DOCSLIB.ORG

Achivment 02/09/04V2 10/5/12 2:53 PM Page 1 Annualannual Reportreport Asheville School 2011 - 2012 Table of Annual Report Contents 2011 - 2012

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Achivment 02/09/04V2 10/5/12 2:53 PM Page 1 Annualannual Reportreport Asheville School 2011 - 2012 Table of Annual Report Contents 2011 - 2012 Annual Report 11-12_Achivment 02/09/04v2 10/5/12 2:53 PM Page 1 AnnualAnnual ReportReport Asheville School 2011 - 2012 Table of Annual Report Contents 2011 - 2012 Published for Alumni, Parents & Departments BOARD OF TRUSTEES 2011 - 2012 Friends of Asheville School 01 From the Head of School by the Advancement Department Ms. E. Parce Ainsworth 1983 Asheville School Mr. Harris M. Baker 1974 360 Asheville School Road Staff Reports Ms. Terry Banta P ‘07 Asheville, North Carolina 28806 2 Alumni and Development Report Mr. Marshall T. Bassett 1972 828.254.6345 Mr. John A. Boland III P ‘99 www.ashevilleschool.org 4 Admission Report Ms. Cathy Blackwelder P ‘10, ‘13 6 Academic Report Ex-officio Parents' Association ‘ ‘ Editor 8 Athletics Report Mr. Chip Blackwelder P 10, 13 Bob Williams 10 Student Affairs Report Ex-officio Parents' Association Mr. Walter G. Cox, Jr. 1972 P ‘06 Assistant Editor Ms. Ann Craver P ‘11 Sheila Steelman Class Notes Mr. D. Tadley DeBerry 1981 12 1939-1964 *Dr. Clifford O. Feingold 1967 Assistant Head of School Ex-officio Alumni Association 14 1967-1977 for Advancement Ms. Ayla Ficken P ‘09 John Thorsen 1987 16 1980-1987 *Mr. James A. Fisher 1964 18 1987-1995 Mr. William G. Francis 1964 P ‘96 Proof Readers 20 1996-2004 Mr. Robert T. Gamble 1971 Tish Anderson Mr. Peter L. Hellebush 1964 Travis Price 22 2005-2006 Ms. Joanne Hoffman Sheila Steelman 25 2006-2007 Mr. Injae M. Hwang 1997 Printing 26 2007-2012 Ms. Jean Graham Keller 1995 Lane Press 28 2012 Mr. Richard J. Kelly 1968 Ms. Marilyn Higi Kincaid 1991 Photographers Mr. Lee McGriff III 1970 Blake Madden Campus News Dr. Gregory K. Morris 1972 Bob Williams 24 Alumni Weekend 2012 Mr. Alexander G. Paderewski 1968 P ‘06, ‘08 Sheila Steelman Mr. Laurance D. Pless 1971 P ‘09 ‘13 29 Hollandsworth-Maggart Preservation Vice Chairman A special thanks to the 1923 30 Class of 2012 Mr. Oliver G. Prince, Jr. 1971 P ‘00 Memorial Archives for providing the 32 New Faculty/Staff Bios Chairman archival photographs in this edition. Mr. James A. Rice II 1972 Mr. Walter A. Ruch III P ‘08 In Memoriam Mr. F. Ford Smith P ‘12 ‘15 34 In Memoriam Mr. Michael H. Stoll 1968 *Mr. Van C. Thompson 1973 P ‘07 Annual Report Asheville School Mission: To prepare 37 Donor Report Summary P - Parents of Alumni our students for college and for life 38 From the Chairman of the Board *Rotated off board June 2012 and to provide an atmosphere in 39 Constancy List (Tower Society) which all members of a diverse, engaged, and purposefully small 42 Honor Roll of Giving school community appreciate and 49 Foundations and Corporations strive for excellence – an atmosphere 50 Parent Gifts by Class that nurtures character and fosters the development of mind, body, 51 Grandparents and Friends and spirit. 52 Faculty and Staff Donors 53 Operational State of the School Asheville School does not discriminate on the basis of race, 54 Memorial Gifts creed, sex, or ethnic background in its 55 Gifts in Kind admission policies, scholarship and loan programs, educational policies, 56 Parents of Alumni and athletic and other school 57 Endowed Gifts administered programs. 59 Wilbert Peck Society 61 Christ School Weekend 2012 Back Cover Important Dates for 2012 - 2013 From the Fall 2012 Head of School Dear Asheville School Friends: he 2011-2012 academic year was successful by almost any standard – subjective or objective. The morale of the year was excellent as illustrated by the notable accTomplishment of all 78 VI Formers who started with us in the fall graduating in the spring. The Class of 2012 led us through mud runs, paint fights, and a trip through our local rival and into the football state championship game. Spirits just seemed to be high all year. We also had another great admissions year with a full School for 2012-2013 accomplished by mid-May. In Advancement, we had a record number of parent and alumni receptions, and exceeded our Cody Annual Fund goal. Our alumni participation rate was 29%, which represents three consecutive years of stronger participation and a significant reconnection with our alumni. In fact, we were recognized by The Council for Advancement and Support of Education (CASE) with a 2012 Educational Fundraising Award for our overall improvement. We are grateful for your fondness for your old School and your confidence in us. Some new developments on campus suggest a vitality and energy that are truly encouraging. The a capella group “Ashfellaz” made their debut to