BMT (Lisa Mckinnon) PO Box 203 SPRING HILL QLD 4004

Total Page:16

File Type:pdf, Size:1020Kb

BMT (Lisa Mckinnon) PO Box 203 SPRING HILL QLD 4004 ENQUIRIES: Sarah Cook PHONE: (07) 4044 3381 YOUR REF: B23698-Change1_letter FILE REF: 8/8/1511 (#6110836) REFERENCE: 9042 / 2018 24 June 2019 Far North Queensland Ports Corporation Limited T/A Ports North C/- BMT (Lisa McKinnon) PO Box 203 SPRING HILL QLD 4004 By Email: [email protected] Dear Lisa, CHANGE APPLICATION (MINOR CHANGE) DECISION NOTICE UNDER S83 PLANNING ACT 2016 Development Application: 8/8/1511 Property Address: Yorkeys Knob Road, Yorkeys Knob Wistaria Street, Holloways Beach, 417R, 589R, 555R & 563R Captain Cook Highway, Barron, 23L & 63R Holloways Beach Access Road, Holloways Beach, Barron River, Barron, Richters Creek, Holloways Beach & Seaward of Yorkeys Knob / Holloways Beach & Road Reserve (Captain Cook Highway). Property Description: Lot 139 on NR3818, Lot 100 on NR3818, Lot 1 on RP800898, Lot 2 on RP800898, Lot 115 on NR3359, Lot 5 on RP857577, Lot 6 on SP245573, Lot 5 on SP309133, Lot 2 on RP712954, Lot 23 on SP211748, Lot 4 on RP748713, Lot 5 on RP748713, Lot 1 on RP748713, Lot 2 on RP748713 and Lot 12 on RP748713, Seaward of Lot 139 on NR3818, Richters Creek, Unallocated State Land – Barron River Adjacent Lots 4 & 5 on RP748713, Barron River Esplanade Adjacent Lot 2 on RP712954 & Lot 5 on SP309133 & Road Reserve (Captain Cook Highway) Application Proposal: Change Application (Minor Change) to the Existing Development Approvals for Material Change of Use for Concurrence ERA 16(1)(D) Dredging More Than 1,000,000T (Code) and Material Change of Use for Undefined Use (Dredging & Dredge Material Placement) (Impact) – for Temporary Dredge Mooring & Pump Out Facility, Temporary Delivery Pipeline (Approximately 8km), Northern Sands Dredge Material Placement Area and Temporary Discharge Pipeline and Outlet to the Barron River for the Cairns Shipping Development Project. With reference to the abovementioned Change Application (Minor Change), please find attached the relevant Decision Notice which was determined by Council at the Cairns Shipping Development Project Standing Committee Meeting held on 24 June 2019. The decision to approve the Change Application (Minor Change) does not change the Currency Period for the approved development. The Currency Period is taken from the original decision date unless otherwise extended by Council. The notice includes extracts from the Act with respect to making representations about conditions, negotiated decisions, suspension of the appeal period, and lodging an Appeal. Should you have any enquires in relation to this Decision Notice, please contact Sarah Cook of Council’s Strategic Planning & Approvals Team on telephone number (07) 4044 3381. Yours faithfully, Peter Boyd Manager Strategic Planning & Approvals Att. 43.2018.9042 2/390 Decision Notice APPLICANT DETAILS Far North Queensland Ports Corporation Limited T/A Ports North c/- BMT (Lisa McKinnon) PO Box 203 SPRING HILL QLD 4004 ADDRESS Yorkeys Knob Road, Yorkeys Knob, Wistaria Street, Holloways Beach, 417R, 589R, 555R & 563R Captain Cook Highway, Barron, 23L & 63R Holloways Beach Access Road, Holloways Beach, Barron River, Barron, Richters Creek, Holloways Beach & Seaward of Yorkeys Knob / Holloways Beach & Road Reserve (Captain Cook Highway). REAL PROPERTY DESCRIPTION Lot 139 on NR3818, Lot 100 on NR3818, Lot 1 on RP800898, Lot 2 on RP800898, Lot 115 on NR3359, Lot 5 on RP857577, Lot 6 on SP309133 SP245573, Lot 5 on SP309133 SP245573, Lot 2 on RP712954, Lot 23 on SP211748, Lot 4 on RP748713, Lot 5 on RP748713, Lot 1 on RP748713, Lot 2 on RP748713 and Lot 12 on RP748713, Seaward of Lot 139 on NR3818, Richters Creek, Unallocated State Land – Barron River Adjacent Lots 4 & 5 on RP748713, Barron River Esplanade Adjacent Lot 2 on RP712954 & Lot 5 on SP309133 & Road Reserve (Captain Cook Highway) PROPOSAL