The Metamorphosis Free Ebook

Total Page:16

File Type:pdf, Size:1020Kb

The Metamorphosis Free Ebook FREETHE METAMORPHOSIS EBOOK Ovid,Mary M. Innes,Denis Feeney | 368 pages | 22 Feb 1973 | Penguin Books Ltd | 9780140440584 | English | London, United Kingdom The Metamorphosis The Metamorphosis can quite easily be one of Franz Kafka’s best works of literature- one of the best in Existentialist literature. The author shows the struggle of human existence- the problem of living in modern society- through the narrator. The Metamorphosis (41 pages) Before the Law (2 pages) In the Penal Colony (23 pages) A Hunger Artist (8 pages) Jackals and Arabs (3 pages) A Report for An Academy (8 pages) A Country Doctor (5 pages) An Imperial Message (1 pages) The Judgement (9 pages) The Great Wall of China (11 pages) The Hunter Gracchus (4 pages) Up in the Gallery (1 pages). Gregor's ability to speak has been impaired by his metamorphosis—little by little he's coming to realize his new limitations. In this first scene with his family, their concern and love for him is evident. The Metamorphosis Gregor Samsa, a traveling salesman, wakes up in his bed to find himself transformed into a large insect. He looks around his room, which appears normal, and decides to go back to sleep to forget about what has happened. The Metamorphosis (41 pages) Before the Law (2 pages) In the Penal Colony (23 pages) A Hunger Artist (8 pages) Jackals and Arabs (3 pages) A Report for An Academy (8 pages) A Country Doctor (5 pages) An Imperial Message (1 pages) The Judgement (9 pages) The Great Wall of China (11 pages) The Hunter Gracchus (4 pages) Up in the Gallery (1 pages). Metamorphosis kept reminding me of militarism in a society. Gregor Samsa's condition of being transformed intoa monstrous vermin and the manner in which he is rejected reminded me of societies where militarism spreads like a menace and eats a society away. One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. Metamorphosis kept reminding me of militarism in a society. Gregor Samsa's condition of being transformed intoa monstrous vermin and the manner in which he is rejected reminded me of societies where militarism spreads like a menace and eats a society away. The Metamorphosis (41 pages) Before the Law (2 pages) In the Penal Colony (23 pages) A Hunger Artist (8 pages) Jackals and Arabs (3 pages) A Report for An Academy (8 pages) A Country Doctor (5 pages) An Imperial Message (1 pages) The Judgement (9 pages) The Great Wall of China (11 pages) The Hunter Gracchus (4 pages) Up in the Gallery (1 pages). The Metamorphosis This text is a translation from the German by Ian Johnston, Malaspina University-College Nanaimo, BC. It has been prepared for students in the Liberal Studies and English departments. This document is in the public domain, released, January The Metamorphosis (41 pages) Before the Law (2 pages) In the Penal Colony (23 pages) A Hunger Artist (8 pages) Jackals and Arabs (3 pages) A Report for An Academy (8 pages) A Country Doctor (5 pages) An Imperial Message (1 pages) The Judgement (9 pages) The Great Wall of China (11 pages) The Hunter Gracchus (4 pages) Up in the Gallery (1 pages). The Metamorphosis Gregor Samsa, a traveling salesman, wakes up in his bed to find himself transformed into a large insect. He looks around his room, which appears normal, and decides to go back to sleep to forget about what has happened. https://cdn.sqhk.co/fredduncanao/hbIgjS1/the-history-of-middle-earth-part-1-94.pdf https://cdn-cms.f-static.net/uploads/4569791/normal_5fc36e41cc2af.pdf https://static.s123-cdn-static.com/uploads/4571313/normal_5fc42f8b875c2.pdf https://cdn.sqhk.co/amberiversonjx/icQiijb/my-book-of-little-house-paper-dolls-the-big-woods-collection-73.pdf https://cdn.sqhk.co/jeffhaydenyy/cRI5Xic/how-to-survive-a-sharknado-and-other-unnatural-disasters-fight-back-when-monsters-and-mother- nature-52.pdf https://cdn.sqhk.co/jadongeigerwf/gjaTbvK/the-challenger-sale-how-to-take-control-of-the-customer-conversation-13.pdf.
Recommended publications
  • European Literary Tradition in Roth's Kepesh Trilogy
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 8 European Literary Tradition in Roth's Kepesh Trilogy Gustavo Sánchez-Canales Autónoma University Madrid Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Jewish Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Sánchez-Canales, Gustavo.
