Ritual of the Mark of the Beast: an Incantation Proper to in Voke the Energies of the Aeon Of
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Rosaleen Norton's Contribution to The
ROSALEEN NORTON’S CONTRIBUTION TO THE WESTERN ESOTERIC TRADITION NEVILLE STUART DRURY M.A. (Hons) Macquarie University; B.A. University of Sydney; Dip. Ed. Sydney Teachers College Submission for Degree of Doctor of Philosophy School of Humanities and Social Science University of Newcastle NSW, Australia Date of submission: September 2008 STATEMENT OF ORIGINALITY This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. Signed: Date: Neville Stuart Drury ACKNOWLEDGEMENT OF AUTHORSHIP I hereby certify that the work embodied in this Thesis is the result of original research, the greater part of which was completed subsequent to admission for the degree. Signed: Date: Neville Stuart Drury 2 CONTENTS Introduction 5 Chapter One: Rosaleen Norton – A Biographical Overview 16 Chapter Two: Sources of the Western Esoteric Tradition 61 Chapter Three: Aleister Crowley and the Magic of the Left-Hand Path 127 Chapter Four: Rosaleen Norton’s Magical Universe 214 Chapter Five: Rosaleen Norton’s Magical Practice 248 Chapter Six: Rosaleen Norton as a Magical Artist 310 Chapter Seven: Theories and Definitions of Magic 375 Chapter Eight: Rosaleen Norton’s Contribution to the Western Esoteric Tradition 402 Appendix A: Transcript of the interview between Rosaleen Norton and L.J. -
1 NS1 Document Wallet Catalogues of Golden
1 NS1 Document wallet Catalogues of Golden Dawn manuscripts and others a). G. J. Yorke: `Golden Dawn manuscripts in the possession of G. J. Yorke'. (2 copies) b). G. J. Yorke: `Catalogue of G∴D∴ material in the collection of G. J. Yorke' c). `Golden Dawn material not at the Warburg Institute' (This is now part of the Warburg collection) d). Daniel Montagu: Catalogue of Golden Dawn documents. Based upon the work of Frater V. I. e). G. J. Yorke: Golden Dawn MSS. O Cypher MSS (3 copies). f). `The Golden Dawn Material'. An anonymous description of Golden Dawn material in the Bridewell Library, Southern Methodist University, Dallas, Texas g). `Crowley binders not at Warburg Institute' (This is now part of the Warburg Collection) h). `A note on the Yorke Collection of printed material' with a selective list of printed works by Crowley and followers [Mic. 175pp] NS2 Document wallet 1. Photostats of the Cypher manuscripts, ff. 1-57 2. Deciphers ff. 1-58 3. O1-04; Cypher message about Fraulein Sprengel, letter from Ellie Howe to G. J. Y, letter from Wynn Westcott to F. L. Gardner [Mic. 123pp] NS3 Springback folder of loose sheets of typescript O. T. O. Instructions and Sex Magick 1. `De Arte Magica' (1914), with annotations by Yorke [26pp] 2. `Liber De Natura Deorum', with annotations from original MS by Yorke [15pp] 3. `De Homunculo Epistola', with annotations from original MS by Yorke. [Yorke note: no record that A. C. ever tried to do this. Jack Parsons tried and failed in his Babylon Working] [7pp] 4. -
Thelemic Qabalah Volume II
Thelemic Qabalah Volume II Publication in Class C by Frater Apollonius 4°=7□ ATAT Preface The first volume of this set addressed the theoretical approach to qabalistic practice. The very study of qabalistic theory in itself is not only absorbing, but all by itself can lead to an exultant state of consciousness. And of course, qabalistic theory is so much more than was presented in this first volume. From a Thelemic perspective, we have covered this topic in a wider sense in works like: Scientific Illuminism The Starry Gnosis: An American Revelation Liber Loagaeth: Leaf 1A And though these tomes expand the theoretical corpus, they still barely hold a skeletal representation of the enormity of the Greater and Lesser Mysteries that together make the Holy Qabalah…the holy and antient study that still then, must lead us to the present volume; that of praxis. Again, the study itself, that should that be all one ever does with the Qabalah in this life, can provide its own exultation of the Soul; that even then, a more intimate connection with one’s own life on this planet is deepened to a wondrous and wholesome degree. But in praxis, the soul takes yet a stronger step towards the congealing (discussed in Congealing the Soul in Volume I) that is the perfection of the self. Praxis is both the practice and the approach to practice and it does not occur in a vacuum. Every master needs his or her apprentice…why? Because as we explained in the first volume, the energy of the creator flows to the individualized ends that we are and then must extend from us in imitation of the creative force…we are essentially, re-creative creatures. -
Art Is Magick
