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David Ruth Lapide Im Gespräch Mit Walter Flemmer Flemmer
BR-ONLINE | Das Online-Angebot des Bayerischen Rundfunks Sendung vom 15.12.1998 Biblische Gestalten: David Ruth Lapide im Gespräch mit Walter Flemmer Flemmer: Liebe Zuschauerinnen und Zuschauer, Grüß Gott und herzlich willkommen zu unserem Gespräch über König David. Im Studio begrüße ich herzlich Frau Ruth Lapide: Sie ist Historikerin und Judaistin. Wir werden uns mitten hinein begeben in diese grandiose Geschichte des ersten großen Königs in Israel. Es ist die Geschichte von König David, aber wir müssen natürlich mit Samuel beginnen, mit einem Propheten, der dieses Königtum quasi schaffen mußte, weil die Israeliten ankamen und sagten: "Wir wollen auch einen König haben, wie alle Völker rings um uns herum." Aber er sagte daraufhin zunächst: "Wozu braucht ihr denn einen König? Euer König ist doch Jahwe." Es gab dann aber einen König mit dem Namen Saul. Eines Tages kam jedoch Jahwe zu Samuel und sagte zu ihm, er solle nach Bethlehem gehen. Was hatte Samuel in Bethlehem zu tun? Lapide: In Bethlehem wohnte ein Herr Ischai. Dieser Herr Ischai hatte sieben Söhne. Und Herr Ischai lebte eben ausgerechnet in Bethlehem: Hier fängt schon diese Tradition an, die wir bereits von Rahel und Jakob her kennengelernt haben. Diese Tradition setzt sich mit gewissen Sprüngen fort, aber man kann schon sagen, daß die Heilsgeschichte auf Bethlehem zentriert ist. Samuel ist natürlich von Anfang an gegen die Königsidee. Er wollte eigentlich – wenn man die Schrift ernst nimmt –, daß seine zwei Söhne die eigene Tradition fortsetzen. Da hat er aber Pech mit ihnen – wie das überhaupt eine Tragödie bei den großen Männern nicht nur in der Bibel, sondern bis heute ist. -
Dorot: the Mcgill Undergraduate Journal of Jewish Studies Volume 15
Dorot: The McGill Undergraduate Journal of Jewish Studies Volume 15 – 2016 D O R O T: The McGill Undergraduate Journal of Jewish Studies D O R O T: The McGill Undergraduate Journal of Jewish Studies Published by The Jewish Studies Students’ Association of McGill University Volume 15 2016 Copyright © 2016 by the Jewish Studies Students’ Association of McGill University. All rights reserved. Printed in Canada. No part of this book may be used or reproduced in any manner whatsoever without permission except in the case of brief quotations embodied in critical articles or reviews. The opinions expressed herein are solely those of the authors included. They do not necessarily reflect those of the Department of Jewish Studies or the Jewish Studies Students’ Association. ISSN 1913-2409 This is an annual publication of the Jewish Studies Students’ Association of McGill University. All correspondence should be sent to: 855 Sherbrooke Street West Montreal, Quebec, Canada H3A 2T7 Editor in Chief Caroline Bedard Assistant Editors Akiva Blander Rayna Lew Copy Editors Lindsay MacInnis Patricia Neijens Cover Page Art Jennifer Guan 12 Table of Contents Preface i Introduction v To Emerge From the Ghetto Twice: Anti-Semitism and 1 the Search for Jewish Identity in Post-War Montreal Literature Madeleine Gomery The Origins of Mizrahi Socio-Political Consciousness 21 Alon Faitelis The “Israelization” of Rock Music and Political Dissent 38 Through Song Mason Brenhouse Grace Paley’s Exploration of Identity 54 Madeleine Gottesman The Failure of Liberal Politics in Vienna: 71 Alienation and Jewish Responses at the Fin-de-Siècle Jesse Kaminski Author Profiles 105 Preface Editor-in-chief, Caroline Bedard, and five contributors put together a terrific new issue of Dorot, the undergraduate journal of McGill’s Department of Jewish Studies. -
Yoni Rechter
