Isochrony, vocal learning and the acquisition of rhythm and melody - Andrea Ravignani In press: Behavioral and Brain Sciences Isochrony, vocal learning and the acquisition of rhythm and melody Andrea Ravignani Comparative Bioacoustics Group, Max Planck Institute for Psycholinguistics, Nijmegen, NL
[email protected] ABSTRACT A cross-species perspective can extend and provide testable predictions for Savage et al.’s framework. Rhythm and melody, I argue, could bootstrap each other in the evolution of musicality. Isochrony may function as a temporal grid to support rehearsing and learning modulated, pitched vocalizations. Once this melodic plasticity is acquired, focus can shift back to refining rhythm processing and beat induction. Musicality consists of the lobster rattles to sea lion barks: Patek & (neuro)biological underpinnings to perceive Caldwell, 2006; Schusterman, 1977), and produce music. Research in the evolution autonomously-regulated behavior or of musicality needs cross-species evidence. As (neuro)physiology. Synchrony is widespread a parallel, to understand the evolution of bat but scattered across taxonomic groups wings, one asks why all other mammals lack (Ravignani et al., 2014; Wilson & Cook, 2016). wings and why other flying animals have Vocal learning is rare but potentially arose evolved them. Likewise, our species only multiple times in evolution due to different constitutes one datapoint to construct pressures across species (Nowicki & Searcy, evolutionary hypotheses on musicality. 2014; Garcia & Ravignani, 2020; Martins & Comparisons with other species are necessary Boeckx, 2020). Beat induction has only been to avoid post-hoc explanations of evolutionary found in a few animals, as acknowledged by traits. Savage and colleagues (Kotz et al., 2018; cf.