Material Change of Use for Concurrence ERA 16(1)(d) dredging more than 1,000,000T (Code) and Material Change of Use for Undefined Use (Dredging, Dredge Related Infrastructure & Dredge Material Placement) (Impact) – for Temporary dredge mooring & pump out facility, temporary delivery pipeline (Approximately 8km), Northern Sands Dredge Material Placement Area and Temporary Discharge Pipeline and Outlet to the Barron River for the Cairns Shipping Development Project DECISION Approved in full subject to conditions (refer to approval package below). ORIGINAL DECISION DATE 23 January 2019 DECISION DATE FOR CHANGE APPLICATION 24 June 2019 TYPE Material Change of Use (Development Permit) PLANNING INSTRUMENT CairnsPlan 2016 v1.3 v1.2 REFERRAL AGENCIES None Applicable SUBMISSIONS There were 7964 submissions for this application (7858 Submitters). 43.2018.9042 3/390 FURTHER DEVELOPMENT PERMITS REQUIRED Development Permit for Operational Works Notice of Intention to Commence Use CODES TO COMPLY WITH FOR SELF-ASSESSABLE DEVELOPMENT None SUPPORTING / RELATED DOCUMENTS The following documents are supporting / related documents for the purposes of assessing and deciding application. Drawing or Document Reference Date The common material Council reference: 8/8/1511 Multiple submitted in association with the Material Change of Use Final EIS and NA Not dated supplementary material for the Cairns Shipping Development Project Cairns Shipping NA February 2018 Development Project: Coordinator-General’s evaluation report on the environmental impact statement Environmental Authority EA0001463 September 2018 Permit (Northern Sands) – Prescribed ERA, ERA 16 – Extraction and screening, 1: Dredging, in a year, the following quantify of material, (d) more than 1,000,000t Environmental Authority EA0001462 September 2018 Permit – Prescribed ERA, ERA 16 – Extraction and screening, 1: Dredging, in a year, the following quantify of material, (d) more than 1,000,000t 43.2018.9042 4/390 APPROVED DRAWING(S) AND / OR DOCUMENT(S) The term ‘approved drawing(s) and / or document(s)’ or other similar expressions means the drawings and documents identified in A, B and C below: A. APPROVED DRAWING(S) AND / OR DOCUMENT(S) Drawing or Document Reference Date Dredge-related 1-1A Not dated infrastructure: Yorkeys Knob to Northern Sands Northern Sands Dredge 3527-SK21C 5 July 2018 Material Placement Area General Arrangement Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 1 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 2 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 3 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 4 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 5 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 6 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 7 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 8 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 9 43.2018.9042 5/390 Drawing or Document Reference Date Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 10 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 11 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – End of week 12 Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – At 6 Months from Start Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – Bunds Removed Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – At 18 Months from Start Northern Sands Dredge 3527-SK15E 1 November 2018 Material Placement Cross Sections Sketches – At Time of Ultimate Settlement Site Water Materials R-PF4265 SWMBA - Final November 2018 Balance Assessment prepared by Flanagan Consulting Group Flood Risk Assessment R.B23336.002.01.Flood November 2018 prepared by BMT Risk Assessment Consequence category R.B23336.003.02. November 2018 assessment prepared by Consequence Category BMT Assessment Bund Alignment Plan 3527-SK74 11 June 2019 prepared by Ports North Tailwater Pipeline 3527-C357 