Concepts in American Local History: Community in Winder, Idaho
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The Loved Ones (2009)
Screen Sound n3, 2012 ALL MASHED UP? Songs, Music and Allusionism in The Loved Ones (2009) Philip Hayward Abstract This article considers Australian director Sean Byrne’s 2009 horror/comedy feature film The Loved Ones with particular regard to its uses of allusionism within a popular genre context.1 Within this focus, the article explores the various musical components of the soundtrack (including critical use of specific songs), the creative template determined by the director and the creative input and decision making of various members of the production team. In this manner, the article profiles the film’s audio-visual text, the perceptions and motivations of the production team and considers how these relate to the film’s reception and box-office performance. Keywords The Loved Ones, allusionism, film songs, soundtrack, Australian film Allusionism — An Introduction Back in 1982 the film theorist Noel Carroll considered and, it is not unfair to say, fretted over, the prevalence of allusionism in a range of popular films. Carroll’s critical persona and aesthetic approach drew on two strands: the auteur school of film criticism that attempted to identify distinguished creative authors working within the (supposedly largely undistinguished) mainstream film industry; and a parallel interest in and commitment to the modernism of the western cinematic avant-garde. His anxiety over allusionism in popular cinema arose from a position that considered that, while classic auteur cinema and (successful) modernist works could be identified to have allusionism skillfully woven into the fabric of their texts (and, more broadly, into their author’s aesthetic visions), a range of popular cultural texts seemed increasingly inclined to simply display their allusionism without any deep or thematically significant intent. -
We Re Living on Dog Food
WE’RE LIVING ON DOG FOOD von Richard Max Lowenstein Australien 2009 HDCAM 94 Min. OF Drehbuch: Richard Max Lowenstein, Kamera: Andrew de Groot, Schnitt: Richard Max Lowenstein, Produktion: Ghost Pictures, Produzenten: Richard Max Lowenstein, Andrew de Groot, Lynn- Maree Milburn, mit: Michael Hutchence, Rowland S. Howard, Ollie Olsen, Alannah Hill, Sam Sejavka, Kontakt: Media Luna New Films Richard Max Lowenstein, geboren 1951 im australischen Mel- bourne, studierte an der dortigen Swinburne Film und Televisi- on School Regie. 1979 machte er seinen Abschluss. Er ist Dreh- buchautor und Regisseur von vier Spielfilmen und zwei Doku- mentarfilmen. Er führte außerdem bei diversen preisgekrönten Musikvideos Regie, unter anderem für „INXS“ und „U2“, sowie Post-Punk in Melbourne Ende der 1970er-Jahre: Nick Cave, An eclectic and honest examination of Melbourne’s post-punk bei Konzert- und Fernsehfilmen. Lowenstein ist zudem als Pro- „The Birthday Party“, „Rowland S. Howard“, „Primitive Calcu- music scene of the late 1970s that spawned the likes of Nick duzent von Fernsehserien für den Sender „SBS Independent“ lators“, „The Ears“ und „Whirlywirld“ waren die Bands dieser Cave, the "Birthday Party", "Rowland S. Howard", the "Primiti- tätig. Zeit. Die damals angesagten Underground-Künstler erzählen ve Calculators", "Whirlywirld" and the unique little-band scene von ihrer Musik, der Mode, von den sie inspirierenden Einflüs- amongst many others. Participants proffer their recollections Filmografie sen, den legendären Clubs wie das „Seaview“ und später -
Dogs in Space Tail Credits
Title: For Christine Introducing MICHAEL HUTCHENCE as Sam SASKIA POST as Anna DEANNA BOND as The Girl NIQUE NEEDLES as Tim TONY HELOU as Luchio CHRIS HAYWOOD as Chainsaw Man Also with Anthony Peter Walsh Clare Laura Swanson Grant Adam Briscomb Leanne Sharon Jessop Nick Edward Clayton-Jones Mark Martii Coles Charles Chuck Meo Jenny Caroline Lee Barbara Fiona Latham Erica Stephanie Johnson Barry Gary Foley Lisa Glenys Osborne Anna's Girlfriends Allanah Hill Robyn McLellan Skinhead Troy Davies Leanne's Brothers John Murphy Troy Davies Owen Roberson Stacey Helen Phillips Chainsaw Woman Kelly Hoare Chainsaw Baby Robyn Lowenstein The Dealer Robert Ratti Sam's Mother Barbara Jungwirth Hardcore Hippie Beamish Elliot Policemen Noel Pennington Ted Fahrner Grant's Girls Michelle Bennett Lian Lunson Crazy George George Maleckas Pierre Hugo Race Terry Towelling Man Joe Camilleri Sales People Liz Meyers Tim McLaughlan Mount Waverley Mum Lillian Wilson Champion Girls Emma Di Clario Sybil Gibb TV Interviewer Helen Gianevsky Anna's Mum Jean Osborne Countdown Announcer Gavin Wood 3RRR D. J. Bohdan and Martha Butler, Kate Doherty, Harriet Freeman, Kelly Gallagher, Angela Howard, Tim Millikan, Marie Hoy, John Murphy, Sarah Newsome, Ollie Olsen, Miriam Smith, Miles Standish and Noah Taylor THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo John Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John -
