The Sacred Highlands: Armenia in the Spiritual Geography of the Ancient Near East” – Yerevan
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Cabinet of Armenia, 1920
Cabinet of Armenia, 1920 MUNUC 32 TABLE OF CONTENTS ______________________________________________________ Letter from the Crisis Director…………………………………………………3 Letter from the Chair………………………………………….………………..4 The History of Armenia…………………………………………………………6 The Geography of Armenia…………………………………………………14 Current Situation………………………………………………………………17 Character Biographies……………………………………………………....27 Bibliography…………………………………………………………………...37 2 Cabinet of Armenia, 1920 | MUNUC 32 LETTER FROM THE CRISIS DIRECTOR ______________________________________________________ Dear Delegates, We’re very happy to welcome you to MUNUC XXXII! My name is Andre Altherr and I’ll be your Crisis Director for the Cabinet of Armenia: 1920 committee. I’m from New York City and am currently a Second Year at the University of Chicago majoring in History and Political Science. Despite once having a social life, I now spend my free-time on much tamer activities like reading 800-page books on Armenian history, reading 900-page books on Central European history, and relaxing with the best of Stephen King and 20th century sci-fi anthologies. When not reading, I enjoy hiking, watching Frasier, and trying to catch up on much needed sleep. I’ve helped run and participated in numerous Model UN conferences in both college and high school, and I believe that this activity has the potential to hone public speaking, develop your creativity and critical thinking, and ignite interest in new fields. Devin and I care very deeply about making this committee an inclusive space in which all of you feel safe, comfortable, and motivated to challenge yourself to grow as a delegate, statesperson, and human. We trust that you will conduct yourselves with maturity and tact when discussing sensitive subjects. -
Out of Water Civilizations Emerge Focus on Pre-Islamic Persian Empires
INFLUENCE OF WATER MANAGEMENT ON EMPIRES 1 Out of Water Civilizations Emerge Focus on Pre-Islamic Persian Empires Festival of the Passing of the Ice Dragon 8 April 2017 Pentathlon Entry - Literary Arts Research Paper INFLUENCE OF WATER MANAGEMENT ON EMPIRES 2 Abstract Water or the lack of it has the power to create or destroy empires. From prehistory to the current time period this has been shown to be true. The civilizations who have been able to harness water, transport it and conserve it are the societies that have risen to power. The Persian Empires, from the earliest to the last, were masters of water husbandry. They developed an underground transport system called qanats that enabled them to become one of the greatest empires the world has ever seen. Not only has their knowledge of water transport enabled the irrigation of fields, it provided water for domestic purposes in their homes, to air- condition their homes and allowed the use of sewage systems which helped to keep disease at bay. INFLUENCE OF WATER MANAGEMENT ON EMPIRES 3 Out of Water Civilizations Emerge – Focus on Pre-Islamic Persian Empires Water has controlled the rise and fall of great empires. Rome became a great power when it was able to harvest the water from the Mediterranean Sea, China’s Golden Age developed after the completion of the 1100 mile long Grand Canal for transport of goods and irrigation. Domination of the oceans by the Vikings gave rise to their success. Civilizations are driving by the way in which they respond to the challenges of their environment. -
ABMBNIA (Varmio) B. H. KENNETT. ARMENIA
HI ABMBNIA (Varmio) •with any such supposition. It ia a safe inference indistinguishable. la timea of need c? danger from 1 S 67fl;, 2 S (33rr- that the recognized method man requires a god that ia near, and nofc a god of carrying the Ark in early times was in a sacred that is far off. It ia bjy BO means a primitive con- cart (i.e, a cart that had been used for no other ception which we find an the dedicatory prayer put purpose) drawn by COTVS or bulls.* The use of into the mouth of Solomon (1K 84*1*), that, if people horned cattle might possibly denote that the Ark go out to battle against their enemy, and they was in some way connected with lunar worship; prayto their God towards the house which is built in any case, Jiowever, they probably imply that to His name, He will make their prayer and the god contained in the Ark was regarded aa the supplication hoard to the heaven in which He god of fertility (see Frazer, Adonis, Attu, Osiris, really dwells,* Primitive warriors wanted to have pp. 46,80),f At first sight it is difficult to suppose their goda in their midst. Of what use was the that a aerpent could ever be regarded aa a god of Divine Father (see Nu 2129) at home, when his sona fertility, but "whatever the origin of serpent-worship were in danger in the field ? It waa but natural, may be—and we need not assume that it has been therefore, that the goda should be carried out everywhere identical — there can be little doubt wherever their help waa needed (2S 5ai; cf. -