Rev. A 31 May 2019 Alignment Plan prepared by Flanagan Consulting Group Aerial imager & DCDB PR143484-13a 7 May 2019 Tailwater Pipeline Corridor prepared by RPS 43.2018.9042 6/390 B. AMENDED / ADDITIONAL DRAWING(S) AND / OR DOCUMENT(S) Prepare and submit the drawing(s) and / or document(s) listed below, in accordance with the conditions of this approval, for confirmation that they constitute the approved drawing(s) and/or document(s) for the purposes of this development approval. All drawing(s) and / or document(s) must be submitted to the satisfaction of the General Manager of Planning and Environment a minimum of ten (10) business days prior to the commencement of any works on site: Drawing or Document Reference Date Site Based Management TBA TBA Plan; incorporating: - Emergency Management Plan; - Rehabilitation and final land form plan; - Stormwater management and Erosion and sediment control plan C. APPROVED DOCUMENT(S) REQUIRED BY AN ASSOCIATED APPROVAL The following documents are required to be prepared and provided by an associated approval. Provide a copy of the documents listed below, in accordance with the conditions of this approval
Recommended publications
  • The Loved Ones (2009)
    Screen Sound n3, 2012 ALL MASHED UP? Songs, Music and Allusionism in The Loved Ones (2009) Philip Hayward Abstract This article considers Australian director Sean Byrne’s 2009 horror/comedy feature film The Loved Ones with particular regard to its uses of allusionism within a popular genre context.1 Within this focus, the article explores the various musical components of the soundtrack (including critical use of specific songs), the creative template determined by the director and the creative input and decision making of various members of the production team. In this manner, the article profiles the film’s audio-visual text, the perceptions and motivations of the production team and considers how these relate to the film’s reception and box-office performance. Keywords The Loved Ones, allusionism, film songs, soundtrack, Australian film Allusionism — An Introduction Back in 1982 the film theorist Noel Carroll considered and, it is not unfair to say, fretted over, the prevalence of allusionism in a range of popular films. Carroll’s critical persona and aesthetic approach drew on two strands: the auteur school of film criticism that attempted to identify distinguished creative authors working within the (supposedly largely undistinguished) mainstream film industry; and a parallel interest in and commitment to the modernism of the western cinematic avant-garde. His anxiety over allusionism in popular cinema arose from a position that considered that, while classic auteur cinema and (successful) modernist works could be identified to have allusionism skillfully woven into the fabric of their texts (and, more broadly, into their author’s aesthetic visions), a range of popular cultural texts seemed increasingly inclined to simply display their allusionism without any deep or thematically significant intent.
    [Show full text]
  • We Re Living on Dog Food
    WE’RE LIVING ON DOG FOOD von Richard Max Lowenstein Australien 2009 HDCAM 94 Min. OF Drehbuch: Richard Max Lowenstein, Kamera: Andrew de Groot, Schnitt: Richard Max Lowenstein, Produktion: Ghost Pictures, Produzenten: Richard Max Lowenstein, Andrew de Groot, Lynn- Maree Milburn, mit: Michael Hutchence, Rowland S. Howard, Ollie Olsen, Alannah Hill, Sam Sejavka, Kontakt: Media Luna New Films Richard Max Lowenstein, geboren 1951 im australischen Mel- bourne, studierte an der dortigen Swinburne Film und Televisi- on School Regie. 