Authority, Autonomy, and Choice: the Role of Consent in the Moral and Political Visions of Franz Kafka and Richard Posner
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A Study of the Victorian and Edwardian Conceptions Of
James Madison University JMU Scholarly Commons Masters Theses The Graduate School Spring 2012 Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little Women , The Secret Garden , and Peter Pan Leah Marie Kirkpatrick James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/master201019 Part of the English Language and Literature Commons Recommended Citation Kirkpatrick, Leah Marie, "Hidden kisses, walled gardens, and angel-kinder: A Study of the Victorian and Edwardian conceptions of motherhood and childhood in Little omeW n, The eS cret Garden, and Peter Pan" (2012). Masters Theses. 253. https://commons.lib.jmu.edu/master201019/253 This Thesis is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Masters Theses by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. Hidden Kisses, Walled Gardens, and Angel-kinder: a Study of the Victorian and Edwardian Conceptions of Motherhood and Childhood in Little Women, The Secret Garden, and Peter Pan Leah M. Kirkpatrick A thesis submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Master of Arts English May 2012 Table of Contents List of Figures………………………………………………………………..…….....iii Abstract…………………………………………………………………………….....iv Introduction…………………………………………………………………………....1 I: The Invention of Childhood and the History of Children’s Literature…………..….3 II: An Angel in the House: the Victorian and Edwardian Wife and Mother………...27 III: Metaphysical Mothers: Mothers in The Secret Garden and Little Women………56 IV. -
European Literary Tradition in Roth's Kepesh Trilogy
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 16 (2014) Issue 2 Article 8 European Literary Tradition in Roth's Kepesh Trilogy Gustavo Sánchez-Canales Autónoma University Madrid Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the American Studies Commons, Comparative Literature Commons, Education Commons, European Languages and Societies Commons, Feminist, Gender, and Sexuality Studies Commons, Jewish Studies Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, Reading and Language Commons, Rhetoric and Composition Commons, Social and Behavioral Sciences Commons, Television Commons, and the Theatre and Performance Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Sánchez-Canales, Gustavo. -
Complete Stories by Franz Kafka
The Complete Stories by Franz Kafka Back Cover: "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. The foreword by John Updike was originally published in The New Yorker. -
Pedagogies of Justice : Critical Approaches to Public Legal Education
BIROn - Birkbeck Institutional Research Online Enabling Open Access to Birkbeck’s Research Degree output Pedagogies of justice : critical approaches to public legal education https://eprints.bbk.ac.uk/id/eprint/44178/ Version: Full Version Citation: Wintersteiger, Lisa (2020) Pedagogies of justice : critical ap- proaches to public legal education. [Thesis] (Unpublished) c 2020 The Author(s) All material available through BIROn is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Pedagogies of justice Critical approaches to public legal education Lisa Wintersteiger School of Law Birkbeck, University of London. Submitted for the degree of Doctor of Philosophy for the University of London August 2019 Declaration I hereby declare that the work presented in this thesis is my own, except where explicit reference is made to the work of others. 2 Abstract Public legal education is generally understood as a set of informal educational practices aimed at improving access to justice and social cohesion that predominantly focus on marginalised or disadvantaged populations. Public knowledge of law and its associated informational and educational practices provide a decisive locus for the legitimizing function of the normative ideal of the rule of law with its underpinning assumptions of security and stability. These ideals occlude a legacy of violence and political oppression that haunt the legal order, an erasure that is perpetuated when legal education is inattentive to its political- philosophical underpinnings. The pivotal role of public legal knowledge also carries the possibility of alternative critical engagements with justice systems that fundamentally interrogate the juridical-political order. -
Governs the Making of Photocopies Or Other Reproductions of Copyrighted Materials
Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. OXFORD WORLD'S CLASSICS OXFORD WORLD'S CLASSICS For over 100 years Oxford World'J Classics have brought readers closer to the morld's great litera·ture. Nom mith over 700 titles-from the 4,ooo-year-old myths ofMesopotamia to the FRANZ KAFKA twentieth century's greatest IW1'els-the series makes available lesser-known as me" as celebrated mriting. The pocket-sized hardbacks ofthe early years contained A Hunger Artist ill/roductiolls by Virginill Woolf, T. S. Eliot, Graham Greene, alld other literalJlfigures mhich eIlriched the experience ofreading. and Other Stories Today the set'ies is recogllizedfor ilsfine scholarship and reliability ill texts that span world liurature, drama and poetry, religion, philosophy, lind politics. Each edition includes perceptive commel/t.ary and essential background information to meet the changing needs ofreaders. Translated by JOYCE CRICK With an Introduction and Notes by RITCHIE ROBERTSON OXFORD UNIVERSITY PRESS 56 A Hunger Artist: Four Stories A Hunger Artist 57 the wider world would be concerned with the affair after all-where, the personal direction of the performer himself, nowadays it is as I shall keep repeating, it has no jurisdiction-I shall not, I admit, completely impossible. -