The Little Bands Archive a Guide for Listening Pleasure Written by Alan
The Little Bands Archive A Guide for Listening Pleasure W r i t ten b y Alan Bamford An Introduction ~ The Little Bands existed during 1979 - 1981 in and around Fitzroy with occasional migrations to North Melbourne and St Kilda to show off. There was also a contingent from Springv ale who made the journey to the centre occasionally and finally landed and settled in Johnston St, Abbotsford. They consisted of an extended friendship circle o f artists, art enthusiasts and spontaneous musicians, poets, performance artists and filmmakers . This menagerie would spend their time flinging ideas about and if a consenting quorum coalesced around any idea it usually found expression of some kind. It’s been rumoured that the Little Bands lacked any intellectual foundations. This is scurrilous and b eside the point. It’s also typical of the big fish in a small pond syndrome that we all suffered from at the time in the inner Melbourne alternative music scene. Tch Tch Tch!!!! The Littl e Bands were drenched in ideas – it ’ s just that the ideas served th e expression of feelings and thus at the time of performance may have been hidden amongst the onslaught of angst and joy that characterised Little Band nights. The first Little Band night actually occurred as part of a Boys Next Door gig in St Kilda. It w as uphill after that. The most common manifestation was in the Little Band itself. A spontaneous and usually short lived but vibrant and fresh agglomeration of folk, ideas and borrowed instruments would result in quick, intense and sharply focused perform ances of some material base d on a new idea. -
Dogs in Space Music Credits
THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo Johnn Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John Murphy Danila Stirpe James Rogers Jules Taylor Ollie Olsen 'Primitive Calculators' 'Marie Hoy & Friends' Terry Dooley Marie Hoy Denise Grant Loki Stuart Grant Tim Millikan David Light John Murphy Ollie Olsen Musical Director Ollie Olsen Strange Noises John Murphy Music Research Bruce Milne Music Recorded at Richmond Recorders by Tony Cohen Music mixed at A.A.V. by Ross Cockle "Rooms for the Memory" Remixed by Nick Launay 'Shivers Video Clip' directed by Paul Goldman and Evan English 3RRR I.D. Written & Produced by Martin Armiger Sung by Jane Clifton THE MUSIC 'Dog Food' Performed by Iggy Pop, James Osterman Music (BMI), Administered by Bug Music Group, (P) 1980, Arista Records Inc., Courtesy of Arista Records 'Frankie Teardrop' Courtesy of Stamphyl Revega 'Dogs in Space' Written by Sam Sejavka and Mike Lewis 'Win/Lose' Written by Ollie Olsen, Performed by Whirlywirld, Courtesy of Missing Link Records 'True Love' Performed by The Marching Girls, Courtesy of Missing Link Records 'Sky Saw' Written by Brian Eno, Courtesy of E.G. Records Ltd. and E.G. Music Ltd. 'Skullbrains' Written by Marcus Bergner and Marie Hoy 'Shivers' Written by Roland S. Howard, Performed by Boys Next Door Courtesy of Mushroom Records 'Diseases' Composed by Thrush and The C...s 'Pumping Ugly Muscle' Composed by The Primitive Calculators 'Window to the World' Written by Ollie Olsen, Performed by Whirlywirld 'Happy Birthday' and 'Mr. -
Environmental Degradation, Resource War, Irrigation and the Transformation of Culture on Idaho's Snake River Plain, 1805--1927
UNLV Theses, Dissertations, Professional Papers, and Capstones 12-2011 Newe country: Environmental degradation, resource war, irrigation and the transformation of culture on Idaho's Snake River plain, 1805--1927 Sterling Ross Johnson University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Military History Commons, Social History Commons, and the United States History Commons Repository Citation Johnson, Sterling Ross, "Newe country: Environmental degradation, resource war, irrigation and the transformation of culture on Idaho's Snake River plain, 1805--1927" (2011). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1294. http://dx.doi.org/10.34917/2838925 This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. NEWE COUNTRY: ENVIRONMENTAL DEGRADATION, RESOURCE WAR, IRRIGATION AND THE TRANSFORMATION -
