Andante and Rondo Euphonium

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Andante and rondo euphonium Continue General NewsThermsHerp Your wish list is currently empty. To add items to your wish list, simply click Add to the Wish List by looking at the details of any item. 1-800-873-9798 Antonio Capuzzi (1755 - 1818) was an Italian violinist and composer who studied violin with Nazari and composition with Bertoni. In 1805 he moved to Bergamo, where he was a professor of violin at the Institute of Musical and orchestra director at the Riccardi Theatre. He is highly regarded there both as a teacher and as a performer. All of Capuzzi's famous compositions were written in his Venetian years. The double bass concerto is one of the main elements of the repertoire, given the rarity of classical pieces for the instrument. This edition was made by Philippe Kateline, and can be performed on euphony, trombone and tuba. Andante and Rondo is a movement two and three of the concerto for double bass. solo parties included: B.C., TC, Eb Bass, Bb Bass, Tuba's C /detail/detail/S/Ante and Rondo/4843991 Choose a product My library Choose a product Tuba Solo with piano (or trombone / baritone) #4843991 What is My Library? Download... Works on Rating-System.com Tuba (or euphony, trombone, eb bass, bb bass) and piano - Difficulty: mediumComposed by Antonio Capuzzi. Edited by Philippe Kateline. Trombone and piano. A classic period. Set of performance pieces (euphony, trombone, bass Eb and Bb parts included). With solo parts and piano cuts. 31 page. Hinrichsen #H1474. Published by Hinrichsen (PE. H1474). Element number: PE. H1474 9x12 inches. from the concerto for double bass (located for trombone or tuba and piano) This site uses cookies to analyze the use of your products, to assist in advertising and marketing efforts, to analyze our traffic and provide content from third parties. Please watch our privacy policy for details. capuzzi andante and rondo euphonium. andante and rondo capuzzi euphonium pdf bd650f3ea617.pdf 1035398.pdf 7768855.pdf 8839698.pdf jspdf autotable header styles ridgeway tent instructions fordham university lincoln center bookstore rekalisuw.pdf futuzitepuwafiligezu.pdf dukijugupasorikew.pdf.

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Suggested Solos for Tuba Euphonium (Symbiosisduo
Gail Robertson - Clinic Handout FMEA 2011 Convention Suggested EUPHONIUM and TROMBONE solos for students to use at Solo and Ensemble Festivals: (Please check the current FBA list to make sure they are still on it!) Solos that are Best for 6th Graders: (1st year players) Air Noble Jacques Robert Conqueror Leonard B. Smith/Leonard Falcone Happy Song Edmund J. Siennicki Pied Piper Forrest L. Buchtel The Rooster Edmund J. Siennicki Solos that are best for 7th graders: In the Hall of the Mountain King Edvard Grieg/G. E. Holmes Minuet in G J.S. Bach/Ronald C. Dishinger Minstrel Boy Forrest L. Buchtel Polovetsian Dances Alexander Borodin/Forrest L. Buchtel Sparkles Floyd O. Harris The Young Prince Floyd O. Harris Solos that are Best for 8th Graders: Asleep in the Deep Henry W. Petrie/Harold L. Walters Brass Bangles Floyd O. Harris Carnival of Venice Henry W. Davis Deep River David Uber Evening in the country Bela Bartok/Floyd O. Harris Honor and Arms Frederick Handel/Allen Ostrander The Jolly Peasant Robert Schumann/G. E. Holmes March of the Marionette Charles Gounod/Harold L. Walters Ocean Beach Floyd O. Harris Pavane Pour Infante Défunte Maurice Ravel/Ronald Dishinger Red Canyons Clair W. Johnson Toreador’s Song form Carmen Georges Bizet/G. E. Holmes Solos that are Best for advanced 8th graders and 9th Graders: Arioso (From Cantata No. 156) Johann Sebastian Bach/H.R. Kent Concert Aria W. A. Mozart/H. Voxman Concert Rondo (k. 371) W. A. Mozart/Jay Ernst Fancy Free Clay Smith Fantasy for Trombone James Curnow Mirror Lake Edward Montgomery My Regards Edward Llewellyn Prelude and Minuet Arcangelo Corelli/Richard E.
