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Joe Louis Walker
Issue #218 LIVING BLUES #218 • APRIL 2012 Vol. 43, #2 ® © JOE LOUIS WA JOE LOUIS L KER - LEE GATES - KER - LEE GATES WALKER K IRK F L ETCHER - R LEE GATES OSCOE C HENIER - PAU KIRK L RISHE FLETCHER LL - 2012 B L UES FESTIVA ROSCOE L GUIDE CHENIER $6.95 US $6.95 CAN www.livingblues.com 2012 Festival Guide Inside! Joseph A. Rosen Rhythm andBluesCruise,Rhythm October 2007. onthe Legendary Joe LouisWalker In 1985, after a decade of playing and singing nothing but gospel music with a quartet called the Spiritual Corinthians, 35-year-old Joe Louis Walker decided to get back to the blues. The San Francisco–born singer-guitarist had begun playing blues when he was 14, at first with a band of relatives and then with blues-singing pimp Fillmore Slim before becoming a fixture at the Matrix, the city’s preeminent rock club during the psychedelic Summer of Love, backing such visiting artists as Earl Hooker and Magic Sam. Michael Bloomfield became a close friend and mentor. The two musicians lived together for a period, and the famous guitarist even produced a Walker demo for Buddah Records, though nothing came of it. Then, in 1975, Walker walked away from the blues completely in order to escape the fast life and the drugs and alcohol associated with it that he saw negatively affecting Bloomfield and other musician friends. Walker knew nothing about the blues business when he started doing blues gigs again around the Bay Area with a band he’d put together, as a member of Oakland blues singer-guitarist Haskell “Cool Papa” Sadler’s band, and (for a tour of Europe) with the ad hoc Mississippi Delta Blues Band. -
The Journal of Texas Music History 2007 Reviews
et al.: Reviews REVIEWS Jazz Mavericks of the Lone Star State by Dave Oliphant. (Austin: The University of Texas Press, 2007), Pp. 256, ISBN-13: 978-0-292-71495-3 (cloth), ISBN----- 13: 978 0 292 71496 0 (paper). Dave Oliphant is well recognized as perhaps the most In another essay on jazz literature, Oliphant explores the crucial passionate chronicler of the Lone Star State and its relationship role of Austin-based folklorist, Alan Lomax, in documenting the to jazz. His 1996 monograph, Texan Jazz, remains the most life of Jelly Roll Morton, the legendary New Orleans pianist and detailed history on the subject. Oliphant’s new book, Jazz self-proclaimed “inventor” of jazz. “A Texas Take on Ken Burns’ Mavericks, features twelve previously published essays and four Jazz” applauds the PBS documentary film series’ but also points new articles, all examining topics that the author believes were out Burns’s glaring omissions of the contributions of so many not adequately addressed in his earlier book. Texas artists to the development of jazz. The first four chapters — “Jazz Mavericks of the Lone Star The essays on western swing are useful introductions to this State,” “The Roots of Texan Jazz,” “From Bebop to Hard Bop “Jazz of the Southwest” for those jazz aficionados who, like and Beyond,” and “Texas Bop Messengers to the World” — Oliphant, may have never before fully appreciated this unique provide very good overviews of some of the most significant musical hybrid which borrows so heavily from jazz, country, Texas contributions to jazz history. The following essays delve blues, ragtime, pop, mariachi, swing, and other musical genres into more specific jazz-related topics, including jazz’s influence found throughout the Southwest. -
Classic Posters - Antones Blues Club
