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Download Select Works ANDREW GARTON An exhibition in collaboration with the ORF and sponsored by the Volkswagen Foundation PO Box 662, Hurstbridge, 3099, Vic, Australia 10 November 2012 - 10 February 2013 +61 (0) 409948280 [email protected] / andrewgarton.com GRIT #02 – Illusions of Homogeneity ​ ​ Solo voice, hard curve saturation, Frequency Post / Spectrum SELECT FILMS Wars remix FORGED FROM FIRE MAK NIGHT, The MAK, Vienna, Austria, 2008 An artisan response to the catastrophic Black Saturday fires of 2009 - the making of the Blacksmiths’ Tree. In NOTHINGKNOWN post-production, to be completed October 2018 Video, sound installation - a study of loss of culture, tradition Writer, Director, Producer, 2012 - 2018 and native title within the Bidayuh and Kenyah indigenous communities of Sarawak, Malaysia OCEAN IN A DROP CPU, ESC im Labor, Graz, Austria, 2008 Feature documentary about the impact the Internet has had on rural and tribal communities in India. International premier Border Song at the Chennai International Film Festival, Dec 2017 Single channel real-time space and looped audio - towards a Writer, Director, Producer, 2015 - 2017 live Machinima by John Power and Andrew Garton Field 36 Gallery, RMIT University, Melbourne, 2008 EXHIBITIONS & COMMISSIONS Licht Drift STUPENDOUS - Dancing Through Parkinsons’ Terminal Quartet, structured improvisation Short film in collaboration with people who live with Building an Australian Commons, State Library of Queensland, Parkinson’s and dance therapists from Ausdance Victoria, Australia, 2008 2018 Video Slam - Appropriate Original KNOWING YOU KNOWING ME Open content video production and rights management Two exhibition video pieces documenting Come Dance With workshop Me, Ausdance Victoria and City of Whittlesea, 2017 Arts Law Week, Open Channel, Horse Bazaar, Creative Commons Clinic, 2008 THIS CHOIR SINGS CAROLS Mentored documentary production in collaboration with First Video Slam – 5 Smiles Impressions Youth Theatre and City of Whittlesea, 2016 Open rights management/production workshop for screen culture practitioners TONG TANA Arts Law Week, Open Channel, Horse Bazaar, Creative Ethnographic documentary drama for radio Commons Clinic, 2007 ORF/KunstRadio, 2014 Synesthesia Urbania SHRINE CURATED Research mobile video shorts, Terminal Quartet structured Curated 30 mins of video art for Light In Winter improvisation Commissioned by Federation Square, 2014 Art Centre Nabi, JinboNet, Seoul, South Korea, 2005 OUR TREE Exhibiting Documentary Frequency Post / Spectrum Wars Federation Square Curator, composer/performer Human Rights Arts & Film Festival, 2014 CURATED BY, KunstRadio, 2005 OUR TREE Installation The 2030 Derive Great Hall, South Morang Live netcast, composer/performer/producer Commissioned by the City of Whittlesea, 2014 Re-inventing Radio, KunstRadio, 2005 Super Slide Show y a r t s t h d a b i r . Good Morning To All Multi-channel projections, structured improvisation for 6 Live broadcast, generative composition member ensemble, Hurstbridge Hall, Victoria, 2013 Arts Birthday, KunstRadio, 2004 Into The Light D3 – Stop Motion Narratives of Melbourne's CBD Community collaboration, video portraits, Video, generative sound and interactive installation single channel projection Australian Centre for the Moving Image, Melbourne, 2003 Whittlesea Showgrounds, rural Victoria, 2013 Commissioned by the City of Whittlesea From Drift to Derive Multi-screen video, 5.1 generative sound by Andrew Garton Bamiyarra Not so Still(s) and Ollie Olsen Photo essays, two channel video projection, 4 micro-docs Australian Centre for the Moving Image, Melbourne, 2003 Walker St Gallery, Dandenong, Victoria, Australia, 2013 Small Black Box, Institute for Modern Art, Brisbane, Australia, Casula Powerhouse Arts Centre, NSW, Australia, 2013 2003 Signal, Melbourne, Australia, 2012 Memory Effect 002 Future Schwitters & The Spectrum Wars Generative sound installation for 10 soundcards and GPS Radiophonic sound works coordinates Beyond Radio. Kunstradio-25 years-Radiokunst Ars Electronica Festival, Linz, Austria, 2003 Study Centre for Artists’ Publications, Weserburg Museum für moderne Kunst, Bremen, Germany De-generative observations in sound Generative installation / netcast DEVOLVE INTO, KunstRadio , 2002 Sensorium Dial Installation of historic radios and “white noise” spectrum Byron Bay Memory Effect frequencies. Recycling The Future, KunstRadio, ORF Live Video Design and Projections Funkhouse, Vienna, Austria, 1997 BayFM Radio, Byron Bay, NSW, Australia, 2002 Plastic Pants Memory Effect Collaborative composition Video and generative sound work for 10 pc's and GPS Recycling The Future, ORF Studio, Linz, Austria, 1997 coordinates. Small Black Box, Brisbane, Australia, 2002 Sound Suk SOON – A Video Haiku