Identifying Extreme Racist Beliefs
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A Welcome to Issue Number 2 of Iron Cross by Lord Ashcroft
COLUMN A welcome to Issue Number 2 of Iron Cross by Lord Ashcroft am delighted to have been asked to write a welcome Germany was an empire of 25 “states”; four kingdoms, six to this the second issue of Iron Cross magazine and to grand duchies, seven principalities and three Hanseatic be able to commend this splendid publication to the free cities. reader as an important historical journal. It provides Most had their own armies, even though some were Ian honest and objective look at German military history extremely small, consisting of just a single infantry from 1914 to 1945 for the first time. regiment. In most cases, these armies were trained, Over the past 33 years, I have built up the world’s organised and equipped after the Prussian model. largest collection of Victoria Crosses, Britain and the Although in wartime, these armies fell under the control Commonwealth’s premier gallantry award for bravery of the Prussian General Staff, the creation and bestowal ■ A selection of German gallantry awards from the First World War: L to R, Prussian Iron Cross 2nd Class, Prussian Knight’s Cross of the Royal House Order in the face of the enemy. As such, I am now the humble of gallantry awards remained a privilege of the territorial of Hohenzollern with Swords, Military Merit Cross 2nd Class of the Grand Duchy of Mecklenburg-Schwerin, Hamburg Hanseatic Cross and Honour Cross of custodian of more than 200 VCs from a total of over lords and sovereigns of the Reich. The reality was that the World War. -
Guides to German Records Microfilmed at Alexandria, Va
GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared -
Identitarian Movement
Identitarian movement The identitarian movement (otherwise known as Identitarianism) is a European and North American[2][3][4][5] white nationalist[5][6][7] movement originating in France. The identitarians began as a youth movement deriving from the French Nouvelle Droite (New Right) Génération Identitaire and the anti-Zionist and National Bolshevik Unité Radicale. Although initially the youth wing of the anti- immigration and nativist Bloc Identitaire, it has taken on its own identity and is largely classified as a separate entity altogether.[8] The movement is a part of the counter-jihad movement,[9] with many in it believing in the white genocide conspiracy theory.[10][11] It also supports the concept of a "Europe of 100 flags".[12] The movement has also been described as being a part of the global alt-right.[13][14][15] Lambda, the symbol of the Identitarian movement; intended to commemorate the Battle of Thermopylae[1] Contents Geography In Europe In North America Links to violence and neo-Nazism References Further reading External links Geography In Europe The main Identitarian youth movement is Génération identitaire in France, a youth wing of the Bloc identitaire party. In Sweden, identitarianism has been promoted by a now inactive organisation Nordiska förbundet which initiated the online encyclopedia Metapedia.[16] It then mobilised a number of "independent activist groups" similar to their French counterparts, among them Reaktion Östergötland and Identitet Väst, who performed a number of political actions, marked by a certain -
Genetics and Politics in the Soviet Union: Trofim Denisovich Lysenko in the 1930S, Forced Collectivization of Farms in the Soviet Union Reduced Harvests
HGSS: Genetics, Politics, and Society. © 2010, Gregory Carey 1 Genetics, Politics, and Society Eugenics Origins Francis Galton coined the word eugenics in his 1883 book Inquiries into Human Faculty and Its Development. The term itself derives from the Greek prefix eu (ευ) meaning good or well and the Greek word genos (γενοσ) meaning race, kind or stock. In 1904, Galton gave a presentation to the Sociological Society in London about eugenics. His presentation, along with invited public commentary, appeared in the American Journal of Sociology (Galton, 1904a) with virtually identical versions (sans commentary) appearing in Nature (Galton, 1904b) and, with commentary, in Sociological Papers (Galton, 1905). In these papers, he defined eugenics as “the science which deals with all influences that improve and develop the inborn qualities of a race.” (It is crucial to recognize that the word “race” was used at that time in an eQuivocal fashion. It could denote the term as we use it today, but it could also refer to a human ethnic group or nationality—e.g., the English race—or even a breed of horse or dog. Galton himself meant it in the generic sense of “stock.”) Galton’s view of the future combined fervor with caution: I see no impossibility in eugenics becoming a religious dogma among mankind, but its details must first be worked out sedulously in the study. Overzeal leading to hasty action would do harm, by holding out expectations of a near golden age, which will certainly be falsified and cause the science to be discredited. By “the study” Galton was referring to academic research. -
