Dismemberment Plan Emergency and I
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Aug./Jul. 2007 VOL.55 TOTAL TIME: 78'47” 01 THE
01 THE BISHOPS Menace About Town 08 PARAELE STRIPES Blues 15 BILL CALLAHAN Diamond Dancer ザ・ビショップ ス「メーニス・アバウト・タウ ン 」 パラエル・ストライプス「ブルース」 ビル・キャラハン「ダイアモンド・ダンサー」 (The Bishops) 3:09 (words by Masato Hirano; music by Paraele (Bill Callahan) 3:55 Aug./Jul. 2007 VOL.55 taken from the album THE BISHOPS Stripes) 4:23 taken from the album WOKE ON A WHALEHEART [1-2-3-4 / Kurofune]> P052 taken from the album PHIRST TENSE [Drag City / P-Vine]> P080 [Thistime]> P058 02 BATTLES Atlas [radio edit] 09 GOOD SHOES All In My Head 16 OMAR RODRIGUEZ-LOPEZ バト ル ス「アトラス(レディオ・エディット)」 グッド・シューズ「オール・イン・マイ・ヘッド」 Boiling Death Request A Body To Rest Its Head On (Battles) 4:09 (Good Shoes) 2:32 オマー・ロドリゲス・ロペス「ボイリング・デス・リクエスト・ア・ボ ディー・トゥ・レスト・イッツ・ヘッド・オン」 original version appears on the album MIRRORED taken from the album THINK BEFORE YOU SPEAK (Omar Rodriguez Lopez) 4:16 [Warp / Beat]> P016 [Brille / Kurofune]> P054 taken from the album SE DICE BISONTE, NO BUFALO [Gold Standard Laboratories / Beat]> P060 03 MICE PARADE Sneaky Red 10 CLUELESS Believe That This Is Right 17 VON SÜDENFED Chicken Yiamas マイス・パレード「スニーキー・レッド」 クルーレス「ビリーヴ・ザット・ディス・イズ・ライト」 ヴォン・スーデンフェッド「チキン・イヤーマ」 (Adam Pierce) 4:16 (words by Tim Van Doorne; music by Clueless) 2:46 (Mark E Smith, Andi Toma, Jan St. Werner) 2:34 taken from the album MICE PARADE taken from the album CLUELESS taken from the album TROMATIC REFLEXXIONS [Fatcat USA / P-Vine]> P091 [Moondown / Thistime]> P104 [Domino / Hostess]> P024 04 FRIDGE Eyelids 11 MARNIE STERN 18 GRINDERMAN No Pussy Blues フリッジ「アイリッズ」 Every Single Line Means Something グラインダーマン「ノー・プッシー・ブ -
Jenny Lewis Feels Good. That Sounds Simple, but It's Been a Long Time
10/15/2015 Jenny Lewis Is Writing Songs Without Apology | Bitch Media MUSIC (/MUSIC) JENNY LEWIS (/TOPIC/JENNYLEWIS) by Hannah Steinkopf-Frank (/profile/hannah-steinkopf-frank) Published on August 25, 2015 at 10:48am Jenny Lewis feels good. That sounds simple, but it’s been a long time coming for the ‘90s child actor turned prolific musician. As a kid, Lewis starred in films like The Wizard and Troop Beverly Hills before pursing music. Her band Rilo Kiley was part of the wave of indie groups that defined the alternative music scene of the aughts. But in recent years, Lewis has faced a series of setbacks: the disbanding of Rilo Kiley, the death of her father, and chronic insomnia. https://bitchmedia.org/article/interview-jenny-lewis-music-and-voyager-feminism 1/9 10/15/2015 Jenny Lewis Is Writing Songs Without Apology | Bitch Media It was these experiences that provided the material for last year’s The Voyager (http://www.jennylewis.com/), her first solo release since 2008’s Acid Tongue. For Lewis, making The Voyager was freeing. Without the pressure of bandmates, she was able to have total control over her music, albeit with the occasional guidance of Beck and Ryan Adams. Lewis has also returned to her Hollywood roots and scored best-friend flick Very Good Girls and 2014 film Song One, which starred her friend Anne Hathaway. Lewis most recently wrote a song with boyfriend and collaborator Jonathan Rice for Meryl Streep’s rocker character, Ricki, in the new film Ricki and the Flash (http://www.imdb.com/title/tt3623726/). -
Music 5364 Songs, 12.6 Days, 21.90 GB
