Fall 2007 Fall 2007 Now Available from Center for Japanese Studies Publications

Center for Japanese Studies DENSHO Center for Japanese Studies University of Michigan University of Michigan Fall 2007 Fall 2007 Now Available from Center for Japanese Studies Publications

From the Director From the Executive Editor CONTENTS

The Center I know that many people mourn the Our newest publication, A Zen Life Farewell to CJS 2 for Japanese Studies change. I agree that it's not the same as it in Nature: Musô Soseki in His Gardens, by has now reached its used to be. But here are two reasons why Keir Davidson, examines the design style kanreki, its sixtieth I think that our current situation is a sign and aesthetic of the medieval Japanese birthday. As many of strength and reflects the increased Zen monk Musô Soseki (1275-1351), who of you know, the importance of Japanese Studies. built gardens as places to meditate and to traditional Japanese First, we now have a wonderful staff, escape his busy public life. The book X-Treme Private calendar was based three full-time and two part-time, who begins with a discussion of Soseki’s rural Documentary: Kazuo Hara & on a 60-year cycle. enable us to more efficiently serve faculty, upbringing and the spiritual background Michael Moore 3 Kanreki, formed with the characters for students, the scholarly community, and to it, his quest for enlightenment as a Zen A Zen Life in Nature: Musô Soseki in His Gardens “circulate” or “return” and “calendar,” the public. Our latest large-scale event, monk, and his role as mediator in the tur- by Keir Davidson. (Blea Tarn in Cumbria, marks the beginning of a new cycle. (Yes, a public conversation at the Michigan bulent times that surrounded the Kemmu The Lake District, England. Photo courtesy I know that the term is traditionally only Theater with filmmakers Kazuo Hara Restoration and the establishment of the of Tony Watson.) for men. Please allow me the metaphor.) and Michael Moore, would have been Ashikaga shogunate. Other chapters look I suspect that the Center that exists at impossible without the selfless efforts in detail at the spiritual and cultural influ- Toyota Visiting the beginning of this new cycle is quite of our dedicated staff. ences that are crucial to understanding Professor Mark different from that which many of you Second, CJS faculty are now well- Soseki’s artistic and design sense and the McLelland 6 knew years ago. integrated into their respective depart- development of his garden building. Upcoming I've often heard faculty and former ments. Japan is not an exotic or unusual Finally, the book provides a detailed look at CJS Events 6 DENSHO students wax nostalgically about the years subject of study. We're mainstream, not the beautiful Upper Garden at Saihôji, built when CJS was housed in Lane Hall. Many isolated, and information on Japan is both by Soseki in 1339. A Zen Life in Nature CJS faculty had offices there, and I have more readily available and appreciated. should appeal to a broad audience, includ- heard that it was an exciting place to be a In my case, at least, that shift means that ing students of medieval Japanese history member of the community of scholars at I rely not only on my CJS colleagues for and religion, those interested in Zen the University studying Japan. help (as I've written in this column Buddhism and Zen gardens, and people Center for Japanese Studies Past CJS University of Michigan More than half of our current faculty before), but also on my colleagues in my with a general interest in garden design. A Events 7 Suite 3640, 1080 S. University came to Michigan after CJS moved out of department who actually are interested Zen Life in Nature is available in both cloth Ann Arbor, MI 48109-1106 Lane Hall in 1997. Faculty members are (or can fake interest well) in my Japan- (ISBN 9781929280377, $65.00) and paper Faculty and Associate News 8 now spread across the different schools and related work. (ISBN 9781929280414, $28.00) editions. departments of the university. I am the only True, some of these benefits seem to The author, Keir Davidson, a Student & faculty member with an office in the same have come at the expense of daily interac- landscape gardener for many years, has Alumni News 9 building as CJS. More often than not, our tion and “face time,” and I hope that we published three previous books on the communication is done by email. can find ways to improve that. But the CJS planning and construction of gardens of 2007 remains young and vibrant in and on Zen gardening: Simple Garden ways that might have been unexpected. Construction (1980, with Daniel Roberts), With apologies to Bob Dylan, CJS, now in Zen Gardening (1982 [published in the U.S. its kanreki year, “was so much older then; as The Art of Zen Gardens, 1983]), and Announcements 12 it's younger than that now.” Garden Planning and Construction (1983, Calendar 14 with Daniel Roberts). He resides in Mark D. West, Director Shropshire, England. continued on page 11 Center for Japanese Studies University of Michigan

Fall 2007

From the Toyota Visiting Professor Farewell to CJS X-Treme Private Documentary: Kazuo Hara + Michael Moore