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Joyce Bennett, Double Bass, and Abbey Bourdon, Violin Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 4-8-2006 Student Recital: Joyce Bennett, double bass, and Abbey Bourdon, violin Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Student Recital: Joyce Bennett, double bass, and Abbey Bourdon, violin" (2006). Music Department Concert Programs. 376. https://scholarship.richmond.edu/all-music-programs/376 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 'University cf 1\.ichmond 'Dryartment cf 'M.usic yresents "ilifllil~milmiilliiii' 3 3082 00942 1651 Joyce 'Bennett, doub{e bass q:(bbey '.Bourdon, vio{in ~ssistedGy joanne fJConfj, yiano :E{liott 13romfey, accordion Melissa Pacheco, yiano 'Ayri( 8, 2006 • 7:30 ym Perkinson 1\,ecita( '}[a(( ! I Program Sonata No.4 in D Major, TWV 4I:D3 Georg Philipp Telemann (1681-1767) II. Presto Concerto for the Double Bass Antonio Capuzzi (1753-1818) I. Allegro moderato II. Andante cantabile Chanson Triste, Op. 2 Serge Koussevitzky Valse Miniature, Op. I no. 2 (1874-1951) Sonata, Op. 42 David Ellis (b. 1933) I. Andante II. Vivace ~Intermission~ Sonata No. I in G Major, Op. 78 Johannes Brahms (1833-1897) I. Vivace rna non troppo II. Adagio III. Allegro molto moderato Hungarian Dance, Op. 6 no. 2 Serge Rachmaninoff (1873-1943) Michelangelo '70 Astor Piazzolla (1921-1992) Program Notes Sonata No.4 in D Major, TWV 4l:D3 Georg Philipp Telemann (1681-1767) Like many c:;omposers of the canon, Telemann showed considerable musical talent at a young age.
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Capuzzi Concerto Info
Informal Details about the Double Bass Concerto by G. A. Capuzzi, and its Relationship (or lack thereof) to Domenico Dragonetti © by Joëlle Morton, August 23, 2012 Domenico Dragonetti Born April 7, 1763 in Venice, to parents of limited means (his father was perhaps a musician, but also a gondolier) moved to London in 1794 Died April 16, 1846 in London “Little research has been done on primary material in Venice relating to Dragonetti’s life there. As a result, statements about these years are often unreliable. It was one such misrepresentation…that prompted Francesco Caffi (1778-1874) to write an account of Dragonetti’s life. This biography, dated September 20, 1846 [5 months after Dragonetti’s death], has served as the source for many later statements. Caffi, a magistrate and musicologist, was a fervent admirer of Dragonetti’s musical talent and had known him personally. These facts make his remarks double-edged: on the one hand, he is speaking from personal experience; on the other, this very advantage is weakened by the sentiment that clouds his memory.” Fiona Palmer, Domenico Dragonetti in England (1794-1846): The Career of a Double Bass Virtuoso, p.7-8. Dragonetti’s biography is almost exclusively known from reminiscences authored by his friends: Vincent Novello (London, 1836), Franceso Caffi (1846) and also some details by Carl Ferdinand Pohl (1867). In many instances it is difficult to ascertain the veracity of their statements; the authors did not know Dragonetti well (if at all) in his younger years, and therefore largely rely on what Dragonetti told them about this period.
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Anniversary10 June 23-29, 2013
The IEI Festival for th EUPHONIUM and TUBA Anniversary10 June 23-29, 2013 Emory University in Atlanta, Georgia The 2013 IEI Festival for Euphonium and Tuba! Welcome • Bienvenidos • Tervetuloa Dobre doshli • Willkommen Welcome to our 10th Anniversary of IEI Festival‼ My vision of the fi rst event in 2004 remains crystal clear with humble beginnings of 14 participants and 4 staff . My heartfelt thanks go to those 14 that had the courage to att end and help start something special that has helped create a lifetime of friendships around the world, a trail of inspiration that has led to numerous professional musicians, and a plethora of players that have gained insight into being the best they can be. It warms my heart and soul to see this dream achieved and I thank YOU for being a part of this grand tradition of excellence, motivation, and global camaraderie. You join a special group of people from around the world. I am pleased to say Presenting and that 2013 represents our largest year ever with 72 registered participants. When combined Major Sponsors with our participant numbers from the previous nine years, our registrations number just over 400‼ For this 10th Anniversary Festival, I wanted to feature a number of great aspects of our time together. Th ese range from our fi rst international guest artist, Jukka Myllys, to two of the original participants from the 2004 IEI Festival that are now world class performing artists, Jamie Lipton and Chris Buckley. Th en some of our most popular teachers Brian Bowman and David Childs are paired with some new faces of James Jackson, Dan Perantoni, Petri Keskitalo, and Patricio Cosentino.
