Blues Update Vol 4 2011 04.01.11
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April 2019 BLUESLETTER Washington Blues Society in This Issue
LETTER FROM THE PRESIDENT Hi Blues Fans, The final ballots for the 2019 WASHINGTON BLUES SOCIETY Best of the Blues (“BB Awards”) Proud Recipient of a 2009 of the Washington Blues Society are due in to us by April 9th! You Keeping the Blues Alive Award can mail them in, email them OFFICERS from the email address associ- President, Tony Frederickson [email protected] ated with your membership, or maybe even better yet, turn Vice President, Rick Bowen [email protected] them in at the April Blues Bash Secretary, Open [email protected] (Remember it’s free!) at Collec- Treasurer, Ray Kurth [email protected] tor’s Choice in Snohomish! This Editor, Eric Steiner [email protected] is one of the perks of Washing- ton Blues Society membership. DIRECTORS You get to express your opinion Music Director, Amy Sassenberg [email protected] on the Best of the Blues Awards Membership, Open [email protected] nomination and voting ballots! Education, Open [email protected] Please make plans to attend the Volunteers, Rhea Rolfe [email protected] BB Awards show and after party Merchandise, Tony Frederickson [email protected] this month. Your Music Director Amy Sassenburg and Vice President Advertising, Open [email protected] Rick Bowen are busy working behind the scenes putting the show to- gether. I have heard some of their ideas and it will be a stellar show and THANKS TO THE WASHINGTON BLUES SOCIETY 2017 STREET TEAM exceptional party! True Tone Audio will provide state-of-the-art sound, Downtown Seattle, Tim & Michelle -
EXTENSIONS of REMARKS, Vol
October 19, 2012 EXTENSIONS OF REMARKS, Vol. 158, Pt. 11 15025 EXTENSIONS OF REMARKS HONORING MR. WILLIE ‘‘SONNY and cotton picking in Tallahatchie County and the owners. In 1955, he began recording for BOY’’ WILLIAMSON started becoming a familiar voice and blues Chess Records in Chicago, Illinois after Trum- artist on the local circuits. He played on the pet Records went bankrupt. His years at HON. BENNIE G. THOMPSON street corners, at church socials, fish fry’s, and Chess Records were his most successful in OF MISSISSIPPI anywhere he could attract a crowd, sometimes his career as a blues artist. In fact, he re- IN THE HOUSE OF REPRESENTATIVES getting paid. Sonny Boy made friends with corded about 70 songs from 1955 to 1964 for other blues artists like Big Joe Williams, Checker Records, a subsidiary of Chess Friday, October 19, 2012 Elmore James, Joe Willie ‘‘Pinetop’’ Perkins, Records. In 1959 he finally got the opportunity Mr. THOMPSON of Mississippi. Mr. Speak- Robert Lockwood, Jr., and Robert Johnson. to record a compilation of stories about the er, I rise today to honor a blues musician and He was always looking for ways to entertain blues with his first LP record titled Down and legend of the Mississippi Delta, Mr. Willie besides just singing, so he started doing what Out Blues. It featured such hits as Dissatis- ‘‘Sonny Boy’’ Williamson. some might call impossible until they saw him fied, Your Funeral and My Trial, Don’t Start Mr. Speaker, the ‘‘Blues’’ is not just a song, do it—he would put his entire harmonica in his Me to Talkin, and All My Love in Vain. -
Jimmy D. Lane
Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls. -
5, 2015 •Marina Park, Thunder
14TH ANNUAL BLUESFEST Your free festival program courtesy of your friends at The Chronicle-Journal JOHNNY REID • JULY 3 - 5, 2015 JULY • MARINA PARK, THUNDER BAY KENNY WAYNE SHEPHERD BAND PAUL RODGERS JOHNNY REID • ALAN FREW • THE PAUL DESLAURIERS BAND • THE BOARDROOM GYPSIES • KENNY WAYNE SHEPHERD BAND • ALAN DOYLE • THE WALKERVILLES • KELLY RICHEY • BROTHER YUSEF • THE BRANDON NIEDERAUER BAND • THE GROOVE MERCHANTS • LOOSE CANNON• PAUL RODGERS • DOYLE BRAMHALL II • WALTER TROUT • THE SHEEPDOGS • THE BROS. LANDRETH • JORDAN JOHN • THE HARPOONIST AND THE AXE MURDERER • THE KRAZY KENNY PROJECT THE VOICE... KEN WRIGHT rock guitar for more than two decades, Kenny Wayne SPECIAL TO THE CHRONICLE-JOURNAL Shepherd will hot wire the marquee on Saturday. Not to be missed, Paul Rogers, the peerless, 90-million-record-sell- What is it about a blues festival, that antsy sense of ing, oh-so-soulful voice of authoritative bands Free, Bad anticipation that we feel? It's a given that the music and Company and Queen will close the festival with the ulti- Ken Wright its performers will be royally entertaining. Yet, we all arrive mate in front man style and swagger on Sunday. with fingers crossed, hoping for that transcendent experi- Newfoundland's unstoppable native son, Alan Doyle, will Has the blues, but in a good way. He writes about them. A veteran director of ence that will reverse the spin of our world if only for an introduce East Coast reels to Top 40 pop with mandolins, fiddles and bouzoukis. Considered by Eric Clapton to be the Thunder Bay Blues Society, Wright puts his writing ability together with an hour to be relived again and again with all who shared it. -