White Noise Music - an International Affair
WHITE NOISE MUSIC - AN INTERNATIONAL AFFAIR By Ms. Heléne Lööw, Ph.D, National Council of Crime Prevention, Sweden Content Abstract............................................................................................................................................1 Screwdriver and Ian Stuart Donaldson............................................................................................1 From Speaker to Rock Star – White Noise Music ..........................................................................3 Ideology and music - the ideology of the white power world seen through the music...................4 Zionist Occupational Government (ZOG).......................................................................................4 Heroes and martyrs........................................................................................................................12 The Swedish White Noise Scene...................................................................................................13 Legal aspects .................................................................................................................................15 Summary........................................................................................................................................16 Abstract Every revolutionary movement has its own music, lyrics and poets. The music in itself does not create organisations nor does the musicians themselves necessarily lead the revolution. But the revolutionary/protest music create dreams, -
Alexander B. Stohler Modern American Hategroups: Lndoctrination Through Bigotry, Music, Yiolence & the Internet
Alexander B. Stohler Modern American Hategroups: lndoctrination Through Bigotry, Music, Yiolence & the Internet Alexander B. Stohler FacultyAdviser: Dr, Dennis Klein r'^dw May 13,2020 )ol, Masters of Arts in Holocaust & Genocide Studies Kean University In partialfulfillumt of the rcquirementfar the degee of Moster of A* Abstract: I focused my research on modern, American hate groups. I found some criteria for early- warning signs of antisemitic, bigoted and genocidal activities. I included a summary of neo-Nazi and white supremacy groups in modern American and then moved to a more specific focus on contemporary and prominent groups like Atomwaffen Division, the Proud Boys, the Vinlanders Social Club, the Base, Rise Against Movement, the Hammerskins, and other prominent antisemitic and hate-driven groups. Trends of hate-speech, acts of vandalism and acts of violence within the past fifty years were examined. Also, how law enforcement and the legal system has responded to these activities has been included as well. The different methods these groups use for indoctrination of younger generations has been an important aspect of my research: the consistent use of hate-rock and how hate-groups have co-opted punk and hardcore music to further their ideology. Live-music concerts and festivals surrounding these types of bands and how hate-groups have used music as a means to fund their more violent activities have been crucial components of my research as well. The use of other forms of music and the reactions of non-hate-based artists are also included. The use of the internet, social media and other digital means has also be a primary point of discussion. -
RJ '-/~5 J.Tyl3~ C~Py J J
THE MEDAL OF HO~OR, ARMI•NAVY RJ_ '-/~5 J.tYl3~ c~py J J .. ..• ., .. , ~- ~ ' ' . .,. .. ~ 1:· , , • This Copy of THE' MEDAL OF HONOR BROCHURE ..... is presented .. .... To .. I I .. \ , ,,. ~·' THE MEDAL OF HONOR ... - .. · ~ I . ~~~Army -~ NI)YJ • i . , Soldiers, Sailors and AfatiJJes South Carolina 'I. Reference-Official Publications of The Deparbnent of the Army and Navy, 1948 .. Compiled from the records of the Adjutant Gencrars Office by Major Gen. ]ames C. Dozier, The Adjutant General , , . --- .• ... ,,. ~·• •J l .,., PROLOGUE ~, ... I • .. i -- Incarnate in the Stars and Stripes are the ideals, aspirations and prin- ciples of a free-minded people. When the Star Spangled Banner was first flown at the head of the Continental Army, General George Washington I said: "We take "the stars from Heaven, the red from our mother country_. separating it by white stripes. thus showing that we have separated from_ her, and the white stripes shall go down to posterity representing libe.~:ty " As with a precious gem, the facets of liberty cannot be brought to their greatest brilliance without friction. Neither can the character of a man 'or•2r nation be rounded to usefulness and charity without the tempering process of trial. Our iH:riiage from the Wars ior Independence is not a stat1c treeaom. That heritage is the privilege to work for freedom-the daily opportunity to deserve it. The struggle to create and pass on this birthright is symbolized in the Medal of Honor. Inherent in this honored medal or the wonder of America, the assurance of her proper destiny and the promise of her mag nanimity to the weak or the conquered. -
