The-Fre-Program-2.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

The-Fre-Program-2.Pdf THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF THE FRE BY TAYLOR MAC DIRECTED BY NIEGEL SMITH FEATURING THE BATS RYAN CHITTAPHONG, GEORGIA KATE COHEN, JON EDWARD COOK, ADAM COY, JOSEPH DALFONSO, NATE DECOOK, URE EGBUHO, JOAN MARIE, ALEX J. MORENO, MARCUS JONES, DRITA KABASHI, MATTHEW MACCA, CESAR MUNOZ, YVONNE JESSICA PRUITT, SARAH ALICE SHULL, LAMBERT TAMIN JIAN JUNG SCENIC DESIGNER MACHINE DAZZLE COSTUME DESIGNER XAVIER PIERCE LIGHTING DESIGNER MATT RAY COMPOSER, MUSIC DIRECTOR & SOUND DESIGNER SARAH EAST JOHNSON CHOREOGRAPHER ADAM J. THOMPSON VIDEO DESIGNER KRISTAN SEEMEL AssOCIATE DIRECTOR SOOA KIM AssOCIATE VIDEO DESIGNER REBECCA APARCIO & SARAH JANE SCHOSTACK AssISTANT DIRECTORS CORI WILLIAMS AssISTANT SCENIC DESIGNER & PROPERTIES DESIGNER HALEY GORDON PRODUCTION STAGE MANAGER CAST Hero............................................Ryan Chittaphong / Lambert Tamin Frankie Fre ..................................... Joseph Dalfonso / Alex J. Moreno Taylor Fre..................................Drita Kabashi / Yvonne Jessica Pruitt Maggie Fre..............................Geogia Kate Cohen / Sarah Alice Shull Bobby Fre (Frankie Fre U/S) ...........................................Nate DeCook Bobby Fre (Hero U/S) .....................................................Cesar Munoz Billy Fre ................................................Jon Edward Cook / Adam Coy Franny Fre ...................................................Ure Egbuho / Joan Marie Brody Fre ..........................................Matthew Macca / Marcus Jones SPECIAL THANKS Elissa Adams, Jocelyn Clarke, Jude Clarke, Eric Ehn, Andy Grotelueschen, Philip Himberg, Matthew Kittredge,Morgan Jenness, Steven Dean Moore, Lisa Peterson, Patt Scarlett, Thomas Shean, Joe Silovsky, Tony Torn, The Children’s Theater Company, New Dramatists, The Map Grant, Sundance Theater Lab THE FLEA THEATER The Fre THE FLEA THEATER ABOUT THE PLAY In the land of two bridges The Fre, a rambunctious group of fun loving anti-intellectuals spend their days cavorting in the mud. Into their midst descends Hero, a dandy aesthete, who longs to cut the bridge and finally escape the mud pit. But first he must convince the leader Frankie Fre and the other fatuous inhabitants that there is a better life outside of the swamp. In this queer love story, audiences will literally and figuratively jump into the mud with the Fre to hash out the current cultural divide. 3 This program is supported, in part, by public funds 2 from the New York City Department of Cultural Affairs in partnership with the City Council. CREATIVE TEAM Playwright.........................................................................................Taylor Mac Director..........................................................................................Niegel Smith Scenic Designer...................................................................................Jian Jung Costume Designer......................................................................Machine Dazzle Lighting Designer..........................................................................Xavier Pierce Composer, Music Director & Sound Designer........................................Matt Ray Choreographer.....................................................................Sarah East Johnson Video Designer.......................................................................Adam J. Thompson Associate Director.......................................................................Kristan Seemel Associate Video Designer.....................................................................SooA Kim Associate Lighting Designer & Programmer......................................Ryan Stofa Assistant Directors.............................Rebecca Aparicio & Sarah Jane Schostack Assistant Scenic Designer & Properties Designer ...........................Cori Williams Properties Assistant........................................................................Lucy Cooper Assistant Costume Designer.......................................................Adrienne Smith The Fre Costume Assistant .......................................................................Irene Delgado Assistant Lighting Designer.......................................................Aaliyah Stewart Assistant Sound Designer........................................................Germán Martínez Production Stage Manager ............................................................Haley Gordon Assistant Stage Manager ...............................................................Gwen Sewell Production Assistant Intern ....................................................Khadija Bangoura Promotional Makeup Artist ..................................................Anastasia Durasova Promotional Photographer ........................................................Joseph Huffman THE FLEA THEATER Additional Technical Staff.............................Madeline Burrow, Juan Coronado, Keenan Hurley, Kaiya Kirk, Sarah Murphy, Taelen Robertson and Skye Urbano FLEA STAFF Artistic Director ............................................................................Niegel Smith Producing Director ........................................................................Carol Ostrow Director of Production & Facilities .......................................Karl Franklin Allen Associate Producer ................................................................. Martin Meccouri Company Manager & Producing Associate ....................................Emilie Pass Development Manager .............................................................Charlie Madison 33 Audience Development Associate ............................Aurie Ceylon Satterthwaite General Management Associate ..............................................Shannon Buhler Marketing Associate ....................................................................Jamie Brewer Company Dramaturg ...................................................................Drayton Hiers Technical Directors ..................................... Michael Hernandez & Dan Hoskins Costume Shop & Wardrobe Manager ........................................Adrienne Smith Box Office Coordinator ..............................................................Austin Sanders Business Manager...........................................................................Erica Laird Director of Music Programming ...................................................... Jason Cady Directors of Dance Programming .........................Jeffrey Kazin & David Parker Graphic Designer ......................................................................Eleanor Philips Videographer ...... ......................................................................Crystal Arnette Photographer...........................................................................Hunter Canning Attorney ...........................................................Carol M. Kaplan/Loeb and Loeb Development Consultant ..........................................................Melissa Sandor Theater, Technical & Production Consultant ................................Kyle Chepulis Press Representative .......................................................Ron Lasko/Spin Cycle Interns ...........................................................Graeme Cohen & Sabrina Konick CAST The Fre RYAN CHITTAPHONG (Hero) has performed across the world including such countries as Finland, Russia, Latvia, and Honduras. This is Ryan’s third year as a Bat with The Flea Theater (last seen in The Fez), and has also performed with Berkshire Theatre Festival, HERE Arts Center, The New Ohio Theatre, Nashville Rep, Harold Clurman Lab, The Grand Ole Opry, among others. Ryan THE FLEA THEATER THE FLEA THEATER frequently performs with Ten Bones Theatre in the smash hit improv comedy show Entirely From Memory, is an Academy Member of Upright Citizens Brigade and performs on the Improv House Team “Friend of a Friend” at The Armory. In addition to serving as Director of Marketing for the Stella Adler Studio of Acting, Ryan is a proud company member of the Story Pirates and co-owner of Glamsmash Productions. Instagram: @ryanchittaphong LAMBERT TAMIN (Hero) Credits include Shakespeare Theater of New Jersey, Theater at St. Clement’s, Theater for the New City, The Episcopal Actor’s Guild, Luna Stage, The Theater Project, the John Drew Theater at Guild Hall, and, most recently, as Third Man in Mac 43 Wellman’s Bad Penny (The Flea). TV: “Pandora’s Box: Unleashing Evil”, “Mysteries at the Museum”, and “Sloppy”. Film: On the Hook, N.ot W.ithout A.lonzo, I Want More I Want Less, The Ballad of Bobby Carr, On The Floor, Vignettes and Paranoia. Lambert is a graduate of the two-year conservatory program at William Esper Studio. He is thrilled to be a part of this World Premiere and would like to thank Taylor Mac, Niegel and the entire Fre team and Flea staff for making it such an amazing experience. Many thanks also to his friends and family for their support. JOSEPH DALFONSO (Frankie Fre) is thrilled to be a part of this production. Favorite credits: The Glass Menagerie (Sierra Repertory Theatre), Kill Hamlet (Signature Theatre), Hamlet (Compass Rose Theatre), Oedipus but Better (Modern Shakespeare Company). Joseph is also a Producer of SERIALS at the Flea. Training: Freeman Studio, BFA Stonehill College. CLA Proud. Endless gratitude to his family for their love and support. For Bruce. ALEX J. MORENO (Frankie Fre) TV: Jessica
Recommended publications
  • YALE-NUS SYLLABUS for AMERICAN AVANT-GARDE THEATER of the 1960’S and 1970’S
    YALE-NUS SYLLABUS FOR AMERICAN AVANT-GARDE THEATER OF THE 1960’s AND 1970’s YHU 3304, Spring semester, 2019 Mondays and Thursdays, 9am-10:30am Room Y-CR9 Professor Joan MacIntosh [email protected] Office hours by appointment only, Mondays, after class. Additionally, there will be a mid-semester conference with each student and an end-of-the-year conference with each student, to give and receive feedback. These will be scheduled within the semester time, and will not infringe on either the Spring Break or the end of the year Reading Period. COURSE OVERVIEW This seminar course will explore the American Avant-Garde Theatre of the 1960’s and 1970’s, and its enduring significance. It will include an examination of the political, social, economic, and aesthetic events that led to its beginnings, and will follow the journey of its passionate creativity and diversity of expression, as well as the political upheavals and the cultural revolution that were inextricably a part of it. Readings will include the work of Gertrude Stein, Allen Ginsberg, The Living Theatre, The Open Theater, The Performance Group, Richard Foreman’s Ontological-Hysteric Company, Charles Ludlam’s Ridiculous Theatrical Company, Mabou Mines, and others. We will also read 1968, Environmental Theatre, Be Here Now, Towards a Poor Theatre, and selected historical overviews. We will explore each group’s vision, body of work, dynamics, and relation and significance to their world. In line with this, students will write about these theatre companies, and create their own live performances and work, based on the readings, possible films, and discussions.