Several years ago, documentary filmmaker Hara Kazuo and I reunited over beers at a favorite spot in Tokyo. This was shortly after Fahrenheit 911 had its Japanese release and the conversation inevitably turned to the topic of Michael Moore. The film had impressed both of us. Of course, as a kind of retrospective of the early Bush years, Hara's experience was quite different than mine; his relationship Sadafumi Kawato, 2006-07 TVP to 9/11, the wars, the election and everything else in the film, was that of an I was CJS’s Toyota Visiting Professor (TVP) from September appalled and bemused spectator, while I 2006 to April 2007. This was not the first time for me to stay in the basically felt dazed and abused. Soon, United States for an extended period of time. In past years, I was however, we were talking about Moore's on the east coast (MIT) and on the west coast (Stanford University). approach to history, particularly the way Therefore, I thought Ann Arbor, Michigan was the best place for me he pivots the past around his own wonder- to stay for the third time in the United States, and it proved to be true. fully peculiar point of view. It was in this It has been a great privilege to be a TVP because I was able context that Hara mentioned that he to focus on my research with the relatively light teaching obligation. had heard, through the grapevine, Above: Abé Mark Nornes introduces the films of Kazuo Hara. In addition, I was free from all administrative work and other Left: Michael Moore at the on-stage conversation. that Moore admired his work. obligations at my home institution. CJS has provided me with a This made perfect with the films (all of which have recently been comfortable working environment with friendly and excellent faculty sense. Hara entered the two released on DVD by Facets Video). and staff. I was happy that I was able to nurture some new ideas for documentary film scene women Even from this brief description, it my research during my time here. I also enjoyed my almost daily through still photography giving should be obvious why Michael Moore might chats with Yuri, Sandy, Jane, and Ann. Another pleasant memory for and made a name for birth find himself attracted to the work of Hara me was when CJS’s Director, Mark West, took me to the Michigan himself with a string of on Kazuo. Both exemplify an approach to docu- Stadium where the Wolverines easily beat Northwestern, although astounding films. His their mentary based on the affective presence of we had to leave after the halftime because it was a freezing debut effort, Sayonara own, the filmmaker. They insert themselves into October day. CP, features a man with at home. the historical world to see what happens, In retrospect, eight months was not a long time at all. I taught cerebral palsy who shares Hara fol- record how their interaction with the people two minicourses, attended numerous professional lectures/seminars, the life challenges posed by his lowed this before the camera reveals something that made a few trips to the both coasts, gave several presentations in disease-everything from sex and with the infa- would otherwise never have happened or and outside of the University of Michigan, and enjoyed a vacation marriage to dealing with the attitudes mous Emperor’s would have remained hidden. In this sense, in the LA area with my elder children who visited during their of healthy people to simply speaking in Naked Army Marches On both filmmakers forged a personal documen- spring recess. the first place. The film had no Japanese (1987), about the suppressed history of the tary firmly anchored in the subjectivity of Although it seems to have been a mild winter all over the subtitles, so the audience was forced to horrible fighting in New Guinea at the end the director, a kind of filmic essay. And the world, I had never before experienced three consecutive weeks of meet him on his terms. It climaxes with of World War II. The director followed a 1970s were a formative experience for both below freezing temperatures like we had in February. I noted the the man’s poetry reading, first in a crowded veteran trying to uncover the troubling filmmakers as well. However, those brief lowest temperature was -7°F but it felt like -20°F. This was some- public square until a policeman shoos circumstances surrounding the execution descriptions also hint at how different the thing I did not expect in Ann Arbor and it was the most impressive them away, and then naked and in the of several men in his unit. The veteran two artists are. How wonderful it would be thing that I will remember. I joked that cold temperatures like middle of a street. Hara’s second film was uses an interviewing style that is as to tease these similarities and differences that can only be experienced in Japan by putting your fingers called Extreme Private Eros: Love Song unconventional as it is disconcerting. out through an actual encounter. With me in the freezer. 1974 (1974). He and his girlfriend made When his old war buddies and superior at Michigan, we figured it was worth a try. I am going back to Japan, but this is definitely not the last time this documentary about his ex-wife, officers stonewall, the man lays guilt trips Back in Ann Arbor, I discussed the pos- that I will visit CJS and the University of Michigan. I will see you all a feminist who was determined to live a on them by having his wife pose as a rela- sibility with Mark West and Jane Ozanich and hopefully in the near future. new and independent life. The two women tive of one of the dead men; when that they loved the idea. We contacted Michael share intimacies (and complaints) about doesn’t work, the vet literally beats the Moore, and he immediately sent word that Sadafumi Kawato their relationship to the director, who is truth out of them while Hara films without 2006-07 TVP, Professor of Political Science, Tohoku University operating the camera. This film climaxes intervention. These are only his first few continued on next page 2 3 Center for Japanese Studies Center for Japanese Studies University of Michigan University of Michigan

Fall 2007 Fall 2007