rave reviews. The new Robotics Club fared very well in state competition. Our new student scholarly magazine, Logos , published an exceptional first issue. Our Competitive Mathematics Team was superb. It is a great privilege to introduce our annual report that presents such a wonderful picture. On all fronts and with gratitude to all our constituents who make it possible, Asheville School thrives. Sincerely, Archibald R. Montgomery IV Head of School ormers who ion with our sixth f joying a new tradit Taylor Here I am en ll beside the Baxter ock on the senior hi painted the senior r ourts. Tennis C Annual Report 11 - 12 1 Alumni and Development Report 2011 - 2012 By John Thorsen 1987 Mitchell in May 2013 and complete the project prior Assistant Head of School for Advancement to the opening of the 2013-2014 academic year. This will be a LEED-certified building project and one that Thank you for another great year at Asheville School. will greatly enhance our academic teaching spaces. Our alumni, parents, grandparents and friends After this project, we will turn our attention to allowed us to exceed our goals, and we are most renovating Anderson and Lawrence Halls. These are appreciative of your belief in Asheville School. significant projects, and our entire community will begin to hear more about these opportunities in the What are the goals of the Alumni/Development near future. If you would like to learn sooner, you are Office? welcome to call or email me at your convenience Our primary goal is to engage our alumni, parents ([email protected]). and friends in meaningful ways. This may mean helping a young graduate network to find a job. It What is it like working for your alma mater? may mean bringing old friends together over a It is wonderful to be back at Asheville School. The reunion or even in their hometown. For others, we culture of our School is as healthy as I can remember may welcome them to campus and share their it. The students are working hard in and out of the experiences with our students. Yes, we also have classroom, and they are happy. In fact, they are our fundraising goals, but they will not be met or terribly best ambassadors. Yes, they might like a respite from fun if we are not providing connections for our fellow room inspection, seated meals, chapel, dress code and Blues. lights out, but they are genuinely enjoying their experience on campus. Our faculty is a primary What are Asheville School’s fundraising goals? reason for this positive feeling. They are passionate The number one goal each year is to raise the requisite about their craft and working with young people. dollars to meet the Cody Annual Fund goal and retain They inspire me and make it easy for those of us our margin of excellence. These gifts help with raising money to go out and ask for support. After all, everything we do. In fact, we shared with many of 100% of our faculty gives to the School. you that tuition dollars ran out on March 23 and Plus, Asheville is an incredible town to call home. Yes, philanthropic dollars carried us through the end of there are surreal moments when I remember the old the fiscal year, which is June 30. This is significant. dining hall and meals with Doc Embler, Jack Tyrer, Sly All bills , whether for financial aid, salaries, technology, Lewis, Irv Ornduff, Pop Hollandsworth, Leslie guest speakers or program budgets, were funded by Bradshaw, Chuck Carter, Ron Bromley and Mary Lou our endowment draw and Cody Annual Fund gifts Gillum. The good part about being back is that I see after March 23. You can imagine how different we many of these legends from time to time and that would be without these gifts. This past year, 1,331 makes it even better. donors contributed $814,460 (see page 37) to the Cody Fund, and our endowment draw was less than Where should I look to learn more about the School? 4%, for a total of $1,571,572 (see page 53). Thank I hope this Annual Report sheds some light on the you! activity of Asheville School today. The best place to look is on our campus. Please come and share a meal Second to the Cody Annual Fund, we do have capital with us, take a tour, sit in on a class or simply stroll fundraising needs that arise. We have not widely the campus and visit. Our website and soon-to-be- publicized and promoted our current effort to launched app provide a perspective of our School. renovate Mitchell Hall, specifically the science center. However, they cannot compare to seeing, hearing and We have raised $2,465,000 toward a goal of experiencing in person. We would love to see you! $3,000,000. Our plan is to begin construction on Second best would likely be a visit in your hometown, 2 Annual Report 11 - 12 so if we call, I hope you will Greenville, SC Event consider sharing a cup of coffee or a meal with us.