Music 5364 songs, 12.6 days, 21.90 GB Name Album Artist Miseria Cantare- The Beginning Sing The Sorrow A.F.I. The Leaving Song Pt. 2 Sing The Sorrow A.F.I. Bleed Black Sing The Sorrow A.F.I. Silver and Cold Sing The Sorrow A.F.I. Dancing Through Sunday Sing The Sorrow A.F.I. Girl's Not Grey Sing The Sorrow A.F.I. Death of Seasons Sing The Sorrow A.F.I. The Great Disappointment Sing The Sorrow A.F.I. Paper Airplanes (Makeshift Wings) Sing The Sorrow A.F.I. This Celluloid Dream Sing The Sorrow A.F.I. The Leaving Song Sing The Sorrow A.F.I. But Home is Nowhere Sing The Sorrow A.F.I. Hurricane Of Pain Unknown A.L.F. The Weakness Of The Inn Unknown A.L.F. I In The Shadow Of A Thousa… Abigail Williams The World Beyond In The Shadow Of A Thousa… Abigail Williams Acolytes In The Shadow Of A Thousa… Abigail Williams A Thousand Suns In The Shadow Of A Thousa… Abigail Williams Into The Ashes In The Shadow Of A Thousa… Abigail Williams Smoke and Mirrors In The Shadow Of A Thousa… Abigail Williams A Semblance Of Life In The Shadow Of A Thousa… Abigail Williams Empyrean:Into The Cold Wastes In The Shadow Of A Thousa… Abigail Williams Floods In The Shadow Of A Thousa… Abigail Williams The Departure In The Shadow Of A Thousa… Abigail Williams From A Buried Heart Legend Abigail Williams Like Carrion Birds Legend Abigail Williams The Conqueror Wyrm Legend Abigail Williams Watchtower Legend Abigail Williams Procession Of The Aeons Legend Abigail Williams Evolution Of The Elohim Unknown Abigail Williams Forced Ingestion Of Binding Chemicals Unknown Abigail -
Wonderful! 143: Rare, Exclusive Gak Published July 29Th, 2020 Listen on Themcelroy.Family
Wonderful! 143: Rare, Exclusive Gak Published July 29th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: I'm gonna get so sweaty in here. Griffin: Are you? Rachel: It is… hotototot. Griffin: Okay. Is this the show? Are we in it? Rachel: Hi, this is Rachel McElroy! Griffin: Hi, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: It‘s gettin‘ sweaaatyyy! Rachel: [laughs] Griffin: It‘s not—it doesn‘t feel that bad to me. Rachel: See, you're used to it. Griffin: Y'know what it was? Mm, I had my big fat gaming rig pumping out pixels and frames. Comin‘ at me hot and heavy. Master Chief was there. Just so fuckin‘—just poundin‘ out the bad guys, and it was getting hot and sweaty in here. So I apologize. Rachel: Griffin has a very sparse office that has 700 pieces of electronic equipment in it. Griffin: True. So then, one might actually argue it‘s not sparse at all. In fact, it is filled with electronic equipment. Yeah, that‘s true. I imagine if I get the PC running, I imagine if I get the 3D printer running, all at the same time, it‘s just gonna—it could be a sweat lodge. I could go on a real journey in here. But I don‘t think it‘s that bad, and we‘re only in here for a little bit, so let‘s… Rachel: And I will also say that a lot of these electronics help you make a better podcast, which… is a timely thing. -
April Quill 2013 Template.Indd
