Resembled Appearance in Cryptogram. Rue and Looked the Task Frank, Next Distinct Frenzied "All I 5
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Living Simultaneity
Living Simultaneity Simultaneity Living Semi-secular individuals, those who are neither religious nor unreligious, seldom get the attention of scholars of religion. Here, however, they stand at the center. Th e interviewees live in the same Stockholm neighborhood and it is their ways of talking about and relating to religion that is analyzed and described. Simultaneity is one particular feature in the material. Th is concept emphazises a ‘both and’ approach in: the way the respon- dents ascribe meaning to the term religion; how they talk about themselves in relation to diff erent religious designations and how they interpret experiences that they single out as ‘out-of-the- ordinary’. Th ese simultaneities are explained and theorized through analyses focusing on intersubjective and discursive processes. Th is work adds to a critical discussion on the supposedly far-reaching secularity in Sweden on the one hand and on the incongruence and inconsistency of lived religion on the other. In relation to theorizing on religion and religious people, this study off ers empirical material that nuance a dichotomous under- standing of ‘the religious’ and ‘the secular’. In relation to method- ology it is argued that the salience of simultaneity in the material shows that when patterns of religiosity among semisecular Swedes are studied there is a need to be attentive to expressions of com- plexity, contradiction and incongruity. Ann af Burén Living Simultaneity On religion among semi-secular Swedes Södertörns högskola SE-141 89 Huddinge Ann af Burén -
Libro:Maquetación 1.Qxd
Actividades Académicas, Conferencias, Cursos, Congresos, Seminarios Nota del editor Como norma general se ha respetado la lengua en la que se ha recibido la información en la Secretaría. Se ha seguido igualmente un criterio cronológico en la confección de este listado, desde lo más próximo en el tiempo hasta lo más tardío. Teaching and Enjoying the Words and Music of Bob Dylan, Leonard Cohen and Joni Mitchell FAZEKAS MIHALY GIMNAZIUM, HORVÁTH TÉR 8, 1082 BUDAPEST 1st-2nd March 2008 This is the 2008 Event of IATEFL LMCS SIG (International Association of Teachers of English as a Foreign Language, Literature Media & Cultural Studies, Special Interest Group). Plenary Speakers: David Boucher, Professorial Fellow, School of European Studies, University of Cardiff, UK (author of Dylan & Cohen: Poets of Rock & Roll, Continuum 2004); Jim Scrivener, Bell Educational Trust, London, UK. Further information about the event: Venue: Fazekas Mihaly Gimnazium, Horváth tér 8, 1082 Budapest (carefully modernized Art Nouveau style school on the edge of central Pest). Exhibition of materials on the three musicians, plus DVDs of performance. *** On Whose Terms?: Critical Negotiations in Black Irish Literature and the Arts GOLDSMITHS COLLEGE, UNIVERSITY OF LONDON (UK) 13th-14th March 2008 This conference focuses upon local, international and transnational engagements with Black British literature and the arts – in relation to its production, reception and cultural position. Through the multiple disciplines of the arts, it creates a meeting-point for prominent and emerging scholars, writers and practitioners in order to explore the 29 impact of this field, both at home and abroad. The context is one of critical investigation and celebration; a journey along diasporic and aesthetic routes. -
David Mamet in Conversation
David Mamet in Conversation David Mamet in Conversation Leslie Kane, Editor Ann Arbor Copyright © by the University of Michigan 2001 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ∞ Printed on acid-free paper 2004 2003 2002 2001 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data David Mamet in conversation / Leslie Kane, editor. p. cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 0-472-09764-4 (cloth : alk. paper) — ISBN 0-472-06764-8 (pbk. : alk. paper) 1. Mamet, David—Interviews. 2. Dramatists, American—20th century—Interviews. 3. Playwriting. I. Kane, Leslie, 1945– II. Series. PS3563.A4345 Z657 2001 812'.54—dc21 [B] 2001027531 Contents Chronology ix Introduction 1 David Mamet: Remember That Name 9 Ross Wetzsteon Solace of a Playwright’s Ideals 16 Mark Zweigler Buffalo on Broadway 22 Henry Hewes, David Mamet, John Simon, and Joe Beruh A Man of Few Words Moves On to Sentences 27 Ernest Leogrande I Just Kept Writing 31 Steven Dzielak The Postman’s Words 39 Dan Yakir Something Out of Nothing 46 Matthew C. Roudané A Matter of Perception 54 Hank Nuwer Celebrating the Capacity for Self-Knowledge 60 Henry I. Schvey Comics -
Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon
Adaptation Vol. 3, No. 2, pp. 82–98 doi: 10.1093/adaptation/apq004 Advance Access publication 8 April 2010 Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon CHRISTOPHE COLLARD* Downloaded from Abstract Every migration across referential and expressive frameworks entails formal, struc- tural, and cognitive consequences too complex for a ‘traditionalist’ comparative posture. More- over, the intertextuality and intermediality of the ‘transmedial screenplay’ make it incompatible with ‘static’ concepts such as ‘fidelity’ and ‘originality’ precisely on behalf of the film medium’s adaptation.oxfordjournals.org poly-systemic nature. Bringing together the analogous concerns of collaborative creation, adap- tation, and authorship, this essay therefore discusses David Mamet’s screen adaptations of per- sonal and other work from a process-based perspective as a means of attaining a more constructive understanding of so-called ‘interaesthetic passages’. Keywords David Mamet, collaborative creation, adaptation, authorship, semiology. at Funda??o Coordena??o de Aperfei?oamento Pessoal N?vel Superior on June 3, 2011 All train compartments smell vaguely of shit. It gets so you don’t mind it. That’s the worst thing that I can confess. (Mamet, Glengarry Glen Ross) INTRODUCTION Every single film producer, Hollywood veteran Art Linson has claimed, knows that at the inception of the movie-making process stands ‘an idea’ derived from ‘A book. A play. A song. A news event. A magazine article. A historic event or character. A personal experience. -
Cryptologic Quarterly, 2019-01
Cryptologic Quarterly NSA’s Friedman Conference Center PLUS: Vint Hill Farms Station • STONEHOUSE of East Africa The Evolution of Signals Security • Mysteries of Linguistics 2019-01 • Vol. 38 Center for Cryptologic History Cryptologic Quarterly Contacts. Please feel free to address questions or comments to Editor, CQ, at [email protected]. Disclaimer. All opinions expressed in Cryptologic PUBLISHER: Center for Cryptologic History Quarterly are those of the authors. Th ey do not neces- CHIEF: John A. Tokar sarily refl ect the offi cial views of the National Security EXECUTIVE EDITOR: Pamela F. Murray Agency/Central Security Service. MANAGING EDITOR: Laura Redcay Copies of Cryptologic Quarterly can be obtained by ASSOCIATE EDITOR: Jennie Reinhardt sending an email to [email protected]. Editorial Policy. Cryptologic Quarterly is the pro- fessional journal for the National Security Agency/ Central Security Service. Its mission is to advance knowledge of all aspects of cryptology by serving as a forum for issues related to cryptologic theory, doc- trine, operations, management, and history. Th e pri- mary audience for Cryptologic Quarterly is NSA/CSS professionals, but CQ is also distributed to personnel in other United States intelligence organizations as well as cleared personnel in other federal agencies and departments. Cryptologic Quarterly is published by the Center for Cryptologic History, NSA/CSS. Th e publication is de- signed as a working aid and is not subject to receipt, control, or accountability. Cover: “Father of American cryptology” William Friedman’s retirement ceremony in the Arlington Hall Post Theater, Arlington, VA, 1955. Lieutenant General Ralph Canine is at left, Solomon Kullback is seated left, Friedman is second from right, and Director of Central Intelligence Allen Dulles is at far right. -
The Development of Education and Grammatica in Medieval Iceland
The Development of Education and Grammatica in Medieval Iceland By Ryder Patzuk-Russell A Thesis submitted to the University of Birmingham for the degree of Doctor of Medieval History Department of History School of History and Cultures College of Arts and Law University of Birmingham November 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This study explores how education and the medieval intellectual and pedagogical discipline of grammatica developed in Iceland during the medieval period, defined roughly from the official conversion to Christianity c.1000 to the Reformation c.1550. The first chapter deals with social, institutional, and financial aspects of teaching and learning in medieval Iceland, surveying key figures and places, but also arguing that more attention should be paid to the costs of learning and the effect of that on poor students. The second chapter addresses Latin education, discussing the importance of Latinity in medieval Iceland and the types of education that would involve Latin. It also addresses the idea of bilingual education and suggests ways in which extant vernacular writings can provide evidence for how Latin was taught and learned using the vernacular, using the model of Old English bilingual education. -
