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Contemporary American Playwriting the Issue of Legacy
CONTEMPORARY AMERICAN PLAYWRITING The Issue of Legacy Jason Grote, Caridad Svich, and Anne Washburn in conversation with Ken Urban espite proclamations to the contrary, there is a surge of new writing in the American theatre. Not plays masquerading as films or TV shows, but seri- ous plays written by writers with a passionate commitment to the stage. DBut since this new generation of theatre artists is less centralized than previous ones, working in cities and towns across the U.S., it is hard to talk about a specific movement or scene. For those working in New York City, Off-Off Broadway no longer adequately describes the theatre that these playwrights create. Such writers do not want to be defined in relation to Broadway, for Broadway ceased to be a venue for adventurous new writing decades ago. This conversation is an attempt by four playwrights to define some of the identifying characteristics and concerns of this new writing. The starting point is the issue of legacy: How do the historical avant-garde, the Language Playwrights of the 1970s and 80s (Mac Wellman, Jeffrey Jones, Len Jenkin), and the classics influence contemporary playwriting? To gain a better sense of what is happening now, it proves beneficial to look back. The conversation featured Jason Grote, Caridad Svich, and Anne Washburn. Jason Grote is the recipient of the 2006 P73 Playwriting Fellowship and co-chair of the SoHo Rep Writer/Director Lab. He is writing The Wal-Mart Plays for the Working Theater in New York. Caridad Svich is a resident playwright at New Dramatists and editor of Trans-Global Readings: Crossing Theatrical Boundaries and Divine Fire: Eight Contemporary Plays Inspired by the Greeks. -
1 CURRICULUM VITAE MAC WELLMAN 220 Berkeley Place, 2F
CURRICULUM VITAE MAC WELLMAN 220 Berkeley Place, 2F Brooklyn, NY 11217 Phone: (718)636-7484 Cell: (917)697-9533 Website: <www.macwellman.com> Email: [email protected] STAGE PRODUCTIONS : ANNIE SALEM [TEAM musical version]. Royal Court, London UK, 2015. Sundance, Utah, 2015. Ars Nova, New York, 2016 Vassar College, Poughkeepsie NY, 2019. PHAETHON. CSC Greek Festival, New York, 2015. THE OFFENDING GESTURE. Virginia Tech/Under St Marks, New York, 2014. Brooklyn College, New York, 2014 Jack, Brooklyn, NY, 2015. NYU, New York, 2015. Prelude 15, New York, 2015. The Tank/Connelly Theater, New York, 2016. Son of Semele Ensemble, L.A., 2017. 9 DEVILS (Kuki). 3LD, New York, 2013. WU WORLD WOO. Great Plains Theatre Conference, Omaha NE, 2013. 1 Sleeping Weazel, Boston MA, 2013. HORROCKS (AND TOUTATIS TOO) Proposition series at the New Museum, New York, 2013. St Francis College, Brooklyn NY, 2013. Great Plains Theatre Conference, Omaha NE, 2013. Sleeping Weazel, Boston MA, 2013. 3 2's; or AFAR. Little Theater at Dixon Place, New York, 2011. Dixon Place, New York, 2011. Central Academy of Drama, Beijing China, 2014 MUAZZEZ. Tribeca Lighting/ Chocolate Factory, New York, 2011. Prelude 11, New York, 2011. Great Plains Theatre Conference, Omaha NE, 2012. Fisher Center, BAM, Brooklyn NY 2012. Fusebox Festival, Austin TX, 2013. PS 122 (COIL), Chocolate Factory, New York, 2014. DOCTOR RAVENELLO; OR 1965 UU. Theater Lang, New York, 2008. HotINK, NYU, New York, 2008. The Chocolate Factory, 2008. Proctor’s, Schenectady, 2008. NINE DAYS FALLING. Stuck Pigs/ Performing Lines, Melbourne Australia, 2007. BEFORE THE BEFORE AND BEFORE THAT (Twas the Night Before ...) Chelsea Art Museum and The Flea, New York, 2006. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30Pm
