ABOUT THE MUSIC

Mad about Mozart

Maybe our classical music culture has gone mad about Mozart, but can we be sure he would be mad about us? About this program in the concert series, he would probably say: ‘that’s more like it – they’re playing two pieces of new music. Pity I couldn’t write something myself for the occasion. They had to dust off that old symphony of mine!’ Mozart also might have commented, on hearing the two pieces with a as soloists: ‘If I had known it could be done so well I would have tried it myself!’ Musicians are apt to want to play pieces again, especially the ones written for them, and especially if the public liked them too. Something like this motive is to be spotted here: Schaduw by Verbey is linked with the , whose former leader, Andrew Haveron, is now a Sydney Symphony Orchestra concertmaster. And the Goldner Quartet, tonight’s soloists, gave the first performance of The Rave and the Nightingale, and have played it since.

VERBEY Schaduw (2002) About the composer… Theo Verbey, born in 1959, is a Dutch composer. He studied at the Royal Conservatory of The Hague, and his principal composition teachers were Peter Schat and Jan van Vlijmen. While still a student he achieved recognition for his orchestral arrangement SIMON VAN BOXTEL of ’s Opus 1 Piano Sonata, the first of Verbey’s numerous instrumentations of other composers’ music. He has completed Berg’s instrumentation of his Lyric Suite for string quartet, and – with the approval of Stravinsky’s heirs – completed the version Stravinsky’s began of including pianola and cimbaloms. Verbey’s instrumentations have been widely performed, as have his original works, by leading Dutch performers and orchestras including the Royal Concertgebouw, and performing organisations in many other countries. His own music has been Theo Verbey praised for its convincing structure, its beauty and its great historical awareness, as well as for its colouristic qualities and subtle harmonies. About the music… Schaduw (the title means ‘shade’ or ‘shadow’ in Dutch) was composed in 2002, for the Brodsky Quartet and the Amsterdam Sinfonietta, who gave the first performance. Verbey reworked and expanded the music for the ballet Frozen Echo, his collaboration

38 Four Play Solo Mozart wrote marvellous string quartets, but concerto grosso as the basis of his concerto the nearest he got to making four strings the for string quartet and orchestra – a logical soloists was in the Serenata notturna heard in extension of the concertino of baroque pieces this concert series in June, where instead of a like Handel’s. Ernest Bloch imitated that form there’s a double bass. Perhaps it was in his Concerto Grosso No.2 of 1952. Martinů’s inevitable that the idea of making a string Concerto for string quartet and orchestra of quartet the ‘soloist’ with orchestra came to a 1932 was written for the famous Pro Arte musician famous as a quartet leader, Louis Quartet. Spohr. Spohr’s own concerto for this More recently, pieces have come thick and combination dates from 1845. For fast, with or without ‘concerto’ in the title: by successors, you have to wait until the 20th Boris Blacher (1956), Gunther Schuller (1988), century, when touring string quartets Terry Riley (1991) and Morton Feldman (1973) proliferated. to mention just a few. And in 2014, David Meanwhile there are two famous works for Robertson’s first year as Chief Conductor, the string orchestra where a quartet is integrated SSO gave the Australian premiere of John and has solo passages: Elgar’s Introduction Adams’ Absolute Jest for string quartet and and Allegro of 1905, and Vaughan Williams’ orchestra, with the Australian String Quartet Fantasia on a Theme by Thomas Tallis (1910). as soloists. Happy YouTube exploring! In 1933 Arnold Schoenberg used a Handel

with Dutch choreographer Regina van Berkel, premiered in 2011 by Ballett am Rhein. The ballet’s title Frozen Echo gives a clue to an aspect of the music, which explores the shade one musical idea throws on another. SIMON VAN BOXTEL The ‘shadow’ seems to fall both backwards and forward. The earlier passages of the music expose a number of ideas later summed up in a forthright and explicit statement near the end. If we also think of ‘shading in’, we will get another clue to Verbey’s imagination: the ideas are coloured and intensified in different ways throughout, and the composer uses the string quartet less as a soloistic entity than as a way of varying the texture, and in particular bringing ideas into the foreground. Verbey’s diagram of the orchestral set-up places the string quartet at front of stage, with the conductor and the other strings behind them, and the percussion at the back. Schaduw was first performed in 2002 by the Brodsky Quartet, led by Andrew Haveron, with the Nieuw Amsterdam Sinfonietta, conducted by Peter Oundjian. Tonight’s performance, we believe, is the Australian premiere.

39 MOZART Symphony No.28 in C, K200 Allegro spiritoso Andante BEX PHOTOGRAPHY Menuetto (Allegretto) – Trio Presto The earliest Mozart symphonies turning up regularly in concerts are Audiences in the 18th century amongst the last he composed in Salzburg. During his remaining were more susceptible than we years in his native city (1774–1781) Mozart’s music for orchestra are to how the key determined the without soloist consisted mainly of serenades and other occasional music’s character, partly because music – some of which he later quarried for symphonies. Salzburg the instruments of the time were gave scant opportunity for symphonies as such. Symphonies 28 less flexible, and better suited to some keys than others. If C major, and 29 were composed (in 1774) soon after Mozart’s 1773 visit to the key of Mozart’s Symphony Vienna, hoping vainly for a post there. and his fellow No.28, brings festive music, practitioners of the ‘Viennese’ school were making a minuet a it’s not just because there are standard part of a four-movement structure. Their first movements trumpets playing, but also revealed ‘sonata’ form, with a clear contrast of themes. because the music is designed to This C major symphony immediately declares a ceremonial suit them. Listeners would have character (with trumpets) but in an unusual triple time (three expected there to be kettledrums rather than four beats to the bar), agitated and forward driving. as well, and in fact Mozart The trills in the answering to the opening unison call to attention (perhaps because he wasn’t there will be even more prominent in the finale – elegance amidst to tell the timpanist when to play) power and drama. The scoring of the first movement is almost wrote out – as an afterthought – spare – stripped for action, if you like. This movement has a coda, a part for the drums. This turned a sign of Mozart’s new sense of scale and formal balance (the up at an auction in 1929, but has second movement has one as well). since disappeared. In the Andante a softer feeling comes with the key of F major and the violins are muted. This idyll flutters and sighs, while the second violins wander, but there is no indulgence, no mere revelling in aural delights, lest the symphony’s unity be lost. The broad Menuetto has especially memorable echoes of the main phrase played by the horns alone. Mozart enjoyed beginning his finales busily but quietly, making the audience hush to listen before the expected noisy outburst. Here all is trills, over a non-stop accompaniment in quavers, some delightful oboe chirps, and a final surprise.

