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Department of Conferences and Meetings Management
ORGANIZATION OF AMERICAN STATES Inter-American Council for Integral Development (CIDI) SECOND MEETING OF THE WORKING GROUPS OEA/Ser.L/XIX.VI.2 OF THE XVI INTER-AMERICAN CONFERENCE CIMT-16/GT1-GT2/doc.9/11 OF MINISTERS OF LABOR (IACML) 12 May 2011 May 17-19, 2011 Original: Spanish Washington, D.C. RESULTS WORKSHOP “DECENTRALIZED PUBLIC EMPLOYMENT SERVICES AND THEIR LINKAGE WITH THE BUSINESS WORLD". Americas – Europe Interregional Event • Mexico City, March 16 to 18, 2011 Results Workshop “Decentralized Public Employment Services and their Linkage with the Business World". Americas – Europe Interregional Event • Mexico City, March 16 to 18, 2011 Contents 1. Overview..……………………………………………………………… 2 2. Conclusions …………………………………………………………… 3 3. Ideas arising from the working groups……………................ 9 4. Results of the evaluations....................………………………….. 11 5. Final agenda ……………………………………………………………. 12 6. List of Participants..... ………………………………………………. 15 Results of the Workshop “Decentralised Public Employment Services and their Linkage with the Business World”, Mexico City, March 16 to 18, 2011. Workshop “Decentralised Public Employment Services and their Linkage with the Business World". Americas – Europe Interregional Event 1. Overview Date: March 16 to 18, 2011 Venue: Nuevo León I Room ‐ Fiesta Americana Reforma Hotel, Mexico City Address: Av. Paseo de la Reforma #80, piso 1, Col. Juárez, Del. Cuauhtémoc, C.P. 06600, México, D.F. This workshop was jointly organised by the World Association of Public Employment Services (WAPES), the Ministry of Labor and Social Welfare (STPS) of Mexico, the Ministry of Labor, Employment and Social Security of Argentina and the Organization of American States’ (OAS) Department of Social Development and Employment, which operates the Inter‐American Network for Labor Administration (RIAL). -
TRAINING the YOUNG ACTOR: a PHYSICAL APPROACH a Thesis
TRAINING THE YOUNG ACTOR: A PHYSICAL APPROACH A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Anthony Lewis Johnson December, 2009 TRAINING THE YOUNG ACTOR: A PHYSICAL APPROACH Anthony Lewis Johnson Thesis Approved: Accepted: __________________________ __________________________ Advisor Dean of the College Mr. James Slowiak Dr. Dudley Turner __________________________ __________________________ Faculty Reader Dean of the Graduate School Mr. Durand Pope Dr. George R. Newkome __________________________ __________________________ School Director Date Mr. Neil Sapienza ii TABLE OF CONTENTS Page CHAPTER I. INTRODUCTION TO TRAINING THE YOUNG ACTOR: A PHYSICAL APPROACH...............................................................................1 II. AMERICAN INTERPRETATIONS OF STANISLAVSKI’S EARLY WORK .......5 Lee Strasberg .............................................................................................7 Stella Adler..................................................................................................8 Robert Lewis...............................................................................................9 Sanford Meisner .......................................................................................10 Uta Hagen.................................................................................................11 III. STANISLAVSKI’S LATER WORK .................................................................13 Tension -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
148 LATIN AMERICAN THEATRE REVIEW Egon Wolff in US
