I I I I I I I B&Wscans ~T~S\O> I I It I I HOUSEHOLD TEXTILES in PHILADELPHIA 1720-1840 I I I Aimee E
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', :':':;"Texa's- Agricultural , Ex-Ten '
4> ~ -,' , :':':;"TEXA'S- AGRICULTURAL , EX-TEN ' . ... -:>-.~ -~•• ,....,~ hi.t~.' ~ ___ '>::"'" - 'J. E .. 'Hutchison, 'Director, College:.shlt~QP" Texas GRAHAM HARD NENA ROBERSON RHEBA MERLE BOYLES FANNIE BROWN EATON EXTENSION CLOTHING SPECIALISTS The A. and M. College of Texas THE CHARACTERISTICS OF FABRICS which . give 3. Fabrics made of chemically treated cotton, them the virtues of quick drying, crease re linen and rayon. The resin finishes are the most sistance, little or no ironing, keeping their orig commonly used. These finishes should last the inal shape and size during use and care, retaining normal life of a garment. a look of newness and fresh crispness after being worn and cleaned continuously also create sewing FABRIC SELECTION difficulties. The surface often is smoother and The best guides in the selection of quality harder which makes the fabric less pliable and fabrics are informative labels of reputable manu more difficult to handle. These qualities can facturers. Good quality finishes add to the cost cause seams to pucker. Even in the softest blends of fabrics, but compensate for the extra cost in there is a springiness which requires more care in durability and appearance. handling ease, as in the sleeve cap. Each fabric presents different problems. Look Wash-and-wear fabrics may be divided into at the fabric and feel it. Is it closely or loosely three groups: woven? Is it soft and firm, or stiff and wiry? 1. Fabrics woven or knitted from yarns of Will it fray? What style pattern do you have in 100 percent man-made fibers. These fabrics, if mind? properly finished, are highly crease resistant and The correctness of fabric grain is important keep their original shape and size during use and in sewing. -
The Rhetoric of the Saints in Middle English Bibiical Drama by Chester N. Scoville a Thesis Submitted in Conformity with The
The Rhetoric of the Saints in Middle English BibIical Drama by Chester N. Scoville A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of English University of Toronto O Copyright by Chester N. Scoville (2000) National Library Bibiiotheque nationale l*l ,,na& du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rwW~gtm OttawaON KlAûîU4 OtÈewaûN K1AW canada canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sel1 reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otheMrise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Abstract of Thesis for the Degree of Doctor of Philosophy 2000 Department of English, University of Toronto The Rhetoric of the Saints in Middle English Biblical Dnma by Chester N. Scovilie Much past criticism of character in Middle English drarna has fallen into one of two rougtily defined positions: either that early drama was to be valued as an example of burgeoning realism as dernonstrated by its villains and rascals, or that it was didactic and stylized, meant primarily to teach doctrine to the faithfùl. -
Amjad Ali Khan & Sharon Isbin
SUMMER 2 0 2 1 Contents 2 Welcome to Caramoor / Letter from the CEO and Chairman 3 Summer 2021 Calendar 8 Eat, Drink, & Listen! 9 Playing to Caramoor’s Strengths by Kathy Schuman 12 Meet Caramoor’s new CEO, Edward J. Lewis III 14 Introducing in“C”, Trimpin’s new sound art sculpture 17 Updating the Rosen House for the 2021 Season by Roanne Wilcox PROGRAM PAGES 20 Highlights from Our Recent Special Events 22 Become a Member 24 Thank You to Our Donors 32 Thank You to Our Volunteers 33 Caramoor Leadership 34 Caramoor Staff Cover Photo: Gabe Palacio ©2021 Caramoor Center for Music & the Arts General Information 914.232.5035 149 Girdle Ridge Road Box Office 914.232.1252 PO Box 816 caramoor.org Katonah, NY 10536 Program Magazine Staff Caramoor Grounds & Performance Photos Laura Schiller, Publications Editor Gabe Palacio Photography, Katonah, NY Adam Neumann, aanstudio.com, Design gabepalacio.com Tahra Delfin,Vice President & Chief Marketing