X-Treme Private Documentary: Kazuo Hara + Michael Moore (continued) HARA: For any filmmaker, on top of money, you need a certain energy that sustains you through the arduous process of making a film. I’ve read in various interviews and books by you that it is the anger you have that is often what sustains you. But I believe you need something underneath that. In my case, my sustenance is my own question mark about myself. There is the unknown within me. That would lead me somewhere that I don't know and I’m perhaps afraid of that. But I do have a very strong desire to find out what that is, and when I make a documentary film I am not doing it for social justice, or organizing the masses, expounding some theme, or anything except finding out that question mark within me. Therefore, although I am shooting my subjects with my camera, I am also carrying the camera toward Michael Moore and Mark West at the on-stage conversation. the inside of myself, and going further we could count him in to meet Hara mentary art form in a way that was very and deeper within. Do you do anything Kazuo. Moore accepted our invitation in different from Discovery Channel-type like that? the midst of editing Sicko, a stage in the fare. I remember walking back that night, MOORE: I actually disagree with Hara Kazuo explains his work at the Michigan Theater. filmmaking process that inevitably takes I was inspired, I was exhilarated. I had you in terms of the anger. I worry that tant thing to do. To keep your soul from cinematic way forward through first to the major difference, as I see it, longer than planned. In the end, he never seen anything like this. I had truly my anger is actually disruptive to myself. collapsing from the anger and the despair person mode and an influential use of between Michael’s works and mine. What squeezed in a visit to Ann Arbor in the never seen this….I mean it’s lonely out To me personally. You said that the anger that exists…as a filmmaker, I set out to humor and irony. In contrast, Hara began I try to do in documentary films is really hours between finishing sound editing and there being a regular feature on Fox sustains me, but I think it’s really my make these films, first and foremost, to making films when the student movement work towards the emotions of the people hopping on a plane to the Cannes Film News and anytime I could be made to optimistic, hopeful belief that people are express myself artistically and I always devolved into shocking violence and a in the audience, to energize them. Michael Festival. We were all grateful, and I sense feel like the conservative one, I’d take good to the core. And to keep one’s sense put the art before the politics. Because if feeling of despair and failure. This helps does this through his words and I think I he was, too. The two directors met on it…Hara was grappling with how to do of humor in dark times is a very impor- you put politics first you end up, at least explain why he prefers not to see himself do it through bodies. I like to leave people stage at the Michigan Theater, and the a documentary in an unconventional in film, with a pretty crappy movie that connected to social movements, even in the audience aching and itching in their discussion was absolutely fascinating. way that didn't numb people…To have a nobody wants to see. while making profoundly political films. desire to do something with their bodies It began with Moore describing his kindred spirit, to have someone who has As this short dialogue suggests, the This difference was palpable when after seeing my films. I would like to discovery of Hara’s cinema: inspired me and very early on did that, audience at the Michigan saw two of the an audience member asked about the rep- kidnap their bodies in that way.” I was two-thirds of the way through completely unbeknownst to himself. I world’s best documentary filmmakers try- resentation of bodies in documentary, an This came towards the very end of post-production for Roger and Me, editing felt after watching that film that I had ing to figure each other out. Part of that interesting question considering Hara’s the evening, when the directors left the the film just four blocks from the White permission — I gave myself permis- process clearly involved comparing what innovative films about CP, sex and war stage and the spectators’ bodies were House and five blocks from the Kennedy sion to make Roger and Me the way they thought about the other with what and Moore’s new film on the health care kidnapped in a screening of Emperor’s Center. They were playing a film that I was making it. they thought about themselves. They felt crisis. Moore prefaced his answer with a Naked Army Marches On. I was not the night called Emperor’s Naked Army From here, Hara Kazuo and like kindred spirits because of their incli- joke — “Sicko has the first nudity I have only person who felt like the conversation Marches On. I just thought that was such Michael Moore covered a lot of nation to interfere with the reality before ever put in a film, and I just got my rating was only just beginning. a bizarre title for a film. Not that I had ground, sharing their thoughts about the camera, and also for their formative back from the ratings board and it’s my this interest in naked armies or anything filmmaking and each other’s work. As experience in the turbulent 1960s and first PG-13. And it’s male nudity, too!” — Abé Mark Nornes — I just really wanted to get out of the we suspected, both the differences and 1970s. However, this latter historical but then struggled to answer the question. Professor editing room. So I walked over there and similarities gradually came into focus. simultaneity was more likely a point of He seemed much more comfortable dis- U-M Department of Screen Arts sat down and I just was riveted for two Hara has quite a unique perspective on departure, as the situations in Japan and cussing the challenges of creatively rend- and Cultures hours. First, as a lover of movies, but it nonfiction film, and it was wonderful America were different in some funda- ing recently history, politics, and the strug- U-M Department of Asian Languages was like I had this soul brother in Japan. hearing Michael Moore talk about his and Cultures Hara Kazuo and Kobayashi Sachiko (producer) mental ways. gles of everyday life. On the other hand, I don’t know if I’d say he was doing a sim- (political) art as opposed to simply politics. introduce his film, The Emperor’s Naked Army Marches On. Moore essentially picked up on the Hara used the question to think about his ilar thing, but certainly using this docu- Here is a particularly revealing exchange: Photo credits: Martin Vloet, U-M Photo Services. political spirit of the era and forged a relationship to Moore, stating, “This gets 4 5 Center for Japanese Studies Center for Japanese Studies University of Michigan University of Michigan