148 LATIN AMERICAN THEATRE REVIEW Egon Wolff in U.S. At the MLA convention in San Francisco in December, 1987, Egon Wolff will participate in a special seminar on his theatre within the context of the Chilean theatre of his generation. In addition, Mr. Wolff may be available to visit colleges and universities in the United States early in 1988. If you are interested in inviting him to your campus, please contact Prof. Leon F. Lyday, Department of Spanish, Italian and Portuguese, The Pennsylvania State University, University Park, PA 16802. Triana and Gámbaro in U.S. Dartmouth College will host a two-day symposium on the theatre of José Triana and Griselda Gámbaro on October 7-8, 1987. Both playwrights are expected to be in attendance for the occasion to interact with participants who will give presentations on their theatre. For further information, please contact Prof. Diana Taylor, Department of Spanish and Portuguese, Dartmouth College, Hanover, NH 03755. Primer Encuentro Internacional de Teatro Antropológico Coordinado por el Maestro Eugenio Barba, director del Nordisk Tea- terlaboratorium Project y de la ISTA (International School of Theatre Anthropology), este encuentro se celebró en Bahía Blanca, Argentina, entre el 6 y 12 de abril de 1987. Participaron los grupos Odin Teatret de Dinamarca, Tadcabile di Bergamo, Potlach de Fara Sabina (Italia) y grupos lati noamericanos de Chile, México, Cuba, Brasil y Uruguay. Con el objetivo del encuentro de evitar "la maratón del festival,'' se puso el acento en el encuentro del trabajo y no en la presentación de espectáculos. Por la mañana, había reuniones de reflexión y discusión de todos los participantes. -
NEIGHBORHOOD 3: REQUISITION of DOOM by Jennifer Haley Directed by Joel Schumacher
THE FLEA THEATER NIEGEL SMITH ARTISTIC DIRECTOR CAROL OSTROW PRODUCING DIRECTOR PRESENTS THE NEW YORK PREMIERE OF NEIGHBORHOOD 3: REQUISITION OF DOOM BY JENNIFER HALEY DIRECTED BY JOEL SCHUMACHER FEATURING THE BATS JUSTIN AHDOOT, SYDNEY BLAXILL, ALEXANDRA CURRAN, ERIC FOLKS, ADAM ALEXANDER HAMILTON, ALEX HAYNES, ADELIND HORAN, LINDSLEY HOWARD, KERRY IPEMA, OLIVIA JAMPOL, CONNOR JOHNSTON, HANK LIN, MADELINE MAHONEY, CRISTINA PITTER, BRENDAN SOKLER, KEVIN ARGUS, THOMAS MUCCIOLI SIMON HARDING SCENIC DESIGN BRIAN ALDOUS LIGHTING DESIGN JEssICA PAbsT COSTUME DESIGN GRACE INTERLICHIA ASSISTANT COSTUME DESIGN JANIE BULLARD SOUND DESIGN JOHN MCKEnnA ASSISTANT SOUND DESIGN J. DAVID BRIMMER FIGHT CHOREOGRAPHY ZACH SERAFIN PROP MASTER DAVID MONTEAGUDO ASSISTANT DIRECTOR ZACHARY GOLDEN ASSISTANT TO THE DIRECTOR AbbEY BAY PRODUCTION STAGE MANAGER KAILA HILL ASSISTANT STAGE MANAGER RON LASKO/SPIN CYCLE PRESS REPRESENTATIVE CAST Voiceover ......................................................................... Justin Ahdoot Makaela .........................................................................Adelind Horan Trevor ................................................................................ Alex Haynes Steve .................................................................................... Eric Folks Leslie............................................................................... Olivia Jampol Vicki ...............................................................................Cristina Pitter Kaitlyn ..................................................................... -
Press Release
Theatre Arts and Performance Studies Box 1897 83 Waterman Street Providence, RI 02912 401 -863-3283 Fax 401-863-7529 PRESS RELEASE FOR IMMEDIATE RELEASE Department of Theatre Arts and Performance Studies (TAPS), Brown University 83 Waterman Street, Providence, RI 02912 Contact: Paul Margrave, Marketing Coordinator (401) 863-2730 / [email protected] / writingislive.com / brown.edu/theatre Monday, May 1, 2017 Brown University Writing for Performance Program Showcase Hits New York PROVIDENCE, RI — The Brown University Writing for Performance program introduced the class of 2017 to the New York performance scene last week as part of a new week-long playwriting residency developed in partnership with The Flea Theater, New York (Artistic Director, Niegel Smith). In their third year at Brown, Writing for Performance students take up the third phase of their annual practicum. Action follows Articulation (first year, where writers engage with notation) and Atelier (second year, where the focus is on initial moves from text into live time and space through a rehearsal process). In Action, students build community, looking to develop conversations with a wider circle of collaborators over a longer period of time and by a range of means including readings, consultations, and an intensive workshop period. As a culmination of their three years in the program, the writers are asked to take their biggest textual risks, pressing at and beyond the most hopeful limit of what they know and believe their words can do. This year for the first time, the Brown University Department of Theatre Arts and Performance Studies has developed a fully reciprocal relationship with The Flea Theater in New York. -
Thank You to Our Generous Patrons! We Gratefully Acknowledge Contributions of $250 Or More Here, June 2020- June 2021 Presents
Thank you to our generous patrons! We gratefully acknowledge contributions of $250 or more here, June 2020- June 2021 presents Anonymous (14) Silas Grossberndt Burt & Adrienne Rosen Actor's Equity Foundation Marlene Burdman Gursey Elana Rosenberg & Greg Central Park | Previews June 24 - June 30, 2021 Bonnie Andersen Newman Halvorson Litt Performances July 1 - July 11, 2021 Janice Arber Maura Harway & Richard Wendy Ruby Brooklyn Commons at MetroTech | July 13 - 18, 2021 Melissa T Astudillo Mark Jeanne Sakata & Tim Carl Schurz Park | July 20 - 25, 2021 Axe-Houghton Foundation Howard & Cindy Hechler Patterson Hugo Barreca The Herman Liebmann Nick Salamone & Clay The Battery | July 27 - August 8, 2021 Audiences are welcome on a frst-come, frst-serve basis on the day of Loretta Belanich Foundation Storseth the performance with necessary Contact Information and Social Distancing. Bloomberg L.P. Anne & Leon Hoffman Lynn & John Salmon FREE & OPEN TO THE PUBLIC for FREE reservations & performance Broadbent Charitable Gift James Holmes Curt & Cheryl Sawyer details: nyclassical.org Fund The JPMorgan Chase Alice Scovell Stephen Burdman & Foundation Christine Shamborsky Adena Abramson Terri Kenworthy Randy Shapiro and Daniel Ellen & Don Byck Andrea Allen Knutson Ripp Andrew Carlon Patricia J KoZu Robin Forman & Hugh ” g Michael Carlon Melissa Kuklin Smyser n i d Chris Carstens & Carol Jill & Martin Lebwohl Sharon & Norbert Soski n e y Meyer Michael and Mary Ellen Robert & Barbara p p a h Jill & Michael Caruso Lehmann Staffaroni “ 81 16 Christopher Cass Diane Lerner Jane Stanicki ’s ate m T Rosina Dixon Fred & Ellen Levine Laura Starr ahu by W with N Eric Drachman Lisa LopeZ Heddy Steinman illiam Shakespeare Donald and Emilie Heather MacMaster Antonia Stolper Englund M&R Capital Management Bruce Taten and Rosa The original source material for King Lear wasn’t a tragedy! Tate’s adaptation—which lets our well-meaning royal live and let live—was performed almost exclusively until the 1840s. -
The Flea Theater
THE FLEA THEATER JIM SIMP S ON ARTISTIC DIRECTOR CAROL OS TROW PRODUCING DIRECTOR BETH DEM B ROW MANAGING DIRECTOR PRESENTS THE WORLD PREMIERE OF A LETTER FROM OMDURMAN WRITTEN BY JEFFREY M. JONE S DIRECTED BY PAGE BURKHOL D ER FEATURING HE AT S T B KATE SIN C LAIR FO S TER SET DESIGN JONATHAN COTTLE LIGHTING DESIGN WHITNEY LO C HER COSTUME DESIGN COLIN WHITELY SOUND DESIGN DAN DURKIN PROJECTION DESIGN JULON D RE BROWN STAGE MANAGMENT A LETTER FROM OMDURMAN CAST (IN ORDER OF APPEARANCE ) Dave...............................................................................................................Matt Barbot Charlie..........................................................................................................Wilton Yeung Wyatt................................................................................................................Will Turner Josie........................................................................................................Veracity