Sacramental Woes and Theological Anxiety in Medieval Representations of Marriage
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 When Two Become One: Sacramental Woes And Theological Anxiety In Medieval Representations Of Marriage Elizabeth Churchill University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, and the Religion Commons Recommended Citation Churchill, Elizabeth, "When Two Become One: Sacramental Woes And Theological Anxiety In Medieval Representations Of Marriage" (2016). Publicly Accessible Penn Dissertations. 2229. https://repository.upenn.edu/edissertations/2229 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2229 For more information, please contact [email protected]. When Two Become One: Sacramental Woes And Theological Anxiety In Medieval Representations Of Marriage Abstract This dissertation traces the long, winding, and problematic road along which marriage became a sacrament of the Church. In so doing, it identifies several key problems with marriage’s ability to fulfill the sacramental criteria laid out in Peter Lombard’s Sentences: that a sacrament must signify a specific form of divine grace, and that it must directly bring about the grace that it signifies. While, on the basis of Ephesians 5, theologians had no problem identifying the symbolic power of marriage with the spiritual union of Christ and the Church, they never fully succeeded in locating a form of effective grace, placing immense stress upon marriage’s status as a signifier. As a result, theologians and canonists found themselves unable to deal with several social aspects of marriage that threatened this symbolic capacity, namely concubinage and the remarriage of widows and widowers. -
Chamaecyparis Nootkatensis
This file was created by scanning the printed publication Text errors identified by the software have been corrected; however, some errors may remain. Compilers P.E. HENNON is a research plant pathologist, Forestry Sciences Laboratory, Pacific Northwest Research Station and State and Private Forestry, USDA Forest Service, 2770 Sherwood Lane, Suite 2A, Juneau, AK 99801; A.S. HARRIS was a research silviculturist (now retired), 4400 Glacier Highway, Juneau, AK 99801. Annotated Bibliography of Chamaecyparis nootkatensis RE. Hennon A.S. Harris Compilers U S Department of Agriculture Forest Service Pacific Northwest Research Station Portland, Oregon General Technical Report PNW-GTR-413 September 1997 Abstract Hennon, P.E ; Harris, A.S., comps. 1997. Annotated bibliography of Chamaecypans nootkatensis Gen Tech Rep PNW-GTR-413 Portland, OR US Department of Agriculture, Forest Service, Pacific Northwest Research Station 112 p Some 680 citations from literature treating Chamaecypans nootkatensis are listed alphabetically by author in this bibliography Most citations are followed by a short summary A subject index is included Key words Yellow-cedar, Alaska-cedar, Alaska yellow-cedar, bibliography Foreword A considerable amount of material has been published on Chamaecypans nootkatensis (D Don) Spach in the 28 years since the 1969 printing of "Alaska-cedar, a bibliography with abstracts The current bibliography is a revision and expansion of the initial 1969 publication, now out of print The original 301 citations are included here with new ones -
The Liar As a Comic Figure in Plays by Ruiz De Alarcon, Corneille and Moliere
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2006 The Liar as a Comic Figure in Plays by Ruiz de Alarcon, Corneille and Moliere Robert Matthew Patrick University of Tennessee, Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Patrick, Robert Matthew, "The Liar as a Comic Figure in Plays by Ruiz de Alarcon, Corneille and Moliere. " PhD diss., University of Tennessee, 2006. https://trace.tennessee.edu/utk_graddiss/4292 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Robert Matthew Patrick entitled "The Liar as a Comic Figure in Plays by Ruiz de Alarcon, Corneille and Moliere." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Bryant Creel, Major Professor We have read this dissertation and recommend its acceptance: Edmund J. Campion, Salvatore Di Maria, Heather Hirschfeld Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Robert Matthew Patrick entitled "The Liar as a Comic Figure in Plays by Ruiz de Alarcon, Corneille and Moliere." I have examined the final paper copy of this dissertation for formand content and recommend that it be accepted in partialfulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Mode oreign Langua es. -
