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Character Bulletin May 2021
Vol.8 May 2021 PiXL May 2021 Character www.pixl.org.uk Bulletin BETTER FUTURE BRIGHTER HOPE PiXL Character Bulletin May 2021 WELCOME NATIONAL WALKING MONTH 1st – 31st May As we move towards the final steps of the Covid-19 lockdown roadmap, many schools will be looking towards the summer term as an opportunity to re-engage in sport and other opportunities that we know benefit the health of our students. In a recent study by the Youth Sport Trust, they found that there had been a significant increase in anxiety, trauma and related symptoms during lockdown. • 41% of children felt lonelier • 38% of children worried more Walking is a simple, free way of getting more physically active • 37% of children felt sadder and is ideal for people of all ages and fitness levels. It is easy to You can increase your steps in simple ways such as: build into your daily routine and does not require any special • 34% of children felt more stressed equipment. Many people do not think of walking as being • Taking the stairs instead of the lift. exercise and as a trained PE teacher, I never fully understood Engagement in physical activity (recommended 60 minutes a day) dropped dramatically from 47% pre-lockdown the benefits of this until the pandemic struck and I was • Walking on your lunch break with family and friends. to just 19% during lockdown. The benefits of exercise and activity, however, are evident in these statistics: suddenly working from home and walking with my dog a lot • 37% of children see it as more important to their lives than before more, finding footpaths I never knew existed. -
The Salon of Mabel Dodge
DIVISION OF THE HUMANITIES AND SOCIAL SCIENCES CALIFORNIA INSTITUTE OF TECHNOLOGY PASADENA, CALIFORNIA 91125 THE SALON OF MABEL DODGE Robert A. Rosenstone To be published in Peter Quennell, ed., Salon (London: Weidenfeld and Nicolson, 1980). HUMANITIES WORKING PAPER 24 January 1979 THE SALON OF ~WillEL DODGE Robert A. Rosenstone Mabel Dodge's salon ••• burst upon New York like a rocket. Margaret Sanger It was the only successful salon I have ever seen in America. Lincoln Steffens Many famous salons have been established by women of wit or beauty; Mabel's was the only one ever established by pure will power. And it was no second-rate salon; everybody in the ferment of ideas could be found there. Max Eastman 2 It is indeed the happy woman who has no history, for by happy we mean the loving and beloved, and by history we designate all those relatable occurences on earth caused by the human energies seeking other outlets than the biological one. • . That I have so many pages to write signifies, solely, that I was unlucky in love. Most of the pages are about what I did instead •. Mabel Dodge 1 Mabel Dodge was rich and attractive and more than a little lucky. For two years -- from 1912 to 1914 -- she played hostess to the most famous and no doubt the most interesting salon in American history. This success was no accident, but the result of a subtle interplay between her individual needs and ambitions and the historical moment. It was a very special period in the cultural life of the United States, one when expatriate Irish painter John Butler Yeats cocked an ear and heard "the fiddles • tuning as it were allover America. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Health-Conscious Food Trends Explained
HOME EDITORIAL ARCHIVE EVENTS BLOGS SUBSCRIBE SUPPLIER NEWS MEDIA KITS Keywords SEARCH HOTELS: NEWS The Airbnb Effect: Experiences over stays Health-conscious food trends explained People on the move: Accor, Kempinksi, Fife Arms Facebook Tweet LinkedIn Email ShareThis Accor starts recruitment, internship drive Comment email editors Print New focus on connection with outdoors By Guest Contributor on 6/15/2021 Briefs: Rocky recovery in U.S. | Cerberus, Highgate partner again In 2021, consumers’ desire for health-conscious options has arguably reached an all-time high. It’s no wonder that physical wellness is a renewed priority for consumers in the face of a global pandemic. more stories >> After spending months in lockdown at home, the combination of moving too little and eating too much has taken its toll. Many reached for comfort food to cope with stress and fear, which translated to weight gain. With restrictions being lifted and life gradually returning to normal, consumers find themselves determined to reverse recently-formed bad habits and settle back into healthier lifestyles. Contributed by Ambra Torelli, founder of Wholesome Lux, a healthy food and trend consulting agency for the luxury hospitality space In the contemporary luxury landscape, high-end hotels and restaurants must rise to the occasion to compete. This begins with understanding the needs and desires of the modern, health-conscious consumer. By designing new menus and refreshing existing ones, luxury resorts will not only keep up with the trends, but position themselves ahead of the curve. These are seven health food and beverage trends topping the charts in 2021. 1. -