Dane Mitchell Non-Verbal Gestures 1–4 2015 and Celestial Fields 2012, in Occulture, City Gallery Wellington, 2017. Yin-Ju Chen Liquidation Maps 2014, in Occulture, City Gallery Wellington, 2017. Jason Greig The Strange Case of Dr Jekyll and Mr Hyde 2010 and Simon Cuming Untitled 2010, in Occulture, City Gallery Wellington, 2017. Mikala Dwyer Balancing Spell for a Corner (Aleister and Rosaleen) 2017, in Occulture, City Gallery Wellington, 2017. THE TERM ‘occult’ does not deserve its bad holistic, spiritual pathways). Thomson & reputation. It simply means that which is Craighead satirise this condition with their hidden or concealed—like when the light work in this exhibition, Apocalypse (2016)— cast by a star is blocked by an object passing a luxury perfume made from the olfactory in front of it, known in astronomy as ‘stellar materials listed in the Book of Revelation. occultation’. It’s our projection onto what What was once sacred, blasphemous, or happens in this state of darkness that grants countercultural is now commodified and such phenomena portentous possibilities, marketed back to us. Kenneth Anger’s recent as well as the hubristic assumption that release of bomber jackets emblazoned with humanity observes this darkness from the logo from his film Lucifer Rising (1970– OF THE the correct vantage point. Throughout 81)—replicas of the one worn by its titular history, occult beliefs and practices have character—plays into this new condition. been shunned, banned, and driven (or have This is countercultural occult merchandise driven themselves) underground. Yet, certain reissued for the occultural moment. This is DEVIL’S PARTY: moments have welcomed their alternative occulture. -
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Liber Samekh
MAGICK IN THEORY AND PRACTICE [BOOK 4 (LIBER ABA) PART III] First published Paris: Lecram Press., 1930 Corrected edition included in Magick: Book 4 Parts I-IV, York Beach, Maine: Samuel Weiser, 1994 This electronic edition prepared and issued by Celephaïs Press, somewhere beyond the Tanarian Hills, and manifested in the waking world in Leeds, Yorkshire, England July 2004. (c) Ordo Templi Orientis JAF Box 7666 New York NY 10116 U.S.A. MAGICK IN THEORY AND PRACTICE BY THE MASTER THERION (ALEISTER CROWLEY) BOOK 4 PART III Do what thou wilt shall be the whole of the Law. Celephaïs Press Ulthar - Sarkomand - Inquanok – Leeds 2004 Hymn to Pan [v] ——— ἔφιξ᾿ἔρωτι περιαρχὴς δ᾿ ἀνεπιόµαν ἰὼ ἰὼ πὰν πὰν ὢ πὰν πὰν ἁ λιπλαγκτε, κυλλανίας χιονοκτύποι πετραίς ἀπὸ δειράδος φάνηθ᾿, ὦ θεῶν χοροπόι ἄναξ —SOPH. Aj. ——— THRILL with lissome lust of the light, O man! My man! Come careering out of the night Of Pan! Io Pan! Io Pan! Io Pan! Come over the sea From Sicily and from Arcady! Roaming as Bacchus, with fauns and pards And nymphs and satyrs for thy guards, On a milk-white ass, come over the sea To me, to me, Come with Apollo in bridal dress (Shepherdess and pythoness) Come with Artemis, silken shod, And wash thy white thigh, beautiful God, In the moon of the woods, on the marble mount, The dimpled dawn of the amber fount! Dip the purple of passionate prayer In the crimson shrine, the scarlet snare, The soul that startles in eyes of blue To watch thy wantonness weeping through [vi] — v — HYMN TO PAN The tangled grove, the gnarléd bole Of the living tree that is spirit and soul And body and brain - come over the sea, (Io Pan! Io Pan!) Devil or god, to me, to me, My man! my man! Come with trumpets sounding shrill Over the hill! Come with drums low muttering From the spring! Come with flute and come with pipe! Am I not ripe? I, who wait and writhe and wrestle With air that hath no boughs to nestle My body, weary of empty clasp, Strong as a lion and sharp as an asp - Come, O come! I am numb With the lonely lust of devildom. -
The Forbidden Prophecies
ISBN 978-1-910952-04-7 British Library Cataloging in Publication Data. A catalogue record for this book is available from the British Library. © Copyright OneReason 2019 All rights reserved. No part of this publication may be reproduced in any language, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the express permission of the copyright owner. Published & distributed by iERA Suite 321, Crown House, North Circular Road, London, NW10 7PN T: 03000 111 365 E: [email protected] W: onereason.org CONTENTS Introduction 1 Chapter 1: Genuine Prophets or Frauds? 3 Chapter 2: Muhammad 54 Chapter 3: Ancient Predictions About Muhammad 111 Chapter 4: Islam and the End of the World 144 Introduction From the Oracles of Delphi in ancient Greece to Doomsday 2012, hu- manity has always been fascinated by prophecies. End time prophecies in particular seem to strike a chord with us and are more popular than ever. Perhaps this is due to the last century having witnessed so much destruction and devastation. Talk of global warming saturates the news, the threat of a nuclear holocaust has persisted since the invention of the atomic bomb and storylines involving asteroids, aliens, and zombie apoca- lypses wiping out all planetary life dominate Hollywood blockbusters. These are uncertain times, and new world events bring fresh speculation and a renewed eagerness to make sense of what’s happening around us by looking to the predictions of prophets and oracles of history. Is it just the fear of the unknown that drives us? There seems to be more to it than that. -