1979 machte er seinen Abschluss. Er ist Dreh- buchautor und Regisseur von vier Spielfilmen und zwei Doku- mentarfilmen. Er führte außerdem bei diversen preisgekrönten Musikvideos Regie, unter anderem für „INXS“ und „U2“, sowie Post-Punk in Melbourne Ende der 1970er-Jahre: Nick Cave, An eclectic and honest examination of Melbourne’s post-punk bei Konzert- und Fernsehfilmen. Lowenstein ist zudem als Pro- „The Birthday Party“, „Rowland S. Howard“, „Primitive Calcu- music scene of the late 1970s that spawned the likes of Nick duzent von Fernsehserien für den Sender „SBS Independent“ lators“, „The Ears“ und „Whirlywirld“ waren die Bands dieser Cave, the "Birthday Party", "Rowland S. Howard", the "Primiti- tätig. Zeit. Die damals angesagten Underground-Künstler erzählen ve Calculators", "Whirlywirld" and the unique little-band scene von ihrer Musik, der Mode, von den sie inspirierenden Einflüs- amongst many others. Participants proffer their recollections Filmografie sen, den legendären Clubs wie das „Seaview“ und später
    [Show full text]
  • Dogs in Space Tail Credits
    Title: For Christine Introducing MICHAEL HUTCHENCE as Sam SASKIA POST as Anna DEANNA BOND as The Girl NIQUE NEEDLES as Tim TONY HELOU as Luchio CHRIS HAYWOOD as Chainsaw Man Also with Anthony Peter Walsh Clare Laura Swanson Grant Adam Briscomb Leanne Sharon Jessop Nick Edward Clayton-Jones Mark Martii Coles Charles Chuck Meo Jenny Caroline Lee Barbara Fiona Latham Erica Stephanie Johnson Barry Gary Foley Lisa Glenys Osborne Anna's Girlfriends Allanah Hill Robyn McLellan Skinhead Troy Davies Leanne's Brothers John Murphy Troy Davies Owen Roberson Stacey Helen Phillips Chainsaw Woman Kelly Hoare Chainsaw Baby Robyn Lowenstein The Dealer Robert Ratti Sam's Mother Barbara Jungwirth Hardcore Hippie Beamish Elliot Policemen Noel Pennington Ted Fahrner Grant's Girls Michelle Bennett Lian Lunson Crazy George George Maleckas Pierre Hugo Race Terry Towelling Man Joe Camilleri Sales People Liz Meyers Tim McLaughlan Mount Waverley Mum Lillian Wilson Champion Girls Emma Di Clario Sybil Gibb TV Interviewer Helen Gianevsky Anna's Mum Jean Osborne Countdown Announcer Gavin Wood 3RRR D. J. Bohdan and Martha Butler, Kate Doherty, Harriet Freeman, Kelly Gallagher, Angela Howard, Tim Millikan, Marie Hoy, John Murphy, Sarah Newsome, Ollie Olsen, Miriam Smith, Miles Standish and Noah Taylor THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo John Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John
    [Show full text]
  • The Little Bands Archive a Guide for Listening Pleasure Written by Alan
    The Little Bands Archive A Guide for Listening Pleasure W r i t ten b y Alan Bamford An Introduction ~ The Little Bands existed during 1979 - 1981 in and around Fitzroy with occasional migrations to North Melbourne and St Kilda to show off. There was also a contingent from Springv ale who made the journey to the centre occasionally and finally landed and settled in Johnston St, Abbotsford. They consisted of an extended friendship circle o f artists, art enthusiasts and spontaneous musicians, poets, performance artists and filmmakers . This menagerie would spend their time flinging ideas about and if a consenting quorum coalesced around any idea it usually found expression of some kind. It’s been rumoured that the Little Bands lacked any intellectual foundations. This is scurrilous and b eside the point. It’s also typical of the big fish in a small pond syndrome that we all suffered from at the time in the inner Melbourne alternative music scene. Tch Tch Tch!!!! The Littl e Bands were drenched in ideas – it ’ s just that the ideas served th e expression of feelings and thus at the time of performance may have been hidden amongst the onslaught of angst and joy that characterised Little Band nights. The first Little Band night actually occurred as part of a Boys Next Door gig in St Kilda. It w as uphill after that. The most common manifestation was in the Little Band itself. A spontaneous and usually short lived but vibrant and fresh agglomeration of folk, ideas and borrowed instruments would result in quick, intense and sharply focused perform ances of some material base d on a new idea.