Frigg, Astghik and the Goddess of the Crete Island
FRIGG, ASTGHIK AND THE GODDESS OF THE CRETE ISLAND Dedicated to the goddesses-mothers of Armenia and Sweden PhD in Art History Vahanyan V. G., Prof. Vahanyan G. A. Contents Intrоduction Relations between Frigg and the Goddess of the Crete Island Motifs in Norse Mythology Motifs in Armenian Mythology Artifacts Circle of the World Afterword References Introduction According to conventional opinion, the well-known memorial stone (Fig. 1a) from the Swedish island Gotland (400-600 AC) depicts goddess Frigg holding snakes. The unique statuettes of a goddess holding snakes are discovered on Crete (Fig. 1b), which date to c. 1600 BC1. The depiction of Frigg embodies a godmother with her legs wide open to give birth. In Norse mythology Frigg, Frige (Old Norse Frigg), Frea or Frija (Frija – “beloved”) is the wife of Odin. She is the mother of the three gods Baldr, Hodr and Hermodr. a b Fig. 1. (a) Memorial stone from the Swedish island Gotland (400-600 AC) depicting Frigg holding snakes. (b) Goddess holding snakes, Crete (c. 1600 BCE) The Swedish stone from Gotland island depicts the godmother, who is sitting atop the mountain before childbirth (Fig. 1а). Her hands are raised and she is holding two big snakes-dragons. The composition symbolizes the home/mountain of dragons (volcanic mountain). The composite motif of the depiction on the memorial stone, according to the 1 The findings belong to Crete-Minoan civilization and are found in the upper layers of the New Palace in Knossos. Two items are discovered (Archaeological Museum, Heraklion) authors, stems to the archetypes in the Old Armenian song “The birth of Vahagn” 2. -
First Capitals of Armenia and Georgia: Armawir and Armazi (Problems of Early Ethnic Associations)
First Capitals of Armenia and Georgia: Armawir and Armazi (Problems of Early Ethnic Associations) Armen Petrosyan Institute of Archaeology and Ethnography, Yerevan The foundation legends of the first capitals of Armenia and Georgia – Armawir and Armazi – have several common features. A specific cult of the moon god is attested in both cities in the triadic temples along with the supreme thunder god and the sun god. The names of Armawir and Armazi may be associated with the Anatolian Arma- ‘moon (god).’ The Armenian ethnonym (exonym) Armen may also be derived from the same stem. The sacred character of cultic localities is extremely enduring. The cults were changed, but the localities kept their sacred character for millennia. At the transition to a new religious system the new cults were often simply imposed on the old ones (e.g., the old temple was renamed after a new deity, or the new temple was built on the site or near the ruins of the old one). The new deities inherited the characteristics of the old ones, or, one may say, the old cults were simply renamed, which could have been accompanied by some changes of the cult practices. Evidently, in the new system more or less comparable images were chosen to replace the old ones: similarity of functions, rituals, names, concurrence of days of cult, etc (Petrosyan 2006: 4 f.; Petrosyan 2007a: 175).1 On the other hand, in the course of religious changes, old gods often descend to the lower level of epic heroes. Thus, the heroes of the Armenian ethnogonic legends and the epic “Daredevils of Sasun” are derived from ancient local gods: e.g., Sanasar, who obtains the 1For numerous examples of preservation of pre-Urartian and Urartian holy places in medieval Armenia, see, e.g., Hmayakyan and Sanamyan 2001). -
Ahura, Mazda. Evolution of the Name(S)
Part Three: 3.20, The Evolution of the Name(s) Ahura, Mazda. Evolution of the Name(s) Mazda, Ahura. In the Gathas, Zarathushtra calls the Divine by many different names.1 But in this chapter, I will limit the discussion to the names he uses most often -- mazdA- and ahUra-, and combinations of these two, because they are the names most associated with his perception of the Divine. You may question: Why is the evolution of these names of the Divine important? Why should we care? Well, for at least two reasons (you may well think of additional ones). 1. As Thieme has pointed out, in a religion that has no images of the Divine, the name given to the Divine reveals its nature, its essence.2 The evolution of the names of the Divine enables us to see how the perception of the nature of the Divine changed, from Zarathushtra's perception -- Wisdom personified (mazdA-), and Lord (ahUra- used in the sense of one who has acquired lordship over the qualities that make a being Divine),3 -- to the perceptions of later texts in which the Divine became an authority figure Lord Wisdom (ahUra- mazdA-), to yet later texts in which the name had become one word (Hormezd, Ormazd) which no longer had any intrinsic meaning in the everyday language of that time, and therefore projected no notion of the nature, the essence, of the Divine. Once the meaning of a name is no longer understood in everyday language, anyone can attribute any kinds of (totally different) qualities to the Divine. -