Detail from a portrait of Mozart by his brother-in-law Joseph Lange (c.1782–3).

40 Matthew Hindson BEX PHOTOGRAPHY

HINDSON The Rave and the Nightingale (2001) A fantasy for string quartet and string orchestra, based on the first movement of Schubert’s String Quartet No.15 About the composer… Born in Wollongong in 1968, Matthew Hindson can claim to be the leading Australian composer of his generation – with commissions and performances of his music all over the world. As well as being performed by every Australian orchestra, the London Philharmonic Orchestra, Los Angeles Philharmonic and Royal Philharmonic Orchestra among many others, Matthew’s music has been set by dance companies such as the Birmingham Royal Ballet, San Francisco Ballet, National Ballet of Japan and Sydney Dance Company. In 1999 he was the composer attached to the Sydney Symphony Orchestra. Matthew Hindson studied composition at the universities of Sydney and Melbourne with composers including , Eric Gross, and . He is currently the Acting Head of the School of Composition and Acting Associate Dean, Learning and Teaching at the Sydney Conservatorium of Music. From 2004 to 2010 he was artistic director of the Aurora Festival, dedicated to the work of living composers. In 2006 he was made a member of the Order of (AM) for contributions to music education and composition. And from 2009 to 2013 he was the Chair, and in 2013–2015 a board member, of the Music Board of the Australia Council for the Arts.

41 Schubert sits at the piano with The following note is based on Hindson’s own… baritone Johann Michael Vogl Schubert’s monolithic hour-long last string quartet is especially amongst his friends at a notable for its daring mix of major and minor modes. It is known ‘Schubertiade’. Drawn from memory in string-playing circles as ‘the G major-minor’. by Moritz von Schwind in 1868. What sort of music would Schubert have written if he had been born in the late 20th century? His 600 songs suggest he might have strayed towards popular music. Maybe, Hindson muses, ‘as the prolific DJ Franz he would write techno-inspired electronica anthems for the clubs of Europe’. The Rave and the A rave (from the verb ‘to rave’) Nightingale is based on this speculation. Schubert suffered from is a large dance party – typically syphilis is his last years, and here his glimpse into the 21st at a secret venue – featuring century may be imagined as brought on by syphilitic dementia. electronic dance music, often The piece begins with an abridged four-minute quotation of carefully attuned to the mood Schubert’s first movement. When the exposition repeat is (assisted or otherwise) of the reached, the contemporary treatment begins and takes over. The ravers. music is ‘filtered’ using string techniques not used in Schubert’s Dementia may well involve raving, time, and rhythmic as well as harmonic devices from pop music. of another kind. The tremolos Schubert’s material is integrated, obviously and not so obviously. (notes rapidly repeated) used The structure also follows Schubert’s. by Hindson to ‘deconstruct’ The nightingale of the title salutes Schubert the singer of Schubert’s music into something songs, represented by his quartet movement. In truth – says the recognisable as ‘rave’ are already composer – there is more rave than nightingale here, but their present in Schubert’s music, opposition makes for tension and contrast. heard, for example, when he repeats the first thematic idea. The Rave and the Nightingale was first performed by the Goldner By adding the string orchestra, String Quartet, with the Queensland Symphony Orchestra, on Hindson makes it possible for the 26 July 2001 solo quartet, initially charged with presenting Schubert’s music, to DAVID GARRETT © 2016 take part in the rave and comment.

42 THE ARTISTS KEITH SAUNDERS

Toby Thatcher conductor Assistant Conductor, supported by Rachel & & Dimity Hall, violins Geoffrey O’Conor and Symphony Services Irina Morozova, International Julian Smiles, cello

Toby Thatcher was born in Melbourne and raised in The Goldner String Quartet enjoys long-standing Sydney, where he studied at the Conservatorium recognition as an ensemble of international of Music. At the age of 19 he participated in significance and in 2016 celebrates its 21st the Symphony Australia Young Conductor anniversary. Its members – all founders – are Development Program. He subsequently also members of the Australia Ensemble @UNSW completed a master’s performance degree at and all have occupied principal positions with the Royal Academy of Music in London, where orchestras such as the ACO and the SSO. he studied oboe as well as participating in Unanimous audience and critical acclaim international masterclasses. In his following their Wigmore Hall debut in 1997 final year of studies he performed with the London ensured invitations to prestigious UK and Philharmonia and London Sinfonietta, and was European festivals. Performances in the USA offered a trial with the Royal Philharmonic and throughout Asia have followed, in addition Orchestra for the position of Principal Cor Anglais. to several tours of New Zealand. The Quartet Following his graduation, he was a finalist and appears at many of the leading music festivals prize winner at the 2015 Georg Solti International in Australia, including as Quartet in Residence at Conducting Competition with the the Australian Festival of Chamber Music. In 2015 HR-Sinfonieorchester and Frankfurter Opern und the Quartet toured nationally in ’s Museumsorchester. That same year he won a International Series. Neeme Järvi Prize at the Menuhin Festival and New works have been regularly commissioned was appointed Assistant Conductor to the SSO. for the Goldners from many of Australia’s leading He is the founder and director of the London- composers. Special projects have included a based orchestra Ensemble Eroica, with whom he major 20th-century retrospective and a cycle of has appeared at King’s Place and St Martin in the the complete Beethoven string quartets, which Fields, as well as conductor of contemporary was recorded live and won the 2009 Limelight music group Ensemble x.y. He has worked with Award for Best Classical Recording. More recent orchestras internationally and in the 2016–17 Goldner projects have included The Quartets – season he will make concert debuts with the a DVD documentary with Peter Sculthorpe – and Adelaide Symphony Orchestra and the an ongoing international project in celebration Sinfonieorchester . of Sydney’s Sister Cities. The Quartet’s many critically acclaimed recordings also include eight albums with pianist Piers Lane.