Butcher Understudies: Eric Folks (Wyatt), Danny Rivera (Charlie & Dave) CREATIVE TEAM Playwright.............................................................................................................Jeffrey M. Jones Director................................................................................................................Page Burkholder Set Design......................................................................................................Kate Sinclair Foster Lighting Design......................................................................................................Jonathan -
Acting Methods Classical Acting / Stanislavsky System
ACTING METHODS CLASSICAL ACTING / STANISLAVSKY SYSTEM Considered by many to be the father of what’s known today as “method acting,” the Stanislavski system was founded by Konstantin Stanislavski and is based on the idea of the “art of experiencing.” The intent is to ignite an actor’s conscious thought to affect their less conscious expression in their performance, as far as emotion and subconscious behaviors. One of the world’s most frequently taught acting techniques, Stanislavski inspired scores of future teachers including Stella Adler, Sanford Meisner, and Lee Strasberg. Think emotional memory recall, spiritual realism, and self-analysis. METHOD ACTING: STRASBERG Lee Strasberg extrapolated upon Stanislavski’s technique to create “The Method” but focused on the psychological aspects. The approach is for actors to evoke their own applicable experiences in order to bring them closer to those of their character, which Strasberg called “emotion memory.” Lee Strasberg’s actors intensify their connections to the work by mimicking characters’ experiences within the context of their own (real) lives, and reaching deeper connections and understandings of their characters’ emotional worlds. METHOD ACTING: STELLA ADLER Stella Adler also worked with and expanded upon Stanislavski’s method, though she stringently opposed the idea of drudging up past experiences for the sake of acting, deeming it unhealthy. Rather, she created a system that revolves around the development of independent actors, the power of the imagination, the importance of action, script interpretation, and the cultivation of a rich humanity. Stella Adler’s approach is also built on that of Stanislavski, but imagination is emphasized over emotional recall; in her words, “You have to get beyond your own precious inner experiences.” METHOD ACTING: MEISNER Developed by Sanford Meisner, the Meisner technique, too, builds on Stanislavski. -
Presents the World Premiere Production Of
presents the world premiere production of By Andrea Thome Directed by José Zayas Music by Sinuhé Padilla Inspired by interviews with undocumented immigrants from Latin America Touring all five boroughs of New York City February-March 2020 www.EnGardeArts.org Fandango For Butterflies (and Coyotes) By Andrea Thome Directed by José Zayas Music by Sinuhé Padilla Inspired by interviews with undocumented immigrants from Latin America PERFORMERS: Jen Anaya* Mariposa Silvia Dionicio* Rafaela Efrén Olson-Sánchez Rogelio Sinuhé Padilla Sinuhé, Lead Musician Andrés Quintero* Elvin Frances Ines Rodriguez Pili Roberto Tolentino* Johan Tania Mesa Musician CREATIVE TEAM: Sinuhé Padilla Music Direction, Spanish Song Lyrics, Zapateado Choreography Johnny Moreno Scenic and Projection Design Lucrecia Briceno Lighting Design Marcelo Añez Sound Design Fabian Fidel Aguilar Costume Design Alexandra Beller Choreography Carolina Arboleda* Production Stage Manager Sarah George Production Manager Steven Brenman Technical Director Mariana Carreño King Translation of English script to Spanish Andrea Thome English Song Lyrics and Translation of Spanish interviews Daniela Thome Supertitles Operator and Creator Elsie Stark/ Stark Naked Productions Casting Karen Greco Publicity David D’Agostino* Assistant Stage Manager Ammy Roth Props Associate Raphael Regan Associate Costume Designer Katie Scibelli Assistant Set Designer Paul Vallaincourt Assistant Lighting Designer Stefania Bulbarella Assistant Video Designer & Programmer Jake Cheriff Audio Engineer & Supervisor Zack -
