The Extreme Right on Facebook
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Vernehmungsprotokolle Aus Dem NSU-Untersuchungsausschuss M-V DIE LINKE
(K)ein Ende der Aufklärung Vernehmungsprotokolle aus dem NSU-Untersuchungsausschuss M-V DIE LINKE. Fraktion im Landtag Mecklenburg-Vorpommern Lennéstraße 1 19053 Schwerin Telefon: 0385 - 52 52 500 Fax: 0385 - 52 52 509 E-mail: [email protected] Internet: www.linksfraktionmv.de V.i.S.d.P.: Rasho Janew Zum Gedenken an: Enver Şimşek Abdurrahim Özüdoğru Süleyman Taşköprü Habil Kılıç Mehmet Turgut İsmail Yaşar Theodoros Boulgarides Mehmet Kubaşık Halit Yozgat Michèle Kiesewetter Inhaltsverzeichnis Seite Vorwort 06 Dorothea Marx, Katharina König-Preuss 08 Antonia von der Behrens 12 Andrea Röpke 15 EKHK a.D. Bernd Scharen 19 Prof. em. Dr. Rudolf Wegener, Prof. Dr. Fred Zack 22 KHK Andreas Seifert 25 EKHK Alexander Horn 29 KOR Felix Schwarz 32 KOK Steffen Gumbiewski 34 KHM Maik Oswald 37 F. (LfV M-V), Philip Schlaffer 41 EKHK Manfred Hänßler 45 Heinz Fromm, Elmar Ruhlich 47 Dr. Gottfried Timm, Jürgen Lambrecht 51 Sebastian Egerton, VP-F 01, PHM Görlitz, KHM Wagner 54 Reinhard Müller 60 Lorenz Caffier 63 05 Inhaltsverzeichnis heit über die wahren Tathintergründe leiden, sondern auch unter Ermittlungen, die sie selbst in ein kriminel- les Milieu und damit in die Nähe der vermeintlichen Mörder rücken sollten. Hinzu kommt ein Inlandsge- heimdienst, der immer wieder durch Aktenvernich- tungen und eine unsägliche Blockadehaltung in die Schlagzeilen geriet. Nicht zuletzt nährte der Verfas- sungsschutz dadurch selbst den Verdacht, dass er bis heute das Wissen über den NSU und seine Unterstüt- zungsstrukturen unter Verschluss hält. Meine Fraktion setzte sich seit 2012 für die Einsetzung eines Parlamentarischen Untersuchungsausschusses (PUA) im Landtag von Mecklenburg-Vorpommern ein, um das Dickicht des Versagens und Vertuschens auf- zuarbeiten. -
Identitarian Movement
Identitarian movement The identitarian movement (otherwise known as Identitarianism) is a European and North American[2][3][4][5] white nationalist[5][6][7] movement originating in France. The identitarians began as a youth movement deriving from the French Nouvelle Droite (New Right) Génération Identitaire and the anti-Zionist and National Bolshevik Unité Radicale. Although initially the youth wing of the anti- immigration and nativist Bloc Identitaire, it has taken on its own identity and is largely classified as a separate entity altogether.[8] The movement is a part of the counter-jihad movement,[9] with many in it believing in the white genocide conspiracy theory.[10][11] It also supports the concept of a "Europe of 100 flags".[12] The movement has also been described as being a part of the global alt-right.[13][14][15] Lambda, the symbol of the Identitarian movement; intended to commemorate the Battle of Thermopylae[1] Contents Geography In Europe In North America Links to violence and neo-Nazism References Further reading External links Geography In Europe The main Identitarian youth movement is Génération identitaire in France, a youth wing of the Bloc identitaire party. In Sweden, identitarianism has been promoted by a now inactive organisation Nordiska förbundet which initiated the online encyclopedia Metapedia.[16] It then mobilised a number of "independent activist groups" similar to their French counterparts, among them Reaktion Östergötland and Identitet Väst, who performed a number of political actions, marked by a certain -
White Noise Music - an International Affair
WHITE NOISE MUSIC - AN INTERNATIONAL AFFAIR By Ms. Heléne Lööw, Ph.D, National Council of Crime Prevention, Sweden Content Abstract............................................................................................................................................1 Screwdriver and Ian Stuart Donaldson............................................................................................1 From Speaker to Rock Star – White Noise Music ..........................................................................3 Ideology and music - the ideology of the white power world seen through the music...................4 Zionist Occupational Government (ZOG).......................................................................................4 