Classic Posters - Antones Blues Club Classic Posters - Antones Blues Club by Michael Erlewine [email protected] Right up there with the Armadillo is probably the best blues club in the southwest, Antones in Austin, Texas. Classic Antone's Poster Antone's also recorded and release a number of albums under Antone's Records by blues greats like James Cotton, Ronnie Earl, Memphis Slim, and Matt "Guitar" Murphy and younger players like Angela Strehli and Marcia Classic Antone's Poster Ball. Antone's blues club in Austin may is the best-known blues venue in the southwest, and maybe in the whole country. Started by Clifford Antone in 1975, this blues venue has hosted all the great blues players, everyone from Jimmy Reed, Fats Domino, Big Walter Horton, Jimmy Reed to John Lee Hooker and Percy Mayfield. Younger blues artists like Stevie Ray Vaughan, The Fabulous Thunderbirds (the house band for years), Lou Ann Barton, and others frequented Antone's and learned their craft. Classic Antone's Poster Antone's posters and flyers feature Texas artists like Guy Juke, Sam Yeates, and most of all the wonderful work of Danny Garrett. Antone's has always been vigorously collected by a small group, but in recent years more and more collectors are getting into this Classic Posters - Antones Blues Club great venue and the prices for Antone's items have been inching up. Antone's has been a steady source for great music for decades. That history is reflected in the many fine posters and handbills for that venue, some of them stunning like this large handbill for John Lee Hooker. -
TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews
Blues Music Online Weekly Edition TINSLEY ELLIS - Around Memphis - Little Charlie Baty - Nine CD Reviews BLUES MUSIC ONLINE - March 18, 2020 - Issue 6 Table Of Contents 6 TINSLEY ELLIS Enjoying The Ride By Marc Lipkin - Alligator Records 10 TINSLEY ELLIS Red Clay Soul Man Originally Published January 2017 By Grant Britt 14 LITTLE CHARLIE BATY In Memoriam By Art Tipaldi - Thomas Cullen III 16 AROUND MEMPHIS Pandemic Effects 18 CD REVIEWS By Various Writers 29 Blues Music Store CDs Onsale COVER PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER TOC PHOTOGRAPHY © MARILYN STRINGER Tinsley Ellis Enjoying The Ride By Marc Lipkin - Alligator Records ver since he first hit the road 40 years shuffles, and it all sounds great.” The Chicago ago, blues-rock guitar virtuoso, soulful Sun-Times says, “It’s hard to overstate the Evocalist and prolific songwriter Tinsley raw power of his music.” Ellis has grown his worldwide audience one Ellis considers his new album, Ice scorching performance at a time. Armed with Cream In Hell, the most raw-sounding, guitar- blazing, every-note-matters guitar skills and drenched album of his career. Recorded scores of instantly memorable original songs, in Nashville and produced by Ellis and his Ellis has traveled enough miles, he says, “to longtime co-producer Kevin McKendree get to the moon and back six times.” He’s (John Hiatt, Delbert McClinton), Ice Cream released 17 previous solo albums, and has In Hell is a cathartic blast of blues-rock earned his place at the top of the blues-rock power. Though inspired by all three Kings world. -
16 Lc 110 0193 S. R
16 LC 110 0193 Senate Resolution 912 By: Senators Mullis of the 53rd, Miller of the 49th, Tate of the 38th, Cowsert of the 46th and Jackson of the 24th A RESOLUTION 1 Recognizing and commending Gregg Allman for his 2015 Songwriters Award and third 2 induction into the Georgia Music Hall of Fame; and for other purposes. 