Loud Proud Passion and Politics in the English Defence League Makes Us Confront the Complexities of Anti-Islamist/Anti-Muslim Fervor
New Ethnographies ‘These voices of English nationalism make for difficult listening. The great strength of Hilary PILKINGTON Pilkington’s unflinching ethnography is her capacity to confound and challenge our political and preconceptions and makes us think harder. This is an important, difficult and brave book.’ Les Back, Professor of Sociology, Goldsmiths, University of London ‘Pilkington offers fresh and crucial insights into the politics of fear. Her unflinchingly honest depiction of the EDL breaks apart stereotypes of rightist activists as simply dupes, thugs, and racists and Loud proud PASSION AND POLITICS IN THE ENGLISH DEFENCE LEAGUE makes us confront the complexities of anti-Islamist/anti-Muslim fervor. This terrific, compelling book is a must-read for scholars and readers concerned about the global rise of populist movements on the right.’ Kathleen Blee, Distinguished Professor of Sociology, University of Pittsburgh Loud and proud uses interviews, informal conversations and extended observation at English Defence League events to critically reflect on the gap between the movement’s public image and activists’ own understandings of it. It details how activists construct the EDL and themselves as ‘not racist, not violent, just no longer silent’ through, among other things, the exclusion of Muslims as a possible object of racism on the grounds that they are a religiously not racially defined Loud group. In contrast, activists perceive themselves to be ‘second-class citizens’, disadvantaged and discriminated against by a two-tier justice system that privileges the rights of others. This failure to recognise themselves as a privileged white majority explains why ostensibly intimidating EDL street demonstrations marked by racist chanting and nationalistic flag waving are understood by activists as standing ‘loud and proud’; the only way of being heard in a political system governed by a politics of silencing. -
The Sounds of Hate: the White Power Music Scene in the United
The Sounds of Hate The White Power Music Scene in the United States in 2012 The recent tragic shooting spree at the Sikh temple in Oak Creek, Wisconsin, in which Wade Michael Page killed six people before killing himself after a shootout with police, has drawn attention to the shadowy world of white power music. Page, a committed white supremacist and member of the Hammerskins, a hardcore racist skinhead group, was heavily involved in the white power music scene in the United States. He played in a number of white power bands over the previous 12 years, most prominently the bands Definite Hate and End Apathy. Page was just one of hundreds of white supremacist musicians listened to by thousands of white supremacists in the United States and beyond. Today, white power music permeates the subculture of the white supremacist movement. Not all white supremacists enjoy white power music, but many of them do, especially neo-Nazis and racist skinheads. For listeners, white power music is not simply entertainment. It is music with a message, a medium used to express an ideology suffused with anger, hatred and violence. 1 WHITE POWER MUSIC IN THE UNITED STATES Today, white power music is well established in the United States, where it has existed for three decades. Hate music arose originally in Great Britain in the 1970s as the skinhead subculture that originated there diverged into two different streams: a traditional skinhead stream and a racist skinhead stream. As racist skinheads emerged, they created a white supremacist variation of the skinhead-related music genre called Oi! (sometimes also known by the Attendees at Plunder and Pillage 2011 deliberate euphemism “Rock against Communism” or RAC). -
Jan Raabe / Martin Langebach Rock Von Rechts ... Auch in Österreich Ein Thema