Heroes and martyrs........................................................................................................................12 The Swedish White Noise Scene...................................................................................................13 Legal aspects .................................................................................................................................15 Summary........................................................................................................................................16 Abstract Every revolutionary movement has its own music, lyrics and poets. The music in itself does not create organisations nor does the musicians themselves necessarily lead the revolution. But the revolutionary/protest music create dreams, -
Alexander B. Stohler Modern American Hategroups: Lndoctrination Through Bigotry, Music, Yiolence & the Internet
Alexander B. Stohler Modern American Hategroups: lndoctrination Through Bigotry, Music, Yiolence & the Internet Alexander B. Stohler FacultyAdviser: Dr, Dennis Klein r'^dw May 13,2020 )ol, Masters of Arts in Holocaust & Genocide Studies Kean University In partialfulfillumt of the rcquirementfar the degee of Moster of A* Abstract: I focused my research on modern, American hate groups. I found some criteria for early- warning signs of antisemitic, bigoted and genocidal activities. I included a summary of neo-Nazi and white supremacy groups in modern American and then moved to a more specific focus on contemporary and prominent groups like Atomwaffen Division, the Proud Boys, the Vinlanders Social Club, the Base, Rise Against Movement, the Hammerskins, and other prominent antisemitic and hate-driven groups. Trends of hate-speech, acts of vandalism and acts of violence within the past fifty years were examined. Also, how law enforcement and the legal system has responded to these activities has been included as well. The different methods these groups use for indoctrination of younger generations has been an important aspect of my research: the consistent use of hate-rock and how hate-groups have co-opted punk and hardcore music to further their ideology. Live-music concerts and festivals surrounding these types of bands and how hate-groups have used music as a means to fund their more violent activities have been crucial components of my research as well. The use of other forms of music and the reactions of non-hate-based artists are also included. The use of the internet, social media and other digital means has also be a primary point of discussion. -
Identifying Extreme Racist Beliefs
identifying extreme racist beliefs What to look out for and what to do if you see any extreme right wing beliefs promoted in your neighbourhood. At Irwell Valley Homes, we believe that everyone has the If you see any of these in any of the neighbourhoods right to live of life free from racism and we serve, please contact us straight away on 0300 discrimination. However, whilst we work to promote 561 1111 or [email protected]. We take equality, racism still exists and we want to take action to this extremely seriously and will work with the Greater stop this. Manchester Police to deal with anyone responsible. This guide helps you to identify some of the numbers, signs and symbols used to promote extreme right wing beliefs including racism, extreme nationalism, fascism and neo nazism. 18: The first letter of the alphabet is A; the eighth letter of the alphabet is H. so, 1 plus 8, or 18, equals AH, an abbreviation for Adolf Hitler. Neo-Nazis use 18 in tat- toos and symbols. The number is also used by Combat 18, a violent British neo-Na- zi group that chose its name in honour of Adolf Hitler. 14: This numeral represents the phrase “14 words,” the number of words in an ex- pression that has become the slogan for the white supremacist movement. 28: The number stands for the name “Blood & Honour” because B is the 2nd letter of the alphabet and H is the 8th letter. Blood & Honour is an international neo-Nazi/ racist skinhead group started by British white supremacist and singer Ian Stuart. -
Loud Proud Passion and Politics in the English Defence League Makes Us Confront the Complexities of Anti-Islamist/Anti-Muslim Fervor