Officer Brittany Laughlin, Director of Marketing & Communications Roslyn Wertheimer, Marketing Manager Sean Jones, Marketing Coordinator Caramoor / 1 Dear Friends, It is with great joy and excitement that we welcome you back to Caramoor for our Summer 2021 season. We are so grateful that you have chosen to join us for the return of live concerts as we reopen our Venetian Theater and beautiful grounds to the public. We are thrilled to present a full summer of 35 live in-person performances – seven weeks of the ‘official’ season followed by two post-season concert series. This season we are proud to showcase our commitment to adventurous programming, including two Caramoor-commissioned world premieres, three U.S. -
Tartan As a Popular Commodity, C.1770-1830. Scottish Historical Review, 95(2), Pp
Tuckett, S. (2016) Reassessing the romance: tartan as a popular commodity, c.1770-1830. Scottish Historical Review, 95(2), pp. 182-202. (doi:10.3366/shr.2016.0295) This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/112412/ Deposited on: 22 September 2016 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk SALLY TUCKETT Reassessing the Romance: Tartan as a Popular Commodity, c.1770-1830 ABSTRACT Through examining the surviving records of tartan manufacturers, William Wilson & Son of Bannockburn, this article looks at the production and use of tartan in the late eighteenth and early nineteenth centuries. While it does not deny the importance of the various meanings and interpretations attached to tartan since the mid-eighteenth century, this article contends that more practical reasons for tartan’s popularity—primarily its functional and aesthetic qualities—merit greater attention. Along with evidence from contemporary newspapers and fashion manuals, this article focuses on evidence from the production and popular consumption of tartan at the turn of the nineteenth century, including its incorporation into fashionable dress and its use beyond the social elite. This article seeks to demonstrate the contemporary understanding of tartan as an attractive and useful commodity. Since the mid-eighteenth century tartan has been subjected to many varied and often confusing interpretations: it has been used as a symbol of loyalty and rebellion, as representing a fading Highland culture and heritage, as a visual reminder of the might of the British Empire, as a marker of social status, and even as a means of highlighting racial difference. -
Finish That Seam Barbara Short Iowa State College
Volume 30 Article 7 Number 5 The Iowa Homemaker vol.30, no.5 1950 Finish That Seam Barbara Short Iowa State College Follow this and additional works at: http://lib.dr.iastate.edu/homemaker Part of the Home Economics Commons Recommended Citation Short, Barbara (1950) "Finish That Seam," The Iowa Homemaker: Vol. 30 : No. 5 , Article 7. Available at: http://lib.dr.iastate.edu/homemaker/vol30/iss5/7 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in The oI wa Homemaker by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. Finish That Seam - But fi rst be sure the finish is the proper one for you r material. Here are the recent 1 findings of two textiles and I clothing graduate students. I I j I I J I I J by Barbara Short I J Technical Journalism Junior I I I J I I I > HEN your mother was a little girl, often seam I > j W stresses stayed in the house for a week to outfit "'--- I the family each year. Then the inside of a dress was just as finished as the outside. Those seamstresses took 1. Double-stitch finish; 2. Pinked finish; 3. Q,·er-cast edges. pains to finish each seam so that they could be sure it wouldn't ravel. Recent graduate research at Iowa State has taken guesswork out of seam finishing. Find Hiltbold points out that the ridge produced when ings will mean no more unnecessary sewing or hope the edge is turned shows on certain fabrics. -
Section 881 Fabrics