    [Show full text]
  • MELODY BETTS Resume
    MELODY A. BETTS AEA, SAG-AFTRA Height: 5’3” Hair: Brown Eyes: Light Brown PROFESSIONAL/REGIONAL THEATRE Secret of My Success Rose Lockhart Paramount Theater Gordon Greenberg/ Steve Rosen Waitress Becky. Nurse Norma Brooks Atkinson Theater/ National Tour Diane Paulus The Sound of Music Mother Abbess National Tour Jack O'Brien Invisible Thread Rain Lady, Joy u/s Second Stage Theater Diane Paulus Nunsense Sister Hubert Marriott Theatre Rachel Rockwell All Shook Up Sylvia Marriott Theatre Marc Robin The Boys from Syracuse Luce Drury Lane Oakbrook David H. Bell Godspell Sonia-“Oh Bless the Lord” LTOTS Ann Niemann Seussical Sour Kangaroo/Bird Girl Drury Lane Oakbrook Rachel Rockwell Do Patent Leather Shoes… Sister Helen LTOTS Ann Niemann Cinderella Fairy Godmother Marriott Theatre Rachel Rockwell Thoroughly Modern Millie Muzzy Van Hossmere Drury Lane Oakbrook Bill Osetek Comedy of Errors Courtesan/Abbess Chicago Shakespeare David H. Bell Ragtime*** Sarah’s Friend Drury Lane Oakbrook Rachel Rockwell The Drowsy Chaperone Trix the Aviatrix Marriott Theatre Marc Robin Once on This Island Asaka Marriott Theatre David H. Bell The Nativity Mother of Mary Goodman Theatre A.T.Douglas Intimate Apparel Esther Mills Simpkins Theatre Egla Hasaan Blithe Spirit Madame Arcati Horrabin Theatre Tamara Izlar The Monument Mejra Simpkins Theatre Jeff Day Mud, River, Stone Ama Simpkins Theatre Tamara Izlar Othello Emilia Hainline Theatre Egla Hasaan Pinocchio Blue Fairy/Story Teller Chicago Shakespeare Rachel Rockwell Motherhood the Musical Tasha Royal George Theater
    [Show full text]
  • César Alvarez Pronouns: They/Them [email protected]
    César Alvarez pronouns: they/them [email protected] Representation: Rachel Viola [email protected] United Talent Agency !!! "eventh Ave. #th $loor %e& Yor() %Y *+*+, T: -*-..++./--0 EDUCATION -++1 2ard College, M$A Music/"ound -++/ 45erlin Conservatory) B3 Sa6ophone, Electronic) and Interdisciplinary Performance -++* Universidad de La Ha5ana) Cu5a) School for International Training) semester o: study *111 8nterlochen Arts Academy) High School Diploma w/ Honors AWARDS AND HONORS -+-+ Ne& Musical commissioned by Play&right's Horizons -+-+ Hermitage Fello& -+*8 Princeton Arts Fello& -+*! "undance Institute/Ucross Composer & Play&right Fello&ship -+*, ;ucille Lortel A&ard - Outstanding Musical - FUTURITY -+*, The American Theater Wing's Jonathan Larson A&ard -+*, Of-2road&ay Alliance A&ard - Best New Musical - FUTURITY -+*. Drama Des( Nomination – Outstanding Music in a Play - An Octoroon -+*0 7nsem5le Studio Theatre/"loan Commission - The Elementary Spacetime Show -+*/ =rama Des( Nomination – Outstanding Music in a Play - Good Person of Szechwan -+*- %7A Art Works Grant for FUTURITY at Soho Rep -+** %7A Art Works Grant for FUTURITY at American Repertory Theater -++4 Van Lier/3eet the Composer Fello& -++2 Composer at 9th Issue International Electro@Acoustic Music festival. Havana) Cu5a *111 <ispanic National Merit Scholar ONGOING PROJECTS -+*8 – Present The Potl c! – Music) Boo( and Lyrics. Commissioned by Barbara Whitman and Beth Ailliams -+*, - Present "OISE # Music) Boo( and Lyrics. Commissioned by The Pu5lic Theater and N'U/9lay&rights Horizons Theater School. Larson Legacy Concert at Adelphi University) Vineyard Arts ProFect. Upcoming: Workshop direc ed !" Sarah Benson% J&'" ()() -+*4 - Present The Elementary Spacetime Show D Music and Lyrics by César Alvarez. Boo( by César Alvarez and Emily Orling Directed 5y Sarah Benson.