    [Show full text]
  • Dogs in Space Music Credits
    THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo Johnn Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John Murphy Danila Stirpe James Rogers Jules Taylor Ollie Olsen 'Primitive Calculators' 'Marie Hoy & Friends' Terry Dooley Marie Hoy Denise Grant Loki Stuart Grant Tim Millikan David Light John Murphy Ollie Olsen Musical Director Ollie Olsen Strange Noises John Murphy Music Research Bruce Milne Music Recorded at Richmond Recorders by Tony Cohen Music mixed at A.A.V. by Ross Cockle "Rooms for the Memory" Remixed by Nick Launay 'Shivers Video Clip' directed by Paul Goldman and Evan English 3RRR I.D. Written & Produced by Martin Armiger Sung by Jane Clifton THE MUSIC 'Dog Food' Performed by Iggy Pop, James Osterman Music (BMI), Administered by Bug Music Group, (P) 1980, Arista Records Inc., Courtesy of Arista Records 'Frankie Teardrop' Courtesy of Stamphyl Revega 'Dogs in Space' Written by Sam Sejavka and Mike Lewis 'Win/Lose' Written by Ollie Olsen, Performed by Whirlywirld, Courtesy of Missing Link Records 'True Love' Performed by The Marching Girls, Courtesy of Missing Link Records 'Sky Saw' Written by Brian Eno, Courtesy of E.G. Records Ltd. and E.G. Music Ltd. 'Skullbrains' Written by Marcus Bergner and Marie Hoy 'Shivers' Written by Roland S. Howard, Performed by Boys Next Door Courtesy of Mushroom Records 'Diseases' Composed by Thrush and The C...s 'Pumping Ugly Muscle' Composed by The Primitive Calculators 'Window to the World' Written by Ollie Olsen, Performed by Whirlywirld 'Happy Birthday' and 'Mr.
    [Show full text]
  • When Director Richard Lowenstein Opened the First Page of the Novel
    DOGS IN SPACE SYNOPSIS Set against the backdrop of Melbourne‟s late 70s punk rock scene, Dogs in Space chronicles life in a chaotic, squalid share house. Hippies, addicts, students and radicals fill their days and nights with sex, drugs, parties and television. A series of chaotic vignettes are balanced with the central romance between Sam (Michael Hutchence), the lead singer of the band, Dogs in Space and his lover Anna (Saskia Post) as the house spirals out of control. Hutchence is a brilliant symbol of reckless youth in this, his first dramatic screen role, giving Dogs in Space instant cult status upon its original release in 1986. Shortly following its release, Dogs in Space achieved cult status, and received Official Selection for the Berlin, Edinburgh, London, and New York Film Festivals. It has since been described by Geoff Andrew of Time Out as an "uplifting and deliciously different movie,” and was also singled out for praise by Harlan Kennedy of Film Comment magazine as one of a number of films from the late 1980s which brought “shifting perspectives, structural experiment, and highly discomforting stories and characters” into the fold of Australian cinema. Unscreened for over twenty years, this classic film has been painstakingly restored from the original negative and remixed in 5.1 digital sound. PRODUCTION COMPANIES GHOST PICTURES PTY. LTD. CENTRAL PARK FILMS PTY. LTD. ENTERTAINMENT MEDIA THE BURROWES FILM GROUP FILM VICTORIA AUSTRALIAN DISTRIBUTOR UMBRELLA ENTERTAINMENT COPYRIGHT: 2009 ORIGINAL RELEASE DATE: JANUARY 1, 1987. RATING: MA RUNNING TIME: 103 MINUTES ORIGINAL FILM STOCK: KODAK 5294, COLOUR. ORIGINAL FORMAT: 35MM DISTRIBUTION FORMAT: HDCAM LOCATION: MELBOURNE, VICTORIA, AUSTRALIA.