3 WHEREAS, Gregg Allman is a long-time resident of Macon and Savannah, Georgia; and 4 WHEREAS, he was a member of The Allman Brothers Band and is a solo artist, musician, 5 singer, songwriter, and rock and roll icon; and 6 WHEREAS, as a songwriter, he has written many hits such as "Whipping Post," "Black 7 Hearted Woman," "Midnight Rider," and many other rock classics; and 8 WHEREAS, he has been recognized by the Georgia Music Hall of Fame twice before, as a 9 solo performer and in the group category for The Allman Brothers Band; and 10 WHEREAS, as a member of The Allman Brothers Band, he was inducted into the Rock and 11 Roll Hall of Fame in 1995 and earned the Grammy Lifetime Achievement Award in 2012; 12 and 13 WHEREAS, through his work with The Allman Brothers Band and Gregg Allman Band, he 14 has inspired many musicians, experienced enormous success in his life, and had a lasting 15 impact on the State of Georgia; and 16 WHEREAS, it is abundantly fitting and proper that the accomplishments of this 17 distinguished Georgian be appropriately recognized. 18 NOW, THEREFORE, BE IT RESOLVED BY THE SENATE that the members of this body 19 commend Gregg Allman for his outstanding musical achievements and recognize his 20 acceptance of the 2015 Songwriters Award and third induction into the Georgia Music Hall 21 of Fame. -
EXTENSIONS of REMARKS, Vol
October 19, 2012 EXTENSIONS OF REMARKS, Vol. 158, Pt. 11 15025 EXTENSIONS OF REMARKS HONORING MR. WILLIE ‘‘SONNY and cotton picking in Tallahatchie County and the owners. In 1955, he began recording for BOY’’ WILLIAMSON started becoming a familiar voice and blues Chess Records in Chicago, Illinois after Trum- artist on the local circuits. He played on the pet Records went bankrupt. His years at HON. BENNIE G. THOMPSON street corners, at church socials, fish fry’s, and Chess Records were his most successful in OF MISSISSIPPI anywhere he could attract a crowd, sometimes his career as a blues artist. In fact, he re- IN THE HOUSE OF REPRESENTATIVES getting paid. Sonny Boy made friends with corded about 70 songs from 1955 to 1964 for other blues artists like Big Joe Williams, Checker Records, a subsidiary of Chess Friday, October 19, 2012 Elmore James, Joe Willie ‘‘Pinetop’’ Perkins, Records. In 1959 he finally got the opportunity Mr. THOMPSON of Mississippi. Mr. Speak- Robert Lockwood, Jr., and Robert Johnson. to record a compilation of stories about the er, I rise today to honor a blues musician and He was always looking for ways to entertain blues with his first LP record titled Down and legend of the Mississippi Delta, Mr. Willie besides just singing, so he started doing what Out Blues. It featured such hits as Dissatis- ‘‘Sonny Boy’’ Williamson. some might call impossible until they saw him fied, Your Funeral and My Trial, Don’t Start Mr. Speaker, the ‘‘Blues’’ is not just a song, do it—he would put his entire harmonica in his Me to Talkin, and All My Love in Vain. -
1982-12 and 1983-01
AIRWAVES . A Service of Continuing Education and Extension l5i1 University of Minnesota, Duluth Vol. 3 Number 7 December 1982 January 1983 Dick Paske and Leif Brush rehearse Leif Brush Work . to be Broadcast on KUMD 1 I\UMU §taff Station Managtt ... .... Tum Livingston Program Ditt<;tor .......•. John Zi~gltr ,\Ht. Progr~m Dirtt~or .. ... Paul Schmnz •:nginttring .. •. ... .• .•.. Kirk Kint~n fo the LiJener Producn/Outruch ..••.• . Jran Johnson AIRWAVES is the bi-month! y program guide of KUMD, which is the 100,000 watt public radio station at the ..., By Tom. Uvlngeton, Station Manager University of Minnesota-Duluth, broadcasting at 103.3 fm. KUMD is part of University Media Resources, a· Marathon Holly Near Jottings: department of Continuing Education Our fall fundraiser drive fell short of 'The November I 0th concert in Superior Our satellite dish installation will be and Extension at the University of other fall efforts as 350 people pledged by womens musician Holly Near was a complete some time this month, and we Minnesota. KUMD's program philosophy is to provide the highest just under $13,000. Thanks to everyone tremendous success. A