Chicago Beau, Il Viaggiatore Del Blues. Interview by Gianni Franchi
Chicago Beau, il viaggiatore del Blues. interview by Gianni Franchi. You've toured constantly around the world , which was the reason you never stopped? The popularity of Blues goes in cycles. There has always been a kind of base audience that are true Blues Lovers, and fans of highly visible Blues artists like Buddy Guy, BB King, Koko Taylor and others who have been around for years. And those performers have often experienced periods with less work. So, a Blues artist must keep busy, and play wherever in the world, whenever. Unfortunately, Blues is the least promoted music. So, as Sonny Boy Williamson said, ‘You got to catch it while it’s hot, if you let it cool, I won’t be worth a damn!’ And so, I’ll only stop when too old to perform. Which is the country where you found yourself most at ease and why? Each country has something different to offer. I have a great appreciation for warm climates. I think that is naturally in my DNA. I like Quebec, and Canada in general because of the diversity. I had great experiences in Iceland, recording, and live performances. As you know I lived in Italy for five years primarily because of the beauty of Italian people, their rich cultural heritage, and their appreciation of Black Music and culture. You know the expression, ‘different reason, different season.’ Seasons can be, metaphorically, a person’s age. Where you are in your life. Things are always changing. And from the musical point of view which one did you think was the best? Italy, Quebec, Senegal, Iceland, Kenya. -
My Guitar Is a Camera
My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour. -
Updates & Amendments to the Great R&B Files
Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the -
Billboard Top 10 Blues Artist, 2020 IBC Winner, and JUNO Nominee, Canadian Singer/Guitarist JW-Jones Is Known for His High-Energy Shows!
Billboard Top 10 Blues Artist, 2020 IBC Winner, and JUNO Nominee, Canadian singer/guitarist JW-Jones is known for his high-energy shows! * * * * * Fresh off the heels of winning "Best Guitarist" at the 2020 International Blues Challenge in Memphis, popular Canadian blues artist JW-Jones was looking forward to a huge year before COVID-19 hit and halted his tour schedule. “I knew I had to do something productive to stay positive. I turned isolation into inspiration!” said the JUNO-nominated Jones, whose searing axemanship has been praised in recent years by legendary blues artists Buddy Guy and Chuck Leavell (The Rolling Stones). From original music to previously unreleased songs, "this album sounds bigger and wider-than-ever” says Jones, "thanks to Eric Eggleston of Johnny Hall Productions, who has wicked ears and a fresh approach to production”. It features a 17-piece band with a 13-piece horn section, plus additional tracking of vocals, guitars, and studio effects that led to a most appropriate album title, Sonic Departures. High production values didn't take priority over keeping it real for this Ottawa- born artist. "Every single guitar solo on this record, with the exception of one, was recorded in one take, and it was the first-and-only take, with the band and horn section performing together in the same room” reveals Jones. In addition to his touring band consisting of Will Laurin (drums/vocals) and Jacob Clarke (upright and electric bass/vocals), Jones brought long-time band-mate Jesse Whiteley back into the fray on keys and to write some of the horn charts. -
2019 Nov 6-10
PROUDLY PRESENTS 2019 Canadian Jazz Festival Nov 6-10 www.jazzyyc.com Instagram @jazz_yyc Twitter @Jazz_YYC Facebook @JazzYYC JAZZYYC Canadian Festival JazzYYC Canadian PRESIDENT’S MESSAGE Festival Team Welcome to the 6th edition of the JazzYYC Canadian Artistic Producer Festival! JazzYYC is pleased to present our most diverse Kodi Hutchinson fall program yet, made possible by our growing base Operations of sponsors, donors and members, and supported Jason Valleau by our wonderful JazzYYC volunteers. Special thanks Operations Coordinator go to the Alberta Foundation for the Arts, Calgary Arts Lucy Pasternak Development, Canada Council for the Arts, TD, Inglewood Marketing & Publicity BIA and the Calgary Public Library. BLP Arts Marketing JazzYYC strives to bring Calgary audiences the best of jazz in all of its forms so that we Social Media can build a vibrant scene in this city. Likewise, it’s our pleasure to provide a stage for Angela Wrigley, Mandy Morris the next generation of jazz artists honing their skills in the JazzYYC Youth Lab Band. As Website & Newsletter Management always, the festival brings Music Mile alive on Sunday afternoon when JazzWalk brings Ty Bohnet live jazz to the shops, restaurants and Brew pubs in Inglewood and this year we are Creative Director excited to include the Central Library in our JazzWalk series. Sharie Hunter Production Coordinator Your support as audience, through our membership program, donors, sponsors and Steven Fletcher volunteers keeps the spirit and sound of jazz alive and growing in Calgary! JazzYYC Board Gerry Hebert of Directors President, JazzYYC Gerry Hebert - President ARTISTIC PRODUCER’S MESSAGE Ken Hanley - Vice President Welcome to our annual JazzYYC Canadian Festival! Malcolm McKay - Treasurer Starting out as a small group of community events Shannon Matthyssen - Secretary back in 2012, it has been wonderful being a part of the Debra Rasmussen - Past President evolution of this Festival. -