43 MORE MUSIC

CREATURES OF PROMETHEUS been collected by Decca for Britten: The Masterpieces. Hear Beethoven’s complete ballet music for The Creatures The four CDs live up to the promise of the title, beginning of Prometheus in a thrilling and lively performance by with The Young Person’s Guide and including the Nikolaus Harnoncourt (who died in March this year) and Variations on a theme of Frank Bridge, Sea Interludes the Chamber Orchestra of Europe. from Peter Grimes, a Ceremony of Carols and the TELDEC 90876 Serenade for tenor, horn and strings (again with Pears). DECCA 478 5723 MOZART’S LITANY Harnoncourt also conducts a fine performance of the ‘JEUNEHOMME’ CONCERTO Mozart Litany, K243 with Concentus Musicus Wien and There are nearly a hundred recordings of Mozart’s K271 the Arnold Schoenberg Choir and soloists Sylvia Schwartz, piano concerto currently available with more to be found Elisabeth von Magnus, Jeremy Ovenden and Florian as reprints or downloads. Look for Vladimir Ashkenzy’s Boesch. Filmed for DVD and blu-ray at the 2012 Salzburg recording with the London Symphony Orchestra and Festival with the Mass in C, K262. István Kertész – available in several box set collections, EUROARTS 207 2638 (DVD); 207 2634 (blu-ray) but also paired with the Piano Concerto K246 and the Rondo in A major in an ArkivCD. HAYDN’S TE DEUM DECCA 443576 Tonight’s Te Deum is paired with Haydn’s Nelson Mass in If you’re curious to hear K271 on fortepiano with a period a recording by the English Concert and Choir, conducted instrument orchestra, search for the recording with by Trevor Pinnock. Robert Levin and Christopher Hogwood conducting the ARCHIV DG 423097 Academy of Ancient Music. (The ‘Jeunehomme’ is paired with the concerto in A major, K414.) The last time Robert MOZART AT NIGHT Levin toured Mozart concertos in Australia he improvised If you heard Gidon Kremer when he brought his Kremerata completely different cadenzas each night. This recording to Australia a few years ago, you’ll remember his highly freezes in time two instances of his remarkable entertaining take on Mozart’s Serenata notturna, adding creativity. his own witty effects to Mozart’s with uninhibited L’OISEAU LYRE 443328 (ARKIVCD) cadenzas for individual instruments (including the timpani). You can find a performance on DVD with music PRAGUE SYMPHONY by Arvo Pärt and Alfred Schnittke, and Mozart’s Sinfonia Australian conductor Sir takes concertante, K364 (with violist Ula Ulijona). Symphony No.38 to home territory in his recording with EUROARTS 207 2228 the Prague Chamber Orchestra on the curiously titled Or look for more of Mozart’s Night Music in Andrew Manze’s album Everybody’s Mozart. On the same disc: Symphony recording of that name, recorded with the English Concert. No.32, No.35 (‘Haffner’, K385) and No.36 (‘Linz’, K426). This group, too, enjoys Mozart’s genial humour to the full; TELARC 80759 the Serenata notturna is the highlight in an energising Among the more recent releases, René Jacobs’ recording program that includes Eine kleine Nachtmusik and with the period instrument Freiburg Baroque Orchestra A Musical Joke (K522). stands out for its clear textures and flamboyant presence, HARMONIA MUNDI 290 7280 especially remarkable in the fugue finale of the companion symphony on the disc, the ‘Jupiter’ (No.41). TRANSFIGURED NIGHT HARMONIA MUNDI 290 1958 Schoenberg’s Transfigured Night has insights to offer whether you hear it in its original string sextet version or LARS VOGT PLAYS MOZART the version for string orchestra. The Raphael Ensemble Among Lars Vogt’s most recent releases is a pair of unites the sextet version with the D major string sextet Mozart piano concertos (No.21 in C, K467 and No.27 in by Schoenberg’s contemporary Erich Wolfgang Korngold. B flat, K595), recorded with the HELIOS 55466 Orchestra and Paavo Järvi. The performances have been Conducting the Berlin Philharmonic Orchestra, James praised for their nuance, grace and liveliness. Levine makes a rich and enticing program in which CAVI MUSIC 855 3296 Transfigured Night is framed by Wagner’s Siegfried Idyll If you’re curious about the chamber music Spannungen and ’s Metamorphosen. Out of print, but (‘voltages’) mentioned in Lars Vogt’s biography, there’s a available as an ArkivCD and as a download from iTunes. limited edition 14-CD set, Spannungen: Musik im DEUTSCHE GRAMMOPHON 435 883 Kraftwerk Heimbach with Vogt and his friends performing music ranging from Haydn, Mozart and Tchaikovsky to LES ILLUMINATIONS more theatrical pieces like Stravinsky’s Soldier’s Tale, For this work, who better than tenor Peter Pears with the and Eight Songs for a Mad King by the late Peter Maxwell composer himself conducting? The orchestra is the Davies. English Chamber Orchestra in the performance that has CAVI MUSIC 855 3100

44 THEO VERBEY Broadcasts Visit www.theoverbey.com to watch videos, listen to audio samples and find details of his recordings, which include In the Garden of Paracelsus on the album Trees, Walls, Cities with the Brodsky Quartet (Chandos) and his Pavane oubliée for harp and strings on Harp Concertos Many SSO concerts are recorded by ABC Classic FM for from the Netherlands. Or search through the digital live or delayed broadcast. Broadcast listings can be source of your choice: his music is represented on found at www.abc.net.au/classic iTunes and Spotify.

MATTHEW HINDSON SSO Radio Visit hindson.com.au for Matthew Hindson’s catalogue Selected SSO performances, as recorded by the ABC, of works, including audio samples, and his publisher are available on demand: Faber maintains a discography on www.fabermusic.com. sydneysymphony.com/SSO_radio If you remember hearing his concerto for two pianos and orchestra, premiered a few years ago by Pascal and Ami Rogé with the SSO, you might enjoy his Pulse Magnet for piano duo and percussion, recently recorded by the Rogés with an arrangement of Ravel’s Bolero, and Bartók’s Sonata for two pianos and percussion. ONYX 4218 Or look for the recording of his Violin Concerto by Lara St John with Sarah Ionnides conducting the Royal SYDNEY SYMPHONY ORCHESTRA HOUR Philharmonic Orchestra. The album also includes the Fine Music 102.5 broadcasts a regular SSO spot at 6pm Suite from The Red Violin by John Corigliano and Liszt’s on the second Tuesday of each month. Tune in to hear Totentanz. musicians, staff and guest artists discuss forthcoming ANCALAGON 133 concerts. Hosted by Andrew Bukenya.