Section 881—Fabrics 881.1 General Description This section includes the requirements for the following fabrics: Plain cotton duck Rubber-impregnated cotton duck Burlap and cotton bags Plastic filter fabric Pavement reinforcement fabric Silt fence filter fabric 881.1.01 Related References A. Standard Specifications Section 106—Materials Certification B. Referenced Documents Federal Specification CCC-C 419 Type III ASTM D 36 ASTM D 146 ASTM D 412 ASTM D 1777 ASTM D 3786 ASTM D 4355 ASTM D 4632, GRAB ASTM D 4751 ASTM D 4833 GDT 87 GDT 88 GDT 95 QPL 28 QPL 36 QPL 40 QPL 47 881.2 Materials 881.2.01 Plain Cotton Duck A. Requirements 1. Use plain cotton duck that meets the requirements of Federal Specification CCC-C 419 Type III. Page 1 Section 881—Fabrics 2. Ensure that the duck weighs at least 8 oz./yd² (270 g/m²). B. Fabrication General Provisions 101 through 150. C. Acceptance General Provisions 101 through 150. D. Materials Warranty General Provisions 101 through 150. 881.2.02 Rubber-Impregnated Cotton Duck A. Requirements 1. Use preformed rubber-impregnated fabric pads made of multiple layers of 8 oz (270 g) cotton duck, impregnated and bound with high quality natural rubber, or made of equivalent materials compressed into resilient pads of uniform thickness. 2. Use enough plies to reach the specified thickness after compression and vulcanizing. 3. Ensure that the finished pad withstands compression loads of not less than 10,000 psi (70 MPa) when applied perpendicular to the plane of the laminations. Ensure that the pad does not extrude or harmfully reduce in thickness. -
Tate Report 08-09
Tate Report 08–09 Report Tate Tate Report 08–09 It is the Itexceptional is the exceptional generosity generosity and and If you wouldIf you like would to find like toout find more out about more about PublishedPublished 2009 by 2009 by vision ofvision individuals, of individuals, corporations, corporations, how youhow can youbecome can becomeinvolved involved and help and help order of orderthe Tate of the Trustees Tate Trustees by Tate by Tate numerousnumerous private foundationsprivate foundations support supportTate, please Tate, contact please contactus at: us at: Publishing,Publishing, a division a divisionof Tate Enterprisesof Tate Enterprises and public-sectorand public-sector bodies that bodies has that has Ltd, Millbank,Ltd, Millbank, London LondonSW1P 4RG SW1P 4RG helped Tatehelped to becomeTate to becomewhat it iswhat it is DevelopmentDevelopment Office Office www.tate.org.uk/publishingwww.tate.org.uk/publishing today andtoday enabled and enabled us to: us to: Tate Tate MillbankMillbank © Tate 2009© Tate 2009 Offer innovative,Offer innovative, landmark landmark exhibitions exhibitions London LondonSW1P 4RG SW1P 4RG ISBN 978ISBN 1 85437 978 1916 85437 0 916 0 and Collectionand Collection displays displays Tel 020 7887Tel 020 4900 7887 4900 A catalogue record for this book is Fax 020 Fax7887 020 8738 7887 8738 A catalogue record for this book is available from the British Library. DevelopDevelop imaginative imaginative education education and and available from the British Library. interpretationinterpretation programmes programmes AmericanAmerican Patrons Patronsof Tate of Tate Every effortEvery has effort been has made been to made locate to the locate the 520 West520 27 West Street 27 Unit Street 404 Unit 404 copyrightcopyright owners ownersof images of includedimages included in in StrengthenStrengthen and extend and theextend range the of range our of our New York,New NY York, 10001 NY 10001 this reportthis and report to meet and totheir meet requirements. -
From Maroons to Mardi Gras
FROM MAROONS TO MARDI GRAS: THE ROLE OF AFRICAN CULTURAL RETENTION IN THE DEVELOPMENT OF THE BLACK INDIAN CULTURE OF NEW ORLEANS A MASTERS THESIS SUBMITTED TO THE GRADUATE FACULTY OF LIBERTY UNIVERSITY BY ROBIN LIGON-WILLIAMS IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ETHNOMUSICOLOGY DECEMBER 18, 2016 Copyright: Robin Ligon-Williams, © 2016 CONTENTS ACKNOWLEDGEMENTS iv. ABSTRACT vi. CHAPTER 1. INTRODUCTION 1 History and Background 1 Statement of the Problem 1 Research Question 2 Glossary of Terms 4 Limitations of the Study 6 Assumptions 7 2. LITERATURE REVIEW 9 New Orleans-Port of Entry for African Culture 9 Brotherhood in Congo Square: Africans & Native Americans Unite 11 Cultural Retention: Music, Language, Masking, Procession and Ritual 13 -Musical Influence on Jazz & Rhythm & Blues 15 -Language 15 -Procession 20 -Masking: My Big Chief Wears a Golden Crown 23 -African Inspired Masking 26 -Icons of Resistance: Won’t Bow Down, Don’t Know How 29 -Juan “Saint” Maló: Epic Hero of the Maroons 30 -Black Hawk: Spiritual Warrior & Protector 34 ii. -Spiritualist Church & Ritual 37 -St. Joseph’s Day 40 3. METHODOLOGY 43 THESIS: 43 Descriptions of Research Tools/Data Collection 43 Participants in the Study 43 Academic Research Timeline 44 PROJECT 47 Overview of the Project Design 47 Relationship of the Literature to the Project Design 47 Project Plan to Completion 49 Project Implementation 49 Research Methods and Tools 50 Data Collection 50 4. IN THE FIELD 52 -Egungun Masquerade: OYOTUNJI Village 52 African Cultural Retentions 54 -Ibrahima Seck: Director of Research, Whitney Plantation Museum 54 -Andrew Wiseman: Ghanaian/Ewe, Guardians Institute 59 The Elders Speak 62 -Bishop Oliver Coleman: Spiritualist Church, Greater Light Ministries 62 -Curating the Culture: Ronald Lewis, House of Dance & Feathers 66 -Herreast Harrison: Donald Harrison Sr. -
Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The
Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The Neighbouring Countries 1 Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The Neighbouring Countries The Project Gutenberg eBook, Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The Neighbouring Countries, by William Griffith, Edited by John M'Clelland This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re−use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The Neighbouring Countries Author: William Griffith Release Date: February 25, 2005 [eBook #15171] Language: English Character set encoding: ISO−646−US (US−ASCII) ***START OF THE PROJECT GUTENBERG EBOOK JOURNALS OF TRAVELS IN ASSAM, BURMA, BHOOTAN, AFGHANISTAN AND THE NEIGHBOURING COUNTRIES*** This eBook was produced by Les Bowler from the 1847 edition. JOURNALS OF TRAVELS IN ASSAM, BURMA, BHOOTAN, AFGHANISTAN AND THE NEIGHBOURING COUNTRIES By William Griffith. Arranged by John M'Clelland. [Sketch of William Griffith: pf.jpg] CONTENTS. Notice of the author from the Proceedings of the Linnaean Society, and Extracts from Correspondence. CHAPTER IProceeding with the Assam Deputation for the Examination of the Tea Plant. II Journal of an Excursion in the Mishmee Mountains. III Tea localities in the Muttock Districts, Upper Assam. IV Journey from Upper Assam towards Hookum. V Journey from Hookum to Ava. VI Botanical Notes written in pencil, connected with the foregoing Chapter. Journals of Travels in Assam, Burma, Bhootan, Afghanistan and The Neighbouring Countries 2 VII General Report on the foregoing. -
Young Adult Realistic Fiction Book List
Young Adult Realistic Fiction Book List Denotes new titles recently added to the list while the severity of her older sister's injuries Abuse and the urging of her younger sister, their uncle, and a friend tempt her to testify against Anderson, Laurie Halse him, her mother and other well-meaning Speak adults persuade her to claim responsibility. A traumatic event in the (Mature) (2007) summer has a devastating effect on Melinda's freshman Flinn, Alexandra year of high school. (2002) Breathing Underwater Sent to counseling for hitting his Avasthi, Swati girlfriend, Caitlin, and ordered to Split keep a journal, A teenaged boy thrown out of his 16-year-old Nick examines his controlling house by his abusive father goes behavior and anger and describes living with to live with his older brother, his abusive father. (2001) who ran away from home years earlier under similar circumstances. (Summary McCormick, Patricia from Follett Destiny, November 2010). Sold Thirteen-year-old Lakshmi Draper, Sharon leaves her poor mountain Forged by Fire home in Nepal thinking that Teenaged Gerald, who has she is to work in the city as a spent years protecting his maid only to find that she has fragile half-sister from their been sold into the sex slave