#BAMNextWave #YouUsWeAll Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Executive Producer YOU US WE ALL BAM Harvey Theater Nov 11—14 at 7:30pm Running time: one hour & 20 minutes, no intermission Music by Shara Worden Text, direction, and design by Andrew Ondrejcak B.O.X. (Baroque Orchestration X) Season Sponsor: Leadership support for opera at BAM provided by Aashish & Dinyar Devitre Endowment funding has been provided by The Andrew W. Mellon Foundation Fund for Opera and Music-Theater Major support for opera at BAM provided by The Francena T. Harrison Foundation Trust YOU US WE ALL CAST HOPE Shara Worden VIRTUE Helga Davis LOVE Martin Gerke DEATH Bernhard Landauer TIME Carlos Soto B.O.X. ENSEMBLE A Continuo/Rythm Section Theorbo, artistic direction Pieter Theuns Harpsichord, organ Anthony Romaniuk Baroque harp Jutta Troch Drums, percussion Mattijs Vanderleen An Alta Capella of Winds Cornett, flutes Lambert Colson Cornett, trumpet Jon Birdsong Sackbut (baroque trombone) Liza Malamut A Consort of Viols Treble viol, bass viol Liam Byrne Bass viol Pieter Vandeveire Violone Christine Sticher PRODUCTION CREDITS Stage, light, costume, projection design Andrew Ondrejcak Choreographer Seth Stewart Williams Production dramaturg Anne Seiwerath Executive producer/tour management ArKtype/Thomas O. Kriegsmann Production manager/lighting director Davison Scandrett Production stage manager Valerie Oliveiro Assistant stage manager Nina Segal Video design consultant Andrew Bauer Video supervisor Tei Blow Co-lighting design Lutz Deppe Co-costume design Zane Philstrom Assistant director Cecile Tonizzo Sound design David Schnirman/Hear No Evil Wig design Rick Gradone Make-up design Marco Campos Assistant, costumes and wardrobe Baille Younkman Assistant, costumes Julie Michaels Production assistant Veerle Van Rossom YOU US WE ALL is commissioned by B.O.X. -
NEIGHBORHOOD 3: REQUISITION of DOOM by Jennifer Haley Directed by Joel Schumacher
THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE NEW YORK PREMIERE OF NEIGHBORHOOD 3: REQUISITION OF DOOM BY JENNIFER HALEY DIRECTED BY JOEL SCHUMACHER FEATURING THE BATS JUSTIN AHDOOT, SYDNEY BLAXILL, ALEXANDRA CURRAN, ERIC FOLKS, ADAM ALEXANDER HAMILTON, ALEX HAYNES, ADELIND HORAN, LINDSLEY HOWARD, KERRY IPEMA, OLIVIA JAMPOL, CONNOR JOHNSTON, HANK LIN, MADELINE MAHONEY, CRISTINA PITTER, BRENDAN SOKLER, KEVIN ARGUS, THOMAS MUCCIOLI SIMON HARDING SCENIC DESIGN BRIAN ALDOUS LIGHTING DESIGN JEssICA PAbsT COSTUME DESIGN GRACE INTERLICHIA ASSISTANT COSTUME DESIGN JANIE BULLARD SOUND DESIGN JOHN MCKEnnA ASSISTANT SOUND DESIGN J. DAVID BRIMMER FIGHT CHOREOGRAPHY ZACH SERAFIN PROP MASTER DAVID MONTEAGUDO ASSISTANT DIRECTOR ZACHARY GOLDEN ASSISTANT TO THE DIRECTOR AbbEY BAY PRODUCTION STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Voiceover ......................................................................... Justin Ahdoot Makaela .........................................................................Adelind Horan Trevor ................................................................................ Alex Haynes Steve .................................................................................... Eric Folks Leslie............................................................................... Olivia Jampol Vicki ...............................................................................Cristina Pitter Kaitlyn ..................................................................... -
Press Release
Theatre Arts and Performance Studies Box 1897 83 Waterman Street Providence, RI 02912 401 -863-3283 Fax 401-863-7529 PRESS RELEASE FOR IMMEDIATE RELEASE Department of Theatre Arts and Performance Studies (TAPS), Brown University 83 Waterman Street, Providence, RI 02912 Contact: Paul Margrave, Marketing Coordinator (401) 863-2730 / [email protected] / writingislive.com / brown.edu/theatre Monday, May 1, 2017 Brown University Writing for Performance Program Showcase Hits New York PROVIDENCE, RI — The Brown University Writing for Performance program introduced the class of 2017 to the New York performance scene last week as part of a new week-long playwriting residency developed in partnership with The Flea Theater, New York (Artistic Director, Niegel Smith). In their third year at Brown, Writing for Performance students take up the third phase of their annual practicum. Action follows Articulation (first year, where writers engage with notation) and Atelier (second year, where the focus is on initial moves from text into live time and space through a rehearsal process). In Action, students build community, looking to develop conversations with a wider circle of collaborators over a longer period of time and by a range of means including readings, consultations, and an intensive workshop period. As a culmination of their three years in the program, the writers are asked to take their biggest textual risks, pressing at and beyond the most hopeful limit of what they know and believe their words can do. This year for the first time, the Brown University Department of Theatre Arts and Performance Studies has developed a fully reciprocal relationship with The Flea Theater in New York. -