When Director Richard Lowenstein Opened the First Page of the Novel
DOGS IN SPACE SYNOPSIS Set against the backdrop of Melbourne‟s late 70s punk rock scene, Dogs in Space chronicles life in a chaotic, squalid share house. Hippies, addicts, students and radicals fill their days and nights with sex, drugs, parties and television. A series of chaotic vignettes are balanced with the central romance between Sam (Michael Hutchence), the lead singer of the band, Dogs in Space and his lover Anna (Saskia Post) as the house spirals out of control. Hutchence is a brilliant symbol of reckless youth in this, his first dramatic screen role, giving Dogs in Space instant cult status upon its original release in 1986. Shortly following its release, Dogs in Space achieved cult status, and received Official Selection for the Berlin, Edinburgh, London, and New York Film Festivals. It has since been described by Geoff Andrew of Time Out as an "uplifting and deliciously different movie,” and was also singled out for praise by Harlan Kennedy of Film Comment magazine as one of a number of films from the late 1980s which brought “shifting perspectives, structural experiment, and highly discomforting stories and characters” into the fold of Australian cinema. Unscreened for over twenty years, this classic film has been painstakingly restored from the original negative and remixed in 5.1 digital sound. PRODUCTION COMPANIES GHOST PICTURES PTY. LTD. CENTRAL PARK FILMS PTY. LTD. ENTERTAINMENT MEDIA THE BURROWES FILM GROUP FILM VICTORIA AUSTRALIAN DISTRIBUTOR UMBRELLA ENTERTAINMENT COPYRIGHT: 2009 ORIGINAL RELEASE DATE: JANUARY 1, 1987. RATING: MA RUNNING TIME: 103 MINUTES ORIGINAL FILM STOCK: KODAK 5294, COLOUR. ORIGINAL FORMAT: 35MM DISTRIBUTION FORMAT: HDCAM LOCATION: MELBOURNE, VICTORIA, AUSTRALIA. -
Artificial Ice P for Byemoor Rink Kinsmen Club Gears P I for Active Program
.!/ CEREAL MERCHANTS "MAKE WITH MUSIC" IN PLANNING DANCES FOR THE BENEFIT OF COMMUNITY THE HANNA HER Regular Friday Night Dances Start September 11; Many Volunteer As • "ANDAuthorize EASd aa Second ClasTs MatteCENTRAr by tha Poat Offlca DepartmentL. OttawALBERTa And for th* Pay ment Aof Postag NF^/Se in Ca " Members of Old Time and Modern Band VOLUME 52 — NOMBErTTo THE HANNA HERALD and EAST CENTRAlTALFlFlRTATJEWS—THURSDAY, StH I tMBtK iu. IV64 Through the efforts of business men and volunteer mu sicians there will be a "hot time in the old town" every Friday 'FAIR WEATHER OLDTIMERS GET-TOGETHER!' ttight in Cereal, commencing Friday, September 11. With a view to creating some ac continue. tviity each week of a public nature, Assembling of the "biggest or •ind at the same time directing ef chestra in the Big Country" has Artificial Ice P fort stowards community benefit, a not been a problem, as a large number of business men have un number of musicians readily vol derwritten a dance in the commun unteered their services and while ity hall every Friday evening. Mu all of them may not be able to ap sic for the dances will be provided pear and play for each dance, there by local talent on a purely volun is no chance that an orchestra teer basis. All proceeds from the "fully manned" will not be able to For Byemoor Rink dances will go into a fund for com turn up. munity benefit. A limit of eighty ;Kiult and eighty student tickets Contributing their talents on var will be sold for each dance, at 75c ious instruments are: Tony Dziat- a- -~i COMMUNITY IS HIVE OF ACTIVITY and 50c each. -
Summary of Floods in the United States During 1962
Summary of Floods in the United States During 1962 By J. O. ROSTVEDT and others GEOLOGICAL SURVEY WATER-SUPPLY PAPER 1820 Prepared in cooperation with Federal, State, and local agencies UNITED STATES GOVERNMENT PRINTING OFFICE, WASHINGTON : 1968 UNITED STATES DEPARTMENT OF THE INTERIOR STEWART L. UDALL, Secretary GEOLOGICAL SURVEY William T. Pecora, Director Library of Congress catalog card No. GS 65-319 For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 - Price 45 cents (paper cover) CONTENTS Page Abstract__ _ ______.______________-_---_--_---__-----_------------ 1 Introduction-___________---_____-___-__--------------------------- 2 Determination of flood stages and discharges._______-___----__-_-_---- 4 Explanation of data____________-_-____--_-_-_-_-_-----_-.