Franz Kafka a Hunger Artist
D}d FRANZ KAFKA A HUNGER ARTIST & OTHER STORIES D}d D}d FRANZ KAFKA A HUNGER ARTIST & OTHER STORIES b Translated by Thor Polson D}d GUERNICA TORONTO • BUFFALO • BERKELEY • LANCASTER (U.K.) 2015 Copyright © 2015, Thor Polson and Guernica Editions Inc. All rights reserved. The use of any part of this publication, reproduced, transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise stored in a retrieval system, without the prior consent of the publisher is an infringement of the copyright law. Michael Mirolla, general editor David Moratto, interior & cover design Guernica Editions Inc. P.O. Box 76080, Abbey Market, Oakville, (ON), Canada L6M 3H5 2250 Military Road, Tonawanda, N.Y. 14150-6000 U.S.A. Distributors: University of Toronto Press Distribution, 5201 Dufferin Street, Toronto (ON), Canada M3H 5T8 Gazelle Book Services, White Cross Mills, High Town, Lancaster LA1 4XS U.K. First edition. Printed in Canada. Legal Deposit — Third Quarter Library of Congress Catalog Card Number: 2014934787 Library and Archives Canada Cataloguing in Publication Kafka, Franz, 1883-1924 [Short stories. English. Selections] A hunger artist & other stories / Franz Kafka ; translated by Thor Polson. (Essential translations series ; 20) Title on added title page, inverted: Poems and songs of love / Georg Mordechai Langer ; translated by Elana and Menachem Wolff Issued in print and electronic formats. Text mostly in English with some in Hebrew. ISBN 978-1-55071-867-6 (pbk.).--ISBN 978-1-55071-868-3 (epub).-- ISBN 978-1-55071-869-0 (mobi) 1. Kafka, Franz, 1883-1924--Translations into English. 2. Langer, Mordechai Georg, 1894-1943--Translations into English. -
David Foster Wallace
across the state of Illinois sat at their desks, depend on what communication-theorists curled over their pencils, stuck their tongues sometimes call "exformation," which is a cer- .between their teeth, and wrote five-paragraph tain quantity of vital information removed from essays about wearing uniforms to school. All but evoked by a communication in such a way except one. His essay began, "I never thought as to cause a kind of explosion of associative much about dancin' circles before today, but if connections within the recipient. This is prob- that's what you want to know about, well, here ably why the effect of both short stories and goes ... " And somewhere in North Carolina, jokes often feels sudden and percussive, like some poor soul will reach into the stack of 500 the venting of a long-stuck valve. It's not for essays she will have to read that day. Four hun- nothing that Kafka spoke of literature as "a dred and ninety-nine will be about wearing hatchet with which we chop at the frozen seas uniforms, and one won't. It will be "off topic." inside us." Nor is it an accident that the tech- The IGAP rules say that it must receive the nical achievement of great short stories is often lowest possible score. But I wish I could watch called "compression"-for both the pressure her face when she reads that first line. If she and the release are already inside the reader. keeps reading and smiles, I know there might What Kafka seems able to do better than just be hope for us. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Franz Kafka, Lawrence Joseph, and the Possibilities of Jurisprudential Literature
Georgetown University Law Center Scholarship @ GEORGETOWN LAW 2011 Franz Kafka, Lawrence Joseph, and the Possibilities of Jurisprudential Literature Patrick J. Glen Georgetown University Law Center, [email protected] Georgetown Public Law and Legal Theory Research Paper No. 11-22 This paper can be downloaded free of charge from: https://scholarship.law.georgetown.edu/facpub/967 http://ssrn.com/abstract=1768093 21 S. Cal. Interdisc. L.J. 47-94 (2011) This open-access article is brought to you by the Georgetown Law Library. Posted with permission of the author. Follow this and additional works at: https://scholarship.law.georgetown.edu/facpub Part of the Courts Commons, Jurisprudence Commons, and the Law and Society Commons FRANZ KAFKA, LAWRENCE JOSEPH, AND THE POSSIBILITIES OF JURISPRUDENTIAL LITERATURE PATRICK J. GLEN* I. INTRODUCTION What does a tubercular Czech Jew, born and raised in Prague, who died in June 1924, have in common with a Maronite Catholic of mixed Lebanese and Syrian descent, born and raised in Detroit during the 1950s and 1960s, and who currently haunts the streets of twenty-first century New York City? If the Czech Jew is Franz Kafka and the Maronite Detroiter is Lawrence Joseph, there are far more similarities than one may expect considering the expanse of time and space separating their lives and experiences.1 Both studied and eventually practiced law: Kafka in the context of insurance, employment, and workers compensation, and Joseph with the international law firm of Shearman & Sterling.2 Kafka was a short story writer and novelist while Joseph is an acclaimed poet and novelist.3 In both of their literary works, law and legal themes are often at the center of their writings. -