New Ethnographies ‘These voices of English nationalism make for difficult listening. The great strength of Hilary PILKINGTON Pilkington’s unflinching ethnography is her capacity to confound and challenge our political and preconceptions and makes us think harder. This is an important, difficult and brave book.’ Les Back, Professor of Sociology, Goldsmiths, University of London ‘Pilkington offers fresh and crucial insights into the politics of fear. Her unflinchingly honest depiction of the EDL breaks apart stereotypes of rightist activists as simply dupes, thugs, and racists and Loud proud PASSION AND POLITICS IN THE ENGLISH DEFENCE LEAGUE makes us confront the complexities of anti-Islamist/anti-Muslim fervor. This terrific, compelling book is a must-read for scholars and readers concerned about the global rise of populist movements on the right.’ Kathleen Blee, Distinguished Professor of Sociology, University of Pittsburgh Loud and proud uses interviews, informal conversations and extended observation at English Defence League events to critically reflect on the gap between the movement’s public image and activists’ own understandings of it. It details how activists construct the EDL and themselves as ‘not racist, not violent, just no longer silent’ through, among other things, the exclusion of Muslims as a possible object of racism on the grounds that they are a religiously not racially defined Loud group. In contrast, activists perceive themselves to be ‘second-class citizens’, disadvantaged and discriminated against by a two-tier justice system that privileges the rights of others. This failure to recognise themselves as a privileged white majority explains why ostensibly intimidating EDL street demonstrations marked by racist chanting and nationalistic flag waving are understood by activists as standing ‘loud and proud’; the only way of being heard in a political system governed by a politics of silencing. -
Why the BNP Is Still Fascist
sistently to deny and downplay the Holocaust. the same rotten ideology. We must expose them They’re fools but (alas) not idiots – they know for who they are, and stand together to stop them. they’ll get nowhere if they admit their ideological Never forget, never again. link to the Nazi regime. But their Holocaust de- nial gives the game away. This article first appeared on the SUN website Behind the shiny suits lurks the same hatred, (www.socialistunitynetwork.co.uk) Why the BNP is Still Fascist Geoffrey Brown HE GAINS made by the BNP in local elections Enter Nick Griffin in recent years – it now has almost fifty coun- For all the carefully cultivated “reasonableness” cillors,T an achievement unprecedented in the hist- of his public persona today, Griffin has a similar ory of the far right in Britain – have been assisted far-right background to Tyndall. He was a nation- by a systematic revamping of the party’s image. al organiser for the NF in the 1970s, and in the The public expressions of Nazi sympathies and 1980s was heavily influenced by Roberto Fiore, a Holocaust denial for which the BNP had become leader of the Italian fascist organisation the Armed notorious have been junked and it now presents Revolutionary Nuclei (NAR), who fled to Britain itself as a respectable, mainstream political party. to avoid prosecution over the 1980 bombing of The question arises – does this amount to a funda- Bologna railway station in which 85 people died. mental change in the BNP’s political character, or Throughout the 1980s Griffin was a leading figure is it a cosmetic exercise designed to fool voters into in what remained of the NF, promoting a NAR- backing an organisation that has in reality failed inspired “Third Positionist” ideology that claimed to break with its fascist past? to offer an alternative to both capitalism and com- munism. -
The Sounds of Hate: the White Power Music Scene in the United