Yoni Rechter Teev Events Inc. 16501 Ventura Blvd, Encino, CA 91436 Tel (818) 483-8818, Fax (818) 482-2708 www.teev.com Biography Composer, pianist, singer and arranger, Yoni Rechter has made a major contribution to Israeli music in a career spanning more than 40 years, and is considered among Israel’s most important musicians. In the dozens of songs that Yoni composed, he created a wide variety of styles, incorporating numerous influences, from Sixties pop (mostly Beatles) to Jazz, Israeli to classical, east and west, into a fascinating personal statement. Rechter always composes with originality, great sensitivity to text, and for the best performers. He is considered the mark of quality and integrity in Israeli music. Yoni’s music is sophisticated and ever unexpected, constantly shifts tones and beats, and his classical piano training is evident. Many of his compositions have become staples of Israeli music, and one has on several occasions been voted the most popular Israeli song of all times. Yoni has worked closely with many of Israel’s top artists, including Arik Einstein, Gidi Gov, and Yehudit Ravitz. Perhaps his two most well-known collaborations are the legendary Kaveret group (a.k.a. Poogy), and Hakeves Ha-16 (The 16th Sheep), released in 1978 and still Israel’s most-popular album of children’s songs. A sought-after musical director, producer and arranger, Yoni has worked on numerous musicals, films, dance and albums. Rechter has also written classical music, and the Israeli Philharmonic Orchestra performed a concert dedicated to his songs and compositions. Hebrew University, Honoris causa Born in Tel Aviv, Yoni started playing piano at the age of 7, and decided to be a musician at age 12 when he discovered the Beatles. -
Chag Shavuot Sameach!
The Jewish National Edition Post &Opinion Presenting a broad spectrum of Jewish News and Opinions since 1935. Volume 78, Number 8 • May 23, 2012 • 2 Sivan 5772 www.jewishpostopinion.com ChagChag ShavuotShavuot Sameach!Sameach! Cover Art by Eric Jabloner See About the Cover, p.3. 2 The Jewish Post & Opinion May 23, 2012 Letter to the Editor of this Editorial the Indianapolis Star Inside Issue April 24, 2012 Editorial.....................................................2 In our last issue, I wrote about an article Letter to Star Editor ................................2 that appeared in the Indianapolis Star on the As a son of Holocaust survivors who Rabbi Benzion Cohen topic of a local Holocaust commemoration. has devoted a lifetime of scholarship to (Chassidic Rabbi).....................................3 Included with that article were three photos, the horrible events of the 1930’s and About the Cover ......................................3 one depicting a candlelighting.The caption 1940’s that annihilated two thirds of all Amy Hirshberg Lederman read: “Alex Star lights a candle to remember living Jews in Europe, it was startling to (Jewish Educator) ....................................4 family members who died. The six candles read the article that appeared to the left 18 Reasons to be Jewish.........................4 represent the 6 million Jews who perished.” of two photos published in your April 19, Seth Ben-Mordecai However, in the article to the left of that 2012 edition. You referred to the six (The Roads from Babel) ...........................5 -
Jewish Federation Women's Philanthropy
Jewish Community News www.jfedps.org The Publication of the Jewish Federation of the Desert Iyar/Sivan 5780 - May 2020 The Challenges of Our New Reality By Bruce Landgarten, Jewish Federation Chief Executive Officer There are new questions and new or when summer activities open. So participating together. and timeless. Yes, we need to make realities we find ourselves grappling many unknowns. So much unfamiliar The North American Jewish hard choices now about how to with today. During these difficult times ground. So much to think about. community has evolved an endure the current challenges. And we are questioning what happens to Our responsibilities, however, extraordinary philanthropic we’ll need to adjust our operations perspective when we’re living through oblige us to do more. To broaden tradition, having created perhaps once we re-open in deference to the what feels like an endless alternative our frame of reference. To focus the most expansive Jewish communal economic realities we will confront. reality? After