Load more

Recommended publications
  • World's Most Influential Electronic Artists Trust Avid Live Sound Systems at Moogfest
    April 30, 2014 World's Most Influential Electronic Artists Trust Avid Live Sound Systems at Moogfest Industry's Most Popular Touring Systems Deliver Power and Reliability to Help Main Stage Artists Including Kraftwerk and Chic Featuring Nile Rodgers Connect With Audiences Like Never Before BURLINGTON, Mass., April 30, 2014 (GLOBE NEWSWIRE) -- Avid® (OTC:AVID) today announced that its live sound systems were selected to record and mix headline performances at Moogfest, an annual five-day technology, art and music festival featuring some of the world's most influential electronic artists. Moogfest, which celebrates the visionary and creative spirit of Bob Moog, inventor of the Moog synthesizer and founding father of electronic music, took place on April 23-27 in Asheville, North Carolina. For the main stage, which hosted headline acts including electronic music legends Kraftwerk, Chic featuring Nile Rodgers, and M.I.A., Moogfest needed a powerful and reliable front of house console that could cope with the size, scope and complexity of the headliners' live sound requirements. As the headline artists' live system of choice, the Avid Profile System was the house console for the main stage, while the ultra- compact Avid S3L System was the main stage recording console. Every stage throughout the festival used Avid Pro Tools® audio production software to record the live music performances. Pro Tools is a flagship application of the Avid Artist Suite of content creation applications, powered by the Avid MediaCentral Platform. "Avid live sound systems deliver performance and reliability and are the standard for headline acts," said KamranV, Moogfest documentation producer and CEO of CyKiK.
    [Show full text]
  • Film/Broadcast Content the Increasing Role of “Tentpoles” in the Content Industry
    Film/Broadcast Content The increasing role of “tentpoles” in the content industry The need for tentpoles in the content industry Overweight (Maintain) The content industry and a tent have one thing in common: both need a tentpole to support the entire structure. In the content industry, tentpoles are defined as hit titles Industry Report that provide a source of steady cash flow, such as the blockbuster films of movie studios July 27, 2015 and the top-rated programs of TV networks. The content industry is vulnerable to the success or failure of a title as well as changes in seasonality. Establishing a tentpole by investing around 70% of the annual budget on Daewoo Securities Co., Ltd. just one or two projects could prove an effective strategy against such risks. If tentpole [Telecom Service / Media] films or shows become a hit, they can compensate for losses made elsewhere. Creating a long-term tentpole lineup, increasing the number of tentpoles, and being able to predict Jee-hyun Moon future revenue can lead to a structural improvement in the business. In other words, +822-768-3615 tentpoles can make the content industry more predictable. [email protected] Tentpole strategies used in the film distribution and broadcasting industries The tentpole strategy is primarily used in the film distribution and broadcasting industries. A major proponent of the strategy is Walt Disney, which plans its five-year release lineup based on its Disney and Marble Comics franchises. The media giant has recently seen its film profits steadily grow after releasing a string of successful tentpole movies every quarter.