What Makes a Restaurant Ethnic? (A Case Study Of
FORUM FOR ANTHROPOLOGY AND CULTURE, 2017, NO. 13 WHAT MAKES A RESTAURANT ETHNIC? (A CASE STUDY OF ARMENIAN RESTAURANTS IN ST PETERSBURG) Evgenia Guliaeva Th e Russian Museum of Ethnography 4/1 Inzhenernaya Str., St Petersburg, Russia [email protected] A b s t r a c t: Using restaurants in St Petersburg serving Armenian cuisine as a case study, the article studies the question of what makes an ethnic restaurant ethnic, what may be learnt about ethnicity by studying a restaurant serving a national cuisine, and to what extent the image of Armenian cuisine presented in Armenian restaurants corresponds to what Armenian informants tell us. The conclusion is that the composition of the menu in these restaurants refl ects a view of Armenian cuisine from within the ethnic group itself. The representation of ethnicity is achieved primarily by discursive means. Neither owners, nor staff, nor customers from the relevant ethnic group, nor the style of the interior or music are necessary conditions for a restaurant to be accepted as ethnic. However, their presence is taken into account when the authenticity or inauthenticity of the restaurant is evaluated. Armenian informants, though, do not raise the question of authenticity: this category is irrelevant for them. Keywords: Armenians, ethnicity, ethnic restaurants, national cuisine, authenticity, St Petersburg. To cite: Guliaeva E., ‘What Makes a Restaurant Ethnic? (A Case Study of Armenian Restaurants in St Petersburg)’, Forum for Anthropology and Culture, 2017, no. 13, pp. 280–305. U R L: http://anthropologie.kunstkamera.ru/fi -
Armenian Traditional Black Youths: the Earliest Sources1
Armenian Traditional Black Youths: the 1 Earliest Sources Armen Petrosyan Institute of Archaeology and Ethnography, Yerevan, Armenia [email protected] In this article it is argued that the traditional figure of the Armenian folklore “black youth” is derived from the members of the war-band of the thunder god, mythological counterparts of the archaic war-bands of youths. The blackness of the youths is associated with igneous initiatory rituals. The best parallels of the Armenian heroes are found in Greece, India, and especially in Ossetia and other Caucasian traditions, where the Indo-European (particularly Alanian-Ossetian) influence is significant. In several medieval Armenian songs young heroes are referred to as t‘ux manuks ‘black youths,’ t‘ux ktriçs ‘black braves,’ or simply t‘uxs ‘blacks’ (see Mnatsakanyan 1976, which remains the best and comprehensive work on these figures, and Harutyunyan and Kalantaryan 2001, where several articles pertaining to this theme are published). Also, T‘ux manuk is the appellation of numerous ruined pilgrimage sanctuaries. A. Mnatsakanyan, the first investigator of these traditional figures, considered them in connection with the fratries of youths, whose remnants survived until medieval times (Mnatsakanyan 1976: 193 ff.).2 The study of the t‘ux manuks should be based on revelation of their specific characteristics and comparison with similar figures of other traditions. In this respect, the study of the T‘ux manuk sanctuaries and their legends 1This article represents an abridged and updated version of Petrosyan 2001. 2In Armenian folklore the figures of similar names – t‘uxs (‘blacks’) and alek manuks (‘good youths’) – figure as evil spirits (Alishan 1895: 205, 217). -
Mithra Oct 2015
Mithra The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation James R. Russell. 2015. "Mithra." In the Proceedings of Genocide of Armenians in the Ottoman Empire in the Great War, 1915-2015: One Hundred Years of Research. International Conference on the Armenian Genocide, Sorbonne, Paris, France, March 25-28, 2015. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:23514774 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Mithra. By James R. Russell, Harvard University. I want to take you to the ancient city of Dura Europos. Dura, whose Aramaic name means something like “fortified place” was a populous, cosmopolitan walled city on a hill looking over the Euphrates frontier of the Roman Empire with the realms of the Arsacid Parthians, near modern-day Deir ez-Zor in Syria. The Seleucid successors of Alexander made what had been a fort into a town, appending its second, Greek name. Dura Europos was destroyed, never again to be inhabited, during a sudden, swift Sasanian attack in AD 256: devastating for the inhabitants but good for archeology. The French occupying forces discovered the ruins in 1918; and over the succeeding two decades a team of archeologists excavated it and for generations art historians and textual scholars have pored over the finds: great scholars such as Franz Cumont, father of Mithraic studies, and Mikhail Rostovtzeff, historian of the Hellenistic era, worked there. -
THE PLAIN of ERZNKA in the II-I MILLENNIUMS BC Kosyan Aram