Panel Pool 2
FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................ -
On the Downtown Scene
ON MAC THE SCENEDOWNTOWN WELLMAN 36 | The Dramatist pp36-41 Feature D.indd 36 3/31/12 5:45 PM Annie Baker: What were some of your favorite Mac Wellman is a shows this past season and why? teacher who changed Mac Wellman: Hmm. Definitely Erin Court- ney’s A Map Of Virtue and, surprisingly, our Brook- my life. He is one of lyn College/Classic Stage Company Weasel Festival of last August (four plays based on the the smartest and most mystery novels of Norbert Davis – the favorite mystery writer of Ludwig Wittgenstein) by Caitlin generous writers I have Brubaker, Alexandra Collier, Ariel Stess, and Sara Farrington with brilliant direction by Brubaker & ever known; maybe Sarah Rasmussen. Also, I very much liked Thomas Bradshaw’s Burning and Young Jean Lee’s Untitled one of the smartest and Feminist Show. And, of course, Sybil Kempson’s splendid Secret Death Of Puppets, Julia Jarcho’s generous ever to exist. Dreamless Land, and Away Uniform by Tina Satter. AB: What do these (apparently very different) Since he is an avid theatre writers share? theatregoer and a lover MW: An attitude towards story-telling that is very different from the norm in our theatre in of new work, I asked These States. Often their plays operate like a game of three-dimensional chess: characters him for his take on who are firmly located in one apparent world suddenly find themselves in a situation that is the 2011/12 season in drastically elsewhere (A Map of Virtue for in- stance); or we as an audience find ourselves so downtown NYC theatre. -
Download Program
THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS Southern Promises BY THOMAS BRADSHAW DIRECTED BY NIEGEL SMITH FEATURING THE BATS ADAM COY, DARBY DAVIS, MARCUS JONES, TIMOTHY PARK, YVONNE JESSICA PRUITT, JAHSIAH RIVERA, ANA SEMEDO, LAMBERT TAMIN, SHAKUR TOLLIVER, ADRAIN WASHINGTON, SELAMAWIT WORKU, BRITTANY ZAKEN JASON SHERWOOD SCENIC DESIGNER CLAUDIA BROWN COSTUME DESIGNER JORGE ARROYO LIGHTING DESIGNER FABIAN OBISPO SOUND DESIGNER NIKIYA MATHIS HAIR/MAKEUP DESIGNER ROCIO MENDEZ VIOLENCE/INTIMACY CHOREOGRAPHER ANNA KOVACS STAGE MANAGER TYLER THOMAS AssISTANT DIRECTOR CAST (In Order of Apperance) Isaiah..............................................................................Darby Davis Elizabeth.....................................................................Brittany Zaken Benjamin.....................................................................Shakur Tolliver Charlotte............................................................Yvonne Jessica Pruitt David...........................................................................Jahsiah Rivera John...............................................................................Marcus Jones Doctor.............................................................................Timothy Park Imaginary Slave / Emmanuel / David (U/S)/Benjamin (U/S)......Adrain Washington Sarah/Charlotte(U/S)...............................................Selamawit Worku Atticus................................................................................Adam -
The Flea Theater