    [Show full text]
  • Complete Stories by Franz Kafka
    The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker.
    [Show full text]
  • Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
    Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that.
    [Show full text]
  • Governs the Making of Photocopies Or Other Reproductions of Copyrighted Materials
    Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. OXFORD WORLD'S CLASSICS OXFORD WORLD'S CLASSICS For over 100 years Oxford World'J Classics have brought readers closer to the morld's great litera·ture. Nom mith over 700 titles-from the 4,ooo-year-old myths ofMesopotamia to the FRANZ KAFKA twentieth century's greatest IW1'els-the series makes available lesser-known as me" as celebrated mriting. The pocket-sized hardbacks ofthe early years contained A Hunger Artist ill/roductiolls by Virginill Woolf, T. S. Eliot, Graham Greene, alld other literalJlfigures mhich eIlriched the experience ofreading. and Other Stories Today the set'ies is recogllizedfor ilsfine scholarship and reliability ill texts that span world liurature, drama and poetry, religion, philosophy, lind politics. Each edition includes perceptive commel/t.ary and essential background information to meet the changing needs ofreaders. Translated by JOYCE CRICK With an Introduction and Notes by RITCHIE ROBERTSON OXFORD UNIVERSITY PRESS 56 A Hunger Artist: Four Stories A Hunger Artist 57 the wider world would be concerned with the affair after all-where, the personal direction of the performer himself, nowadays it is as I shall keep repeating, it has no jurisdiction-I shall not, I admit, completely impossible.
    [Show full text]
  • Franz Kafka a Hunger Artist
    D}d FRANZ KAFKA A HUNGER ARTIST & OTHER STORIES D}d D}d FRANZ KAFKA A HUNGER ARTIST & OTHER STORIES b Translated by Thor Polson D}d GUERNICA TORONTO • BUFFALO • BERKELEY • LANCASTER (U.K.) 2015 Copyright © 2015, Thor Polson and Guernica Editions Inc. All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise stored in a retrieval system, without the prior consent of the publisher is an infringement of the copyright law. Michael Mirolla, general editor David Moratto, interior & cover design Guernica Editions Inc. P.O. Box 76080, Abbey Market, Oakville, (ON), Canada L6M 3H5 2250 Military Road, Tonawanda, N.Y. 14150-6000 U.S.A. Distributors: University of Toronto Press Distribution, 5201 Dufferin Street, Toronto (ON), Canada M3H 5T8 Gazelle Book Services, White Cross Mills, High Town, Lancaster LA1 4XS U.K. First edition. Printed in Canada. Legal Deposit — Third Quarter Library of Congress Catalog Card Number: 2014934787 Library and Archives Canada Cataloguing in Publication Kafka, Franz, 1883-1924 [Short stories. English. Selections] A hunger artist & other stories / Franz Kafka ; translated by Thor Polson. (Essential translations series ; 20) Title on added title page, inverted: Poems and songs of love / Georg Mordechai Langer ; translated by Elana and Menachem Wolff Issued in print and electronic formats. Text mostly in English with some in Hebrew. ISBN 978-1-55071-867-6 (pbk.).--ISBN 978-1-55071-868-3 (epub).-- ISBN 978-1-55071-869-0 (mobi) 1. Kafka, Franz, 1883-1924--Translations into English. 2. Langer, Mordechai Georg, 1894-1943--Translations into English.
    [Show full text]
  • David Foster Wallace
    across the state of Illinois sat at their desks, depend on what communication-theorists curled over their pencils, stuck their tongues sometimes call "exformation," which is a cer- .between their teeth, and wrote five-paragraph tain quantity of vital information removed from essays about wearing uniforms to school. All but evoked by a communication in such a way except one. His essay began, "I never thought as to cause a kind of explosion of associative much about dancin' circles before today, but if connections within the recipient. This is prob- that's what you want to know about, well, here ably why the effect of both short stories and goes ... " And somewhere in North Carolina, jokes often feels sudden and percussive, like some poor soul will reach into the stack of 500 the venting of a long-stuck valve. It's not for essays she will have to read that day. Four hun- nothing that Kafka spoke of literature as "a dred and ninety-nine will be about wearing hatchet with which we chop at the frozen seas uniforms, and one won't. It will be "off topic." inside us." Nor is it an accident that the tech- The IGAP rules say that it must receive the nical achievement of great short stories is often lowest possible score. But I wish I could watch called "compression"-for both the pressure her face when she reads that first line. If she and the release are already inside the reader. keeps reading and smiles, I know there might What Kafka seems able to do better than just be hope for us.