CHANGING the EQUATION ARTTABLE CHANGING the EQUATION WOMEN’S LEADERSHIP in the VISUAL ARTS | 1980 – 2005 Contents
CHANGING THE EQUATION ARTTABLE CHANGING THE EQUATION WOMEN’S LEADERSHIP IN THE VISUAL ARTS | 1980 – 2005 Contents 6 Acknowledgments 7 Preface Linda Nochlin This publication is a project of the New York Communications Committee. 8 Statement Lila Harnett Copyright ©2005 by ArtTable, Inc. 9 Statement All rights reserved. No part of this publication may be reproduced or transmitted Diane B. Frankel by any means, electronic or mechanical, including photocopying, recording, or information retrieval system, without written permission from the publisher. 11 Setting the Stage Published by ArtTable, Inc. Judith K. Brodsky Barbara Cavaliere, Managing Editor Renée Skuba, Designer Paul J. Weinstein Quality Printing, Inc., NY, Printer 29 “Those Fantastic Visionaries” Eleanor Munro ArtTable, Inc. 37 Highlights: 1980–2005 270 Lafayette Street, Suite 608 New York, NY 10012 Tel: (212) 343-1430 [email protected] www.arttable.org 94 Selection of Books HE WOMEN OF ARTTABLE ARE CELEBRATING a joyous twenty-fifth anniversary Acknowledgments Preface together. Together, the members can look back on years of consistent progress HE INITIAL IMPETUS FOR THIS BOOK was ArtTable’s 25th Anniversary. The approaching milestone set T and achievement, gained through the cooperative efforts of all of them. The us to thinking about the organization’s history. Was there a story to tell beyond the mere fact of organization started with twelve members in 1980, after the Women’s Art Movement had Tsustaining a quarter of a century, a story beyond survival and self-congratulation? As we rifled already achieved certain successes, mainly in the realm of women artists, who were through old files and forgotten photographs, recalling the organization’s twenty-five years of professional showing more widely and effectively, and in that of feminist art historians, who had networking and the remarkable women involved in it, a larger picture emerged. -
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THE FLEA THEATER NIEGEL SMITH, ARTISTIC DIRECTOR CAROL OSTROW, PRODUCING DIRECTOR PRESENTS THE WORLD PREMIERE OF INANIMATE BY NICK ROBIDEAU DIRECTED BY COURTNEY ULRICH FEATURING THE BATS LACY ALLEN, MAKI BORDEN, PHILIP FELDMAN, ARTEM KREIMER, TRESSA PRESTON, MICHAEL OLOYEDE, NANCY TATIANA QUINTANA, MARCUS ANTONIO JONES, ALEXANDRA SLATER YU-HSUAN CHEN SCENIC DESIGN SARAH LAWRENCE COSTUME DESIGN BECKY HEISLER MCCARTHY LIGHTING DESIGN MEGAN CULLEY SOUND DESIGN CLAIRE EDMONDS AssISTANT DIRECTOR GINA SOLEBELLO PRODUCTION STAGE MANAGER CAST Erica.............................................................................Lacy Allen Kevin ........................................................................ Maki Borden Dee ....................................................................... Philip Feldman Trish ......................................................................Tressa Preston Chorus 1................................................................ Artem Kreimer Chorus 2.................................................Nancy Tatiana Quintana Chorus 3............................................................. Michael Oloyede UNDERSTUDIES Chorus 1.....................................................Marcus Antonio Jones Chorus 2.............................................................Alexandra Slater SPECIAL THANKS: Caitlin Cassidy for LubDub Theatre Company THE FLEA THEATER INANIMATE THE FLEA THEATER ABOUT THE PLAY: Erica, shy and more than a little socially awkward, is in love with Dee. The problem is that her politician