ON PAIN in PERFORMANCE ART by Jareh Das
BEARING WITNESS: ON PAIN IN PERFORMANCE ART by Jareh Das Thesis submitted in fulfilment of the requirements for the degree of PhD Department of Geography Royal Holloway, University of London, 2016 1 Declaration of Authorship I, Jareh Das hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 19th December 2016 2 Acknowledgments This thesis is the result of the generosity of the artists, Ron Athey, Martin O’Brien and Ulay. They, who all continue to create genre-bending and deeply moving works that allow for multiple readings of the body as it continues to evolve alongside all sort of cultural, technological, social, and political shifts. I have numerous friends, family (Das and Krys), colleagues and acQuaintances to thank all at different stages but here, I will mention a few who have been instrumental to this process – Deniz Unal, Joanna Reynolds, Adia Sowho, Emmanuel Balogun, Cleo Joseph, Amanprit Sandhu, Irina Stark, Denise Kwan, Kirsty Buchanan, Samantha Astic, Samantha Sweeting, Ali McGlip, Nina Valjarevic, Sara Naim, Grace Morgan Pardo, Ana Francisca Amaral, Anna Maria Pinaka, Kim Cowans, Rebecca Bligh, Sebastian Kozak and Sabrina Grimwood. They helped me through the most difficult parts of this thesis, and some were instrumental in the editing of this text. (Jo, Emmanuel, Anna Maria, Grace, Deniz, Kirsty and Ali) and even encouraged my initial application (Sabrina and Rebecca). I must add that without the supervision and support of Professor Harriet Hawkins, this thesis would not have been completed. -
Excellence in Advocacy: a Victim-Centered Approach
OHIO FAMILY VIOLENCE PREVENTION CENTER OFFICE OF CRIMINAL JUSTICE SERVICES A DIVISION OF THE OHIO DEPARTMENT OF PUBLIC SAFETY Excellence in Advocacy: A Victim-Centered Approach 2010 Message from the Executive Director of the Ohio Office of Criminal Justice Services The Ohio Office of Criminal Justice Services (OCJS), the lead criminal justice planning agency for the State of Ohio, is pleased to provide this publication, Excellence in Advocacy: A Victim- Centered Approach. This publication was developed through a collaboration of the Family Violence Prevention Center (FVPC) and the Family Violence Prevention Center Advisory Council. The FVPC Advisory Council consists of criminal justice experts from around the state who work on domestic violence, sexual assault, dating violence and stalking issues. Excellence in Advocacy: A Victim-Centered Approach, is part of our continuing effort to educate and enhance services of professionals in the field. This publication, while helpful for all victim advocates, was specifically designed for victim advocates who have been in the field five years or less. The publication includes information on the following topics: • What is advocacy? • National/State Code of Conduct for advocates • Unauthorized practice of law • Picking your battles • Legal remedies • Safety planning • Emerging issues The success of this publication is not possible without the collaborative efforts of FVPC and its partners in the victim advocacy field. It is my hope that Excellence in Advocacy: A Victim-Centered Approach will serve as a valuable resource for victim advocates and service providers as they work towards safety, education and awareness for victims/survivors of crime and enhancing public safety in Ohio. -
Schizoproduction: Artistic Research and Performance in the Context of Immanent Capitalism
Schizoproduction: Artistic research and performance in the context of immanent capitalism TERO NAUHA 45 ACTA SCENICA Schizoproduction: Artistic research and performance in the context of immanent capitalism TERO NAUHA TERO NAUHA Schizoproduction: artistic research and performance in the context of immanent capitalism DOCTORAL RESEARCH Acta Scenica 45 2016 ISBN (print): 978-952-6670-69-0 ISBN (pdf): 978-952-6670-70-6 ISSN (print): 1238-5913 ISSN (pdf): 2242-6485 PUBLISHER: University of the Arts Helsinki, Theatre Academy, Performing Arts Research Centre © 2016 University of the Arts Helsinki, Theatre Academy, Performing Arts Research Centre and Tero Nauha GRAPHIC DESIGN BOND Creative Agency www.bond.fi COVER PHOTO Tero Nauha LAYOUT Annika Marjamäki, Edita Prima Ltd PRINTED BY Edita Prima Ltd, Helsinki 2016 PAPER Scandia 2000 Natural 240 g / m2 & Scandia 2000 Natural 115 g / m2 FONTS Benton Modern Two & Monosten Schizoproduction: Artistic research and performance in the context of immanent capitalism TERO NAUHA 45 ACTA SCENICA Contents Tiivistelmä 9 Abstrakt 11 Abstract 13 Acknowledgements 15 Vestibule 21 Cross-section 23 THE FIRST FLOOR PRACTICE 35 Infection with performance art 37 CHAPTER 1: From Practice to Practice as Research 43 CHAPTER 2: Performance and the production of subjectivity 55 CHAPTER 3: Loop Variations, 2008 65 CHAPTER 4: Tell me about your machines, 2012 81 CHAPTER 5: Life in Bytom, 2012 87 CHAPTER 6: The Astronomer: Experiment, 2013 115 CHAPTER 7: Man-a-machine: schizoproduction, 2014 125 THE SECOND FLOOR: THEORY 142