www.doew.at Rechtsextremismus in Österreich – Fakten und Hintergrundinformationen Jan Raabe / Martin Langebach Rock von rechts ... auch in Österreich ein Thema Laut war es. Die Musik schnell. Das Publikum begeistert.1 An jenem Samstag- abend, dem 15. Mai 2010, traten in einer Gaststätte in Osttirol die Bands Daily Broken Dream (D), Painful Life (D), Mortuary (D) und T(ERROR)sphÄRA (A) auf. Die Musik, die sie dort auf die Bühne brachten, wird in der extrem rechten Szene als NSHC abgekürzt: National Socialist Hardcore. Die Genrebezeich- nung ist Programm. In Österreich sind derartige Konzerte eher die Ausnahme als die Regel. Und doch haben in den letzten 26 Jahren – seit dem wohl ersten RechtsRock-Kon- zert in Österreich, dem Auftritt der Wiener Band Oisterreicher im Parteikeller der NDP in Wien am 13. Mai 1985 – viele bekannte Szenebands unterschied- lichster Stilistiken im Land gespielt. Mal vor wenigen Zuschauerinnen und Zuschauern, den Auftritt anno 1985 sollen sich 70 Leute angeschaut haben2, mal vor vielen: Als die neonazistische Blood & Honour Division Österreich am 12. Oktober 2002 zum Konzert mit Pork Hunters, Blitzkrieg, Race War (alle D), Max Resist, Final War, Intimidation One und Extreme Hatred (alle USA) ein- lud, reisten rund 1000 Neonazis an und beim Auftritt von Endstufe, Race War, Noie Werte, Propaganda (alle aus D) sowie den Bully Boys und Aggressive Force (USA), Razors Edge (GB), Stonehammer (Kanada) und Tollschock (A) am 6. September 2003 sollen 700–1000 Personen anwesend gewesen sein – es waren die bisher größten Neonazi-Konzerte in Österreich.3 Derartige Events sind außeralltägliche Schlaglichter, die das Bestehen ei- ner entsprechenden Szene im Land dokumentieren und die zeigen, wie eng die Neonazis hierzulande mit Kameraden aus anderen Ländern vernetzt sind. -
The Long Evolution of Extreme Right Music in Italy and Germany
PA rtecipazione e CO nflitto * The Open Journal of Sociopolitical Studies http://siba-ese.unisalento.it/index.php/paco ISSN: 1972-7623 (print version) ISSN: 2035-6609 (electronic version) PACO, Issue 13(1) 2020: 207-231 DOI: 10.1285/i20356609v13i1p207 Published in March 15, 2020 Work licensed under a Creative Commons At- tribution-Non commercial-Share alike 3.0 Italian License RESEARCH ARTICLE THE LONG EVOLUTION OF EXTREME RIGHT MUSIC IN ITALY AND GERMANY Giorgia Bulli University of Florence ABSTRACT: The importance of music in extreme right political culture is acknowledged in recent academic and non-academic contributions in Italy and Germany. Patterns of music development in different Europe- an contexts reflect the prevailing ideological dimension of the role of this cultural expression in the ex- treme right context (Dyck 2016). Labels such as “White power music”, “Rechtsrock” and “Reichsrock” all point to various trajectories in the recruitment and socialization functions of extreme right music. In Italy, the concept of “rock identitario” designates the most successful form of music production by well-known bands directly linked to political movements. However, identitarian rock is only the arrival point of a long tradition of music development within the Italian Extreme Right. In Germany, recent investigations of the “Rechtsrock” phenomenon have highlighted the intense internationalization of networks of extreme right movements that mostly mobilize cultural manifestations of extreme right ideologies. The analysis com- prises a diachronic enquiry into the development of extreme right music in Germany and Italy. From a comparative perspective, the paper will highlight how – no different from other political languages – changes in music production both reflect and go along with the transformation of the Italian and German Extreme Right from an organizational, political culture and strategic perspective1. -
14 European Far-Right Music and Its Enemies Anton Shekhovtsov
14 European Far-Right Music and Its Enemies Anton Shekhovtsov I’m patriotic, I’m racialistic, My views are clear and so simplistic (English Rose, 2007b) In a self-conducted interview that appeared in his manifesto, Norwegian would-be right-wing terrorist and killer Anders Behring Breivik, under the pen name Andrew Berwick, argued that specifi c music helps sustain ‘high morale and motivation’ of ‘self-fi nanced and self-indoctrinated single in- dividual attack cells’ (2011, p. 856). He went on to list several ‘motiva- tional music tracks’ he particularly liked. Breivik described one of these tracks, ‘Lux Æterna’, by Clint Mansell, which was featured in the trailer for Peter Jackson’s The Lord of the Rings : The Two Towers , as ‘very inspir- ing’ and as invoking ‘a type of passionate rage within you’ (2011, p. 858). On 22 July 2011, ‘Lux Æterna’ supposedly played in his iPod while he was killing members of the Workers’ Youth League of the Norwegian Labour Party on the island of Utøya (Gysin, Sears and Greenhill, 2011). Another artist favoured by Breivik in his manifesto is Saga, ‘a courageous, Swedish, female nationalist-oriented musician who creates pop-music with patriotic texts’ (2011, p. 856). Saga soared to the heights of right-wing fame in 2000, when she released three volumes of My Tribute to Skrewdriver on the Swedish right-wing label Midgård Records (2000a). Her three-volume album featured cover versions of Skrewdriver, a model White Power band, whose late leader, Ian Stuart Donaldson, founded the Blood & Honour (B&H) music promotion network in 1987.