so many weeks of on the inevitable post-crisis period infrastructure in the history of the But our mission isn’t defined in weeks, shutdown, it becomes more and to come. As a Federation we have Diaspora. Much of this organizational months, or even years. Our mission is more difficult to get our arms around played a critical part in building and infrastructure is dependent, on an to strengthen Jewish community and how things will work, how they’ll look strengthening Jewish life. For decades ongoing basis, on continued fund- enrich Jewish life. It’s a mission we and feel when this crisis is over. -
Blogeinträge 2011-2013
Bruno Antonio Buike Blogeinträge 2011-2013 – Miszellen und “quaestiones quodlibetales” - - multilingual - © Neuss / Germany: Bruno Buike 2021 Buike Music and Science [email protected] BBWV E53 Bruno Antonio Buike: Blogeinträge 2011-2013 – Miszellen und “quaestiones quodlibetales” - Neuss: Bruno Buike 2021 multilingual 1. Dies ist ein wissenschaftliches Projekt ohne kommerzielle Interessen. 2. Wer finanzielle Forderungen gegen dieses Projekt erhebt, dessen Beitrag und Name werden in der nächsten Auflage gelöscht. 3. Das Projekt wurde gefördert von der Bundesrepublik Deutschland, Sozialamt Neuss. 4. Rechtschreibfehler zu unterlassen, konnte ich meinem Computer trotz jahrelanger Versuche nicht beibringen. Im Gegenteil: Das Biest fügt immer wieder neue Fehler ein, wo vorher keine waren! 1. This is a scientific project without commercial interests, that is not in bookstores, but free in internet. 2. Financial and legal claims against this project, will result in the contribution and the name of contributor in the next edition canceled. 3. This project has been sponsored by the Federal Republic of Germany, Department for Social Benefits, city of Neuss. 4. Correct spelling and orthography is subject of a constant fight between me and my computer – AND THE SOFTWARE in use – and normally the other side is the winning party! 1-Einleitung - Blog2011 6 2-neue-deutsche-Neologismen-Brief-an-die-Duden-Redaktion- Blog2011 8 2-Weltkrieg-Bombe-heute-Blog2011 15 14-jähriger-baut-Fusionsreaktor-in-der-Garage-Blog2011 17 50-Alt-NAZIS-plötzlich-entdeckt-Blog2011 -
¿La Hora De La Diplomacia?
Año 63 | # 974 | Diciembre 2013/Enero 2014 | $ 10,00.- ATENTADO A LA AMIA: 232 MESES SIN JUSTICIA Periodismo judeoargentino con compromiso Fundado en 1948 Relaciones Occidente-Irán- Medio Oriente ¿La hora de la Diplomacia? Escriben: Ricardo Aronskind, Damián Svalb y Carlos Escudé 30 años de democracia en Argentina “Entre esperanzas, explosiones, festejos y dilemas” por Guillermo Levy | Pag. 10 Entrevista a Luis Tonelli, director de la carrera de Ciencia Política de la UBA Pag. 9 “El día en que Hashomer Hatzair copó la plaza” , por Jonatan Lipsky | Pag. 14 “En Israel: muchos Madibas, ningún Mandela” , por Rodrigo “Afro” Remenik | Pag. 20 Diciembre 2013 - Enero 2014 Periodismo judeoargentino con compromiso | Staff-Humor 2 NUEVA SION #974 Sumario Chau 2013, otro año STAFF/HUMOR 2 EDITORIAL 3 que pasó y no volverá MEDIO ORIENTE 4 | 6 ARGENTINA 7 | 11 Por Por Roberto Moldavsky ISRAEL 12 | 13 relato contra la grieta, Lilita contra Moreno, Ventura contra Lanata y para terminar de hundir - COMUNITARIAS 14 | 16 Sacando los comerciantes del Once y Flores, todo nos la inconcebible separación de Wanda Nara y CULTURA 16 | 19 el resto de los humanos intentamos hacer un Maxi, el país esta dividido en 2 y encima Icardi balance en esta época del año y tratar de entender profundiza la división. REFLEXIONES 20 que pasó y donde estamos parados o acostados como mi caso. En el ámbito judío seguimos luchando, acá entre Duran Barba y los descerebrados que Sin duda, la noticia mas importante del irrumpieron en la catedral le dieron laburo a la año vino de Roma -
June July 2018 Bulletin