trade in India and abusive father, faces the that there is no hope of escape. (2006) prospect of one final confrontation before the problem can be solved. McMurchy-Barber, Gina Free as a Bird Erskine, Kathryn Eight-year-old Ruby Jean Sharp, Quaking born with Down syndrome, is In a Pennsylvania town where anti- placed in Woodlands School in war sentiments are treated with New Westminster, British contempt and violence, Matt, a Columbia, after the death of her grandmother fourteen-year-old girl living with a Quaker who took care of her, and she learns to family, deals with the demons of her past as survive every kind of abuse before she is she battles bullies of the present, eventually placed in a program designed to help her live learning to trust in others as well as her. -
Paper 2: the Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with Extra Images July 2015
Industrial Lyme - Paper 2: The Woollen Cloth Industry in the Lim Valley © Richard Bull & Lyme Regis Museum Revised with extra images July 2015 Like all research, this is on-going. If you know more, or are descended from any of the families involved, please get in touch with the author via Lyme Regis Museum. Summary Woollen cloth has been made in the Lim Valley from at least medieval times, but this paper is more about the factories in Lyme Regis and Uplyme that made high-quality West of England coat cloths. The factories in Lyme were bankrupt in 1847, leaving the Uplyme factory to soldier on against Yorkshire competition until it was destroyed by fire in 1866, whilst being modernised. In Lyme the factories were started up again in the 1850s to make silk thread and hemp twine, but only for a short period; these are the subjects of other papers in this series. This paper contains: the background to the trade, the history of the factories and a walking trail to see the mills. Cloth making – the essential process in a nutshell Sheep fleeces are packed on the farm into big canvas bags called woolsacks. At the factory the fleeces are scoured (washed) to remove lanolin (wool- grease), dirt and adhering vegetable material. Then the fleeces are scribbled (torn up into pieces), combed and carded to produce rovings, long strips of wool ready for spinning. Washed and combed fleece being fed into a carding machine at Coldharbour Mill, Uffculme, Devon Industrial Lyme Paper 2 – The Woollen Cloth Industry © R Bull & Lyme Regis Museum 1 Spinning means to draw out and twist - and by this process the scales of the individual wool fibres lock together to produce a thread known as a single. -
Sheila Never Go As Fast As You Would Wish!) Don’T Worry – We Will Let You Know When You Can Open That Present!
Bear in Mind An electronic newsletter from Bear Threads Ltd. Volume 4 – Issue 1 January 2012 From The Editor – I hope you will enjoy this newsletter. In it there is lots of information that I think you will find helpful for the 2012! coming months and beyond. And I am looking forward to showing you all that is new at the Creative Sewing Market in Birmingham. Remember the dates are January 15‐16. Seems only yesterday we were turning the calendar to the new millennium of 2000! Indeed this is a new year and an Till Birmingham, Happy Stitching – exciting one as well, for Bear Threads. * We will soon be inaugurating a new website (things Sheila never go as fast as you would wish!) Don’t worry – we will let you know when you can open that present! *I will begin teaching again with several informative as well as fun lectures and projects. There are classes for beginner to advanced, as well as shop owners, too. BIRMINGHAM CREATIVE SEWING Please call for more information. MARKET *We have many new fabrics to entice your spring sewing. Sunday and Monday Honestly there are too many new fabrics to list here, but January 15 and 16, 2012 for teasers, we have brought back the beautiful Ecru in the Marriot Hotel – Hwy. 280 just south of I‐459 Bearissima. AND we have brought back the TRUE LAWN, in white, pink and blue. *We have a new price list that is easier to read and it lists Be sure to see Bear Threads, Ltd. first.