Fall 2007 Fall 2007

UPCOMING CJS EVENTS PAST CJS EVENTS 2007-08 Toyota 2007-08 Noon Beate Sirota Gordon Out of the Ordinary: Visiting Professor Lecture Series Speaks to an New Identities in Recent CJS welcomes its 32nd Toyota CJS’s 2007-08 Noon Lecture Series Overflow Crowd Japanese Film Visiting Professor, Mark McLelland, with kicks off on September 13 with a lecture Beate Sirota Gordon, the self- Following the lead of the University of a reception on September 12. Professor given by artist, Kunié Sugiura. This year’s acknowledged living cultural artifact, Michigan Museum of Art’s (UMMA) special McLelland is a leading sociologist and series features lectures by five of CJS’s spoke to a standing room only crowd in exhibition, “Out of the Ordinary/Extraordinary: cultural historian of Japan specializing members and associates: Jonathan CJS's Winter 2007 Noon Lecture Series Japanese Contemporary Photography,” in the history of sexuality, gender theory, Zwicker (ALC, October 18), Jennifer on March 15. Her lively and entertaining (June 16-September 16, 2007) and new media. His recent publications Robertson (Anthropology, November 1), talk, entitled, “Drafting the Women’s (http://www.umma.umich.edu/), CJS organ- have focused on the postwar history of Maki Fukuoka (ALC, November 15), Akiko Rights Clause for the New Japanese Kenjirô Sakaki volunteered his time to show guests ized its summer 2007 film series around Japanese sexual minority cultures and Takenaka (History of Art, January 24), and Constitution,” highlighted her journey how to do origami. films that feature characters and storylines the development of the Internet in Japan, Shinobu Kitayama (Psychology, February from a young girl living in Japan with her 4th Annual Ann Arbor that are off the beaten track. The four films, especially the use of the Internet and 14). For a listing of the fall speakers, see parents to the present. CJS thanks the Book Festival all screened in the month of August, were: other new media by minority communities the Calendar on page 14, or visit: Origami table at the 2007 Mochitsuki Consulate-General of Japan in Detroit for Kamikaze Girls (Shimotsuma monogatari) Since the inception of the Ann Arbor Book in Japan and throughout Asia. These http://www.ii.umich.edu/cjs/events/calendar.html. their generous support of this lecture directed by Tetsuya Nagashima, Nobody 2008 Mochitsuki Festival, CJS has led the coordination of include the books Male Homosexuality in Knows (Dare mo shiranai) directed by CJS’s 4th annual Mochitsuki is sched- the International Institute’s presence at Modern Japan (2000), Queer Japan from Hirokazu Kore-eda, Noriko’s Dinner Table uled to take place on Saturday, January 5 2007 Michigan Japanese the event, the International Pavilion. This the Pacific War to the Internet Age (2005) (Noriko no shokutaku) directed by Shion from 1-4pm in the School of Social Work Quiz Bowl year’s pavilion featured music, dancing, and the edited collections Japanese Sono, and All Under the Moon (Tsuki wa Building. Activities will include: mochi- CJS directed and hosted the 14th storytelling, crafts; and of course, books Cybercultures (2003) and Queer Voices docchi ni deteiru) directed by Yôichi Sai. making and tasting, origami, games, Annual Michigan Japanese Quiz Bowl from the various world regions represent- from Japan (2007). He is a founding kakizome (New Year’s calligraphy), (MJQB) for the Japanese Teachers ed by the Centers in U-M’s International member of the AsiaPacificQueer kamishibai (storytelling), and live music. Association of Michigan (JTAM) at the Institute. For more information about the (http:apq.anu.edu.au/) research collective The event is free and open to the public. Modern Languages Building on Saturday, Ann Arbor Book Festival, visit: which organized the “Genders, Sexualities March 24. A record 335 students from 22 http://aabookfestival.org/. & Rights: 1st International Conference of K-12 Michigan schools competed in the Asian Queer Studies” in Bangkok in 2005 Michigan Japanese quiz bowl competition in five different and co-editor of AsiaPacifiQueer: Quiz Bowl CJS Celebrates the divisions. Highlights of this year’s event Rethinking Gender and Sexuality in the The 2008 Michigan Japanese Quiz Tanabata Festival with the included koto and shakuhachi music by Asia-Pacific to be released by University of Bowl will mark its fifteenth year when it is Southeast Michigan’s Miyabi and award International Institute Staff Illinois Press in 2008. While at Michigan, held on March 15. Started by the Japanese As part of the U-M International Institute’s presentations by Consul General Tamotsu he will be working on his new book proj- Teachers Association of Michigan (JTAM), (II) ongoing center-related activities, CJS's Shinotsuka from the Consulate-General of ect: Sex in the City: Reconstructing Gender this annual quiz bowl competition event staff organized a mini-lesson on the Japan in Detroit. CJS will direct and host and Sexuality in Tokyo, 1945-1955 and was initially held at K-12 schools. Due to Tanabata Festival for the II staff members. the 2008 MJQB on Saturday, March 15. teaching a course on post- Trocoids Positive, 2003. Gelatin-silver print (photogram) by Kunié Sugiura increased participation, the event was The guests ate somen, drank mugicha, war transformations moved to Michigan State University in 2001 folded origami ornaments, and hung their in gender and and later moved to CJS and The University wishes on the special “bamboo” tree. sexuality of Michigan in 2005. For more information in Japan. about this event, contact Jane Ozanich ([email protected]).

