree, and his/her father’s profession. Whether indie audiences are able to decode the ideology correctly and how they decode it can be analyzed through Bourdieu’s taste and distinction theory, especially because Chinese indie music fans tend to come from a community of very distinctive, 20-to-30-year-old petite-bourgeois city dwellers. Overall, the thesis aims to illustrate how indie exists in between the incompatible poles of mainstream Chinese popular music and Chinese rock music, rephrasing mainstream and alternatives by mixing them in itself. -
A Rocker Finds Freedom in Quieter Simplicity
FRIDAY, DECEMBER 5 , 2 0 0 8 PAGE 1 3 FESTIVAL NOTES: (簡單生活節) WHAT: 2008 Urban Simple Life WHEN: Tomorrow and Sunday from noon to 10pm (華山文化園區), 1, Bade Rd Sec 1, Taipei City WHERE: Huashan Culture Park 號). Call 0800-612-168 for more information Sky Stage (天空舞台) (台北市八德路一段1 TICKETS: NT$1,500 a two-day pass or NT$900 for a one-day pass when Day 1 (Saturday) purchased in advance online at tickets.books.com.tw or at 7-Eleven stores; 2:20pm 1976 NT$1,200 for one-day passes purchased the day of the show 3:50pm Crowd Lu (盧廣仲) simplelife.tw.streetvoice.com 5:20pm Khalil Fong (方大同) ON THE NET: 7:00pm Jarvis Cocker with special guest Faith Yang (楊乃文) 8:50pm Cheer Chen (陳綺貞) ritpop icons Jarvis Cocker and Brett Anderson headline the 2008 Day 2 (Sunday) Crowd Lu, left, and 1976 perform at the 2008 Urban Simple Life festival. PHOTOS: TAIPEI TIMES Urban Simple Life (簡單生活節) festival, a combination outdoor 2:20pm Tizzy Bac concert/street fair that takes place this weekend at Taipei’s 3:50pm Tanya Chua (蔡健雅) Huashan Culture Park (華山文化園區). 5:20pm Atari Kousuke (中孝介) On the musical side, Simple Life features popular local acts 7:00pm Brett Anderson Bincluding 1976, Sodagreen (蘇打綠), Chang Chen-yue (張震嶽) and Free 9, Tizzy 8:50pm Sodagreen (蘇打綠) Bac, and Lin Sheng-xiang (林生祥), as well as guitar-playing and composition competitions. Street fair-style attractions include a “street market” for vendors 微風舞台 selling original designs and handicrafts, a T-shirt market and a market for Breeze Stage ( ) organic products. -
Fujian and the Making of a Maritime Frontier in Seventeenth-Century China
UNIVERSITY OF CALIFORNIA, SAN DIEGO Sealords Live in Vain: Fujian and the Making of a Maritime Frontier in Seventeenth-Century China A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Dahpon David Ho Committee in charge: Professor Joseph W. Esherick, Co-Chair Professor Paul G. Pickowicz, Co-Chair Professor Barry J. Naughton Professor Daniel Vickers Professor Charles J. Wheeler 2011 © Dahpon David Ho, 2011 All rights reserved. The Dissertation of Dahpon David Ho is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Co-Chair University of California, San Diego 2011 iii DEDICATION FOR MY LOVING PARENTS Yuping Sandi Ho and Shyh-chin Mike Ho AND MY WIFE Elya Jun Zhang iv EPIGRAPH Defeat, my Defeat, my bold companion, You shall hear my songs and my cries and my silences, And none but you shall speak to me of the beating of wings, And urging of seas, And of mountains that burn in the night, And you alone shall climb my steep and rocky soul. Defeat, my Defeat, my deathless courage, You and I shall laugh together with the storm, And together we shall dig graves for all that die in us, And we shall stand in the sun with a will, And we shall be dangerous. * --Kahlil Gibran * “Defeat,” from The Madman (1918) v TABLE OF CONTENTS Signature Page……………………………………………………………………………iii Dedication.....…..................................................................................................................iv Epigraph.....…......................................................................................................................v -
How Do You Make a Vagina Talk?