David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Mametspeak: David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE MAMETSPEAK: DAVID MAMET’S THEORY ON THE POWER AND POTENTIAL OF DRAMATIC LANGUAGE By RODNEY WHATLEY A Dissertation submitted to the School of Theatre in partial fulfillment requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester 2011 Rodney Whatley defended this dissertation on October 19, 2011. The members of the supervisory committee were: Mary Karen Dahl Professor Directing Dissertation Karen Laughlin University Representative Kris Salata Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii TABLE OF CONTENTS ABSTRACT...................................................................................................................................v 1. CHAPTER ONE: INTRODUCTION...................................................................................1 1.1 Rationale........................................................................................................................3 1.2 Description of Project....................................................................................................4 -
Rebelling Against the Tragic Plot: the Novels of Frances Burney
Rebelling against the Tragic Plot: The Novels of Frances Burney Octavia Yee-Kei Tam PhD University of York English September 2017 Rebelling against the Tragic Plot 2 Abstract This dissertation contributes to studies of Frances Burney’s prose fiction, by establishing the importance of the combined influence of theatrical models and Samuel Richardson’s Clarissa in shaping Burney’s novels. Reading the collection of novels by Burney as a rebellion against the tragic plot into which the acclaimed heroine of Richardson’s second novel is ensnared, it argues that Burney’s works blend together dramatic and novelistic conventions to produce narratives with ambivalently successful conclusions. It shows, through analyses of all four of Burney’s novels, that the author positions turning points with sentimental crises and peculiar circumstances within the narratives as dramatic climaxes which allow the heroines temporarily to overlook conventional social expectations of women to make important decisions to help them make positive changes in their lives before they resign control once again. In allowing female characters these small freedoms to act for themselves, I argue that there is an underlying message in Burney’s fiction that it is necessary for women to become more assertive in order to gain more conscious control of their destiny. The main thesis of my work is that it is with incremental adjustments in female conduct, and with the blending of the comic and tragic forms, that Burney’s fiction dramatizes the ways in which women make the most of their circumstances and resources to find peace, if not happiness, in a dignified manner in a society which restricts their freedom of choice and expression. -
The Eighteenth-Century French Novel and Marriage on Women's Terms
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms Ekaterina R. Alexandrova University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, European Languages and Societies Commons, and the Other Languages, Societies, and Cultures Commons Recommended Citation Alexandrova, Ekaterina R., "Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms" (2012). Publicly Accessible Penn Dissertations. 487. https://repository.upenn.edu/edissertations/487 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/487 For more information, please contact [email protected]. Outlandish Fictions: The Eighteenth-Century French Novel and Marriage on Women's Terms Abstract ABSTRACT OUTLANDISH FICTIONS: THE EIGHTEENTH-CENTRY FRENCH NOVEL AND MARRIAGE ON WOMEN'S TERMS Ekaterina R. Alexandrova Joan DeJean Focusing on plots that depict life after marriage, this dissertation studies the novel as a medium for imagining a spousal relationship transformed to promote new positive social, political, and familial roles and possibilities for women. I re-establish these fictions' thrust as primarily concerned with individual freedom and fulfillment, atherr than with affection in marriage. I begin by exploring the relationship between the rising appeal of conjugal sentiment and the novel, situating the genre within the general context of social and political shift in eighteenth-century France. Viewing emergent subversive marriage plots in light of the founding seventeenth-century tradition tying the novel genre to women's interests, I suggest that attempts to contain fictions deemed outlandish" " may have warped our present vision of the "heroine's plot," or the range of roles and experiences imagined for women by Enlightenment novelists.