The Sounds of Hate The White Power Music Scene in the United States in 2012 The recent tragic shooting spree at the Sikh temple in Oak Creek, Wisconsin, in which Wade Michael Page killed six people before killing himself after a shootout with police, has drawn attention to the shadowy world of white power music. Page, a committed white supremacist and member of the Hammerskins, a hardcore racist skinhead group, was heavily involved in the white power music scene in the United States. He played in a number of white power bands over the previous 12 years, most prominently the bands Definite Hate and End Apathy. Page was just one of hundreds of white supremacist musicians listened to by thousands of white supremacists in the United States and beyond. Today, white power music permeates the subculture of the white supremacist movement. Not all white supremacists enjoy white power music, but many of them do, especially neo-Nazis and racist skinheads. For listeners, white power music is not simply entertainment. It is music with a message, a medium used to express an ideology suffused with anger, hatred and violence. 1 WHITE POWER MUSIC IN THE UNITED STATES Today, white power music is well established in the United States, where it has existed for three decades. Hate music arose originally in Great Britain in the 1970s as the skinhead subculture that originated there diverged into two different streams: a traditional skinhead stream and a racist skinhead stream. As racist skinheads emerged, they created a white supremacist variation of the skinhead-related music genre called Oi! (sometimes also known by the Attendees at Plunder and Pillage 2011 deliberate euphemism “Rock against Communism” or RAC). -
Kennzeichen Und Symbole Der Rechtsextremen Szene
Bausteine der Prävention von Rechtsextremismus und Gruppenbezogener Menschenfeindlichkeit in der beruflichen Bildung Nr. 6 Eine Handreichung für Demokratie und Vielfalt Kennzeichen und Symbole der rechtsextremen Szene OSZ für Demokratie und Vielfalt informieren argumentieren handeln www.demokratieundvielfalt.de Kennzeichen und Symbole der rechtsextremen Szene (Auswahl)1 Vorwort Wir unterstützen, begleiten und beraten seit über zehn Jahren mit dem Projekt „Berliner Oberstufenzentren für Demokratie und Vielfalt“ Berufsschulen und andere Einrichtungen der beruflichen Bildung bei Ihrem Engagement gegen Rechtsextremismus, Diskriminierung und religiös begründetem Extremismus. In diesem Rahmen veröffentlichen wir auch diese Handreichung. Sie gibt einen Überblick über die in der rechtsextremen Szene verwendeten Codes, Symbole und Lifestyle-Produkte. Insbesondere im Bereich des „Lifestyle“ sind diese immer wieder Wandlungen unterworfen, weshalb diese Übersicht alle zwei Jahre überarbeitet und aktualisiert wird. Die Handreichung, insbesondere das Kapitel 7 „Lifestyle-Produkte“, soll auch als Anlage für Hausordnungen für allgemein- und berufsbildende Schulen dienen, die das Tragen und Verbreiten von rechtsextremen Symbolen und Lifestyle-Produkten auf dem Schulgelände untersagen. Dazu haben wir auch ein gesondertes Dokument zum Download von unserer Website erstellt. Wir bieten auch eine Fortbildung für Pädagog/inn/en und Lehrer/innen in der beruflichen Bildung zum Thema „Rechtsextremen Symbole und Erscheinungsformen“ an. Das Dokument, das Buchungsformular -
Jan Raabe / Martin Langebach Rock Von Rechts ... Auch in Österreich Ein Thema
www.doew.at Rechtsextremismus in Österreich – Fakten und Hintergrundinformationen Jan Raabe / Martin Langebach Rock von rechts ... auch in Österreich ein Thema Laut war es. Die Musik schnell. Das Publikum begeistert.1 An jenem Samstag- abend, dem 15. Mai 2010, traten in einer Gaststätte in Osttirol die Bands Daily Broken Dream (D), Painful Life (D), Mortuary (D) und T(ERROR)sphÄRA (A) auf. Die Musik, die sie dort auf die Bühne brachten, wird in der extrem rechten Szene als NSHC abgekürzt: National Socialist Hardcore. Die Genrebezeich- nung ist Programm. In Österreich sind derartige Konzerte eher die Ausnahme als die Regel. Und doch haben in den letzten 26 Jahren – seit dem wohl ersten RechtsRock-Kon- zert in Österreich, dem Auftritt der Wiener Band Oisterreicher im Parteikeller der NDP in Wien am 13. Mai 1985 – viele bekannte Szenebands unterschied- lichster Stilistiken im Land gespielt. Mal vor wenigen Zuschauerinnen und Zuschauern, den Auftritt anno 1985 sollen sich 70 Leute angeschaut haben2, mal vor vielen: Als die neonazistische Blood & Honour Division Österreich am 12. Oktober 2002 zum Konzert mit Pork Hunters, Blitzkrieg, Race War (alle D), Max Resist, Final War, Intimidation One und Extreme Hatred (alle USA) ein- lud, reisten rund 1000 Neonazis an und beim Auftritt von Endstufe, Race War, Noie Werte, Propaganda (alle aus D) sowie den Bully Boys und Aggressive Force (USA), Razors Edge (GB), Stonehammer (Kanada) und Tollschock (A) am 6. September 2003 sollen 700–1000 Personen anwesend gewesen sein – es waren die bisher größten Neonazi-Konzerte in Österreich.3 Derartige Events sind außeralltägliche Schlaglichter, die das Bestehen ei- ner entsprechenden Szene im Land dokumentieren und die zeigen, wie eng die Neonazis hierzulande mit Kameraden aus anderen Ländern vernetzt sind. -