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45 SYDNEY SYMPHONY ORCHESTRA

DAVID ROBERTSON such as George Szell, Sir Thomas Beecham, THE LOWY CHAIR OF Otto Klemperer and . CHIEF CONDUCTOR AND ARTISTIC DIRECTOR The SSO’s award-winning education program is central to its commitment to the future of live PATRON Professor The Hon. Dame Marie Bashir AD CVO symphonic music, developing audiences and Founded in 1932 by the Australian Broadcasting engaging the participation of young people. Commission, the Sydney Symphony Orchestra The orchestra promotes the work of Australian has evolved into one of the world’s finest composers through performances, recordings orchestras as Sydney has become one of the and its commissioning program. Recent world’s great cities. premieres have included major works by Ross Resident at the iconic , Edwards, Lee Bracegirdle, Gordon Kerry, Mary where it gives more than 100 performances Finsterer, Nigel Westlake and Georges Lentz, each year, the SSO also performs in venues and the orchestra’s recordings of music by throughout Sydney and regional New South have been released on both the BIS Wales. International tours to Europe, Asia and and SSO Live labels. the USA – including three visits to China – have Other releases on the SSO Live label, earned the orchestra worldwide recognition for established in 2006, include performances artistic excellence. with Alexander Lazarev, , The orchestra’s first Chief Conductor was Sir Charles Mackerras, and Sir Eugene Goossens, appointed in 1947; he was David Robertson. In 2010–11 the orchestra made followed by Nicolai Malko, , Moshe concert recordings of the complete Mahler Atzmon, , Louis Frémaux, symphonies with Ashkenazy, and has also Sir Charles Mackerras, Zdenĕk Mácal, Stuart released recordings of Rachmaninoff and Elgar Challender, and Gianluigi Gelmetti. orchestral works on the Exton/Triton labels, as Vladimir Ashkenazy was Principal Conductor well as numerous recordings on ABC Classics. from 2009 to 2013. The orchestra’s history also This is the third year of David Robertson’s boasts collaborations with legendary figures tenure as Chief Conductor and Artistic Director.

46 THE ORCHESTRA

Toby Thatcher Brett Dean ASSISTANT CONDUCTOR David Robertson ARTIST IN RESIDENCE SUPPORTED BY RACHEL & THE LOWY CHAIR OF SUPPORTED BY GEOFFREY O’CONOR AND CHIEF CONDUCTOR GEOFF AINSWORTH AM & SYMPHONY SERVICES AND ARTISTIC DIRECTOR JOHANNA FEATHERSTONE INTERNATIONAL

Andrew Haveron Dene Olding CONCERTMASTER CONCERTMASTER

FIRST VIOLINS DOUBLE BASSES HORNS Dene Olding 2 Roger Benedict 3 Kees Boersma 4 Robert Johnson 1 2 3 CONCERTMASTER PRINCIPAL PRINCIPAL PRINCIPAL Kirsten Williams2 3 4 Tobias Breider 1 2 4 Alex Henery 1 2 3 Rachel Silver 1 ASSOCIATE CONCERTMASTER PRINCIPAL PRINCIPAL Jenny McLeod-Sneyd° 3 4 Sun Yi 1 4 Anne-Louise Comerford 3 David Campbell 3 ASSOCIATE CONCERTMASTER ASSOCIATE PRINCIPAL Steven Larson 2 2 3 2 1 4 TRUMPETS Lerida Delbridge Justin Williams Benjamin Ward 1 3 ASSISTANT CONCERTMASTER ASSISTANT PRINCIPAL David Elton 2 1 2 PRINCIPAL Fiona Ziegler Rosemary Curtin 4 2 4 FLUTES ASSISTANT CONCERTMASTER Jane Hazelwood Paul Goodchild 1 3 3 ASSOCIATE PRINCIPAL Jenny Booth 3 4 Janet Webb Graham Hennings † 4 4 2 PRINCIPAL Daniel Henderson Brielle Clapson Stuart Johnson 1 1 1 3 4 Carolyn Harris Alfie Carslake* Amber Davis 1 2 Justine Marsden A/ ASSOCIATE PRINCIPAL 1 1 2 3 1 3 4 Yosuke Matsui* Georges Lentz 1 Felicity Tsai Rosamund Plummer 2 3 Nicola Lewis Leonid Volovelsky PRINCIPAL PICCOLO 3 Emily Long Jeroen Quint° 3 TROMBONE 3 4 1 Alexandra Mitchell OBOES Ronald Prussing Alexander Norton 1 PRINCIPAL 3 4 1 2 Nick Byrne Léone Ziegler 2 4 PRINCIPAL 1 1 Umberto Clerici Christopher Harris Rebecca Gill* PRINCIPAL Shefali Pryor 1 † 4 PRINCIPAL BASS TROMBONE Bridget O’Donnell Catherine Hewgill 1 3 ASSOCIATE PRINCIPAL PRINCIPAL David Papp 1 3 2 4 TIMPANI SECOND VIOLINS Leah Lynn Alexandre Oguey Richard Miller 1 Kirsty Hilton 2 ASSISTANT PRINCIPAL PRINCIPAL COR ANGLAIS Kristy Conrau 2 4 PRINCIPAL PRINCIPAL 2 1 3 4 Mark Robinson Marina Marsden 1 3 4 Fenella Gill CLARINETS 4 ASSISTANT PRINCIPAL PRINCIPAL Timothy Nankervis Christopher Tingay 1 1 2 4 1 2 Emma Jezek Elizabeth Neville Craig Wernicke 1 A/ ASSOCIATE PRINCIPAL 2 3 PERCUSSION Christopher Pidcock PRINCIPAL BASS CLARINET 3 4 Claire Herrick Adrian Wallis 1 Rebecca Lagos Shuti Huang 3 4 3 PRINCIPAL David Wickham BASSOONS † 4 1 2 3 † 4 Hugh Tidy Stan W Kornel HyungSuk Bae 1 3 1 4 Matthew Wilkie Benjamin Li PRINCIPAL 1 3 Nicole Masters 1 3 ORGAN 2 3 Noriko Shimada 1 Maja Verunica PRINCIPAL CONTRABASSOON David Drury* Victoria Bihun° 2 PRINCIPAL 3 4 Emma Jardine° ° = CONTRACT MUSICIAN Continuo organ by H Klop, Garderen 1 Belinda Jezek° * = GUEST MUSICIAN Nederland 2004 Supplied and prepared by Carey Beebe 2 3 4 † = SSO FELLOW Elizabeth Jones° Harpsichords

Numerals in superscript indicate the concerts in which the musician is appearing: 1 – 31 March 3 – 14 July 2 – 2 June 4 – 6 October Orchestra lists are correct at time of publication (March 2016); The men of the Sydney changes of personnel may occur closer to the performance date. Symphony Orchestra are proudly outfitted by www.sydneysymphony.com/SSO_musicians Van Heusen.