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Brass Festival Linz – Performances in the City
www.ITEC2012.at A festival connecting students, teachers, the music trade, amateur and professional musicians, and the world’s best low brass players! Brucknerhaus Linz, Austria 22 – 30 June 2012 Inhalt I Index Seite/page Übersicht/General View . 4–5 Vorworte/Welcome Message . 6–7 Wettbewerb/Competition . 8 Brass Festival „Spaß mit Brass“ . 9 Konzertprogramme/Program of Concerts . 10 Künstler/Artists Euphonium . 22 Künstler/Artists Tuba . 32 Künstler/Artists Ensembles . 44 Künstler /Artists Clinicians . 50 Künstler / Artists Orchestra . 54 Künstler / Artists Piano . 58 Tributes and Honors . 61 Ausstellung / Exhibition . 62 3 Main Conference I Konferenz I Festival Time/Zeit Concert Hall/Großer Saal Middle Hall/Mittlerer Saal Small Hall/ Kleiner Saal Foyer&Outdoor/Foyer&Draußen MONDAY 25TH JUNE 8.30am Registration opens 9.00am 9.15 Tuba Artist Final 9.15 Young Artist Tuba Final 10.30am 10.45 Euph Artist Final 10.45 Young Artist Euphonium Final 12.00pm 2) Foyer music: (P. 10) Die Schöne und das Blech 12.30pm 3) Opening Ceremony of ITEC2012 (P.10) SoundInnBrass, Austria, RNCM Ensemble 1.00pm Soloist: D. Childs 2..00pm 4) Concert (P. 10) Tuba Euph ensemble Tieﬄug, Aaron Tindall 2.30pm 5) Recital: (P. 10) Scott Roeder , Marty Erickson 3.00pm 6) 3.15 Concert (P. 10) European Tuba Trio 3.30pm 7) Recital: Emerging Soloists (P. 10) Rodin Rosendahl, Aaron Rivkin, Jakob Wenigwieser 4.30pm 8) Recital: (P. 10) Glenn Van Looy, Matthew Mireles 5.00pm 9) Presentation (P. 11) What is GUA? Andrew Larson, Nick Hwang, Corey Knoll 6.00pm 10) Foyer Concert: (P. 11) Fat Lips 7.00pm 11) Welcome to Austria Concert (P.
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Lunchtime Concert
CHRIST CHURCH, ESHER LUNCHTIME CONCERT Ross Knight - tuba Rebecca Taylor - piano Wednesday 18 September 2013 at 1.10 pm (Admission free, retiring collection) PROGRAMME Dumitru Ionel (1915-1997) Rumanian Dance No.2 [2’] Eugene Bozza (1905-1991) Aria for Alto Saxophone [4’] Ralph Vaughan Williams (1872-1958) Concerto for Bass Tuba, 1st & 2nd movements [9’] Robert Schumann (1810-1856) Adagio and Allegro [8’] J S Bach (1685-1750) Minuets I & II from Suite No. 1 [4’] Antonio Capuzzi (1755-1818), ed. Catelinet Andante and Rondo [9’] PROGRAMME NOTES IONEL: Rumanian Dance No.2 Ionel received his musical education at the Military Music High School (1933-1937), and then at the Bucharest Conservatory (1937-1943). He was principal tuba of the Romanian Army Orchestra, of the “George Enescu” Philharmonic Orchestra of Bucharest (1943-1967), of the Romanian Radio Symphony Orchestra, and of the Imperial Orchestra of the Teheran Opera (Iran). He wrote extensively for the tuba, completing about thirty compositions, some pedagogical works and over a hundred transcriptions. This second dance is the most popular of the six short dance pieces he wrote. It is widely played and has also been arranged for 10-piece brass ensemble. BOZZA: Aria for Alto Saxophone ‘Aria for Alto Saxophone’ is one of Bozza’s most popular solo pieces, being played by many different instruments including clarinet, alto saxophone and tuba. The piece is a lyrical and soaring melodic song originally written for alto saxophone by the French composer. The piece sits perfectly in the tuba’s high register and is complemented by the flowing piano accompaniment.
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The Viennese Violone: the Development, Blossoming, and Decline of a Musical Instrument in 18Th Century Vienna
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Department of Music Programs 1980 - 1981 Department of Music Olivet Nazarene University
Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1981 Department of Music Programs 1980 - 1981 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1980 - 1981" (1981). School of Music: Performance Programs. 14. https://digitalcommons.olivet.edu/musi_prog/14 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. O lif c t EDUCATION WITH A CHRISTIAN PURPOSE Department of Music Programs 1980-1981 Olivok Dozorono College KANKAKEE, ILLINOIS 60901 Telephone 815-939-5011 Olivet Nazarene College Department of Music presents SENIOR RECITAL J, RANDALL DENNIS, t e n o r a n d p ia n o Larry Dieffenbach, Accompanist A m a r i l l i ....................................... Giulio Caccini Deh vieni alia finestra (Don Giovanni). Wolfgang A. Mozart Finch' han del vino (Don Giovanni) Wolfgang A. Mozart Fantasia No. 3, D Minor Wolfgang A. Mozart Les Papillons..................................Ernest Chausson L'Heure Exquise ................................ Reynaldo Hahn Gesang Weyla' s ....................................... Hugo Wolf Morgen ........................................ Richard Strauss Whither Must I Wander? .................. Ralph Vaughn Williams ThlA necltaJL ti being pfie&ented In pa/itlat tfulfittHment 0|$ th e nequlAwenlt, fan. the Bachelor oScience Vegn.ee In ChuAch and Chcnal MuAlc. Reed Auditorium August 29, 1980 7:30 p.m.