    [Show full text]
  • Birth and Evolution of Korean Reality Show Formats
    Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the
    [Show full text]
  • Return of Private Foundation CT' 10 201Z '
    Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947(a)(1) Nonexempt Charitable Trust Department of the Treasury Treated as a Private Foundation Internal Revenue Service Note. The foundation may be able to use a copy of this return to satisfy state reporting requirem M11 For calendar year 20 11 or tax year beainnina . 2011. and ending . 20 Name of foundation A Employer Identification number THE PFIZER FOUNDATION, INC. 13-6083839 Number and street (or P 0 box number If mail is not delivered to street address ) Room/suite B Telephone number (see instructions) (212) 733-4250 235 EAST 42ND STREET City or town, state, and ZIP code q C If exemption application is ► pending, check here • • • • • . NEW YORK, NY 10017 G Check all that apply Initial return Initial return of a former public charity D q 1 . Foreign organizations , check here . ► Final return Amended return 2. Foreign organizations meeting the 85% test, check here and attach Address chang e Name change computation . 10. H Check type of organization' X Section 501( exempt private foundation E If private foundation status was terminated Section 4947 ( a)( 1 ) nonexem pt charitable trust Other taxable p rivate foundation q 19 under section 507(b )( 1)(A) , check here . ► Fair market value of all assets at end J Accounting method Cash X Accrual F If the foundation is in a60-month termination of year (from Part Il, col (c), line Other ( specify ) ---- -- ------ ---------- under section 507(b)(1)(B),check here , q 205, 8, 166. 16) ► $ 04 (Part 1, column (d) must be on cash basis) Analysis of Revenue and Expenses (The (d) Disbursements total of amounts in columns (b), (c), and (d) (a) Revenue and (b) Net investment (c) Adjusted net for charitable may not necessanly equal the amounts in expenses per income income Y books purposes C^7 column (a) (see instructions) .) (cash basis only) I Contribution s odt s, grants etc.
    [Show full text]
  • School Breaks Ground on Multi-Purpose Athletic Field with Lights Achievement • Spring 2018 1 Achievement Spring 2018
    Spring 2018 Achievement Asheville School Alumni Magazine School Breaks Ground On Multi-Purpose Athletic Field With Lights Achievement • Spring 2018 1 Achievement Spring 2018 BOARD OF TRUSTEES An Education For An Inspired Life Published for Alumni & Mr. Walter G. Cox Jr. 1972, Chairman P ‘06 Friends of Asheville School Ms. Ann Craver, Co-Vice Chair P ‘11 by the Advancement Department Asheville School Mr. Robert T. Gamble 1971, Co-Vice Chair 360 Asheville School Road Asheville, North Carolina 28806 Mr. Marshall T. Bassett 1972, Treasurer 828.254.6345 Dr. Audrey Alleyne P ’18, ’19 www.ashevilleschool.org (Ex officio Parents’ Association) Editor Mr. Haywood Cochrane Jr. P ’17 Bob Williams Mr. Thomas E. Cone 1972 Assistant Head of School for Advancement Dan Seiden Mr. Matthew S. Crawford 1984 Writers Mr. D. Tadley DeBerry 1981 Alex Hill Tom Marberger 1969 Mr. James A. Fisher 1964 Travis Price Bob Williams Dr. José A. González 1985 P ’20 Proof Readers Ms. Mary Robinson Hervig 2002 Tish Anderson Bob Williams Ms. Jean Graham Keller 1995 Travis Price Mr. Richard J. Kelly 1968 P ’20 Printing Mr. Nishant N. Mehta 1998 Lane Press Mr. Archibald R. Montgomery IV Photographers Blake Madden (Ex officio Head of School) Sheila Coppersmith Eric Frazier Dr. Gregory K. Morris 1972 Bob Williams Mr. J. Allen Nivens Jr. 1993 A special thanks to the 1923 Memorial Archives for providing many of the archival photographs (Ex officio Alumni Association) in this edition. Ms. Lara Nolletti P ’19 Mr. Laurance D. Pless 1971 P ’09, P ’13 Asheville School Mission: To prepare our students for college and for life Mr.