Collaboration with Stelarc Video commissioned for opening of ACMI La MaMa's, Melbourne, Australia, 1997 Melbourne, 2002 Sensorium Wien Undercurrents / Sinawe Generative sound works, spoken word, micro exhibition of Video documentation of two audio-visual performance works Aust. new media. Public Netbast t0, Vienna, Austria, 1997 Multimedia Arts Asia Pacific Festival, Beijing, China, 2002 Australian Experimental Film Festival, Australian Embassy, Future Scan – the future of sound is space South Korea, 2002 Generative synthesis netcast from Melbourne to Kassel Vidarte / Experimenta exhibition, Mexico City, Mexico, 2002 Hybrid Workspace, Orangerie, Documenta X, Kassel and Recycling the Future, KunstRadio, Vienna, 1997 Undercurrents remixed Mixed media, video, sound, collaborative performance Sensorium Connect Featuring Jimi Chen, Vince Chung (Taiwan) Six week generative netcast in collaboration with Stelarc Melbourne Fringe Fashion Awards, The Listening Room, ABC, 1997 Metro Nightclub, Melbourne, Australia , 2001 Sensorium Scan Undercurrents Generative soundscapes inspired by the work of Scanner Mixed media, video, sound, collaborative performance Blue Armory, Virginia, USA, 1997 Taipei International Arts Festival, Taipei, Taiwan, 2001 Melbourne International Film Festival, 2001 Generative Music by Andrew Garton Spiegeltent, Melbourne International Festival of the Arts, 2001 Performance / installation This is Not Arts Festival, Newcastle, NSW, Australia, 2001 Fitzroy Gallery, Melbourne, 1996 Multimedia Arts Asia Pacific Festival, Brisbane, Australia, 2001 Department of Ongoing Digital Situations Street(e)scape An Australian situationist art work on the Web by Andrew 24 hour generative soundscape for GATEWAYS Garton, David Cox with guest contributor, Mackenzie Wark Commissioned by Alien Productions, KunstRadio, Polycollege Sydney Biennale, Satellite New Media Exhibition, 1996 Stobergasse, 2000 Black Harlequin Tat Fat Size Temple New media opera and online gallery in collaboration with Kim Interactive and generative "dark" ambient sound machine Bounds, David Nerlich and Pasi Ilhalaien established in 1994 Stuff Art 2000, Australian Broadcasting Corporation, 2000 Australian Multimedia Exhibition, Brussells, 1996 Art Blast! - Artists Against Nuclear Testing exhibition, Ether Regenerative Generative Ohnetical Gallery, Melbourne, 1995 Generative psychedelic (re)constructions (real-time interactive sound and image) and translations of sound into visual Department of Ongoing Digital Situations responses. The culmination of a series of interactive and An Australian situationist art work on the Web by Andrew generative compositions explored over the past two decades Garton, David Cox with guest contributor, Mackenzie Wark by Andrew Garton, Ollie Olsen and John Power. CyberFringe, Melbourne, 1995 Australian Centre for Contemporary Art, Melbourne, 2000 This is Not Art Festival, Newcastle, NSW, 2000 Fierce Throat – Gods Tears Europa A screaming choir performance / installation Sinawe Trance Plant, Brisbane Powerhouse, 1994 Improvised sound and image inspired by contemporary and traditional South Korean sound works and art. FIERCE / Interave Andrew Garton and Kim Bounds Twenty four hour arts and environment information festival, Melbourne Fringe Festival, Alia, Melbourne, 2000 simultaneous real-time global internet relay communication Co-producer, co-curator Future Schwitters Boulder Lodge, Brisbane, 1993 Netcast, live, generative "spat" word composition MERZmuseum, KunstRadio / ArtBarns, 1999 Carnival of Disembodied Souls Solo spoken word opera Sound Drifting, KunstRadio, Ars Electronica Pacific Fringe Festival, Brisbane & Arts Factory, Byron Bay, Tat Fat Size Temple 1993, North Coast Art Awards, Byron Bay, 1992 Nine day onsite generative sound installation and netcast, 1999 Auslander Micro Political refugees, cultural displacement – an online opera Australian Film Commission, RMIT University, 1998 PUBLICATIONS Books Garton, A (2017) ‘Right to Know - India’s Internet Avant-Garde’, Digital Empowerment Foundation, Australia India Institute, 2017, ISBN 978-81-933164-2-9 Book Chapters Garton, A. (2017) ‘Doing the right thing’, Global Information Society Watch 2017, Association for Progressive Communications, Hivos Garton, A. (2014) ‘Internet the panopticon: Exhibition and surveillance’, Global Information Society Watch 2014, Association for Progressive Communications, Hivos Garton, A. (2011) ‘Australia Country Report’, Global Information Society Watch 2011, Association for Progressive Communications, Hivos Garton, A. (2010) ‘Australia Country Report’, Global Information Society Watch 201, Association for Progressive Communications, Hivos Garton, A. (2008) ‘Herd Listening’, Re-inventing Radio - Aspects of Radio as Art, Revolver, ISBN 978-3-86588-453-4
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