The Quill, April, 2013 5 No. 20, Vol. See The Quill online at www.centenarycollege.edu/thequill Notice anything strange yet?? Money back, guaranteed! By Clarissa Anderson Centenary Starting in the fall, Centenary College will be running a financial program to get fro- called “Fast Track,” which guarantees the funding of zen yogurt students’ education. Students who location achieve over a 3.7 GPA will be reimbursed their full By Loren Kessell tuition. Those who qualify A long night of New, off-campus dorm planned for this program must sign a studying ahead, and the clock contract stating their dedica- keeps ticking? Your brain By Kathryn Nieves tion to their education. Many is sluggish, and things seem Increased student people say this tactic is a ploy hopeless. Something sweet kitchen, and a living room. Funding for the dorm enrollment on campus has to increase students’ academ- might get the energy flowing. The style of the building was provided by a donor caused a housing issue. The ic success; others say bribing There is good news. will also replicate the two whose name has not yet solution? The college will is not the answer. Centenary College already- standing apartment been released. However, it build a new dorm. But the “Fast Track” plans to add a new hang-out buildings. However, rather is likely that the name will Currently, there are eight program guarantees your for the student body. Re- than having three floors, this appear on a sign on the front on campus: two freshman money back, so why not cently, the frozen yogurt building will have five. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 11-15-1999 Columbia Chronicle (11/15/1999) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (11/15/1999)" (November 15, 1999). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/459 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. • • ' • t .... ' VOLUME 3 3,NUMBER 8 COLUMBIA COLLEGE CHICAGO MONDAY. NOVEMBER 15, 1999 CAMPUS VITALITY SPORTS America Online chief BadAlTS 111 thl' The Creature Feature heralds "l11c Internet Age" Rose Bowl a,lf.Uil:' PAGE2 INSIDE BACK PAGE . RcCEIVEC Threat of repay1ng grants ,. · ~ · 1 'J J999 for college drop-outs DANIELLE HAAS who withdrawals from college. Staff Writer Under the new law, colleges will return any portion of student aid that doesn't cover the period in which Under a new rule proposed by the U. S. Department the student was enrolled. of Education, students will be forced to repay Pell Because the new law is so complex, the U. S. Grants and other federal aid that they don't use for Department of Education will provide software and educational purposes, if they don't complete the worksheets to all colleges so that it may caculate the semester for which the financial aid is rendered. -
Issue 11 - Thursday, December 18, 2003
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Winter 12-18-2003 Volume 39 - Issue 11 - Thursday, December 18, 2003 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 39 - Issue 11 - Thursday, December 18, 2003" (2003). The Rose Thorn Archive. 261. https://scholar.rose-hulman.edu/rosethorn/261 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY TERRE HAUTE, INDIANA Thursday, December 18, 2003 Volume 39, Issue 11 Saddam: Just a man? Part I - Rise his capture. Rubaie had been chose life over death at the legal privilege to have up to need to educate him. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
Led Zeppelin R.E.M. Queen Feist the Cure Coldplay the Beatles The