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WIU Symphony and Chamber Orchestras Repertoire 2013 - 214
WIU Symphony and Chamber Orchestras Repertoire 2013 - 214 Saturday, May 3, 2014 - Hainline Theatre - WIU Opera Theatre Johann Strauss (Sohn) Die Fledermaus Friday, May 2, 2014 - Hainline Theatre - WIU Opera Theatre Johann Strauss (Sohn) Die Fledermaus Saturday, April 25, 2014 - First Presbyterian Chuch, Macomb - WIU Chamber Orchestra Georg Friedrich Händel Concerto Grosso in B-Flat, Op. 6, No. 7 Carl Philipp Emanuel Bach Concerto in G for Organ Wq. 34 II., III. (Linda Andrews, Organ) Domenico Dragonetti Concerto in A for Double Bass, II., I. (Crystan Rebone, Bass) Antonín Dvoøák Serenade for Strings, op. 22 Saturday, April 12, 2014 - CoFAC Recital Hall - WIU Symphony Orchestra Johannes Brahms Serenade No. 1, Op. 11 Johannes Brahms Begräbnisgesang, Op. 13 (University Singers) Johannes Brahms Schicksalslied, Op. 54 (University Singers, Concert Choir) Friday, February 28, 2014 - CoFAC Recital Hall - WIU Symphony Orchestra Wolfgang Amadé Mozart Symphony No. 32 Antonio Capuzzi Concerto in E-Flat for Euphonium (Armando Mejia) Johann Wenzel Kalliwoda Variations and Rondo (Angeline Sullivan) Johannes Brahms Hungarian Dances 1, 3, 10 Wolfgang Amadé Mozart Piano Concerto in D Minor, KV 466, I. (Heesun Yeom) Ludwig van Beethoven Violin Concerto, III. (Alexandru Malaimare) Maurice Ravel Ma Mère L’Oye Wednesday, February 26, 2014 - Pleasant Valley High School - WIU Symphony Orchestra Tour Wolfgang Amadé Mozart Symphony No. 32 Antonio Capuzzi Concerto in E-Flat for Euphonium, III. (Armando Mejia) Johannes Brahms Hungarian Dances 3, 10 Wolfgang Amadé Mozart Piano Concerto in D Minor, KV 466, I. (Heesun Yeom) Ludwig van Beethoven Violin Concerto, III. (Alexandru Malaimare) Wednesday, February 26, 2014 - Rock Island High School - WIU Symphony Orchestra Tour Johannes Brahms Hungarian Dance 1 Antonio Capuzzi Concerto in E-Flat for Euphonium, III.
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Concerto for Violone Obbligato
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Tuba Solo Discography
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Gail's American Band Clinic Handout
“The Euphonium and why we NEED them in the Wind Band” Presented by: Dr. Gail A. Robertson American Band College June 29 - 30, 2015 2 Why your band needs the euphonium: It has a conical bore that produces a “rich and dark” tone that provides a foundation for the trombones, tubas, and lower woodwinds; the euphonium is one of the most versatile instruements in the band…“the cello of the wind band.” A little bit of history: Just prior to the development of the wind band, the euphonium was introduced in 1843 by Sommer (Weimar). By 1854, the euphonium and baritone horn had established a leading role in the military bands and brass bands of Europe. In 1872, the euphonium became a standard member of the American wind band when Gilmore employed two euphoniumists in his band. The cello of the wind band: During what is known as the “Golden Age of Bands,” the role of the euphonium soared. Since most of the early works for band were orchestral transcriptions, the cello part needed a home. Due to the euphonium’s deep, rich, and mellow tone, it was the likely choice to assume this role. Sousa also utilized the euphonium as the standard tenor‐voice instrument and also hired two euphoniums in his band. A few outstanding descriptions of the role of the euphonium: Prof. H. Kling Modern Orchestration and Instrumentation (1902) “The employment of this beautiful instrument, which can be fittingly compared with the voice of a baritone singer, is similar to the use of the Violincello in the orchestra.
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