The MJQB includes a contest for cultural displays, posters, Top: Kamikaze Girls; Photo courtesy of Viz Pictures. and T-shirts.This display took first place. Bottom: Noriko’s Dinner Table; Photo courtesy of Tidepoint Pictures.

Mark McLelland, 2007-08 TVP Trophies and medals for the 2007 Michigan Japanese Quiz Bowl. 6 7 Center for Japanese Studies Center for Japanese Studies University of Michigan University of Michigan

Fall 2007 Fall 2007 CJS Alumni & Student Updates

Shoko Emori (Asian Languages & Gayl Ness (Professor Emeritus, Sociology) Jennifer Robertson (Anthropology) was Two CJS-related PhD students graduated Glenn Hoetker (International Business, Hoyt Long (ALC, PhD, 2007) successfully Cultures) recently gave three presenta- took part in two workshops in Kobe in elected President of the Society for East in August 2006: Osamu Aruga PhD, 2001) was recently promoted to defended his dissertation (“On Uneven tions. In March 2007, she presented the summer of 2007. The workshops Asian Anthropology (American (Economics) and Peter Alexander Bates Associate Professor with tenure at the Ground: Provincializing Cultural “Online Project for Novice and were part of the Asian Urban Information Anthropological Association, AAA) for (ALC). The following students graduated University of Illinois at Urbana- Production in Interwar Japan”) in Intermediate Levels: Developing Students' Center of Kobe (AUICK) with which he the term of 2009-11. Professor Robertson in December 2006: Ann Chrapkiewicz Champagne College of Business. He was December of 2006 and was awarded the Spontaneous Discourse through Listening has worked since its formation in 1989. also received the National Endowment for (CJS MA), Joshua Eisenman (CJS MA), also named a Resident Associate at the PhD in April 2007. His research concen- Practice” at the 2007 Association of AUICK does research on Asian urban the Humanities/Advanced Research in the Ann-Elise Lewallen (Anthropology, PhD), University’s Center for Advanced Study, trated on the writer Miyazawa Kenji and Teachers of Japanese Seminar (with issues and trains urban administrators Social Sciences on Japan Fellowship for and Leann Youn (CJS MA). April 2007 where he is leading the Center’s initiative the production of local/regional cultural Fumie Okudera, U-M ALC lecturer). In in forms of integrated urban planning her work on humanoid robots, cyborg marked the graduation of three CJS-related on Science and Technology in the Pacific identity in the modern period. He will May, Ms. Emori presented “Introducing an (www.auick.org). In addition to the eugenics, kinship and the new Japanese students: Michael Arnold (CJS MA), Century. In addition, he was named a continue this research as a tenure-track Heather Littlefield (CJS MA), and Hoyt Faculty Fellow at the University’s Academy faculty at Bard College, New York, where Intermediate to Advance Level Japanese workshops, he visited the Research family (May-December 2008). Earlier Joshua Long (ALC, PhD). for Entrepreneurial Leadership. Finally, he will be teaching from September. Textbook Based on the National Institute for Humanity and Nature (RIHN) this year, Professor Robertson was a Professor Hoetker received additional Standards: How to Integrate the 5C’s and in Kyoto. He is also currently working as visiting professor in the Department of Tom Blackwood (CJS MA, 1998) appointments in the College of Law and Yoshikuni Ono (Political Science, PhD) 3P’s in Our Teaching” at the Princeton a guest editor on a book of papers to be Anthropology at the University of Tokyo (Sociology, PhD, 2005) became an the Institute for Genomic Biology. was recently awarded two fellowships. Pedagogy Forum with Satoru Ishikawa published on land subsidence in some (January-March, 2007). Then, from April Associate Professor of Asian Pacific He received the Roy Pierce Award (lecturer, University of Iowa). Finally, in major Asian cities, including Tokyo, through August, she was a Fulbright Studies in the Graduate School of Asia Stephen S. Large (CJS MA, 1965) (summer fellowship) with Professor Ann August, she presented “Mokuteki o arawa- Bangkok, Seoul, Taipei, and Manila. Research Scholar and Visiting Professor Pacific Studies, Ritsumeikan Asia Pacific (History, PhD, 1970) retired in September Grzymala-Busse (ISR). He was also award- su ‘Tameni’ bun no dousei nituite - ‘Yooni’ Finally, he is working with Nihon at Tel Aviv University in Israel. Since University in Beppu-city, Oita Prefecture 2006 as Reader in Modern Japanese ed the Rackham Predoctoral Fellowship bun no zyoutaisei tono hikaku” at the University's Population Research Institute January 2007, Professor Robertson has (April 2007). History at the University of Cambridge, for the 2007-08 academic year. International Conference on Japanese on a project on “Aging in Asia.” given six lectures. The most notable of where he had taught since 1988 after Language Education which was held at them being “Robo sapiens japanicus: Sumi Cho (Anthropology, PhD) was earlier appointments at the University Suma Pandhi (CJS MA) has been accepted Columbia University. Abé Markus Nornes (Asian Languages Humanoid Robots and the Posthuman awarded the Wenner-Gren dissertation of Iowa (1969-73) and the University of into the PhD program in Architecture. & Cultures; Screen Arts & Cultures) Family” at the 2007 Horowitz Core fieldwork grant, the NSF doctoral disserta- Adelaide in South Australia (1974-87). Aileen Gatten (Adjunct Researcher, CJS) co-organized a Kinema Club conference Lecture in Sociology and Anthropology tion improvement grant, and CJS’s Mellon He may be contacted in Cambridge at: Hirohisa Saito (Sociology, PhD) was is a contributor to the Dictionary of in conjunction with Frankfurt's Nippon at Tel Aviv University on June 7. Fellowship for her dissertation fieldwork [email protected]. awarded the Mellon/ACLS Dissertation Sources of Classical Japan (Paris: Collège Connection Film Festival. His book on In addition to her lectures, Professor project, “Multiculturism, Okinawan Completion Fellowship for the 2007-08 de France, 2006), edited by Joan Piggot, Ogawa Productions, Forest of Pressure, Robertson has had two articles reprinted Popular Culture, and the Politics of Brook Lathram (CJS MA) and Molly academic year. Ivo Smites, Ineke Van Put, Michel Vieillard- was released this spring. A death bed and several other publications to date in Ethnicity in Osaka.” In August, she began DesJardin (ALC, PhD) are attending the Baron, and Charlotte von Verschuer. The promise to the director in 1991, the 2007. Two of her upcoming publications conducting her one-year ethnographic Inter-University Center for Japanese Deborah Solomon (History, PhD) was Dictionary, the result of collaboration publication was celebrated at a Shaman are: “Blood - in All of Its Senses - as a research on how practices of Okinawan Language in Yokohama. awarded the 2007 Rackham International among scholars in Europe, the U.S., and Drum reception in connection to the big Cultural Resource,” (in Shinji Yamashita popular and media culture affect the ways Research Award. These awards are Japan, is intended to guide students, “X-Treme Private Documentary” event and Jerry Eades, eds., Cultural in which diasporic Okinawans and ethnic William Londo (History, PhD, 2004) has granted to University of Michigan doctoral scholars, and other interested readers to in May (see article on page 3). Resources, Asian Anthropologies series, Japanese interact with each other in the taken on the position of Associate Director students who are conducting degree Taisho district, “Osaka's Okinawa Town.” of the Asian Studies Center at Michigan related research outside North America. sources dating from, or with relevance to, Oxford: Berghahn Press) and “Relentless State University. Her research will focus on historical Nara-and Heian period Japan (710-1192). Mayumi Oka (Asian Languages & Presentism: Postgender as Prehistory Ge Dong (CJS MA, 2002) moved to research and participant interviews about The Dictionary contains some twelve Cultures) was elected to a three-year in Contemporary Japanese Art” Connecticut in August 2006 where she is the 1929-30 Kwangju Student Protests hundred entries that describe the contents term as a member of the Association of (in PostGender: Gender, Sexuality and employed by an insurance company. against Japanese students. and characteristics of each source and Teachers of Japanese (ATJ) Board. In Performativity in Japanese Culture, give bibliographical information on addition, Ms. Oka presented a paper Ayelet Zohar, ed., Cambridge: Cambridge Toshie Imada (Psychology, PhD) was Yubin Yang Szczerba (CJS MA, 2005) editions and available translations. (with Shoko Emori, Yoshiro Hanai, and Scholars Press). awarded the Rackham Predoctoral recently took a position at the Detroit Junko Kondo from U-M's ALC) at the Fellowship for the 2007-08 academic year. branch of Sojitz Corporation of America. William P. Malm (Professor Emeritus, 19th CATJ conference at the University Music and Ethnomusicology) married of Iowa in March. The paper, “The Heather Littlefield (CJS MA, 2007) was So Jung Um (History, PhD) was awarded Jutta Gerber on June 23, 2007. Professor Development of a Post-Intermediate awarded a Women’s Role Model award the Barbour Scholarship for the 2007-08 Emeritus Malm’s book, An Anthology of Japanese Textbook for English Natives by the Department of Defense for academic year. Japanese Nagauta Song Texts will be Based on the National Standards,” the work that she and her team available by early 2008. discusses the U-M Japanese language accomplished in Kosovo program’s textbook development project (March 2007). FACULTY & ASSOCIATE NEWS & ASSOCIATE FACULTY which will be published by the Kuroshio STUDENT & ALUMNI NEWS Publishing Company in the spring of 2009.