    [Show full text]
  • EXISTENTIAL CRISIS in FRANZ Kl~Fkl:T
    EXISTENTIAL CRISIS IN FRANZ Kl~FKl:t. Thesis submitted to the University ofNor~b ~'!e:n~al for the award of the Degree of Doctor of Ph.Ho§'Ophy. By Miss Rosy Chamling Department of English University of North Bengal Dist. Darjeeling-7340 13 West Bengal 2010 gt)l.IN'tO rroit<. I • NlVERSITY OF NORTH BENGAL P.O. NORTH BENGAL UNIVERSITY, HEAD Raja Rammohunpur, Dist. Da~eeling, DEPARTMENT OF ENGLISH West Bengal, India, PIN- 734013. Phone: (0353) 2776 350 Ref No .................................................... Dated .....?.J..~ ..9 . .7.: ... ............. 20. /.~. TO WHOM IT MAY CONCERN This is to certify that Miss Rosy Cham!ing has completed her Research Work on •• Existential Crisis in Franz Kafka". As the thesis bears the marks of originality and analytic thinking, I recommend its submission for evaluation . \i~?~] j' {'f- f ~ . I) t' ( r . ~ . s amanta .) u, o:;.?o"" Supervis~r & Head Dept. of English, NBU .. Contents Page No. Preface ......................................................................................... 1-vn Acknowledgements ...................................................................... viii L1st. ot~A'b o -rev1at1ons . ................................................................... 1x. Chapter- I Introduction................................................... 1 1 Chapter- II The Critical Scene ......................................... 32-52 Chapter- HI Authority and the Individual. ........................ 53-110 Chapter- IV Tragic Humanism in Kafka........................... 111-17 5 Chapter- V Realism
    [Show full text]
  • The Complete Stories
    The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York.
    [Show full text]
  • Absurdity and Instability in the Works of Franz Kafka and Harold Pinter
    AT THE EDGE OF BEING: ABSURDITY AND INSTABILITY IN THE WORKS OF FRANZ KAFKA AND HAROLD PINTER Adam W. Cheshire A Thesis Submitted to the University of North Carolina Wilmington in Partial Fulfillment of the Requirements for the Degree of Master of Arts Department of English University of North Carolina Wilmington 2008 Approved by Advisory Committee Nicholas Laudadio Michael Wentworth Paula Kamenish Chair Accepted by _______________________________ Dean, Graduate School Table of Contents Abstract……………………………………………………………………………………. iii I. Creative Essence: Absurdity and the Artist……………………………………….. 1 II. Setting the Sights: Distortion and Destruction ……………………………………. 9 III. Community Watch: Perception and Power….…………………………………….. 23 IV. Memory: Seeing What‟s Not There……………………………………………….. 32 V. ….Esque…………………………………………………………………………… 44 Works Cited……………………………………………………………………………….. 47 ii Abstract The thematic similarities between the works of Franz Kafka and Harold Pinter have become a fruitful topic for critical discussion over the last few decades. In this essay I discuss what I see as one of the most important themes of Kafka and Pinter‟s writing: the instability of the human condition. Through the depiction of absurd interactions between characters, as well as the fragmented and distorted environments that pervade their works, Kafka and Pinter create a tension that resonates deep within the reader and the audience. My analysis of the techniques employed by Kafka and Pinter to create this unnerving tension is intended to illustrate the unique artistry these two writers share, and show why they have come to be seen as the literary representatives of the fractured and uncertain world of modern times. Using a definition of the literary absurd as that which challenges the expected notions of human action and interaction, I delve into the way Kafka and Pinter depict the absurd in their works, and how it reveals the instability of the human condition.
    [Show full text]
  • The Complete Stories by Franz Kafka
    Franz Kafka: The Complete Stories by Franz Kafka Ebook Franz Kafka: The Complete Stories currently available for review only, if you need complete ebook Franz Kafka: The Complete Stories please fill out registration form to access in our databases Download here >> Paperback: 488 pages Publisher: Schocken Books Inc.; Reprint edition (November 14, 1995) Language: English ISBN-10: 0805210555 ISBN-13: 978-0805210552 Product Dimensions:5.2 x 1 x 8 inches ISBN10 0805210555 ISBN13 978-0805210 Download here >> Description: The Complete Stories brings together all of Kafka’s stories, from the classic tales such as “The Metamorphosis,” “In the Penal Colony,” and “A Hunger Artist” to shorter pieces and fragments that Max Brod, Kafka’s literary executor, released after Kafka’s death. With the exception of his three novels, the whole of Kafka’s narrative work is included in this volume. Hello All,I recently purchased this book in faith, though I was also frustrated by the lack of information in the book description. So, I will provide here for you the table of contents so that whoever purchases this book from now on can know exactly what they are getting:(By the way, the book is beautifully new & well designed, with the edges of the pages torn, not cut.)When it says the complete stories, it means it. The foreword assures that the book contains all of the fiction that Kafka committed to publication during his lifetime. That meas his novels, which he did NOT intend to be published but left note in his will to be destroyed, are NOT included: The Trial, America, The Castle.