    [Show full text]
  • PLAYBILL 2019 Media Kit
    ® PLAYBILL 2019 Media Kit ® rev.10.03.18 DECEMBER 2016 12.16 Cover.indd 1 11/10/16 3:19 PM 2019 Editorial Profile PLAYBILL Theatre As the exclusive and most-trusted magazine in the theatre community for over 130 years, PLAYBILL’s coverage and access to the most exciting events and personalities on the stage is unparalleled. Inside a PLAYBILL, theatregoers find a wealth of stories dedicated to productions around the world, as well as pieces advising theatregoers on travel, dining and drinks. Playbill magazine features these beloved staples: • ”PROGRAM” SECTION: An essential guide to the show you are about to see, including: Who’s Who bios of the actors, creative team, producers etc.; a list of the musical numbers or play scenes and acts; and other theatre particulars. • THEATRE QUIZ: A magazine staple for decades that is a conversation generator before curtain and during intermission. • ON THE TOWN: PLAYBILL’s invaluable tool to navigating the culinary and bar scenes in and around the theatre district and city at large. It includes “Celebrity Choice,” featuring stage stars’ picks for their favorite dining experiences. • HOW MANY HAVE YOU SEEN?: The go-to listing for current productions. • PLAYBILL INTERVIEWS with the industry’s most respected talents, stars in the making and people working behind the scenes. 212.557.5757 729 Seventh Avenue, 4th floor [email protected] New York, NY 10019 PLAYBILL is a registered trademark of PLAYBILL Incorporated, NYC 2019 Editorial Profile PLAYBILL Classic Arts PLAYBILL’s Classic Arts editions present editorial content that enhances and deepens a concertgoer’s appreciation of the classical arts - from the solo piano recital to the most lavish opera production to thrilling high-concept festivals.
    [Show full text]
  • TRU Speak Program 021821 XS
    THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed
    [Show full text]
  • Southern Comfort
    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
    [Show full text]
  • Craig Highberger Hattie Hathaway/Brian Butterick Jackie Dearest Pictures of Ethyl in My Head
    Excerpt from When Jackie Met Ethyl / Curated by Dan Cameron, May 5 – June 1, 2016 © 2016 Howl! Arts, Inc. Excerpt from When Jackie Met Ethyl / Curated by Dan Cameron, May 5 – June 1, 2016 © 2016 Howl! Arts, Inc. Page 1 Page 1 Craig Highberger Hattie Hathaway/Brian Butterick Jackie Dearest Pictures of Ethyl in My Head Meeting Jackie Curtis during my first week at NYU Film School in 1973 and becoming his friend was one Ethyl Eichelberger, my sister, my mentor, my friend… of the most propitious things that has ever happened in my life. Knowing Jackie right after high school truly In 1986, I had the brilliant idea to do hardcore skinhead music matinees for all ages on Saturdays, at freed me, inspired my intellect, and opened my mind to possibilities I had never dreamed of. 3 p.m. at the Pyramid. Ethyl knew the club would be open early, so she came by to get ready for an early As Lily Tomlin and others clarified in my documentary, Jackie Curtis lived his life as performance art, show somewhere. I went down to the basement dressing room, when the club was packed, to talk to the rejecting conventional gender classification and shifting freely between female and male as he liked. One bands and there was Ethyl, surrounded by 25 somewhat homophobic skinhead boys with tattoos and day Jackie would be in James Dean mode, scruffy and unshaven, in blue denim and a t-shirt, with a pack bleachers who were enthralled by her and her makeup application. of Kools in one rolled-up sleeve.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • The-Vandal.Pdf
    THE FLEA THEATER JIM SIMPSON artistic director CAROL OSTROW producing director BETH DEMBROW managing director presents the world premiere of THE VANDAL written by HAMISH LINKLATER directed by JIM SIMPSON DAVID M. BARBER set design BRIAN ALDOUS lighting design CLAUDIA BROWN costume design BRANDON WOLCOTT sound design and original music MICHELLE KELLEHER stage manager EDWARD HERMAN assistant stage manager CAST (IN ALPHABETICAL ORDER) Man...........................................................................................................................Zach Grenier Woman...............................................................................................................Deirdre O’Connell