Heather Littlefield; CJS MA, 2007 128 9 10 FACULTY & STUDENT SUPPORT trips toinvestigatethesimilaritiesand Japan. Thegrantwillsupportherresearch on the hakubutsu-gaku representation withintheformulationof for “accuracy”andtheroleofpictorial the processofnegotiatingstandard Japan, 1830-1872.”Thisprojectexplores in scholars thatpursued Accuracy andtheConceptof Seeing andKnowing:ShiftingStandardsof awarded agrantforherproject,“Between Asian LanguagesandCultures,was Maki Fukuoka European Americans. from thestandpointofJapaneseand cognitive biasinculturallydifferentothers potential consequencesofperceiving European Americansandtoexplorethe in cognitivebiasbetweenJapaneseand may accountforpastculturaldifferences ing toclarifythespecificmechanismsthat will expandonthesepastfindingsbyseek- The grantwillhelpasetofstudiesthat the pessimisticbiasfornegativeevents. Japanese aremoreinclinedtoengagein engage intheoptimisticbias,whereas European Americansaremoreinclinedto Two follow-upstudiesclearlyshowedthat of JapaneseandEuropeanAmericans. and foundculturaldifferencesinstudies nitive biasforpositiveandnegativeevents team developedaframeworktostudycog- Bias.” Intheirpastprojects,heandhis Mechanisms andEffectsofCognitive Criticism inJapanandUS:Exploring project, “Self-EnhancementandSelf- Psychology, wasawardedfundingforhis Edward Chang recipients andtheirprojectsareasfollows: various aspectsofJapan.Thisyear’s group researchprojectsthatinvestigate grant programsupportsindividualor 2007-08 FacultyResearchGrants.This pleased toannouncetherecipientsofits Announced Research Grants CJS's 2007-08Faculty Fall 2007 University ofMichigan Center for Japanese Studies Owari The CenterforJapaneseStudiesis Shôhyaku sha -domain innineteenth-century , AssistantProfessorof , AssociateProfessorof epistemology, focusing , aprivategroupof hakubutsu-gaku Shashin the psychologicalcornerstoneof of independencethatareconsideredas of mainlandJapaninthreedistinctfacets residents wouldbehigherthan grant willhelp(1)testwhetherHokkaido interdependent andcollectivistic.This ties ascultureofmainlandJapanishighly in frontiersfostersindependentmentali- to thehypothesisthatvoluntarysettlement in Hokkaido,whichlendsuniquesupport posed thatthereisaformofindividualism In previousstudies,heandhisteampro- Hypothesis: AnExplorationinHokkaido.” his project,“TheVoluntary Settlement Psychology, wasawardedfundingfor Shinobu Kitayama findings fromtheabovestudy. Japanese adults,incorporatingthe self-administered surveytoasampleof op, pre-test,anddistributeaquantifiable screening. Thegrantwillhelpthemdevel- Japanese menandwomentowardcancer attitudes, beliefs,andvaluesofexpatriate interviews, theexperiences,knowledge, explored, throughin-depthindividual Dr. Jimboandhisteam’s previousstudy Development ofSelf-AdministeredSurvey.” Men andWomen onCancerScreening: for hisproject,“PerceptionofJapanese Family Medicine,wasawardedagrant Masahito Jimbo family forallJapanese. the “traditional”andessentialformof when thestatepushedforward Japanese familyatahistoricalmoment fiction presentedalternativeimagesofthe of melodrama,anditexploreshowthis the turnoflastcenturyusingconcepts enormously popularserializedfictionof University Press.Thebookexaminesthe accepted forpublicationbyStanford Melodramatic Novel,”whichhasbeen book, “FictiveFamiliesintheMeiji for proofreadingandindexinghis Languages andCultures,receivedfunding Ken Ito Shôhyaku sha Honzô differences ofthreecopies“ in ” producedbymembersofthe , AssociateProfessorofAsian . , AssistantProfessorof , Professorof Shinei ie as experts inJapan. phone manufacturersandtointerview appliance, personalcomputer, andcellular cling facilitiesofautomobile,electrical product developmentdivisionsandrecy- will helphisresearchtriptoJapanvisit a recyclinglawonautomobiles.Thegrant appliances andexpectedintroductionof tion ofarecyclinglawonelectrical dramatically duetotherecentintroduc- infrastructures inJapanhaveadvanced Japanese manufacturersasrecycling and reuserecyclingtechnologiesin of-the-art ofeco-friendlyproductdesign Japan.” Thisprojectinvestigatesthestate- Design andRecyclingTechnologies in State-of-the-Art ofEco-FriendlyProduct funding forhisproject,“Studyofthe Mechanical Engineering,wasawarded Kazuhiro Saitou there waytoJapan. to whichtheHunanesestatueshavemade immigrants inJapantoassesstheextent carry outfieldworkamongChinese materials onlyavailableinJapan,and scholars, studythecollectionsandarchival trip toJapanworkwithJapanese province. Thegrantwillhelphisresearch 1644-1912 tothepresent)fromHunan images (datingfromtheQingDynasty Professor Robsonhasbeenconducting Can Tell UsaboutReligiousPractices.” Images: WhattheContentsofStatues a grantforhisproject,“InsideAsian Asian LanguagesandCultures,received James Robson mainland Japan,andtheU.S. ence andinterdependenceinHokkaido, ine, indetail,personalstoriesofindepend- regard tosocialrelations,and(3)exam- between HokkaidoandtheU.S.with the ideathatindividualismisdifferent American individualism,(2)examine a researchonsmallwoodenreligious , AssistantProfessorof , AssociateProfessorof his researchtripstoJapan. Century Japan.”Thefundingwillhelp the SocialImaginaryinNineteenth- Imagination: Melodrama,theNovel,and recent book,“PracticesoftheSentimental print culturewhichheexploredinhis of ProfessorZwicker'sinterestinJapanese of thehistorybookandgrowsout teenth-century Japanfromtheperspective examines thetheatercultureofnine- Nineteenth-Century Edo.”Thisbook Drama andCulturalConsumptionin “Stage andSpectacleinanAgeofPrint: awarded agrantforhisbookproject, of AsianLanguagesandCultures,was Jonathan Zwicker , AssistantProfessor 2007-2008 StudentFunding Awards Competitive Fellowships Summer Fellowships 2007-08 Academic Year Sumi Cho So Jung Um Yoshikuni Ono Jason Irizarry Mellon Fellowship CJS Endowment Fellowship Briefing Fellowship Toshie Imada Molly DesJardin UM Alumni ClubofJapan Fellowship So Jung Um Junko Teruyama, Deborah Solomon Kerry Lowell Andrea Landis Isao Kamata Funches Sherry Brian Dowdle Danielle Corcoran Sumi Cho Erika Alpert International InstituteLanguage Fellowship Sumi Cho Leah Zoller Christopher Schad Isao Kamata Molly DesJardin Kenichi Ariga Lindsey Akashi Aaron Nelson Isao Kamata National Science Foundation Dissertation ImprovementNational ScienceFoundation Dissertation Grant Mari Suzuki Kenichi Ariga Deborah Solomon Brooke Lathram Gabriele Koch Atrplg,PhD;Wenner-Gren Foundation Fieldwork Grantand ,Anthropology, Atrplg,PhD ,Anthropology, itr,PD BarbourScholarship PhD; History, , itr,PhD History, , Atrplg,PhD ,Anthropology, cnmc,PhD Economics, , itr,PhD History, , scooy h;RackhamPredoctoral Fellowship PhD; Psychology, , Atrplg,PD FulbrightFellowship PhD; ,Anthropology, AC PhD ,ALC, AC PhD ,ALC, cnmc,PD RackhamPredoctoral Fellowship PhD; Economics, , Atrplg,PhD ,Anthropology, itr,PhD History, , AC h;College Women’s PhD; Association ofJapan Fellowship ,ALC, CJSMA , nhoooy PhD Anthropology, CJSMA , cnmc,PhD Economics, , PhD Economics, , oiia cec,PhD Political Science, , oiia cec,PhD Political Science, , Atrplg,PhD ,Anthropology, itr,PhD History, , CJSMA-MBA , Atrplg,PhD ,Anthropology, CJSMA , AC PhD ,ALC, CJSMA , itr,PhD History, , CJSMA , Center for Japanese Studies University ofMichigan Fall 2007