47 BEHIND THE SCENES

Sydney Symphony Sydney Symphony Orchestra Staff

Orchestra Board MANAGING DIRECTOR A/ MARKETING MANAGER, WEB & Rory Jeffes DIGITAL MEDIA Terrey Arcus AM Chairman EXECUTIVE TEAM ASSISTANT Jenny Sargant Andrew Baxter Lisa Davies-Galli MARKETING & ONLINE SPECIALIST Ewen Crouch AM Jonathon Symonds Ross Grant ARTISTIC OPERATIONS MARKETING COORDINATOR Catherine Hewgill DIRECTOR OF ARTISTIC PLANNING Doug Emery Benjamin Schwartz Jennifer Hoy Box Office Rory Jeffes ARTISTIC ADMINISTRATION MANAGER Eleasha Mah MANAGER OF BOX OFFICE SALES & David Livingstone OPERATIONS The Hon. Justice AJ Meagher ARTIST LIAISON MANAGER Lynn McLaughlin Ilmar Leetberg Karen Moses BOX OFFICE SYSTEMS SUPERVISOR Goetz Richter TECHNICAL MEDIA PRODUCER Jennifer Laing Philip Powers BOX OFFICE BUSINESS ADMINISTRATOR Library John Robertson Sydney Symphony Anna Cernik CUSTOMER SERVICE REPRESENTATIVES Victoria Grant Karen Wagg – CS Manager Orchestra Council Mary-Ann Mead Rosie Baker Michael Dowling LEARNING AND ENGAGEMENT Geoff Ainsworth AM Publications Doug Battersby DIRECTOR OF LEARNING & ENGAGEMENT PUBLICATIONS EDITOR & Christine Bishop Linda Lorenza MUSIC PRESENTATION MANAGER The Hon John Della Bosca MLC EMERGING ARTISTS PROGRAM MANAGER Yvonne Frindle John C Conde AO Rachel McLarin EXTERNAL RELATIONS Michael J Crouch AO A/ EDUCATION MANAGER Alan Fang Rachel Ford DIRECTOR OF EXTERNAL RELATIONS Erin Flaherty EDUCATION OFFICER Yvonne Zammit Laura Andrew Dr Stephen Freiberg Philanthropy Simon Johnson ORCHESTRA MANAGEMENT HEAD OF PHILANTHROPY Gary Linnane Rosemary Swift DIRECTOR OF ORCHESTRA MANAGEMENT Helen Lynch AM Aernout Kerbert PHILANTHROPY MANAGER David Maloney AM Jennifer Drysdale ORCHESTRA MANAGER Justice Jane Mathews AO Rachel Whealy PATRONS EXECUTIVE Danny May Sarah Morrisby ORCHESTRA COORDINATOR Jane Morschel Rosie Marks-Smith TRUSTS & FOUNDATIONS OFFICER Dr Eileen Ong Sally-Anne Biggins OPERATIONS MANAGER Andy Plummer Kerry-Anne Cook PHILANTHROPY COORDINATOR Claire Whittle Deirdre Plummer HEAD OF PRODUCTION Seamus Robert Quick Laura Daniel Corporate Relations Paul Salteri AM STAGE MANAGER CORPORATE PARTNERSHIPS EXECUTIVE Sandra Salteri Courtney Wilson Paloma Gould Juliana Schaeffer PRODUCTION COORDINATORS Communications Fred Stein OAM Elissa Seed HEAD OF COMMUNICATIONS John van Ogtrop Brendon Taylor Bridget Cormack Brian White PRODUCER, SPECIAL EVENTS PUBLICIST Rosemary White Mark Sutcliffe Caitlin Benetatos HONORARY COUNCIL MEMBERS SALES AND MARKETING MULTIMEDIA CONTENT PRODUCER Daniela Testa Ita Buttrose AO OBE DIRECTOR OF SALES & MARKETING Donald Hazelwood AO OBE Mark J Elliott BUSINESS SERVICES AM SENIOR SALES & MARKETING MANAGER DIRECTOR OF FINANCE David Malouf AO Penny Evans John Horn Wendy McCarthy AO MARKETING MANAGER, SUBSCRIPTION SALES FINANCE MANAGER Leo Schofield AM Simon Crossley-Meates Ruth Tolentino Peter Weiss AO MARKETING MANAGER, CLASSICAL SALES ACCOUNTANT Anthony Whelan MBE Matthew Rive Minerva Prescott MARKETING MANAGER, CRM & DATABASE ACCOUNTS ASSISTANT Matthew Hodge Emma Ferrer DATABASE ANALYST PAYROLL OFFICER David Patrick Laura Soutter SENIOR GRAPHIC DESIGNER Christie Brewster PEOPLE AND CULTURE GRAPHIC DESIGNER IN-HOUSE COUNSEL Tessa Conn Michel Maree Hryce

48 SSO PATRONS

Maestro’s Circle Supporting the artistic vision of David Robertson, Chief Conductor and Artistic Director

Peter Weiss AO Founding President & Doris Weiss Terrey Arcus AM Chairman & Anne Arcus Brian Abel Tom Breen & Rachel Kohn The Berg Family Foundation John C Conde AO Vicki Olsson Roslyn Packer AO David Robertson & Orli Shaham Penelope Seidler AM Mr Fred Street AM & Dorothy Street Brian White AO & Rosemary White Ray Wilson OAM in memory of the late James Agapitos OAM David Robertson

Chair Patrons David Robertson Robert Johnson The Lowy Chair of Principal Horn Chief Conductor and James & Leonie Furber Chair Artistic Director Scott Kinmont KEITH SAUNDERS Kees Boersma Associate Principal Trombone Principal Double Bass Audrey Blunden Chair SSO Council Chair Leah Lynn Umberto Clerici Assistant Principal Cello Principal Cello SSO Vanguard Chair Garry & Shiva Rich Chair With lead support from Taine Moufarrige, Seamus R Kristy Conrau Quick, and Chris Robertson Cello & Katherine Shaw James Graham AM & Helen Graham Chair Nicole Masters Second Violin Timothy Constable Nora Goodridge Chair Percussion Justice Jane Mathews AO Elizabeth Neville Chair Cello Ruth & Bob Magid Chair Lerida Delbridge Jane Hazelwood’s chair is generously Assistant Concertmaster Shefali Pryor supported by Bob & Julie Clampett in Simon Johnson Chair Associate Principal Oboe memory of Carolyn Clampett. Mrs Barbara Murphy Chair Diana Doherty Principal Oboe Emma Sholl John C Conde AO Chair Associate Principal Flute Robert & Janet Constable Jane Hazelwood Chair Viola Bob & Julie Clampett Chair Kirsten Williams in memory of Carolyn Associate Concertmaster Clampett I Kallinikos Chair