The Founders of the Woodstock Artists Association a Portfolio
The Founders of the Woodstock Artists Association A Portfolio Woodstock Artists Association Gallery, c. 1920s. Courtesy W.A.A. Archives. Photo: Stowall Studio. Carl Eric Lindin (1869-1942), In the Ojai, 1916. Oil on Board, 73/4 x 93/4. From the Collection of the Woodstock Library Association, gift of Judy Lund and Theodore Wassmer. Photo: Benson Caswell. Henry Lee McFee (1886- 1953), Glass Jar with Summer Squash, 1919. Oil on Canvas, 24 x 20. Woodstock Artists Association Permanent Collection, gift of Susan Braun. Photo: John Kleinhans. Andrew Dasburg (1827-1979), Adobe Village, c. 1926. Oil on Canvas, 19 ~ x 23 ~ . Private Collection. Photo: Benson Caswell. John F. Carlson (1875-1945), Autumn in the Hills, 1927. Oil on Canvas, 30 x 60. 'Geenwich Art Gallery, Greenwich, Connecticut. Photo: John Kleinhans. Frank Swift Chase (1886-1958), Catskills at Woodstock, c. 1928. Oil on Canvas, 22 ~ x 28. Morgan Anderson Consulting, N.Y.C. Photo: Benson Caswell. The Founders of the Woodstock Artists Association Tom Wolf The Woodstock Artists Association has been showing the work of artists from the Woodstock area for eighty years. At its inception, many people helped in the work involved: creating a corporation, erecting a building, and develop ing an exhibition program. But traditionally five painters are given credit for the actual founding of the organization: John Carlson, Frank Swift Chase, Andrew Dasburg, Carl Eric Lindin, and Henry Lee McFee. The practice of singling out these five from all who participated reflects their extensive activity on behalf of the project, and it descends from the writer Richard Le Gallienne. -
Modernism in the Southwest
Modernism in the Southwest Submitted by Dawn Sarah Cohen Department of Art In partial fuifiHment of the requirements for the Degree of Master of Fine Arts Colorado State University Fort Collins, Colorado Spring 2000 1 Modernism in the Southwest " Miles upon miles of level stretches covered with sage brush, with here and there a drop of a few hundred feet that would be a canyon, Hills and Mountains of every color ... A sunset seems to embrace the Earth Big sun heat Big storm Big everything ... " 1 In the 1900's, a group of New York City Modernists made a move to create art in the southwest region of North America. This took place almost simultaneously with the Armory Show in New York in 1913. Well·*known academic artists from different schools in New York were drawn to the relatively unexplored exotic territory. Their paintings bridged the gap between landscape painting and Modernism. These artists presented a 1 John Marin. John Marin, ed. Cleve Gray. (New York: Holt, Rinehardt and Winston, 1974), p. 161. 2 unique view of the landscape and culture of the Southwest. This paper will explore four artists and their responses to the Southwest landscape. In New York City during the 1910s and 1920s, many painters were concerned with the social context of city life and political issues. The role of these artists had been to explore urban culture through the style of genre paintings. Modernist painting, which included Individualism, Cubism, Futurism, Expressionism, and Impressionism was also emerging at this time. Modernist groups were headed by two main schools of art, Alfred Stieglitz's group, and Robert Henri of the Ashcan School. -
Downbeat.Com September 2010 U.K. £3.50
downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer -
28 August, 2000
OWINGS-DEWEY FINE ART A GALLERY FOR TH AND TH CENTURY AMERICAN ART CONSULTATION| SALES| APPRAISAL KENNETH MILLER ADAMS (b. 1897 Topeka, Kansas – d. 1966 Albuquerque, New Mexico) Kenneth M. Adams, the last and youngest member elected to the Taos Society of Artists before it was dissolved in 1927, came to New Mexico three years earlier. Adams first heard of the art colony at Taos while studying painting under Andrew Dasburg at the Art Students League in Woodstock, New York. Dasburg, with whom he studied during the summers of 1919 and 1920 was perhaps the greatest influence on Adams’ style and development. It was Dasburg who introduced him to Cézanne and the inventions made by Picasso and the Cubists. A Kansan by birth, Adams was trained initially by George M. Stone, A Topeka artist. Later he attended the Art Institute of Chicago and the Art Students League in New York. In 1921, he went to Europe for a two-year stay. He spent several months painting landscapes in the south of France. Some of these early scenes, no longer stretched or framed, were found in the Adams estate after his death. They had a muted color scheme, which he eventually abandoned in New Mexico, but there was a blocked-out sense of form in them that was a harbinger of his later development. These landscapes were exhibited in Kansas and Missouri after his return to the States in 1923. A year later, Adams followed Dasburg to Taos. Adams struck out against the prevailing popular taste of his time when he was yet a young man. -
The Finding Aid to the Alf Evers Archive