A Congregation Affiliated with the Congregation B’nai Israel United Synagogue of Conservative Judaism 6525 Sylvania Avenue Sylvania OH 43560 151 Years of (419) 517-8400 Consecrated Service to www.cbitoledo.org God, Torah and Israel 5778 1 Notes from the Cantor ………………………………………. POWER OF MUSIC V The past month in Jewish history and in our calendar has been momentous. We experienced Israel’s 70th anniversary, celebrated in several excellent events in our community, the 51st anniversary of the reunification of Jerusalem, and the relocation of the US Embassy in Israel from Tel Aviv to Jerusalem. In the midst of all this euphoria, what might have escaped your attention is Israel’s winning the prestigious Eurovision song contest on May 12th 2018 in Lisbon, Portugal. That night in our Jewish calendar - the 28th of Iyar, commemorates the reunification of Jerusalem during the Six Day War of 1967. This is the fourth time Israel has won Eurovision, one of the world’s most famous international song contests. The winning song “Toy”, a pop anthem about female independence, was performed by 25 year old Netta Barzilai, accompanied by her signature “chicken dance.” Netta had placed third by the official judges, but won thanks to tele-voters from around the world catapulting her to victory. Hours before the victory, Israeli superstar film actress Gal Gadot had urged her twenty million Instagram followers to vote for Israel’s entry. Including words like “I’m not your toy you stupid boy...,” it was influenced by the #MeToo movement. The Eurovision contest has often been embroiled in political and religious controversies, although politically tinged songs are unofficially disallowed. -
Happy Chanukah! Chag Urim Sameach!
DECEMBER 2020 Kislev-Tevet 5781 1011 N. Market Street Frederick, MD 21701 Volume 22 301-663-3437 Issue 5 [email protected] www.bethsholomfrederick.org Happy Chanukah! Chag Urim Sameach! See pages 8-10 for Chanukah fun! THE LAST JEWISH JEWISH GENEALOGY SOUP KITCHEN & 12 TIPS TO CELEBRATE P5 GANGSTER P5 P6 FOOD BANK P9 CHANUKAH AT HOME Rabbinic Reflections - Lessons of the Chanukiah RABBI JORDAN HERSH | [email protected] As we approach the winter festival of Chanukah, the air is getting colder, the days shorter and with the surge of MINYAN AT BSC COVID-19, we are all spending more and more time inside our homes. Please join us on Zoom There is a powerful lesson about what it means to turn inwards which we Thursdays at 8:45 AM for can mine from the ritual of the cha- nukiah, or Chanukah menorah. minyan. Contact Our practice is to light the chanukiah inside our homes, but to Mark Vallon or Rabbi Hersh to join place them in a window facing the main thoroughfare. In this way, it is both an intensely private, family ritual while at the same time being a blatantly visible, public experience. We are all aware, I am sure, of the degree to which a person’s out- ward actions convey the truth about their inner selves. We learn about a person’s character through how they behave, despite the Torah STUDY fact that character is an invisible inner quality. JOIN US EVERY SUNDAY There is a discussion in the Talmud about what kind of oil and AT 11:30 A.M. -
Israel at 70
Rosh Hashana 2018 Vol. 44 No. 2 Distributed to over 5,000 households in Israel and abroad ISRAEL AT 70 With Israel on a high hosting the start of the Giro d’Italia in Jerusalem, winning the 2018 Eurovision in Lisbon and its economy and tourism soaring, SA community joins in year-round festivities celebrating Telfed’s own 70th with family events across the country. שנה טובה ומתוקה! Celebrate your family occasions in one of our 22 “zimmerim” by the sea. Full Israeli breakfast served to you in our dining room. DOLPHIN VILLAGE TheThe MagicMagic TouchTouch ofof DolphinDolphin VillageVillage ForFor thethe PerfectPerfect FamilyFamily HolidayHoliday onon thethe SeaSea ShaveiShavei ZionZion in the Western Galilee, 04-9531153 [email protected] I www.dolphinvillage.co.il “ ” The self-help fund for Kindness can change a person’s life Southern Africans Rachel is one of 400 youth aided each year by in Israel Telfed. Despite an unusual beginning in Israel, she’s determined to make it work. This is her story. “I arrived in Israel at the age of 14. A few months after we arrived, my mom was diagnosed with cancer and started chemo. My father had a brain injury from an accident, so it was a big adjustment for my brother and me, helping our ailing parents, settling in to a new life and trying to learn ‘ivrit’. We joined the PRAS community service programme run by Telfed and a university student (who received a scholarship) met with me weekly. The attention and motivation he gave me had a profound impact on my life, mentoring me through a rough patch when things came crashing down. -