The Long Evolution of Extreme Right Music in Italy and Germany
PA rtecipazione e CO nflitto * The Open Journal of Sociopolitical Studies http://siba-ese.unisalento.it/index.php/paco ISSN: 1972-7623 (print version) ISSN: 2035-6609 (electronic version) PACO, Issue 13(1) 2020: 207-231 DOI: 10.1285/i20356609v13i1p207 Published in March 15, 2020 Work licensed under a Creative Commons At- tribution-Non commercial-Share alike 3.0 Italian License RESEARCH ARTICLE THE LONG EVOLUTION OF EXTREME RIGHT MUSIC IN ITALY AND GERMANY Giorgia Bulli University of Florence ABSTRACT: The importance of music in extreme right political culture is acknowledged in recent academic and non-academic contributions in Italy and Germany. Patterns of music development in different Europe- an contexts reflect the prevailing ideological dimension of the role of this cultural expression in the ex- treme right context (Dyck 2016). Labels such as “White power music”, “Rechtsrock” and “Reichsrock” all point to various trajectories in the recruitment and socialization functions of extreme right music. In Italy, the concept of “rock identitario” designates the most successful form of music production by well-known bands directly linked to political movements. However, identitarian rock is only the arrival point of a long tradition of music development within the Italian Extreme Right. In Germany, recent investigations of the “Rechtsrock” phenomenon have highlighted the intense internationalization of networks of extreme right movements that mostly mobilize cultural manifestations of extreme right ideologies. The analysis com- prises a diachronic enquiry into the development of extreme right music in Germany and Italy. From a comparative perspective, the paper will highlight how – no different from other political languages – changes in music production both reflect and go along with the transformation of the Italian and German Extreme Right from an organizational, political culture and strategic perspective1. -
14 European Far-Right Music and Its Enemies Anton Shekhovtsov
14 European Far-Right Music and Its Enemies Anton Shekhovtsov I’m patriotic, I’m racialistic, My views are clear and so simplistic (English Rose, 2007b) In a self-conducted interview that appeared in his manifesto, Norwegian would-be right-wing terrorist and killer Anders Behring Breivik, under the pen name Andrew Berwick, argued that specifi c music helps sustain ‘high morale and motivation’ of ‘self-fi nanced and self-indoctrinated single in- dividual attack cells’ (2011, p. 856). He went on to list several ‘motiva- tional music tracks’ he particularly liked. Breivik described one of these tracks, ‘Lux Æterna’, by Clint Mansell, which was featured in the trailer for Peter Jackson’s The Lord of the Rings : The Two Towers , as ‘very inspir- ing’ and as invoking ‘a type of passionate rage within you’ (2011, p. 858). On 22 July 2011, ‘Lux Æterna’ supposedly played in his iPod while he was killing members of the Workers’ Youth League of the Norwegian Labour Party on the island of Utøya (Gysin, Sears and Greenhill, 2011). Another artist favoured by Breivik in his manifesto is Saga, ‘a courageous, Swedish, female nationalist-oriented musician who creates pop-music with patriotic texts’ (2011, p. 856). Saga soared to the heights of right-wing fame in 2000, when she released three volumes of My Tribute to Skrewdriver on the Swedish right-wing label Midgård Records (2000a). Her three-volume album featured cover versions of Skrewdriver, a model White Power band, whose late leader, Ian Stuart Donaldson, founded the Blood & Honour (B&H) music promotion network in 1987.