Jay-Z and Linkin Park System of a Down Guano Apes Godsmack 30 Seconds to Mars My Chemical Romance From First to Last Disturbed Chevelle Ra Fall Out Boy Three Days Grace Sick Puppies Clawfinger 10 Years Seether Breaking Benjamin Hoobastank Lostprophets Funeral for a Friend Staind Trapt Clutch Papa Roach Sevendust Eddie Vedder Limp Bizkit Primus Gavin Rossdale Chris Cornell Soundgarden Blind Melon Linkin Park P.O.D. Thousand Foot Krutch The Afters Casting Crowns The Offspring Serj Tankian Steven Curtis Chapman Michael W. Smith Rage Against the Machine Evanescence Deftones Hawk Nelson Rebecca St. James Faith No More Skunk Anansie In Flames As I Lay Dying Bullet for My Valentine Incubus The Mars Volta Theory of a Deadman Hypocrisy Mr. Bungle The Dillinger Escape Plan Meshuggah Dark Tranquillity Opeth Red Hot Chili Peppers Ohio Players Beastie Boys Cypress Hill Dr. Dre The Haunted Bad Brains Dead Kennedys The Exploited Eminem Pearl Jam Minor Threat Snoop Dogg Makaveli Ja Rule Tool Porcupine Tree Riverside Satyricon Ulver Burzum Darkthrone Monty Python Foo Fighters Tenacious D Flight of the Conchords Amon Amarth Audioslave Raffi Dimmu Borgir Immortal Nickelback Puddle of Mudd Bloodhound Gang Emperor Gamma Ray Demons & Wizards Apocalyptica Velvet Revolver Manowar Slayer Megadeth Avantasia Metallica Paradise Lost Dream Theater Temple of the Dog Nightwish Cradle of Filth Edguy Ayreon Trans-Siberian Orchestra After Forever Edenbridge The Cramps Napalm Death Epica Kamelot Firewind At Vance Misfits Within Temptation The Gathering Danzig Sepultura Kreator -
COMING out on DECEMBER 9, 2014 New Releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • the SHRINE
COMING OUT ON DECEMBER 9, 2014 new releases from ADELIT@S/KOHOSH • BLOOD FARMERS RAJOITUS/RATSTAB • CAVES • DOE BIG WOW • TROPHY WIFE • THE SHRINE Exclusively Distributed by ADELIT@S/KOHOSH Split, LP STREET DATE: DECEMBER 9, 2014 INFORMATION: Artist Hometown: ADELIT@S-- Portland, OR; KOHOSH—Seattle, WA Key Markets: Seattle, Portland, Vancouver BC, San Francisco, Los Angeles, San Diego, Tijuana, Germany, France, Netherlands, Denmark, Sweden For Fans of: CRASS, CONFLICT, LOST WORLD, LOS CRUDOS, POST REGIMENT, CONTROPOTERE, SKARP, AGATHA, GARMONBOZIA, ARCANE, OLD CITY, INVERSION, CREOSOTE The split features five new tracks of blazing anarcho-punk from Portland’s ADELIT@S, who are picking up right where their Llama Viva de la Rabia LP (released on Aborted Society in 2012) left off. Energetic, melodic, and tuneful punk with politically charged dual female/male vocals sung in Spanish. ARTIST: ADELIT@S/KOHOSH Incorporating some of their Latin folk influence, these tracks are punchier and more hardcore than TITLE: Split earlier efforts. Recorded by Stan Wright at Buzz or Howl Studios in Portland, OR. LABEL: Aborted Society CAT#: ABSOC031-1 A progressive six-piece from Seattle, KOHOSH brings three tracks of inventive crust that equally harkens FORMAT: LP to 80’s peace punk as much as it does to the more melodic side of the 90’s European anarchopunk GENRE: Punk, Latin, Crust, Melodic Hardcore, sound. Dual guitars weave in and out of fast and mid-tempo passages accompanied with cello and Anarchopunk harmonized female/male vocals. Recorded by Brandon Fitzsimons at Airport Grocery Studio in Seattle, BOX LOT: 50 WA. Both sides were mastered by Dan Randall at Mammoth Sound in Oakland, CA. -
Universidade Federal Do Rio De Janeiro Escola De Comunicação Centro De Filosofia E Ciências Humanas Jornalismo
UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS JORNALISMO CULTURA DO HYPE: COMO MOVIMENTOS MUSICAIS EFÊMEROS DA DÉCADA DE 2000 CRIARAM NOVOS ÍCONES NA CULTURA POP TÚLIO BRASIL VILELLA RIO DE JANEIRO 2014 III UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO CENTRO DE FILOSOFIA E CIÊNCIAS HUMANAS JORNALISMO CULTURA DO HYPE: COMO MOVIMENTOS MUSICAIS EFÊMEROS DA DÉCADA DE 2000 CRIARAM NOVOS ÍCONES NA CULTURA POP Monografia submetida à Banca de Graduação como requisito para obtenção do diploma de Comunicação Social/ Jornalismo. TÚLIO BRASIL VILELLA Orientadora: Profa. Dra. Rose Marie Santini RIO DE JANEIRO IV 2014 UNIVERSIDADE FEDERAL DO RIO DE JANEIRO ESCOLA DE COMUNICAÇÃO TERMO DE APROVAÇÃO A Comissão Examinadora, abaixo assinada, avalia a Monografia Cultura do Hype: Como Movimentos Musicais Efêmeros da Década De 2000 Criaram Novos Ícones na Cultura Pop, elaborada por Túlio Brasil Vilella. Monografia examinada: Rio de Janeiro, no dia ........./........./.......... Comissão Examinadora: Orientadora: Profa. Dra. Rose Marie Santini Doutora em Ciência da Informação – UFF/IBICT Departamento de Comunicação - UFRJ Prof. Marcio Tavares d`Amaral Doutor em Letras (Ciências da Literatura) pela – UFRJ Departamento de Comunicação -. UFRJ Prof. Paulo Guilherme Domenech Oneto Doutor em Filosofia - Université de Nice Departamento de Comunicação – UFRJ RIO DE JANEIRO V 2014 FICHA CATALOGRÁFICA BRASIL, Túlio. Cultura do Hype: Como movimentos musicais efêmeros da década de 2000 criaram novos ícones na cultura pop. Rio de Janeiro, 2014. Monografia (Graduação em Comunicação Social/ Jornalismo) – Universidade Federal do Rio de Janeiro – UFRJ, Escola de Comunicação – ECO. Orientadora: Rose Marie Santini VI As pessoas vão se esquecendo. -
Pop and Jazz Across the U.S. This Summer - Nytimes.Com 5/5/11 8:22 PM
Pop and Jazz Across the U.S. This Summer - NYTimes.com 5/5/11 8:22 PM HOME PAGE TODAY'S PAPER VIDEO MOST POPULAR TIMES TOPICS Subscribe to The Times Welcome, andreakramer3 Log Out Help Search All NYTimes.com Music WORLD U.S. N.Y. / REGION BUSINESS TECHNOLOGY SCIENCE HEALTH SPORTS OPINION ARTS STYLE TRAVEL JOBS REAL ESTATE AUTOS ART & DESIGN BOOKS DANCE MOVIES MUSIC TELEVISION THEATER VIDEO GAMES Advertise on NYTimes.com Pop and Jazz Log in to see what your friends Log In With Facebook are sharing on nytimes.com. Privacy Policy | What’s This? What’s Popular Now The Inner Lives Pakistani Army of Wartime Chief Warns U.S. Photographers on Another Raid Richard Termine for The New York Times The cast of “Glee Live!,” whose North American tour begins May 21 in Las Vegas By AMANDA PETRUSICH Published: May 5, 2011 Alabama RECOMMEND TWITTER HANGOUT MUSIC FESTIVAL Blog E-MAIL Gulf Shores, May 20-22. Anyone Advertise on NYTimes.com PRINT ArtsBeat looking to combine two timeless The latest on the REPRINTS arts, coverage of summer pastimes — beach lounging Movies Update E-Mail live events, critical and festivalgoing — will be well SHARE Sign up for the latest movie news and reviews, sent reviews, multimedia every Friday. See Sample extravaganzas and served by the Hangout Music Festival, [email protected] much more. Join the discussion. which sets up on Alabama’s white Change E-mail Address | Privacy Policy More Arts News sand gulf shore for three days each Enlarge This Image summer. A boon for the less rustic http://www.nytimes.com/2011/05/08/arts/music/pop-and-jazz-across-the-us-this-summer.html?_r=1 Page 1 of 11 Pop and Jazz Across the U.S.