AROUND TOWN FRIDAY, MARCH 19, 2010 Clockwise from left: The Secret Machines Wonfu, FireEx and Sodagreen. PHOTOS COURTESY OF MEGA P ORT MUSIC F ESTIVAL/ T HE WALL More than 40 indie-rock bands gather in Kaohsiung this weekend for the Megaport Music PortFestival, an eight-day event that concludes Sundayof BY DAVid CHEN STAFF REPORTER FESTIVAL NOTES WHAT: Megaport Music Festival 2010 (大港開唱) call WHEN: Starts at 6pm tonight and 4pm tomorrow and Sunday WHERE: Pier 2 Art District (高雄駁二藝術特區), 1 Dayong Rd, Yanjheng Dist, Kaohsiung City (高雄市鹽埕區大勇路1號) ADMISSION: NT$500 per day or NT$800 for a weekend pass for general access to all outdoor shows. Main Stage shows are NT$600 tonight, NT$800 tomorrow and NT$600 on Sunday. Tickets are available at 7-Eleven ibon kiosks ON THE NET: www.megaport.com.tw or indie-music fans, the usual bands will be “Many of these bands feel a strong connection to success offers an encouraging example for local playing at this weekend’s Megaport Music Festival their hometown,” said The Wall’s Orbis Fu (傅鉛文), musicians. F 2010 (大港開唱), but in a not-so-usual locale. who is overseeing the festival. “For everyone involved, “Bands like them will have an effect on other composer Brian Eno, who contributed keyboard The festival, which started last weekend and was this is something that they’ve always wanted to do.” Kaohsiung bands, who will think ‘Yes, I have a chance tracks on the band’s debut EP Cut Off!. organized by Taipei venue The Wall (這牆), takes place Fu, who grew up in southern Taiwan but now lives to make it big. -
Mapping Taiwan's Creative Hubs
N 90 W E S Mapping Taiwan’s Creative Hubs: Searching for Taiwan’s Creative Context 25N04'40'' 121E56'09'' 24N14'75'' 120E66'29'' 24N77'82'' 120E98'81'' 22N62'00'' 120E28'15'' 23N12'60'' 121E21'95'' Contents Foreword: Creative Economy and the Taiwan Experience 04 Creative hubs: The Flowering of Taiwan's Creative Landscape 06 Creative Hub Development in the Local Context 08 Creativity Disrupting the "Lifestyle" of Neighborhood Lanes And Alleys 10 Case: Tiehua Village, Taitung County / Zheng Xing Street, Tainan City / FantasyStory Cultural District, Taichung City / URS155, Taipei .Tiehua Village – Building a Platform to Slowly Realize a Live Music Dream 11 .Zheng Xing Street independent shops, bound together like a Barrel Hoop, Revitalize an Old 12 Neighborhood Street .Zheng Xing Gazette, A Shopkeeper Edits and Publishes Pro Bono 14 .Tiehua Village Seeks Out Different Income Resource in Challenging Times. 16 .Fantasy Lifestyle --An Air of the Hipster 18 .Urban Regeneration Station (URS) 155 – Sharing Food Uniting You and Me 20 . Green Ray Project Incubates Young Entrepreneurs, Working Together To Find the Right 21 Business Models. .C+ Culture Company Looks for Creative Roots While Searching for the Spirit of Dadaocheng. 22 Arts Villages Rallying the Power of Arts 24 Case: Bamboo Curtain Studio, New Taipei City / Cloud Gate Theatre, New Taipei City .Two Leading Hubs in New Taipei City, Willfully Displaying the Power of Art 25 .Art Makers Award Encourages a Return to the Nature of Creativity 27 .Art Villages Create Agency To Redefine Art 28 -
China Media Bulletin
CHINA MEDIA BULLETIN A biweekly update of press freedom and censorship news related to the People’s Republic of China Issue 96: November 12, 2013 Headlines News outlets hype vague reform plans during closed party plenum Chinese journalist win Transparency International prize Tencent seeks U.S. app stake as Chinese competition heats up Bloomberg halts article on Chinese leadership, self-censorship alleged Reuters journalist denied visa to reenter China PHOTO OF THE WEEK: BLOOMBERG NEWS ON ITS KNEES Credit: NMA World Edition BROADCAST / PRINT MEDIA NEWS News outlets hype vague reform plans during closed party plenum From November 9 to 12, the Chinese Communist Party (CCP) Central Committee chosen one year ago held its third plenum. The closed meeting in Beijing was attended by hundreds of the party’s top officials. Historically, third plenum meetings under a new leadership have been important moments signaling future policy directions and potential reforms. Most dramatically, the 1978 plenum led by Deng Xiaoping marked the beginning of China’s economic transformation following the death of Mao Zedong. Although they lacked concrete details of the meeting’s agenda, CCP-run media and other outlets ran various commentaries and supplements before and during the conclave, touting the need for some reform, mostly in the economic and social spheres. On November 10, the CCP mouthpiece People’s Daily ran a front-page editorial implying that any reforms would be an uphill battle, prompting conflicting interpretations by foreign media. The relatively -