near-sellout, the will be adding Jazz Allve and NPR who called! Why did we do less than we concert was a great energy generator for Playhouse at that time. Thanks to quality non-commercial program- hoped? Was it the economy, our new everyone involved, and received rave C.S. Zidek, whose generouse challenge ming, including music, news and programming, or something else? reviews in both Rag Times Magazine match helped the Folk Migrations public affairs, and information Please share your thoughts with us, and and The Duluth News Tribune & program to a total of $1,200 for one programs, K UMD encourages if you didn't renew during the Herald. -
Bruce Katz Band Toronzo Cannon
VOLUME TWENTY-FIVE, NUMBER THREE • MARCH 2020 ALBERT CUMMINGS Wednesday March 18th w/ the HECTOR ANCHONDO BAND Stocks n Bonds, Omaha Advance Tix available now @ eventbrite.com Thursday, March 5th @ 6 pm • The Jewell, Omaha Adv. tickets @ jewellomaha.com TORONZO CANNON Fri. March 20th @ 5 pm • Zoo Bar Sat. March 21st @ 7 pm • The Jewell, Omaha Adv. Tickets @ jewellomaha.com DAVY KNOWLES • Wed. March 11th @ 6 pm THE BLUES SOCIETY OF OMAHA PRESENTS HEATHER NEWMAN BAND • Sat. March 14th @ 9:30 pm VANESSA COLLIER • Wed. March 18th @ 6 pm LEGENDARY THURSDAY BLUES MATINEES AND MORE. Unless noted otherwise, all shows are 6 pm and at Stocks n Bonds , 8528 Park Drive, Omaha. BRUCE KATZ BAND Mar. 1st – Sunday 3 to 6 pm ....................... Hector Anchondo Band IBC Celebration at the B Bar! Mar. 5th – 6 pm show @ The Jewell .........................Brian England Groove Prescription ($10) – Tickets @ thejewellomaha.com Mar. 12th ..........................Dave Weld and the Imperial Flames ($10) Mar. 14 – Sat. 7 pm show @ The Jewell .............. Bruce Katz ($10) Mar. 18th – Wednesday Show! ............................Albert Cummings ($15 adv./ $20 dos) Tix on sale @ Eventrbite.com Fri. March 13th @ 5 pm Mar. 21st Sat. 7 pm @The Jewell .................Toronzo Canonn ($15) Tickets @ thejewellomaha.com ZOO BAR Mar. 26th ................... Nick Moss Band feat. Dennis Gruenling ($15) Sat. March 14th @ 7 pm Apr. 2nd ..................................................................... Ben Rice ($10) THE JEWELL, OMAHA Apr. 9th .............................Miles Nielsen & The Rusted Hearts ($10) Adv. tickets @ jewellomaha.com Apr. 16th ................................Orphan Jon and the Abandoned ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Why Join the Blues Society of Omaha with Your Membership Donation? The Blues Society of Omaha, Inc. -
Various Alligator Blues Mp3, Flac, Wma
Various Alligator Blues mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues Album: Alligator Blues Country: Greece Released: 2000 MP3 version RAR size: 1549 mb FLAC version RAR size: 1227 mb WMA version RAR size: 1344 mb Rating: 4.7 Votes: 207 Other Formats: AA MPC MP3 ADX MIDI FLAC RA Tracklist 1 –Koko Taylor, Buddy Guy Born Under A Bad Sign 6:25 2 –Fenton Robinson Killin Floor 3:38 3 –Long John Hunter I Don't Care 3:23 4 –Saffire -The Uppity Blues Women (I'll Be Your) Sweet Black Angel 4:41 5 –Michael Hill's Blues Mob She's Gone 4:30 6 –Albert Collins ...But I Was Cool! 3:10 7 –Son Seals How Could She Leave Me? 3:39 8 –Corey Harris Preaching Blues 4:37 9 –Lonnie Brooks Backbone Man 4:04 10 –Shemekia Copeland Married To The Blues 7:12 11 –Lil' Ed And The Blues Imperials Travellin' Life 3:41 12 –Little Charlie And The Nightcats Crying Won't Help You 5:21 13 –Hound Dog Taylor Sadie 6:11 14 –Carey Bell Teardrops 7:06 Companies, etc. Distributed By – A&N Records Phonographic Copyright (p) – Jazz & Τζαζ Copyright (c) – Jazz & Τζαζ Phonographic Copyright (p) – Alligator Records Copyright (c) – Alligator Records Manufactured By – NEA-Media S.A. Printed By – Μιχάλης Ορφανός Credits Compiled By – Γιώργος Χαρωνίτης, Νίκος Βοζίκης Compiled By, Liner Notes – Φώντας Τρούσας Cover – Δημήτρης Αρβανίτης Producer [Supervisor] – Bruce Iglauer Notes Free cd with Jazz & Τζαζ magazine issue No86 Producer: Jazz & Τζαζ magazine Producer [Supervisor]: Alligator Records Barcode and Other Identifiers Matrix / Runout: NEA MEDIA S.A. -
Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
Blues Notes June 2016
VOLUME TWENTY-ONE, NUMBER SIX • JUNE 2016 Sunday, June 5th @ 5 pm - Zoo Bar CURTIS SALGADO Tuesday, June 7th @ 6 pm • 21st Saloon, Omaha, NE $10 for BSO members, $20 for non-members Join the BSO or renew at the door Advance tix @ www.eventbrite.com GOLDEN STATE - LONE STAR REVUE Also Appearing Thursday, June 30th @ 5 pm $15 Wednesday, June 8th @ 6 pm • Zoo Bar, Lincoln, NE 21st Saloon, Omaha WEEKLY BLUES SERIES 4727 S 96th Plaza SOARING WINGS BLUES FESTIVAL Thurs. shows @ 6pm • Sat. shows @ 8 pm with John Primer & Watermelon Slim Bands subject to change Saturday, June 4th June 2nd .............................................................Davy Knowles ($10) June 4th (8 pm) ... Swamp Productions Presents Swampboy Blues Band, SUMMER ARTS FESTIVAL Sweet Tea, Bad Judgement & 40 Sinners ($5) June 10, 11, & 12 June 7th (Tues)........................................................... Curtis Salgado Featuring ($10 BSO Members, $20 Non Members, Bernard Allison Friday, June10th advance tickets at www.eventbrite.com) June 9th (5 pm) ......................................... Tale of 3 Cities Tour ($10) BLUES AT BEL AIR Hector Anchondo, Amanda Fish, and Delta Sol - Sunday June 12th Front and Center opens at 5pm! featuring June 10th (9 pm) ........Achilles Last Stand - Led Zepplin Tribute ($5) The Mighty Jailbreakers June 11th (8 pm) .... Luther James Band ($5) Summer Arts Fest After Party and The Bel Airs June 16th (5 pm) .......... Markey Blue ($10) - Dilemma opens at 5pm June 18th (8 pm) ........ Blue House and the Rent to Own Horns ($5) BRIDGE BEATS June 23rd (5 pm) ....Bruce Katz Band ($10) - Far & Wide opens at 5pm Saturday June 10th & 24th June 25th (8 pm) ............................................Rhythm Collective ($5) June 30th (5 pm) ................... -
Jimmy D. Lane
Jimmy D. Lane Biography "Son of the Blues" At the age of 47, Jimmy D. Lane has already led quite a full life. The musicians he knows makes for an impressive resume. He has worked with Eric Clapton, Mick Jagger, Jim Keltner, Keith Richards, B.B. King, Van Morrison, Jonny Lang, Gary Moore, Double Trouble, Taj Mahal, Stephen Stilles, Jeff Healy, Jimmie Lee Robinson, Lowell Fulson, and Snooky Pryor, Kim Wilson, Pinetop Perkins, Johnny ‘Big Moose’ Walker, Johnnie Johnson, Kim Wilson, Robert Plant, Jimmy Page, Harry Hypolite, George ‘Wild Child’ Butler, David ‘HoneyBoy’ Edwards, Weepin’ Willie Robinson, Little Hatch, Nancy Bryan, Willie Kent, Henry Gray, Lazy Lester and Eomot RaSun. He has also worked with venerable blues greats such as Sam Lay, Hubert Sumlin, Carey Bell, Dave Meyers and his father, the legendary Jimmy Rogers. Born July 4th, 1965 in Chicago, he grew up in a household where he became acquainted with a veritable who's who of Chicago bluesmen. Muddy Waters, Howlin' Wolf, Willie Mabon, Little Walter and Albert King, to name a few, would all stop by the house to visit the "old man." Coming from this environment has instilled in Lane the deepest respect for elder statesmen of the blues. "I feel blessed and fortunate, to have known all those cats, and I do not take it for granted." At the age of eight, he began playing his dad's guitar, which he wasn't supposed to do. "I would break a string and put it back in the case like he wasn't going to discover it," Lane recalls.