Catherine Hewgill n n n n n n n n n n Principal Cello The Hon. Justice AJ & FOR INFORMATION ABOUT THE CHAIR PATRONS Mrs Fran Meagher Chair PROGRAM CALL (02) 8215 4625

49 SSO PATRONS

Learning & Engagement Foundations

A U S T R A L I A - K O R E A F O U N D A T I O N ROBERT CATTO

Commissioning Circle Sydney Symphony Orchestra 2016 Fellows Supporting the creation of new works.

FELLOWSHIP PATRONS ANZAC Centenary Arts and Culture Fund Robert Albert AO & Elizabeth Albert Flute Chair Geoff Ainsworth AM & Johanna Featherstone Christine Bishop Percussion Chair Raji Ambikairajah Sandra & Neil Burns Clarinet Chair Christine Bishop In Memory of Matthew Krel Violin Chair Dr John Edmonds Mrs T Merewether OAM Horn Chair Andrew Kaldor AM & Renata Kaldor AO Paul Salteri AM & Sandra Salteri Violin and Viola Chairs Jane Mathews AO Mrs W Stening Cello Chairs Mrs Barbara Murphy Kim Williams AM & Catherine Dovey Patrons of Roger Benedict, Nexus IT Artistic Director, Fellowship Vicki Olsson June & Alan Woods Family Bequest Bassoon Chair Caroline & Tim Rogers Anonymous Double Bass Chair Geoff Stearn Anonymous Oboe Chair Dr Richard T White Anonymous Trumpet Chair Anonymous

FELLOWSHIP SUPPORTING PATRONS Mr Stephen J Bell Dr Rebecca Chin Joan MacKenzie Scholarship Drs Eileen & Keith Ong In Memory of Geoff White

TUNED-UP! Anne Arcus & Terrey Arcus AM Ian & Jennifer Burton Ian Dickson & Reg Holloway Mrs Barbara Murphy Drs Keith & Eileen Ong Tony Strachan “Patrons allow us to dream of MAJOR EDUCATION DONORS projects, and then share them Bronze Patrons & above with others. What could be John Augustus & Kim Ryrie Bob & Julie Clampett more rewarding?” Howard & Maureen Connors DAVID ROBERTSON SSO Chief Conductor and Artistic Director The Greatorex Foundation J A McKernan BECOME A PATRON TODAY. Barbara Maidment Mr & Mrs Nigel Price Call: (02) 8215 4650 Drs Eileen & Keith Ong Email: [email protected] Mr Robert & Mrs Rosemary Walsh

50 Playing Your Part Legacy Society The Sydney Symphony Orchestra gratefully Celebrating the vision of donors who are leaving acknowledges the music lovers who donate to the a bequest to the SSO. orchestra each year. Each gift plays an important part in ensuring our continued artistic excellence and Henri W Aram OAM & Peter Lazar AM Robin Aram Daniel Lemesle helping to sustain important education and regional Stephen J Bell Louise Miller touring programs. Mr David & Mrs Halina Brett James & Elsie Moore R Burns Vincent Kevin Morris & DIAMOND PATRONS Mr Robert & Mrs L Alison Carr Howard Connors Desmond McNally $50,000+ Bob & Julie Clampett Greta Davis Mrs Barbara Murphy Anne Arcus & Terrey Arcus AM Michael Crouch AO & Jennifer Fulton Douglas Paisley Mr Frank Lowy AC & Shanny Crouch Brian Galway Kate Roberts Mrs Shirley Lowy OAM Ian Dickson & Reg Holloway Michele Gannon-Miller Mary Vallentine AO Mrs Roslyn Packer AO Paul Espie Miss Pauline M Griffin AM Ray Wilson OAM Paul Salteri AM & Sandra Edward & Diane Federman George Joannides Anonymous (10) Salteri Nora Goodridge John Lam-Po-Tang Peter Weiss AO & Doris Weiss Mr Ross Grant Mr Brian White AO & Stephen Johns & Michele Mrs Rosemary White Bender Simon Johnson PLATINUM PATRONS Helen Lynch AM & Helen $30,000–$49,999 Bauer Doug & Alison Battersby Judith A McKernan Mr John C Conde AO Susan Maple-Brown AM Robert & Janet Constable Mr John Morschel Ruth & Bob Magid Seamus Robert Quick The Hon Justice AJ Meagher Kenneth R Reed AM & Mrs Fran Meagher Garry & Shiva Rich Mrs Barbara Murphy Tony Strachan Vicki Olsson John Symond AM Mrs W Stening The Harry Triguboff Kim Williams AM & Catherine Foundation Dovey Caroline Wilkinson GOLD PATRONS June & Alan Woods Bequest $20,000–$29,999 Anonymous (2) Brian Abel BRONZE PATRONS Robert Albert AO & Elizabeth $5,000–$9,999 Albert Dr Raji Ambikairajah The Berg Family Foundation Stuart Challender, SSO Chief Conductor John Augustus & Kim Ryrie Tom Breen & Rachael Kohn Dushko Bajic and Artistic Director 1987–1991 Sandra & Neil Burns Stephen J Bell James & Leonie Furber Dr Hannes & Mrs Barbara Mr Andrew Kaldor AM & BEQUEST DONORS Boshoff Mrs Renata Kaldor AO Boyarsky Family Trust I Kallinikos We gratefully acknowledge donors who have left Peter Braithwaite & In memory of Matthew Krel a bequest to the SSO. Gary Linnane Justice Jane Mathews AO Mrs P M Bridges OBE The late Mrs Lenore Adamson Mrs T Merewether OAM David Z Burger Foundation Estate of Carolyn Clampett Rachel & Geoffrey O’Conor Ian & Jennifer Burton Estate Of Jonathan Earl William Clark Drs Keith & Eileen Ong Dr Rebecca Chin Estate of Colin T Enderby Andy & Deirdre Plummer Dr Diana Choquette & David Robertson & Orli Estate of Mrs E Herrman Mr Robert Milliner Shaham Estate of Irwin Imhof Howard Connors Mrs Penelope Seidler AM The late Mrs Isabelle Joseph Dr Colin Goldschmidt Mrs Joyce Sproat & The Estate of Dr Lynn Joseph The Greatorex Foundation Mrs Janet Cooke Estate of Matthew Krel Rory & Jane Jeffes Mr Fred Street AM & The late Greta C Ryan In memory of George Mrs Dorothy Street Estate of Rex Foster Smart Joannides Ray Wilson OAM in memory June & Alan Woods Family Bequest In memoriam of James Agapitos OAM Dr Reg Lam-Po-Tang Anonymous Mr Ervin Katz n n n n n n n n n n SILVER PATRONS The Hon. Paul Keating $10,000–$19,999 Robert McDougall IF YOU WOULD LIKE MORE INFORMATION Geoff Ainsworth AM & Barbara Maidment ON MAKING A BEQUEST TO THE SSO, Johanna Featherstone Mora Maxwell Christine Bishop Taine Moufarrige PLEASE CONTACT OUR PHILANTHROPY TEAM Audrey Blunden Ms Jackie O’Brien ON 8215 4625. Mr Robert Brakspear Mr & Mrs Nigel Price