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14 發光的城市 A R O U N D T O W N FRIDAY, MAY 21, 2010 • TAIPEI TIMES BY NOAH BUCHan DRAMA STOP American dream gone awry would make the perfect headline: Lady Against Again Troupe returns to the stage this weekend with COMPILED BY Ian BartHOLOmeW Gaga in an S&M tussle with Andy Warhol. American Dream Factory. PHOTO COURTESY OF AGAINST AGAIn TROUPE The story would go on to describe, in he most exciting news on the Itintimate detail, the dripping of candle wax on art installation for the 2008 Singapore Fringe music scene this week is that Warhol’s naked torso, a whip to keep him in line Festival. The installation comprises the set the bands Sodagreen (蘇打綠) and plenty of rope to ensure no escape. for the play and requires considerable visual Tand Tizzybac will be performing Though implausible (Warhol’s been dead for multi-tasking to keep up with. Three televisions at the Liverpool Sound City Music 23 years), the above scene kicks off American showing, for example, footage of Kurt Cobain Festival in the UK today and Dream Factory (美國夢工廠), the latest play of smashing his guitar and Warhol eating a tomorrow. Sodagreen keyboard social criticism by Against Again Troupe (再拒劇 hamburger, add to the overall theme but also player Zephyr Kung (龔鈺祺) 團), which begins tonight at Guling Street Avant- serve as a distraction to the human action. But was given a special leave of Garde Theatre (牯嶺街小劇場). that’s probably the point. absence from military service “It’s the play’s only S&M scene,” said Though not a particularly original concept to travel to Liverpool for the Sammie Liu (劉柏珊), the production’s (it seems that every month sees a new play in event. -
Think HK Music Is All Ballads and Boredom? You'd Be Wrong. There's
Think HK music is all ballads and boredom? You’d be wrong. There’s a whole raft of exciting talent emerging across the city’s scene, in every type of genre imaginable – and to prove it, we’ve uncovered 23 of the most promising new singers and bands that you need to listen to right now. Your new favourite artist is waiting… By Mark Tjhung and Arthur Tam 20 timeout.com.hk AGA RISING R&B STAR If you’re into: Brandy, Justin Lo Label: Universal Music Latest Release: AGA (2013) Upcoming Release: New single out beginning of June For more: bit.ly/AGA-FB Recommending Listening: <<問好>> Greetings, bit.ly/TOHK-AGA ast year, Hong Kong didn’t see many new pop talents, and the one been <<問好>> (Greeting) and One Day at a Time, both fluid R&B ballads fresh shining light to break into the scene was AGA. The 25-year- accented with a touch of sensuality. AGA’s voice glides through the tracks Lold Agatha Kong was crowned with the gold award at last year’s with crisp dulcet tones for a delicate take on heartbreak. Besides her own Commercial Radio 903 music awards and has been creating quite a stir in hits, AGA has written songs for other artists like Fiona Sit’s mega-hit Better the scene since she debuted late last year with her eponymous album AGA. Me, emphasising AGA’s knack for writing a commercial hit. Any day now, Her sultry voice, R&B sensibilities and catchy songwriting ability has shot she releases her new single and, later in the year, expect her sophomore her straight to the top of the Cantopop charts. -
Chapter 2: Genre and Classification