11 FACULTY & STUDENT SUPPORT Center for Japanese Studies Center for Japanese Studies University of Michigan University of Michigan

Fall 2007 Fall 2007

Japanese Language Feature Article from a Program Conducts its First Former CJS Visitor ANNOUNCEMENTS: Study Trip to Nagoya In the summer of 1985, I was one Nine students were selected from of twelve college professors chosen for a U-M Japanese Language the upper-level Japanese language courses National Endowment for the Humanities Students Take First Place in U-M's Department of Asian Languages seminar in Japanese theater music. Honors for the Third and Cultures to participate in study trip The director was William Malm. Although that was partially funded by CJS. The most of our seminar meetings were in the Consecutive Year “Integrating Study Abroad into the Burton Memorial Tower, where Professor On March 31, U-M students took top Curriculum” (ISAC) Nagoya study trip Malm had two floors replete with honors for the third year in a row at the ran from May 6 through May 13, 2007. Japanese musical instruments and Japanese Language Speech Contest, spon- Organized by ALC lecturer, Junko research materials, the group made sored by the Consulate-General of Japan Kondo, this study trip gave students the U-M Japanese language students during their visit to Nagoya. several visits to the Center for Japanese in Detroit, the Japan Business Society of opportunity to study and learn about Studies. The program of events and activi- site visit, students attended a guided tour Detroit, and the Japan American Society Japanese business culture and practices in ties at CJS was impressive then and even and mini-lecture, and participated in Q&A of Greater Detroit & Windsor. Alan Bunney Japanese. During the weeklong stay, stu- more so now. My research in the Asia discussions with onsite employees. The was awarded the first place honor for dents visited companies, business-related Library at U-M that summer, and a year cultural insights that students gained from his speech titled, “What is the True museums, and cultural facilities located in at Tokyo University of Fine Arts and Music the trip broadened their understanding of Measurement of Intelligence?” Jennifer Nagoya. The site visits included: Toyota, on a Fulbright grant in 1989-90, resulted Japanese-speaking people and Japanese Eusebio’s speech, “Working towards Mitsubishi Electric, Yomiuri Shimbum, in Toru Takemitsu: A Bio-Bibliography in business practices. Mutual Understanding” was awarded the Matsuzakaya, the Osu shopping district, Music (Greenwood Press, 2001), a study third prize. the Toyota Technological Museum, the of that composer’s scores, recordings, and Robot Museum in Nagoya, and the Aichi film music.

JapanKits Prefectural Ceramic Museum. On each Rev. Dr. James Siddons JapanKits Asia Library Travel Grants Chesterbrook United Methodist Church As part of its outreach efforts to K-12 Grants up to $700 are available to McLean, Virginia educators, CJS has developed a series of help defray the cost of travel, lodging, www.JamesSiddons.com kits containing realia and other teaching meals, and photo duplication for Japan materials which are made available on a scholars at other institutions who wish to Feature Article from a short-term loan basis. In the summer of utilize the collection at the University of Former CJS Visitor Michigan Asia Library from July 1, 2007 2006, the original JapanKits were reor- CJS would like to feature short arti- until June 30, 2008. More information ganized and have seen an increase in cles written by our former students and about the library is available at usage this past year. With a view to even visitors which focus on their experiences http://www.lib.umich.edu/asia, or by more frequent borrowing by schools and contacting the Library Assistant at at CJS/U-M. Please contact us with your community educators, the three large stories at [email protected]. 734.764.0406. Third Place Winner, Jennifer Eusebio and First Place Winner,Alan boxes of books, images, music and materi- Interested scholars should submit a Bunney. als are being revised once more. With this letter of application, a brief statement to revision, each collection of items will be the Center describing their research and grouped into one or two related lesson their need to use the collection (not to topics. Busy teachers will be able to exceed 250 words), a list of sources that quickly grasp some of the ways to use they would like to access (applicants must the materials to explore a topic, rather check availability of these sources in the than to spend time mining the contents Library's online catalog before submitting of the box for inspiration. Thanks to a applications), a current curriculum vita, a budget, and proposed travel dates. The generous donation by a CJS alumna, Center accepts applications until May 31, additional video resources will join the 2008 by email at [email protected] or JapanKits, as well. In short, the newest by mail at: edition of the JapanKits should be of inter- U-M Japanese language lecturers and students pose for a photo fol- est to local schools that offer Japanese Asia Library Travel Grants lowing the 2007 Japanese Language Speech Contest. language, and to schools where World Center for Japanese Studies History and Geography is being offered. Suite 3640, 1080 S. University The University of Michigan For more information on the JapanKits, ALC Japanese language lecturer, Junko Kondo, with a student at the Robot Museum in Nagoya. Ann Arbor, MI 48109-1106 12 email [email protected]. 13 Fall 2007 Center for Japanese Studies CALENDAR University of Michigan Fall 2007