    [Show full text]
  • Artificial Ice P for Byemoor Rink Kinsmen Club Gears P I for Active Program
    .!/ CEREAL MERCHANTS "MAKE WITH MUSIC" IN PLANNING DANCES FOR THE BENEFIT OF COMMUNITY THE HANNA HER Regular Friday Night Dances Start September 11; Many Volunteer As • "ANDAuthorize EASd aa Second ClasTs MatteCENTRAr by tha Poat Offlca DepartmentL. OttawALBERTa And for th* Pay ment Aof Postag NF^/Se in Ca " Members of Old Time and Modern Band VOLUME 52 — NOMBErTTo THE HANNA HERALD and EAST CENTRAlTALFlFlRTATJEWS—THURSDAY, StH I tMBtK iu. IV64 Through the efforts of business men and volunteer mu­ sicians there will be a "hot time in the old town" every Friday 'FAIR WEATHER OLDTIMERS GET-TOGETHER!' ttight in Cereal, commencing Friday, September 11. With a view to creating some ac continue. tviity each week of a public nature, Assembling of the "biggest or­ •ind at the same time directing ef­ chestra in the Big Country" has Artificial Ice P fort stowards community benefit, a not been a problem, as a large number of business men have un­ number of musicians readily vol­ derwritten a dance in the commun­ unteered their services and while ity hall every Friday evening. Mu­ all of them may not be able to ap sic for the dances will be provided pear and play for each dance, there by local talent on a purely volun­ is no chance that an orchestra teer basis. All proceeds from the "fully manned" will not be able to For Byemoor Rink dances will go into a fund for com­ turn up. munity benefit. A limit of eighty ;Kiult and eighty student tickets Contributing their talents on var­ will be sold for each dance, at 75c ious instruments are: Tony Dziat- a- -~i COMMUNITY IS HIVE OF ACTIVITY and 50c each.
    [Show full text]
  • Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
    Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David).
    [Show full text]
  • 1 This Is a PDF of the Word File Described Below
    This is a PDF of the Word file described below - Future Developments in the Music Market from April 1995. The original Word 2.0 file is hard to read on modern (later than 2003?) versions of Word. For this PDF version, I have used the correct illustration for Fig 17.6. The Word file and a number of other items, such as a May 1996 update are in a file FDMM.ZIP which you can find at: http://www.firstpr.com.au/musicmar/mmed.html#fdmm If you are really interested in this field, please take a look at the zip file. Please also see: http://www.firstpr.com.au/musicmar/ for a later, shorter, paper Music Marketing in the Age of Electronic Delivery. This includes discussions of the limitations of the 1995 draft, such as: 1 - Not anticipating decent quality music could be achieved with such high rates of compression as 10:1, as is done with MP3. 2 - Thinking that ADSL deployment and global high speed data connections would be done primarily for Video On Demand, with Internet access being a secondary function. (Funny now that Internet access is now ubiquitous in the developed world, and that a lot of the bandwidth is spent on YouTube videos and now, ca. 2011 with actual Video on Demand services finally emerging!) I have Corel Draw and .eps versions of these diagrams, if anyone is interested. In 2011, I am not actively involved in this field, but have been talking with Liz Guiffre of Macquarie University, who is working on a PhD concerning, amongst other things, the challenges posed to the music industry by Internet communications etc.