The performance of identity in Chinese popular music Groenewegen, J.W.P. Citation Groenewegen, J. W. P. (2011, June 15). The performance of identity in Chinese popular music. Retrieved from https://hdl.handle.net/1887/17706 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/17706 Note: To cite this publication please use the final published version (if applicable). Chapter 2: Genre and Classification §1 Chinese Popular Music My working definition of popular music hinges on its relation to the mass media, and on considering its emergence and transformations in tandem with the masses (urbanization, adolescence, yuppies) and the media (phonograph, radio, MTV, MP3, MySpace). This working definition will remain undeveloped, because I have chosen not to focus on dis- tinguishing popular music from other musics, but on subdivisions within popular music. However, this still involves addressing popular music’s appellation of the mass, the popu- lar and the People.1 I will discuss music and artists that I tentatively group under the labels sinified rock, fringe pop, and new folk. However, I hypothesize that rather than around genres Chinese popular is structured around the four organizational principles language-geogra- phy-ethnicity, generation, gender, and marketability. Is rock subversive, pop hegemonic, and folk conservative, and are these the right questions? Territories in Hyperspace -
Crisis Communication Working Group Abstracts Accepted for Presentation at IAMCR 2015 in Montreal, Canada Id: 9349
Crisis Communication Working Group Abstracts accepted for presentation at IAMCR 2015 in Montreal, Canada Id: 9349 Title: Using the Theory of Apologia and the Situational Crisis Communication Theory: Deserts Chang's Response to the November 2 Flag Incident Authors: Name: Guolan Yang Email: guola @ t.edu Country: US (United States) Affiliation: Virginia Tech Abstract: On November 2nd, 2013, Deserts Chang, a popular Taiwanese singer- songwriter, performed in a concert in Manchester, attended mainly by students from Taiwan and Mainland China. After several songs, fans in the front row handed over a ROC (Republic of China) flag. Chang took and unfurled it while singing and speaking to the audience. 'I see there are also people who bring a national flag to the concert,' the 32- year-old singer-songwriter said, adding 'I have not felt so patriotic for a while... and I am from Taiwan.' Chang was soon interrupted by a female mainland student who shouted to her in English, 'No politics today.' Chang responded by asking: 'It's not about politics, it's just a fact. It reflects where I am from so why you talk about politics anyway'' Chang continued her performance. Several minutes later, Chang stopped and tried to explain to the mainland girl again. She added: 'You probably learned these words (referring to 'No politics today') from movies or TV, thinking saying this is sophisticated, or that it seems like you understand the situation very well. Anyway, I am always happy to introduce where I am from and who I am.' This argument between Chan and the girl lasted seven minutes and other Chinese students at the concert did not get involved.Users of the Internet began raising concerns about this flag incident when the mainland girl later posted an anonymous article online about the uncomfortable exchange and accused Chang of being arrogant. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G. Phd, Mphil, Dclinpsychol) at the University of Edinburgh
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Exploring the Intersection of Translation and Music: An Analysis of How Foreign Songs Reach Chinese Audiences Lingli Xie Thesis Submitted for the Degree of Doctor of Philosophy School of Literatures, Languages and Cultures The University of Edinburgh 2016 Declaration I hereby declare that this thesis has been entirely composed by me and that the work herein is mine. Ideas and passages reproduced from other sources have been duly acknowledged. The thesis has not been submitted for any other degree or professional qualification. Lingli Xie 31 May 2016 I Acknowledgements This thesis would not have been possible without the support of many people. I owe a huge debt of gratitude to my supervisor, Dr Şebnem Susam-Saraeva, whose insightful comments and boundless patience have been an invaluable support throughout my entire PhD study.