September November From the Executive Editor continued from page 1 DENSHO 10 Workshop: “Language of Clothes: Status, Gender, and Law 1 Noon Lecture*:“Robo sapiens japanicus: Humanoid Robots in the History of Japanese Attire from Ancient through Modern and the Posthuman Family,” Jennifer Robertson; Professor, Other publications due out in the Times;” Papers presented by: Akiko Fukai, Japanese Art History, Department of Anthropology, The University of Michigan; Editor, next few months include: Mishima on Shizuoka University of Art and Culture; Mayumi Mori, Japanese Colonialisms Stage: The Black Lizard and Other Plays, Literature and Sociohistory, Tokyo International University; 2 CJS Free Film**: Three Resurrected Drunkards (Kaettekita edited by Laurence Kominz, with a fore- Center for Japanese Studies Sachiko Takeda, Japanese History, Osaka University of Foreign Yopparai), Directed by Nagisa Oshima (1968) Languages; Haruko Wakita, Japanese History, Jôsai word by Donald Keene; The Bluestockings University of Michigan 1080 S. University, Suite 3640 International University; Osamu Wakita, Japanese History, 8 Noon Lecture*: “The Emotional Expressions of the Japanese,” of Japan: New Woman Essays and Fiction David Matsumoto; Professor, Psychology Department, San Ann Arbor, MI 48109-1106 Osaka Museum of History; 5-10pm; Michigan Room, Michigan from Seitô, 1911-16, by Jan Bardsley; TEL: 734.764.6307 League Francisco State University Rethinking Japanese History, by Amino FAX: 734.936.2948 9 CJS Free Film**: Title T.B.A. Yoshihiko, translated by Alan S. Christy; EMAIL: [email protected] 13 Noon Lecture*: “Shadow & Ephemera,” Kunié Sugiura; Artist WEB: http://www.ii.umich.edu/cjs/ An Anthology of Japanese Nagauta Song 20 Noon Lecture*: “Tokyo after the War: A Young Officer and 15 Noon Lecture*: “Photographic Immortality: General Nogi, Texts, by William P. Malm; and Preachers, Director: Mark D. West an Old Philosopher,” Albert Stunkard, M.D., Professor, Shizuko, and Their Iei,” Maki Fukuoka; Assistant Professor, Department of Asian Languages & Cultures, The University of Poets, Women, and the Way: Izumi Shikibu Administrator: Yuri Fukazawa Department of Psychiatry, The University of Pennsylvania Program Associate: Jane Ozanich Michigan and the Buddhist Literature of Medieval 27 Noon Lecture*: “Periodic Struggles: Labor, Science, Outreach Coordinator: Guven Witteveen 16 CJS Free Film**: Swallowtail Butterfly, Directed by Shunji Iwai Japan, by R. Keller Kimbrough. Student Services Coordinator: Azumi Ann Takata and Menstruation Leave in Modern Japan,” Izumi Nakayama; Office Assistant: Sandra Morawski Assistant Professor, Department of History, Furman University (1996) Bruce Willoughby 28 CJS Free Film**: Swing Girls, Directed by Shinobu Yaguchi Executive Editor, CJS Publications Program Center for Japanese Studies Publications Program (2004) University of Michigan December 1007 East Huron Ann Arbor, MI 48104-1690 October TEL: 734.647.8885 4 Noon Lecture*: Toshio Yamagishi; Professor, Department of In Memoriam FAX: 734.647.8886 January 2008 EMAIL: [email protected] Behavioral Science, Hokkaido University, Japan (Co-sponsored by Edward Seidensticker 5 CJS Special Event - Mochitsuki; 1-4pm; International Institute WEB: http://www.ii.umich.edu/cjs/publications the U-M Research Center for Group Dynamics.) On the day that this newsletter was to go Gallery, School of Social Work Building, 1080 South University, 5 CJS Free Film**: Singing Lovebirds (Oshidori Utagassen), to print, CJS learned of the passing of Edward Ann Arbor Publications Program Director: Hitomi Tonomura Directed by Masahiro Makino (1939) Seidensticker in Tokyo. Professor Seidensticker Executive Editor: Bruce Willoughby 17 Noon Lecture*: “Moneylenders, Merchants & Samurai; was a long-time friend to the Center and a pro- CJS Executive Committee: Kevin Carr (winter 11 Noon Lecture*: “Martial Ways, Whys & Whens: Military Rethinking the Social Impact of Cash in Medieval Japan,” fessor at U-M from 1966-77. According to New semester), Shinobu Kitayama, Mayumi Oka, Kenji Science & Martial Art in Traditional Japan,” Karl Friday; Ethan Segal; Assistant Professor, Department of History, Niki (ex officio), Jennifer Robertson, Mark D. West Professor, Instructional Coordinator & Associate Head; History Michigan State University Leaves (CJS Publications, 1993), his years at U-M (ex officio), Jonathan Zwicker (fall semester). Department; University of Georgia “were perhaps the most productive of his teach- 24 Noon Lecture*: “Politics of Enshrinement: War Dead Regents of the University of Michigan: Julia ing period, yielding the monumental The Tale of 12 CJS Free Film**: Title T.B.A. and War Criminals at the Yasukuni Shrine,” Akiko Takenaka; Donovan Darlow, Laurence B. Deitch, Olivia P. Genji (1976), Mishima Yukio’s The Decay of the Angel 18 Noon Lecture*:“Playbills, Ephemera, and the Historical Assistant Professor/Post-Doctoral Scholar, Department of the Maynard, Rebecca McGowan, Andrea Fischer Newman, Andrew C. Richner, S. Martin Taylor, Imagination in Nineteenth-Century Japan," Jonathan Zwicker; History of Art, The University of Michigan (1974) — the final volume of the tetralogy The Sea of Fertility — and three works by Kawabata: Katherine E. White, Mary Sue Coleman (ex officio). Assistant Professor, Department of Asian Languages & Cultures, 31 Noon Lecture*: “Kissing Is a Symbol of Democracy!' House of the Sleeping Beauties (1969), The Sound of The University of Michigan US Popular Culture and the Creation of a Culture of Romance The University of Michigan, an equal opportuni- the Mountain (1970), and The Master of Go (1973). ty/affirmative action employer, complies with all 19 CJS Free Film**: Tokyo Kid, Directed by Torajiro Saito (1950) in Occupied Japan,” Mark McLelland; 2007-08 Toyota Visiting The Sound of the Mountain received the National applicable federal and state laws regarding non- 25 Noon Lecture*: “Japanese Diplomacy - Japan U.S. Relations Professor, CJS; Lecturer in Sociology, The University of discrimination and affirmative action, including Wollongong, Australia Book Award for Translation in 1970.” Title IX of the Education Amendments of 1972 and and East Asia Issues,” Consul General Tamotsu Shinotsuka; Section 504 of the Rehabilitation Act of 1973. The Consulate-General of Japan in Detroit CJS plans to include a more fitting tribute to University of Michigan is committed to a policy of 26 CJS Free Film**: Suicide Club (Jisatsu Saakuru), non-discrimination and equal opportunity for all * All noon lectures are free and open to the public. They run from 12noon Edward Seidensticker in the winter 2008 Densho. persons regardless of race, sex, color, religion, Directed by Shion Sono (2002) to 1pm in Room 1636 (SSWB) unless otherwise noted. The noon lectures creed, national origin or ancestry, age, marital are made possible in part by a Title VI grant from the U.S. Department status, sexual orientation, -disability, or Vietnam- era veteran status in employment, educational of Education. programs and activities, and admissions. Inquiries or complaints may be addressed to the ** All films begin at 7pm and are screened in Askwith Auditorium in University's Director of Affirmative Action and Lorch Hall (611 Tappan Street, Ann Arbor). The film series is made possi- Title IX/Section 504 Coordinator, 4005 Wolverine ble in part by a Title VI grant from the U.S. Department of Education. Tower, Ann Arbor, MI 48109-1281. 734.763.0235, TDD 734.647.1388. For other University of Michigan information, call 734.764.1817. Please visit CJS's website for up-to-date information: http://www.ii.umich.edu/cjs/events/calendar.html. Densho Editor: Jane Ozanich Densho Design: Wagner Design Densho Production: Print-Tech 14 15