51 SSO PATRONS

Playing Your Part

Chris Robertson & Katherine Sibilla Baer Mrs W G Keighley John & Akky van Ogtrop Shaw The Hon. Justice Michael Ball Mrs Margaret Keogh Dr Alla Waldman Rodney Rosenblum AM & Dr Richard & Mrs Margaret Ball Aernout Kerbert & Elizabeth In memory of Denis Wallis Sylvia Rosenblum David Barnes Neville Henry & Ruth Weinberg Dr Evelyn Royal Dr Richard & Mrs Margaret Mrs Gilles Kryger The Hon. Justice A G Whealy Manfred & Linda Salamon Bell Mr Justin Lam Jerry Whitcomb Dr Agnes E Sinclair In memory of Lance Bennett Beatrice Lang Dr Edward J Wills Geoff Stearn G & L Besson Mr Peter Lazar AM Ann & Brooks C Wilson AM John & Jo Strutt Ms Gloria Blonde Airdrie Lloyd Dr Richard Wing Mr Robert & Mrs Rosemary Jan Bowen AM Peter Lowry OAM & Carolyn Evan Wong Walsh In memory of Jillian Bowers Lowry OAM Dr Peter Wong & Judy & Sam Weiss In Memory of Rosemary Boyle, Gabriel Lopata Mrs Emmy K Wong Mary Whelan & Rob Music Teacher Macquarie Group Foundation Sir Robert Woods Baulderstone Roslynne Bracher David Maloney AM & Erin Lindsay & Margaret In memory of Geoff White Daniel & Drina Brezniak Flaherty Woolveridge Anonymous (3) William Brooks & Alasdair Kevin & Deidre McCann In memory of Lorna Wright Beck John & Sophia Mar Mrs Robin Yabsley PRESTO PATRONS Mr Peter Brown Danny May Anonymous (13) $2,500–$4,999 Dr David Bryant Kim Harding & Irene Miller Mr Henri W Aram OAM ALLEGRO PATRONS In memory of R W Burley Henry & Ursula Mooser Ian Brady $500–$999 Ita Buttrose AO OBE Milja & David Morris Mr David & Mrs Halina Brett Dr Gregory Au Hon. J C Campbell QC & Judith Mulveney Mark Bryant OAM Mr & Mrs George Ball Mrs Campbell Darrol Norman & Sandra Lenore P Buckle Ian Barnett Debby Cramer & Bill Caukill Horton Cheung Family Barracouta Pty Ltd Mr B & Mrs M Coles Judith Olsen Dr Paul Collett Simon Bathgate Ms Suzanne Collins Mr & Mrs Ortis Ewen Crouch AM & Jane Blackmore Joan Connery OAM & Andrew Patterson & Steven Catherine Crouch Mr Chris Bennett Maxwell Connery OAM Bardy Dr Lee MacCormick Edwards Ms Baiba Berzins Mr Phillip Cornwell In memory of Sandra Paul Charitable Foundation Jan Biber Dr Peter Craswell Pottinger Prof. Neville Wills & Ian Minnie Biggs Mr John Cunningham SCM & Mark Pearson Fenwicke R D & L M Broadfoot Mrs Margaret Cunningham Mr Stephen Perkins Firehold Pty Ltd Dr Miles Burgess Darin Cooper Foundation Almut Piatti Warren Green Pat & Jenny Burnett Greta Davis D E Pidd Anthony Gregg Hugh & Hilary Cairns Lisa & Miro Davis Dr John I Pitt Ann Hoban Eric & Rosemary Campbell Dr Robert Dickinson The Hon. Dr Rodney Purvis AM Mr Roger Hudson & M D Chapman AM & E Donati & Mrs Marian Purvis Mrs Claudia Rossi-Hudson Mrs J M Chapman Professor Jenny Edwards Dr Raffi Qasabian & Dr & Mrs Michael Hunter Jonathan Chissick Dr Rupert C Edwards Dr John Wynter Mr John W Kaldor AM Michael & Natalie Coates Malcolm Ellis & Erin O’Neill Mr Patrick Quinn-Graham Dom Cottam & Kanako Professor Andrew Korda AM & Mrs Margaret Epps Ernest & Judith Rapee Ms Susan Pearson Imamura Mr & Mrs J B Fairfax AM In memory of Katherine Dr Barry Landa Ann Coventry Julie Flynn Robertson A/ Prof. Winston Liauw & Mr David Cross Dr Stephen Freiberg & Mr David Robinson Mrs Ellen Liauw Diana Daly Donald Campbell Dr Colin Rose Mrs Juliet Lockhart Geoff & Christine Davidson Dr Kim Frumar & Ms Teresa Lesley & Andrew Rosenberg Ian & Pam McGaw Mark Dempsey SC De Leon Mr Shah Rusiti Renee Markovic Paul Deschamps Clive & Jenny Goodwin Ann Ryan Helen & Phil Meddings Dr David Dixon In Memory of Angelica Green Jorie Ryan for Meredith Ryan James & Elsie Moore Susan Doenau Akiko Gregory In memory of H St P Scarlett Helen & Sam Sheffer Dana Dupere Dr Jan Grose George & Mary Shad Camron Dyer & Richard Mason Dr Agnes E Sinclair Mr & Mrs Harold & Althea Victoria Smyth John Favaloro Rosemary Swift Halliday Judith Southam Mrs Lesley Finn Westpac Group Janette Hamilton Mr Dougall Squair Mr Richard Flanagan Yim Family Foundation Sandra Haslam Fred & Mary Stein Ms Lynne Frolich Dr John Yu Mrs Jennifer Hershon Catherine Stephen Michele Gannon-Miller Anonymous (2) Sue Hewitt The Hon. Brian Sully AM QC Ms Lyn Gearing VIVACE PATRONS Jill Hickson AM The Taplin Family Mr Robert Green $1,000–$2,499 Dorothy Hoddinott AO Pam & Ross Tegel Dr Sally Greenaway Mrs Lenore Adamson Kimberley Holden Mildred Teitler Mr Geoffrey Greenwell Antoinette Albert Dr Gary Holmes Dr & Mrs H K Tey Tony Grierson Rae & David Allen The Hon. David Hunt AO QC & Dr Jenepher Thomas Mr Richard Griffin AM Mr Matthew Andrews Mrs Margaret Hunt Kevin Troy In memory of Beth Harpley Mr Garry & Mrs Tricia Ash Dr Owen Jones Judge Robyn Tupman V Hartstein