Etta James 2012
February 2012 www.torontobluessociety.com Published by the TORON T O BLUES SOCIE T Y since 1985 [email protected] Vol 28, No 2 1938 Etta James 2012 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA winners Event Listings John’s Blues Picks & more Loose Blues News TORON T O BLUES SOCIE T Y Upcoming TBS Events 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2012 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold (Executive), Gord Brown, Lucie Dufault (Secretary), Sharon Evans, Sarah French, Julian Fauth and Paul Reddick will appear Thursday, February 2 at the Gladstone Sharon Kate Grace, Michael Malone (Treasurer), Hotel's Melody Bar as part of the Toronto Blues Society First Thursday series. The Ed Parsons (Executive), Norman Robinson, Toronto Blues Society presents the best in blues talent the first Thursday of each month Paul Sanderson, Mike Smith (Executive), John at the recently renovated Melody Bar in The Gladstone Hotel. Performances are Valenteyn (Executive) free to the public and begin at 9pm. The next show in the series is on March 1, and Musicians Advisory Council: Lance Anderson, features a performance by Rick Taylor and Carlos del Junco. Check back soon Brian Blain, Gary Kendall, Al Lerman, Lily Sazz, to find out about upcoming performances including Layla Zoe (April 5), and Mark Stafford, Suzie Vinnick Morgan Davis (May 3). Membership Committee: Mike Malone, Lucie Default, Gord Brown, Sarah French, Mike Smith, Debbie Brown, Ed February 11, 1pm-4pm at Lula Lounge (1585 Dundas St Parsons, Norm Robinson, Rick Battision, W) - Digital Dollars: The second Digital Dollars seminar. -
Blues Epistemology, Community Resilience, and Covid 19 in The
BLUES EPISTEMOLOGY, COMMUNITY RESILIENCE, AND COVID 19 IN THE MISSISSIPPI DELTA by Mandy Truman, B.S. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of requirements for the degree of Master of Science with a Major in Geography August 2021 Committee Members: Eric Sarmiento, Chair Jennifer Devine John Strait COPYRIGHT by Mandy Truman 2021 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Mandy Truman, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION To the people of the Delta that welcomed me with open arms and shared with me their stories, histories, culture, and traditions. ACKNOWLEDGMENTS First and foremost, I want to thank my committee chair, Dr. Eric Sarmiento. From suggesting that I read The Land Where the Blues Began during our very first meeting, to helping me understand that the seventeen hours of interviews I collected in the Delta during my field research held a powerful message to share; the knowledge you have shared with me and your guidance through this entire process has impacted me tremendously and has shaped me as a geographer, researcher, writer, and ethnographer. I know there is still an enormous amount that I can learn from you and look forward to working with you to expand on this research and continue this journey. -
Geografia Del Mississippi Delta Attraverso Il Blues Un'ipotesi Di Relazione Tra Musica E Territorio
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenstarTs GEOGRAFIA DEL MISSISSIPPI DELTA ATTRAVERSO IL BLUES UN'IPOTESI DI RELAZIONE TRA MUSICA E TERRITORIO INDICE INTRODUZIONE: IL DELTA E L'OBBIETTIVO DELLA TESI pag. 2 1. IL BLUES 10 1.1. Le fonti del blues 10 1.2. Definizione generale 18 1.3. Le testimonianze 23 1.4. Aspetti musicali 27 1.5. Tematiche e poetica 30 2. IL DELTA BLUES 33 2.1. Problematiche sugli stili 33 2.2. Gli Stili regionali 36 2.3. Il delta tra mito e storia 39 2.4. Tratti stilistici del Delta blues 45 3. LE PROPAGGINI DEL DELTA 48 3.1. Le Hills e Bentonia: due casi differenti 48 3.2. Il fenomeno del blues radiofonico e il caso di Helena 52 3.3. L'evoluzione tra Chicago e il Delta 57 4. IL DELTA OLTRE IL DELTA 64 4.1. Memphis 64 4.2. L' Alabama e la difficile ricerca di una tradizione 68 4.3. La Louisiana 73 5. IL DELTA ATTRAVERSO UNA GEOGRAFIA DEI TESTI pag. 77 5.1. Il viaggio 77 5.2. Le vie di comunicazione 85 5.3. Le “strade musicali” delle città 93 5.4. Musica testi e territorio 98 5.5. I luoghi e le canzoni 103 CONCLUSIONE 119 1. Ipotesi di identità 119 2. Il blues e noi: un “cuore di tenebra”? 127 TESTI 129 BIBLIOGRAFIA 176 DISCOGRAFIA 184 1 “Perhaps on some quiet night the tremor of far-off drums, sinking, swelling, a tremor vast, faint; a sound weird, appealing, suggestive, and wild.” Joseph Conrad, Heart Of Darkness.