Boy...........................................................................................................................Noah Robbins CREATIVE TEAM Playwright...........................................................................................................Hamish Linklater Director.......................................................................................................................Jim Simpson Set Design..............................................................................................................David M. Barber Lighting Design.........................................................................................................Brian Aldous Costume Design......................................................................................................Claudia Brown Sound Design and Original
    [Show full text]
  • Presentation with Pomegranate Arts, Is the Last Time Taylor Mac Will Perform the Full 24-Hour Work in the U.S
    Tweet it! Experience history like never before in #TaylorMac “A 24-DECADE HISTORY OF POPULAR MUSIC” at #PIFA2018 June 2 (Part I) and June 9 (Part II) at the @KimmelCenter. Tickets on sale now! More info @ kimmelcenter.org/pifa Press Contacts: Monica Robinson Rachel Goldman 215-790-5847 267-765-3712 [email protected] [email protected] KIMMEL CENTER ANNOUNCES LOCAL ARTISTS WHO WILL PERFORM WITH MACARTHUR GENIUS TAYLOR MAC IN MAC’S GROUNDBREAKING POP ODYSSEY A 24-DECADE HISTORY OF POPULAR MUSIC DURING THE 2018 PHILADELPHIA INTERNATIONAL FESTIVAL OF THE ARTS Philadelphia Engagement, June 2 & 9 at the Kimmel Center, In A Co- Presentation with Pomegranate Arts, Is the Last Time Taylor Mac Will Perform the Full 24-Hour Work in the U.S. “ONE OF THE GREAT EXPERIENCES OF MY LIFE.” – THE NEW YORK TIMES “A MUST-SEE FOR ANYONE WHO WANTS TO SEE A KINDER, GENTLER SOCIETY.” – THE HUFFINGTON POST “THE COMMANDING MAC IS A GENUINE LEADER OF OUR TIMES.” – TIME OUT FOR IMMEDIATE RELEASE (Philadelphia, PA, May 14, 2018) –– The Kimmel Center for the Performing Arts, in a co-presentation with Pomegranate Arts, is thrilled to announce the special guest artists who will perform in Taylor Mac’s ambitious, internationally acclaimed work A 24-DECADE HISTORY OF POPULAR MUSIC. Local Philadelphia performance artists and musicians will join Mac in these final U.S. performances of the full, 24-hour-long pop odyssey, June 2 & 9 at the Kimmel Center’s Merriam Theater, as part of the 2018 Philadelphia International Festival of the Arts (PIFA). Mac will perform A 24- DECADE HISTORY OF POPULAR MUSIC as two distinct 12-hour concerts, Saturday, June 2 (1776-1896) and Saturday, June 9 (1896-present day) — Mac’s longest continuous performances since the work premiered at St.
    [Show full text]
  • United States Theatre Programs Collection O-016
    http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items.
    [Show full text]
  • Sophocles' Elektra
    DATE: August 12, 2010 FOR IMMEDIATE RELEASE ABOUT THE COMPANY Sophocles' Elektra Thursdays, Fridays, Saturdays, September 9—October 2, 2010 Carey Perloff (Director) Carey Perloff is celebrating her nineteenth season as artistic director of Tony Award-winning American Conservatory Theater (A.C.T.) in San Francisco, where she is known for directing innovative productions of classics, championing new writing for the theater, and creating international collaborations with such artists as Robert Wilson and Tom Stoppard. Before joining A.C.T., Perloff was artistic director of Classic Stage Company (CSC) in New York. She is a recipient of France’s Chevalier de l’Ordre des Arts et des Lettres and the National Corporate Theatre Fund’s 2007 Artistic Achievement Award. Perloff received a B.A. Phi Beta Kappa in classics and comparative literature from Stanford University and was a Fulbright fellow at the University of Oxford. She has taught at the Tisch School of the Arts at New York University and in the Master of Fine Arts Program in Acting at A.C.T., in addition to authoring numerous plays. This is Perloff’s second encounter with Sophocles’ Elektra, having directed the world premiere of Ezra Pound’s version of the play at CSC in 1988. Timberlake Wertenbaker (Translator/Adaptor) Timberlake Wertenbaker is an acclaimed playwright who grew up in the Basque Country in southwest France. Plays include The Grace of Mary Traverse (Royal Court Theatre); Our Country's Good (Royal Court Theatre and Broadway), which won the Laurence Olivier Play of the Year
    [Show full text]