Identity, Spectacle and Representation: Israeli Entries at the Eurovision
Identity, spectacle and representation: Israeli entries at the Eurovision Song Contest1 Identidad, espectáculo y representación: las candidaturas de Israel en el Festival de la Canción de Eurovisión José Luis Panea holds a Degree in Fine Arts (University of Salamanca, 2013), and has interchange stays at Univer- sity of Lisbon and University of Barcelona. Master’s degree in Art and Visual Practices Research at University of Castilla-La Mancha with End of Studies Special Prize (2014) and Pre-PhD contract in the research project ARES (www.aresvisuals.net). Editor of the volume Secuencias de la experiencia, estadios de lo visible. Aproximaciones al videoarte español 2017) with Ana Martínez-Collado. Aesthetic of Modernity teacher and writer in several re- views especially about his research line ‘Identity politics at the Eurovision Song Contest’. Universidad de Castilla-La Mancha, España. [email protected] ORCID: 0000-0002-8989-9547 Recibido: 01/08/2018 - Aceptado: 14/11/2018 Received: 01/08/2018 - Accepted: 14/11/2018 Abstract: Resumen: Through a sophisticated investment, both capital and symbolic, A partir de una sofisticada inversión, capital y simbólica, el Festival the Eurovision Song Contest generates annually a unique audio- de Eurovisión genera anualmente un espectáculo audiovisual en la ISSN: 1696-019X / e-ISSN: 2386-3978 visual spectacle, debating concepts as well as community, televisión pública problematizando conceptos como “comunidad”, Europeanness or cultural identity. Following the recent researches “Europeidad” e “identidad cultural”. Siguiendo las investigaciones re- from the An-glo-Saxon ambit, we will research different editions of cientes en el ámbito anglosajón, recorreremos sus distintas ediciones the show. -
Transdenominational MA in Jewish Music Program, Preparing
THIS IS THE INSIDE FRONT COVER EDITOR: Joseph A. Levine ASSOCIATE EDITOR: Richard Berlin EDITORIAL BOARD Rona Black, Shoshana Brown, Geoffrey Goldberg, Charles Heller, Kimberly Komrad, Sheldon Levin, Laurence Loeb, Judy Meyersberg, Ruth Ross, Neil Schwartz, Anita Schubert, Sam Weiss, Yossi Zucker TheJournal of Synagogue Music is published annually by the Cantors As- sembly. It offers articles and music of broad interest to theh azzan and other Jewish professionals. Submissions of any length from 1,000 to 10,000 words will be consid ered. GUIDELINES FOR SUBMITTING MATERIAL All contributions and communications should be sent to the Editor, Dr. Joseph A. Levine—[email protected]—as a Word docu- ment, with a brief biography of the author appended. Musical and/or graphic material should be formatted and inserted within the Word document. Footnotes are used rather than endnotes, and should conform to the fol- lowing style: A - Abraham Idelsohn, Jewish Liturgy (New York: Henry Holt), 1932: 244. B - Samuel Rosenbaum, “Congregational Singing”; Proceedings of the Cantors Assembly Convention (New York: Jewish Theological Seminary), February 22, 1949: 9-11. Layout by Prose & Con Spirito, Inc., Cover design and Printing by Replica. © Copyright 2009 by the Cantors Assembly. ISSN 0449-5128 ii FROM THE EDITOR: The Issue of Niggunim in Worship: Too Much of a Good Thing? ..................................................4 THE NEO-HASIDIC REVIVAL AT 50 Music as a Spiritual Process in the Teachings of Rav Nahman of Bratslav Chani Haran Smith. 8 The Hasidic Niggun: Ethos and Melos of a Folk Liturgy Hanoch Avenary . 48 Carlebach, Neo-Hasidic Music and Liturgical Practice Sam Weiss.