THE PLAIN OF ERZNKA IN THE II-I MILLENNIUMS BC Kosyan Aram Institute of Oriental Studies NAS RA Introduction In our previous study dealing with the contact zone which proceeds along the western and southern reaches of the Armenian Highland it was mentioned that the geopolitical role of its northern section (the plain of Erznka including modern Kemakh [= Arm. Kamakh-Ani]), probably had to be determined not by its economic potential but rather by geographical factor. This part of the eastern highlands was a natural bridge linking Transcaucasia via the Erzurum plain with classical Sophene, and through the latter further with Asia Minor and Mesopotamia-Syria1. Thus, the plain of Erznka we have entitled as the «northern gates», a determination which is proved by available textual and archaeological evidence through centuries. In this article a general outline of the political and cultic-religious realities observed in the region under study should be presented. The chronological frames of the study covers the period from the II mill. BC until the first centuries of the I mill. AD. During the whole historical period under study several characteristics could be distinguished in regard to the plain of Erznka: 1. The plain of Erznka represents a «highway» for different migrations at least from the IV mill. BC. 2. The plain of Erznka was not a home to more or less prominent and stable political entities. 3. The authority of any neighboring statehood over this region seem to be rather nominal than actual. 4. The plain of Erznka at least from the mid-II mill. -
Aramazd - Wikipedia, the Free Encyclopedia
אראמאזד http://www.tapuz.co.il/forums2008/archive.aspx?forumid=1002&pagenumber=399 أرمزد http://www.doroob.com/archives/?p=26741 ارمزد http://prana.persianblog.ir/1382/3/ Արամազդ Aramazd - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Aramazd Aramazd From Wikipedia, the free encyclopedia Aramazd was the chief and creator god in pre-Christian Armenian mythology, cognate with Ahura Mazda.[1] [2][3] Aramazd was regarded as a generous god of fertility, rain, and abundance, as well as the father of the other gods, including Anahit, Mihr, and Nane.[3][1] Like Ahura Mazda, Aramazd was seen as the father of the other gods, rarely with a wife, though sometimes husband to Anahit or Spandaramet.[3] Identification with other deities Aramazd was readily identified with Zeus through interpretatio graeca , the two often sharing specific titles regarding greatness, bravery, or strength. There was some disagreement in scholarship as to the relationship between Aramazd, Amanor, and Vanatur, but the evidence most strongly indicates that Vanatur ("Lord of the Van") was a title for the chief deity (be it Ḫaldi or Ahura Mazda/Aramazd, though recorded uses are only as a title for Aramazd), and that Amanor was both a common noun referring the new year and a title for the deity whose celebration was held on the new year (Vanatur, whether Ḫaldi or Aramazd). [3] References 1. "Aramazd" in Facts on File Encyclopedia of World Mythology and Legend, Third Edition , by Anthony Mercanante and James Dow, Infobase, 2009. p.96 2. "Armenian Mythology" (http://books.google.com/books?id=kQFtlva3HaYC&lpg=PR15& dq=armenian%20mythology&pg=PA29#v=onepage&q&f=false) in The Oxford Companion to World Mythology (http://books.google.com/books?id=kQFtlva3HaYC), by David Leeming, Oxford University Press, 17 Nov 2005, p.29 3. -
Report on the Findings About Translations from Armenian to Swedish
Translations from Armenian into English, 1991 to date a study by Next Page Foundation in the framework of the Book Platform project conducted by Khachik Grigoryan1 September 2012 1 Khachik Grigoryan is a publisher. This text is licensed under Creative Commons Translations from Armenian into English, 1991 to date Contents Introduction ...................................................................................................................................... 2 "Golden age" of Armenian literature ............................................................................................ 2 Further development of Armenian literature ............................................................................ 3 A historical overview of translations from Armenian ............................................................... 4 Modern Armenian literature .......................................................................................................... 7 Translations into English during Soviet period (1920-1991) .................................................... 8 Armenian literature after the Karabagh movement and Independence 1988- .................... 9 Armenian translations in the UK market ..................................................................................... 9 Structure of translated books from Armenian into English .................................................... 12 Policy and support for translations ............................................................................................ 13