-------- 5 Summary of floods________________________________--___-_---------- 6 February in southern Idaho and northern Nevada and Utah, by Cecil. A. Thomas and Robert D. Lamke-_--_-._------------_--------- 6 Bear River basin and Curlew Valley, Utah and Idaho. _________ 11 Humboldt River basin, Nevada-____---_---_---_------__---- 11 Henrys Fork, Idaho______________________________________ 13 Idaho Falls-Blackfoot lowlands, Idaho,______________________ 13 North and west of the Snake River above American Falls, Idaho. 13 Blackfoot River basin, Idaho______________________________ 14 Portneuf River basin, Idaho__--_--_-_-----___-_--_--_------ 14 Southside tributaries of the Snake River below Portneuf Fiver, Idaho and Nevada_____________________________________ 16 Big Wood River and Clover Creek basins, Idaho-_____________ 16 Snake River main stem, Idaho__----___-__-_-_---------_- 17 Basins in Utah____________________________________________ 17 Flood damage_________________________ 18 February-March in southeastern Kentucky and in the Cumberland River basin, Tennessee, by C. -
FORT HALL GROUND WATER QUALITY – COOPERATIVE RIVER BASIN STUDY December 2006 Table of Contents______Ii
United States Department of Fort Hall Agriculture Natural Resources Ground Water Quality Conservation Service Shoshone-Bannock Cooperative River Basin Study Tribes Shoshone-Bannock Natural Resources Fort Hall Indian Reservation Conservation District United States Bingham, Bannock and Power Environmental Protection Agency Counties, Idaho United States Department of Interior – Bureau of Indian Affairs United States Department of Interior – Geological Survey December 2006 PAGE LEFT INTENTIONALLY BLANK FORT HALL GROUND WATER QUALITY RIVER BASIN STUDY Bingham, Bannock and Power Counties, Idaho Requested by: Shoshone-Bannock Tribes Fort Hall Indian Reservation and Shoshone-Bannock Natural Resources Conservation District Prepared by: USDA Natural Resources Conservation Service In Consultation with: Shoshone-Bannock Tribes Land Use Department Bureau of Indian Affairs and United States Environmental Protection Agency December 2006 PAGE LEFT INTENTIONALLY BLANK Table of Contents_____________________________________________i TABLE OF CONTENTS TABLE OF CONTENTS ............................................................................................................................................ I SUMMARY..................................................................................................................................................................1 INTRODUCTION AND OBJECTIVES ...................................................................................................................3 PURPOSE, PROGRAM DESCRIPTION AND AUTHORITY.................................................................................................3 -
Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David). -
Factsheet Factsheet
factsheet November 2008 Acquisition to protect wildlife habitat in Idaho’s Power County Bonneville Power Administration is proposing to fund For more information the acquisition of approximately 148 acres of land in If you have questions about this proposal or would like southeast Idaho near Pocatello, Idaho for wildlife habitat additional information, please contact Dorie Welch, mitigation (see map). BPA, at (503) 230-5479 or toll free at (800) 282-3713 or Located in Power County on the Fort Hall Reservation, [email protected]. You may also contact Mike Haddix, the land is bisected by Bannock Creek, a perennial SBT, at (208) 239-4558 or haddix@ stream which flows from the east side of the Deep Creek shoshonebannocktribes.com. Mountains and into American Falls reservoir. The property includes upland riparian and wetland habitats. The site provides habitat for a variety of wildlife, including waterfowl, bald eagles, many species of birds, mule and whitetail deer, muskrat, beaver, mink, river otter and a variety of other small game. The acquisition would transfer this property from private non-tribal deeded land on the Fort Hall Reservation to tribal land. It would also provide BPA with credits for partial mitigation of wildlife habitat losses due to construction of the federal Palisades Dam on the South Fork of the Snake River and Minadoka Dam on the main stem Snake River. Land to get management plan The land is expected to be acquired in fall 2008. It would be owned and managed by the Shoshone- Bannock Tribes. The Shoshone-Bannock Tribes would develop a management plan to guide the protection and enhancement of resources on the land.