    [Show full text]
  • In the Metamorphosis, 83-89 in Also Sprach Zarathustra, 172 in The
    Index Abraham, Nicolas, 33 in open metaphor, 98 Adler, Friedrich, I to the Promised Land, 8 Adorno, Theodor W., 298n in The Sentimental Education, 190 on cultural debasement, 257-59 in "'You,' I Said ...," 18 against existentialism, 14n See also Allegory on hermeneutic force, 24-26 Alter, Robert, 183 on "The Judgment," 24-25, 28 Althusser, Louis, 141 and literalness, I Amadis of Gaul, 2 I I materialism of, 296 Anders, Gunther, 49-50, 55, 78 on names, 56-57 Anderson, Mark, 87n, 92, 229n, 243n, on silent film, 258-59, 271 244n Allegory, 149, 2oon, 224n, 275, 295, Anthropology, 123, 165-67, 170, 202 301n Antithesis, 139, 145, 148-49, 16o in aphorisms, 126 Aporia, 3, 102, 142 Benjamin's view of, 296-97 Aristotle, 91 of desire, 301n Auerbach, Erich, 144n, 185-86 in "In the Penal Colony, " 243 Autobiography, 107 in "The Judgment," 26, 28; 201 in The Metamorphosis, 83-89 Babel, 52, 277 in Nietzsche, 148 Bachelor, 14, 17-23, 35-39, 73, 230 in Romanticism, 78-79 Baioni, Giuliano, 65 violence of, 103 Baker, Josephine, 252-54, 258 vs. symbol, 83-89, 160, 277 Ball, Hugo, 252 Allusion, 37-38, 54, I 14n, 129, 149, Balzac, Honore de, 152-53, 226n 295 Barthes, Roland, 191, 204n, 295 in Also Sprach Zarathustra, 172 Basho (Matsuo Munefusa), 203 in Goll's aesthetics, 273 Bataille, Georges, So Messianic function of, 276-77 Batts, Michael, 141n in Th e Metamorphosis, 72n, 78 Baudelaire, Charles, 266, 296 3 1 3 Index Bauer, Felice, 239 Cabinet of Doctor Caligari, The, 257n as a Berlin woman, 268 Canetti, Elias, 3, 4, 7, 47n, 156, 247n, correspondence with, 37, 39 26on engagement to, 6, 109n, 229, 232n, Carson, Anne, 213n, 274n 240 Castanon.
    [Show full text]
  • AP Literature and Composition
    Pearson Education AP* Test Prep Series AP Literature and Composition Steven F. Jolliffe Richard McCarthy St. Johnsbury Academy *Advanced Placement, Advanced Placement Program, AP, and Pre-AP are registered trademarks of the College Board, which was not involved in the production of, and does not endorse, these products. Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City Sao Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo Vice President and Editor-in-Chief: Joseph Terry Senior Acquisitions Editor: Vivian Garcia Development Editor: Erin Reilly Senior Supplements Editor: Donna Campion Production Project Manager: Teresa Ward Production Management and Composition: Grapevine Publishing Services Cover Production: Alison Barth Burgoyne Manufacturing Buyer: Roy Pickering Executive Marketing Manager: Alicia Orlando Text and Cover Printer: Edwards Brothers Copyright © 2012 by Pearson Education, Inc. All rights reserved. Manufactured in the United States of America. This publication is protected by Copyright and permission should be obtained from the publisher prior to any prohibited reproduction, storage in a retrieval system, or transmission in any form or by any means, electronic, mechanical, photocopying, recording, or likewise. To obtain permission(s) to use material from this work, please submit a written request to Pearson Education, Inc., Permissions Department, 1900 E. Lake Ave., Glenview, IL 60025. For information regarding permissions, call (847) 486-2635. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designa- tions appear in this book, and the publisher was aware of a trademark claim, the designations have been printed in initial caps or all caps.
    [Show full text]