FINDING AID TO THE ALF EVERS’ ARCHIVE A Account books & Ledgers Ledger, dark brown with leather-bound spine, 13 ¼ x 8 ½”: in front, 15 pp. of minutes in pen & ink of meetings of officers of Oriental Manufacturing Co., Ltd., dating from 8/9/1898 to 9/15/1899, from its incorporation to the company’s sale; in back, 42 pp. in pencil, lists of proverbs; also 2 pages of proverbs in pencil following the minutes Notebook, 7 ½ x 6”, sold by C.W. & R.A. Chipp, Kingston, N.Y.: 20 pp. of charges & payments for goods, 1841-52 (fragile) 20 unbound pages, 6 x 4”, c. 1837, Bastion Place(?), listing of charges, payments by patrons (Jacob Bonesteel, William Britt, Andrew Britt, Nicolas Britt, George Eighmey, William H. Hendricks, Shultis mentioned) Ledger, tan leather- bound, 6 ¾ x 4”, labeled “Kingston Route”, c. 1866: misc. scattered notations Notebook with ledger entries, brown cardboard, 8 x 6 ¼”, missing back cover, names & charges throughout; page 1 has pasted illustration over entries, pp. 6-7 pasted paragraphs & poems, p. 6 from back, pasted prayer; p. 23 from back, pasted poems, pp. 34-35 from back, pasted story, “The Departed,” 1831-c.1842 Notebook, cat. no. 2004.001.0937/2036, 5 1/8 x 3 ¼”, inscr. back of front cover “March 13, 1885, Charles Hoyt’s book”(?) (only a few pages have entries; appear to be personal financial entries) Accounts – Shops & Stores – see file under Glass-making c. 1853 Adams, Arthur G., letter, 1973 Adirondack Mountains Advertisements Alderfer, Doug and Judy Alexander, William, 1726-1783 Altenau, H., see Saugerties, Population History files American Revolution Typescript by AE: list of Woodstock residents who served in armed forces during the Revolution & lived in Woodstock before and after the Revolution Photocopy, “Three Cemeteries of the Wynkoop Family,” N.Y. -
Why So Many Artists Have Been Drawn to New Mexico
C r e at i v i t y W h y S o M a n y Ar t i s t s H a v e Be e n D r a w n t o Ne w Mexico For generations, artists from Georgia O'Keeffe to Ken Price havefollowed New Mexico’s magnetic pull, finding inspiration in the highdesert’s expansive vistas, quietude, and respite from social and market pressures. Alexxa Gotthardt May 17, 2019 5:57 pm Georgia O’Keeffe had an unexpected train detour to thank for her first encounter with New Mexico. Little did she know, it was the land that would free her—both artistically and emotionally. Several months after photographergallerist Alfred Stieglitz presented O’Keeffe’s first New York solo show, in April 1917, the 29yearold painter embarked on a trip across the American West with her youngest sister, Claudia. While they’d planned to head straight from Texas to Colorado, their train detoured to Santa Fe. New Mexico’s vast, mercurial skies and incandescent light mesmerized the artist. “I’m out here in New Mexico—going somewhere—I’m not positive where—but it’s great,” she gushed in a letter to Stieglitz, dated August 15th. “Not like anything I ever saw before.” Portrait of Georgia O’Keeffe in Abiquiu, New Portrait of Bruce Nauman in New Mexico by Mexico, 1974. Photo by Joe Munroe/Hulton Francois Le Diascorn/GammaRapho via Getty Archive/Getty Images. Images. “There is so much more space between the ground and sky out here it is tremendous,” she continued. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
Seaspiracy,’ the Viral New Netflix Documentary
5 Takeaways from ‘Seaspiracy,’ the Viral New Netflix Documentary By April 15 2021 A new documentary is churning up national conversation about the environmental and ethical costs of eating fish. Seaspiracy, which debuted on March 24 and quickly became one of the most watched films on Netflix, follows filmmaker Ali Tabrizi around the world as he untangles the complex and devastating consequences of commercial fishing. The provocative documentary is the latest project from Kip Andersen, who co-produced Cowspiracy (2014) and What the Health (2017). Andersen says that as they began working on Seaspiracy, they were struck by the vast scope of industrial fishing’s impacts—not only on marine ecosystems but also potentially on the Earth’s climate, given the ocean’s key role in storing carbon. “Most of us keep the oceans out of sight, out of mind,” Andersen says, “but as [conservation activist] Paul Watson says in the film: If the ocean dies, we die.” Watch the Seaspiracy trailer below, and read on for some more key takeaways from the eye- opening new film. 1. Commercial Fishing Heavily Pollutes the Oceans with Plastic Conversation about ocean pollution has largely centered on consumer waste, particularly plastic straws. But straws account for less than 1 percent of all plastic entering the ocean. In Seaspiracy, narrator and director Tabrizi turns scrutiny toward the greatest single source of plastic in the ocean: discarded fishing gear. Fishing nets alone comprise 46 percent of the “great Pacific garbage patch.” Tabrizi notes that “longline fishing sets enough fishing lines to wrap around the entire planet 500 times every single day,” one of many staggering statistics cited in the film.