    [Show full text]
  • The Globalization of K-Pop: the Interplay of External and Internal Forces
    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
    [Show full text]
  • ABC of NC Child Develop. Ctr Davidson Abundant Life Christian
    NC Division of Non-Public Education 2017-2018 Private School Index School Name County ABC of NC Child Develop. Ctr Davidson Abundant Life Christian Academy Union Abundant Life Christian Academy Onslow Academic Illumination Day School Lincoln Academy at New Life Cumberland Academy at SOAR Jackson Academy at Trails Carolina Henderson Academy of Coastal Carolina Brunswick Academy of Excellence Iredell Academy of Hope Johnston Accelerator School LLC Wake Adventist Christian Academy Mecklenburg Agape Christian School Ashe Agape International Christian Academy Franklin AHES-Genesis Schools of Hope Durham Ahoskie Christian School Hertford Alamance Christian School Alamance Albemarle School Pasquotank Alexander Children's Center Mecklenburg Alexander Christian Acad. Alt. School Alexander Alexander Christian Acad. at Hiddenite Alexander Alexander Christian Academy Alexander Al-Huda Academy Durham Al-Iman School Wake Altapass Christian School Mitchell Amazing Grace Baptist School Rockingham American Hebrew Academy Guilford Anami Montessori School Mecklenburg Anchor Baptist Academy Transylvania Anderson Academy Union An-Noor School Wake Annunciation Catholic School Craven Antioch Christian Academy Robeson School Name County Apostolic Lighthouse Christian School Chatham Arborbrook Christian Academy Union Arden Christian School Buncombe Arendell Parrott Academy Lenoir Arthur Morgan School Yancey Asheville Catholic School Buncombe Asheville Christian Academy Buncombe Asheville School Buncombe Asheville-Pisgah Christian Sch. Buncombe Aspire Day School Haywood Assembly of Faith Chr. Sch. Gaston Atlas International School Wake Auldern Academy Chatham Azalea Mountain School Buncombe Back Creek Christian Academy Mecklenburg Bailey's Grove Baptist School Randolph Bal-Perazim Christian Academy Cumberland Benaja Christian Academy Rockingham Berean Baptist Academy Cumberland Berean Christian School Forsyth Berean Junior Academy Mecklenburg Bethany Christian School Transylvania Bethany Christian School Davidson Bethel Assembly Christian Acad.
    [Show full text]
  • To See the 2018 Pier Concert Preview Guide
    2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper.
    [Show full text]
  • The Korean Wave As a Localizing Process: Nation As a Global Actor in Cultural Production
    THE KOREAN WAVE AS A LOCALIZING PROCESS: NATION AS A GLOBAL ACTOR IN CULTURAL PRODUCTION A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Ju Oak Kim May 2016 Examining Committee Members: Fabienne Darling-Wolf, Advisory Chair, Department of Journalism Nancy Morris, Professor, Department of Media Studies and Production Patrick Murphy, Associate Professor, Department of Media Studies and Production Dal Yong Jin, Associate Professor, School of Communication, Simon Fraser University © Copyright 2016 by Ju Oak Kim All Rights Reserved ii ABSTRACT This dissertation research examines the Korean Wave phenomenon as a social practice of globalization, in which state actors have promoted the transnational expansion of Korean popular culture through creating trans-local hybridization in popular content and intra-regional connections in the production system. This research focused on how three agencies – the government, public broadcasting, and the culture industry – have negotiated their relationships in the process of globalization, and how the power dynamics of these three production sectors have been influenced by Korean society’s politics, economy, geography, and culture. The importance of the national media system was identified in the (re)production of the Korean Wave phenomenon by examining how public broadcasting-centered media ecology has control over the development of the popular music culture within Korean society. The Korean Broadcasting System (KBS)’s weekly show, Music Bank, was the subject of analysis regarding changes in the culture of media production in the phase of globalization. In-depth interviews with media professionals and consumers who became involved in the show production were conducted in order to grasp the patterns that Korean television has generated in the global expansion of local cultural practices.