52 SSO Vanguard

Alan Hauserman & Janet Nash Dr Alice J Palmer A membership program for a dynamic group of Robert Havard Dr Kevin Pedemont Gen X & Y SSO fans and future philanthropists Mrs A Hayward Peter & Susan Pickles Roger Henning Erika Pidcock VANGUARD COLLECTIVE Jeremy Goff Prof. Ken Ho & Mrs Tess Ho Anne Pittman Justin Di Lollo Chair Lisa Gooch Dr Mary Johnsson John Porter & Annie Belinda Bentley Hilary Goodson Tony Grierson Ms Cynthia Kaye Wesley-Smith Alexandra McGuigan Jason Hair Monica Kenny Michael Quailey Oscar McMahon Kathryn Higgs Dr Henry Kilham Dr Marilyn Richardson Taine Moufarrige Peter Howard Miss Joan Klein Anna Ro Founding Patron Shefali Pryor Jennifer Hoy Mrs Patricia Kleinhans Mr Michael Rollinson Seamus Robert Quick Katie Hryce Ms Sonia Lal Mrs Christine Rowell-Miller Founding Patron James Hudson I David & Val Landa Mr Kenneth Ryan Chris Robertson & Katherine Jacqui Huntington n memory of Marjorie Lander Garry E Scarf & Morgie Blaxill Shaw Founding Patrons Virginia Judge Elaine M Langshaw Mrs Solange Schulz Paul Kalmar MEMBERS Dr Allan Laughlin Peter & Virginia Shaw Tisha Kelemen Laird Abernethy Dr Leo & Mrs Shirley Leader Mrs Diane Shteinman AM Aernout Kerbert Elizabeth Adamson Margaret Lederman David & Alison Shilligton Patrick Kok Clare Ainsworth-Herschell Roland Lee Margaret Sikora Angela Kwan Charles Arcus Mr David Lemon Titia Sprague John Lam-Po-Tang Phoebe Arcus Peter Leow & Sue Choong Colin Spencer Tristan Landers James Armstrong Mrs Erna Levy Robert Spry Gary Linnane Luan Atkinson Mrs A Lohan Ms Donna St Clair David Lo Dushko Bajic Linda Lorenza Ashley & Aveen Stephenson Saskia Lo Supporting Patron Panee Low Margaret & William Suthers Gabriel Lopata Joan Ballantine M J Mashford Peter & Jane Thornton Robert McGrory Scott & Alina Barlow Ms Jolanta Masojada Rhonda Ting David McKean Meg Bartholomew Matt Milsom Mr Guido Mayer Alma Toohey Andrew Batt-Rawden Marcus Moufarrige Kenneth Newton Mitchell Hugh Tregarthen James Baudzus Fern Moufarrige Howard Morris Gillian Turner & Rob Bishop Andrew Baxter Sarah Moufarrige Mr David Mutton Ross Tzannes Adam Beaupeurt Dr Alasdair Murrie-West Alan Hauserman & Janet Nash Mr Robert Veel Anthony Beresford Julia Newbould Mr & Mrs Newman Ronald Walledge James Besson Anthony Ng Mr Graham North Ms Roberta Woolcott Dr Andrew Botros Nick Nichles Dr Lesley North Dr Wayne Wong Peter Braithwaite Kate O’Reilly E J Nuffield Paul Wyckaert Andrea Brown Roger Pickup Sead Nurkic Anonymous (26) Nikki Brown June Pickup Mr Michael O’Brien Professor Attila Brungs Cleo Posa Tony Chalmers SSO Patrons pages correct Stephanie Price Dharmendra Chandran as of 1 January 2016 Michael Radovnikovic Louis Chien Katie Robertson Paul Colgan Dr Benjamin Robinson Claire Cooper Alvaro Rodas Fernandez Bridget Cormack Prof. Anthony Michael Karynne Courts Schembri Robbie Cranfield Benjamin Schwartz Peter Creeden Ben Shipley Asha Cugati Ben Sweeten Juliet Curtin Randal Tame David Cutcliffe Sandra Tang Este Darin-Cooper Ian Taylor Rosalind De Sailly Dr Zoe Taylor Paul Deschamps Cathy Thorpe Catherine Donnelly Michael Tidball Jennifer Drysdale Mark Trevarthen Create a sustainable future for John-Paul Drysdale Michael Tuffy Dunmore Lang College orchestral music by helping to build Russell van Howe & Kerim & Mrs Jodi El Gabaili the audiences of tomorrow. Simon Beets Karen Ewels Sarah Vick Roslyn Farrar Michael Watson SUPPORT THE SSO Talitha Fishburn Alan Watters Naomi Flutter EDUCATION FUND. Jon Wilkie Alexandra Gibson Call: Yvonne Zammit (02) 8215 4650 Sam Giddings Email: [email protected] n n n n n n n n n n

53 SALUTE

PRINCIPAL PARTNER GOVERNMENT PARTNERS

PREMIER PARTNER

PLATINUM PARTNER MAJOR PARTNERS OFFICIAL CAR PARTNER

GOLD PARTNERS

SILVER PARTNERS

VANGUARD PARTNER REGIONAL TOUR PARTNER MARKETING PARTNER

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