    [Show full text]
  • Andrew Garton
    ANDREW GARTON Studio: 225 Silvan Road, Hurstbridge, 3099, Victoria Australia Mobile: +61 (0) 409948280 Email: [email protected] | w3: http://agarton.org/ PERSONAL INFO. Date of birth: 19 May 1962, Sydney, Australia PROFESSION Creative Producer, Filmmaker, Media Artist PROFESSIONAL Associate member – Association for Progressive Communications ASSOCIATIONS Visiting Fellow – Digital Empowerment Foundation, New Dehi, India PRODUCTION CREDITS 2015 – Creative Producer, Mentor This Choir Sings Carols – non-fiction film Production commenced October 2015 Commissioned by City of Whittlesea 2015 – Director, Writer Ocean in a Drop – non-fiction film Commenced production Jan 2015 A Secession/Films Production in collaboration with the Digital Empowerment Foundation and INOMY Media, New Dehli 2014 – Director, Editor Well Bread – short film 15 minutes Commissioned by City of Whittlesea 2014 – Writer, Producer Tat Fat Size Temple – Radio documentary drama Commissioned for KunstRadio, Vienna 2014 - Curator Shrine Curated – media arts screening Produced for Light in Winter, Federation Square, Melbourne 2014 – Producer, Media Artist Our Tree Tryptich – 3 screen video installation Human Rights Arts & Film Festival, Federation Square, Melbourne ANDREW GARTON . CV / 1 2014 - Director / Writer / Producer Higher Ground – Documentary 30 mins Produced by Toy Satellite in association with SACCESS 2014 – Producer Bug Bug Temple - generative video art 3 mins Created by John Power for Shrine Curated by Andrew Garton, Federation Sq. 2014 - Director / Writer / Producer
    [Show full text]
  • Rooms for the Memory the 30-Year Iconic Legacy of Dogs in Space
    U H P H 2 0 1 6 I c o n s : T h e M a k i n g , M e a n i n g a n d U n d o i n g o f U r b a n I c o n s a n d I c o n i c C i t i e s | 302 Rooms for the Memory The 30-year iconic legacy of Dogs in Space David Nichols Senior Lecturer Urban Planning, University of Melbourne [email protected] Sophie Perillo University of Melbourne 2016 marks the 30th anniversary of Richard Lowenstein’s acclaimed Dogs in Space, a fictionalized cinematic memoir of nominal bohemians in the Melbourne suburb of Richmond. Set 6-8 years before the film’s release, Lowenstein utilised genuine participants in the events/milieu depicted, as well as key locations, notably the house central to the film’s story. Icons abound in this film and its subsequent career: an ‘icon’ of Australian music and culture in Michael Hutchence; the ‘Dogs in Space house’ (in Berry Street, Richmond) has become a shrine for fans of the film; and the film itself features numerous ‘icons’ of inner-city Melbourne’s built environment, including the Pelaco factory and venues such as St Kilda’s Seaview Ballroom. Questions raised in examination of this important film relate to its legacy in the 21st century – including creative men and women whose profiles were both enhanced and distorted by their involvement in its production – and the way in which it is both remembered and understood in the present day.
    [Show full text]
  • Concepts in American Local History: Community in Winder, Idaho
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 1981 Concepts in American Local History: Community in Winder, Idaho Lorine S. Goodwin Brigham Young University - Provo Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Mormon Studies Commons, and the United States History Commons BYU ScholarsArchive Citation Goodwin, Lorine S., "Concepts in American Local History: Community in Winder, Idaho" (1981). Theses and Dissertations. 4721. https://scholarsarchive.byu.edu/etd/4721 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. CONCEPTS IN AMERICAN LOCAL HISTORY: COMMUNITY IN WINDER, IDAHO A Thesis Presented to the Department of History Brigham Young University In Partial Fulfillment Of the Requirements for the Degree Master of Arts @ Lorine S. Goodwin 1981 by Lorine S. Goodwin August 1981 This Thesis, by Lorine S. Goodwin, is accepted in its present form by the Department of History of Brigham Young University as satisfying the thesis requirement for the degree of Master of Arts. David H. Pratt, Committee Chairman 00 Eugene E. Campbell, Committee Member Date James B. Allen, Department Chairman ii TABLE OF CONTENTS Page LIST OF TABLES iv ILLUSTRATIONS v PREFACE vi CHAPTER I. INTRODUCTION 1 II. OF TIME AND SPACE 17 III. OF ANCIENTS AND ARTIFACTS 34 IV. OF EXPLOITATION AND RACIAL INTERACTION 57 V. OF SETTLEMENT 82 VI. OF POPULATION AND THE ECONOMY 112 VII. OF SOCIAL CONCERNS 149 VIII.
    [Show full text]