    [Show full text]
  • Csmagw0910.Pdf
    Christ School Magazine VOLUME XVI NUMBER 1 WINTER 2010 Contents For an updated calendar of events and sports Letter from the Headmaster 1 scores visit Christ School’s new web site at: Parents Weekend 4 Asheville School Week 4-5 www.christschool.org Father and Son Weekend 6 Angelus Society Dinner 8 Admission Marketing 9 College Guidance 10 Academics 11 Academics - Science Feature 13 CS Vintage Science 19 Drama “Guys and Dolls” 20 Chapel News 22 NEW Community Service 24 Community Service - Kenya Trip 25 WEB Varsity Fall Sports 28 SITE Outdoor Program 33 Mud Bowl Gallery 31 Scholarship Funds 34 Alumni Profile – Porter ’68 36 Fan Page and Alumni Group Alumni Gatherings 38 Follow CS at twitter.com/christschool Alumni Council 39 Class Notes 40 Alumni in Sports 45 Memorials and Tributes 46 EDITOR , PHOTOGRA P HY , D E SIGN : Linda Cluxton Editorial Contributions: Christina Auch, Nathan Bradshaw, Gabe Dunsmith ’11, Kirk Brown, Archivist Beth Robrecht, Danny Wright PHOTOGRA P HIC CONTRIBUTORS : Episcopal School of Knoxville, Erich Cluxton, Sam Froelich, Leigh Harris, Josh Horwitz ’12, Andrew Nagle, Bruce Stender, Jamie Smith, Eric Thorp ’01, Lyn Tillett, Betty Weil. Kenya photos by Kenya photos by Ben and Marcie Dowling, Mike White, Dylan DeGraw, Susan Smith, Lynda Miller and Linda Cluxton The Christ School Magazine is published two to three times a year by the Christ School Advancement Office: Danny Wright, Director of Advancement; Linda Cluxton, Director of Communication; Christina Auch, Director of Annual Giving and Special Gifts; Eric Thorp, Director of Alumni, Kathryn J. Belk, Constituent Relations and Special Events Coordinator.
    [Show full text]
  • Performance in EDM - a Study and Analysis of Djing and Live Performance Artists
    California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses Capstone Projects and Master's Theses 12-2018 Performance in EDM - A Study and Analysis of DJing and Live Performance Artists Jose Alejandro Magana California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes_all Part of the Music Performance Commons Recommended Citation Magana, Jose Alejandro, "Performance in EDM - A Study and Analysis of DJing and Live Performance Artists" (2018). Capstone Projects and Master's Theses. 364. https://digitalcommons.csumb.edu/caps_thes_all/364 This Capstone Project (Open Access) is brought to you for free and open access by the Capstone Projects and Master's Theses at Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. For more information, please contact [email protected]. Magaña 1 Jose Alejandro Magaña Senior Capstone Professor Sammons Performance in EDM - A Study and Analysis of DJing and Live Performance Artists 1. Introduction Electronic Dance Music (EDM) culture today is often times associated with top mainstream DJs and producers such as Deadmau5, Daft Punk, Calvin Harris, and David Guetta. These are artists who have established their career around DJing and/or producing electronic music albums or remixes and have gone on to headline world-renowned music festivals such as Ultra Music Festival, Electric Daisy Carnival, and Coachella. The problem is that the term “DJ” can be mistakenly used interchangeably between someone who mixes between pre-recorded pieces of music at a venue with a set of turntables and a mixer and an artist who manipulates or creates music or audio live using a combination of computers, hardware, and/or controllers.
    [Show full text]
  • Nightlight: Tradition and Change in a Local Music Scene
    NIGHTLIGHT: TRADITION AND CHANGE IN A LOCAL MUSIC SCENE Aaron Smithers A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Folklore. Chapel Hill 2018 Approved by: Glenn Hinson Patricia Sawin Michael Palm ©2018 Aaron Smithers ALL RIGHTS RESERVED ii ABSTRACT Aaron Smithers: Nightlight: Tradition and Change in a Local Music Scene (Under the direction of Glenn Hinson) This thesis considers how tradition—as a dynamic process—is crucial to the development, maintenance, and dissolution of the complex networks of relations that make up local music communities. Using the concept of “scene” as a frame, this ethnographic project engages with participants in a contemporary music scene shaped by a tradition of experimentation that embraces discontinuity and celebrates change. This tradition is learned and communicated through performance and social interaction between participants connected through the Nightlight—a music venue in Chapel Hill, North Carolina. iii ACKNOWLEDGEMENTS Any merit of this ethnography reflects the commitment of a broad community of dedicated individuals who willingly contributed their time, thoughts, voices, and support to make this project complete. I am most grateful to my collaborators and consultants, Michele Arazano, Robert Biggers, Dave Cantwell, Grayson Currin, Lauren Ford, Anne Gomez, David Harper, Chuck Johnson, Kelly Kress, Ryan Martin, Alexis Mastromichalis, Heather McEntire, Mike Nutt, Katie O’Neil, “Crowmeat” Bob Pence, Charlie St. Clair, and Isaac Trogden, as well as all the other musicians, employees, artists, and compatriots of Nightlight whose combined efforts create the unique community that define a scene.
    [Show full text]