THE FLEA THEATER JIM SIMP S ON ARTISTIC DIRECTOR CAROL OS TROW PRODUCING DIRECTOR BETH DEM B ROW MANAGING DIRECTOR PRESENTS THE WORLD PREMIERE OF A LETTER FROM OMDURMAN WRITTEN BY JEFFREY M. JONE S DIRECTED BY PAGE BURKHOL D ER FEATURING HE AT S T B KATE SIN C LAIR FO S TER SET DESIGN JONATHAN COTTLE LIGHTING DESIGN WHITNEY LO C HER COSTUME DESIGN COLIN WHITELY SOUND DESIGN DAN DURKIN PROJECTION DESIGN JULON D RE BROWN STAGE MANAGMENT A LETTER FROM OMDURMAN CAST (IN ORDER OF APPEARANCE ) Dave...............................................................................................................Matt Barbot Charlie..........................................................................................................Wilton Yeung Wyatt................................................................................................................Will Turner Josie........................................................................................................Veracity Butcher Understudies: Eric Folks (Wyatt), Danny Rivera (Charlie & Dave) CREATIVE TEAM Playwright.............................................................................................................Jeffrey M. Jones Director................................................................................................................Page Burkholder Set Design......................................................................................................Kate Sinclair Foster Lighting Design......................................................................................................Jonathan -
Download Program
THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF INANIMATE BY NICK ROBIDEAU DIRECTED BY COURTNEY ULRICH FEATURING THE BATS LACY ALLEN, MAKI BORDEN, PHILIP FELDMAN, ARTEM KREIMER, TRESSA PRESTON, MICHAEL OLOYEDE, NANCY TATIANA QUINTANA, MARCUS ANTONIO JONES, ALEXANDRA SLATER YU-HSUAN CHEN SCENIC DESIGN SARAH LAWRENCE COSTUME DESIGN BECKY HEISLER MCCARTHY LIGHTING DESIGN MEGAN CULLEY SOUND DESIGN CLAIRE EDMONDS AssISTANT DIRECTOR GINA SOLEBELLO PRODUCTION STAGE MANAGER CAST Erica.............................................................................Lacy Allen Kevin ........................................................................ Maki Borden Dee ....................................................................... Philip Feldman Trish ......................................................................Tressa Preston Chorus 1................................................................ Artem Kreimer Chorus 2.................................................Nancy Tatiana Quintana Chorus 3............................................................. Michael Oloyede UNDERSTUDIES Chorus 1.....................................................Marcus Antonio Jones Chorus 2.............................................................Alexandra Slater SPECIAL THANKS: Caitlin Cassidy for LubDub Theatre Company THE FLEA THEATER INANIMATE THE FLEA THEATER ABOUT THE PLAY: Erica, shy and more than a little socially awkward, is in love with Dee. The problem is that her politician -
Chapter 1 Introduction: Improper Naming
Notes Chapter 1 Introduction: Improper Naming 1. The allusion of Ru, Vi, and Flo to the flowers adorning Ophelia (described in Hamlet Act IV Scenes v and vii) is probably more than a coincidence, as an early version of the play held in the Beckett Collection at Reading University Library suggests that Beckett originally called the characters Viola, Rose, and Poppy. 2. In Kane’s slightly earlier plays – Blasted (showcased in 1993), Phaedra’s Love (produced in 1996), and Cleansed (produced in April 1998) – they are given names. The characters in Crave (produced in August 1998) are referred to only by letters (C, M, B, A); and in the posthumously produced 4.48 Psychosis (2000), there are no character names. The ‘I’ that speaks throughout 4.48 Psy- chosis is singular but split: three performers speak the ‘I’, arguably reflecting a triad voiced by the ‘I’ itself: ‘Victim/ Perpetrator/ Bystander’ (Kane, 2001, p. 231). 3. These insights derive in part from a response from Vogel by email to my question about the name ‘Anna’. 4. Prefiguring Lehmann, Bonnie Marranca states, in her introduction to the three-text collection The Theatre of Images (a work each by Robert Wilson, Lee Breuer, and Richard Foreman), that ‘value came to be increasingly placed on performance with the result that the new theatre never became a literary theatre, but one dominated by images – visual and aural. This is the single most important feature of contemporary American theatre’ (Marranca, p. ix). 5. Mac Wellman, ‘Writers’ Bloc’, Village Voice 18 May 2004, retrieved: www.villagevoice.com (para 6 of 9).