Liber Samekh Hé
LIBER SAMEKH HÉ BY PERSONA PVAD MUSARUS 1043 [Gerry Ahrens] of the Ordo Adeptorum Invisiblum (1981) TRANSCRIBED AND EDITED BY Don Karr (2008) Text © Gerry Ahrens 1981 Edition © Don Karr 2008. Email: [email protected]. All rights reserved. License to Copy: This publication is intended for personal use only. Paper copies may be made for personal use. With the above exception, no part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, without permission in writing from the author. Reviewers may quote brief passages. THE KNOWLEDGE AND CONVERSATION OF THE HOLY GUARDIAN ANGEL WHICH IS THE GREAT WORK OF MAGICK PRELIMINARY INVOCATIONS TOWARDS THE ACHIEVING OF MAGICKAL WILL KNOWN AS LIBER SAMEKH HÉ AND INCORPORATING THE FOUR KEYS OF THE BOOK OF TRANSFORMATIONS BY PERSONA PVAD MUSARUS 1043 [Gerry Ahrens] of the Ordo Adeptorum Invisiblum _____________________________________________________________________ Chicago STELLUM PRESS 1981 INTRODUCTION DO WHAT THOU WILT The preparation and practice of ritual magick is to concentrate the body’s energies and immediate environment in an intense focus directed towards the ritual’s purpose. Such focused energies can thus be effectively transmuted into pure Will, the achieving of which is magick. The invocations and instruments of the ritual are there to provide an objective reality; while the vibrations vibrated by the words of power are of a nature that creates a series of responses that set alight the magickal power in the Magician’s body and mind. To this end, the training and understanding of the magician is to enable the development of such a Will—as the Magickal Force—both within and outside, beyond and part of the Self. -
Cults and Cosmic Consciousness: Religious Vision in the American 1960S
Cults and Cosmic Consciousness: Religious Vision in the American 1960s CAMILLE PAGLIA 1. eclipse by politics Commentary on the 1960s has been mas- sive. Law and politics in that turbulent decade are well doc- umented but remain controversial, and the same thing can be said of contemporary innovations in mass media and the arts. One major area remains ambiguous or poorly assimi- lated, however—the new religious vision, which for a tanta- lizing moment in the American sixties brought East and West together in a progressive cultural synthesis. Its promise was never completely fulfilled, for reasons I will try to sketch here. But the depth and authenticity of that spiritual shift need to be more widely acknowledged. A political model currently governs interpretations of the sixties because of the enduring reform movements born in that period, including environmentalism, feminism, and gay liberation. Their mobilizing energy, as well as the organiza- tional style that would also be adopted by antiwar protests, initially came from the civil rights movement sparked by the us Supreme Court’s 1954 decision declaring segregation in public schools unconstitutional. In that crusade, it must be remembered, ordained Protestant ministers such as Martin Luther King, Jr., played a leading role, as they also had in nineteenth-century abolitionism. The civil rights movement, with its hymns and anthems, appealed not just to secular standards of social justice but to a higher moral code. An expanded version of a lecture delivered on 26 March 2002 at Yale University, sponsored by the Institute for the Advanced Study of Religion at Yale. -
The Official Organ of the US Grand Lodge Of
AGAPÉ VOL. XX NO. 1 The official organ of the U.S. Grand Lodge of O.T.O. A in d B inin kb AnnoANNO ViiiVVI Volume XVII,XX, No.No. 1, 20172020 EVEV M M M Ordo Templi Orientis, U.S.A. Mysteria Mystica Maxima E.G.C. 2020 EV 1 A IN d • VVI AGAPÉ VOL. XX NO. 1 FROM THE EDITOR Do what thou wilt shall be the whole of the Law. We at Agapé wish you an auspicious Summer Solstice! Since March, a number of local bodies have begun holding classes, Gnostic Masses, and social time The official organ of the U.S. Grand Lodge of O.T.O. online. I feel this creates a wonderful opportunity for folks to get to know fellow Siblings across the nation, CONTENTS blurring the idea of a “local body”. This also helps to From the Editor 2 open our communities up even more to the public, From the Grand Master 3 inviting people not just to our local events, but also to Updates from the Electoral College 4 participate in those being put on across the country. Grand Lodge News & Announcements 5 It’s my hope that folks take advantage of this, and if so Featured Articles 6 Poetry 13 inclined, to write about what your local body is doing U.S.G.L. Officers Directory 16 in this new paradigm. Love is the law, love under will. Executive Editor: Sabazius X° Andrew Editor: Andrew Lent Editor, Agapé Assistant Editor: Courtney Padrutt Layout: Ron Labhart Proofreading: David Rodgers Editorial Address: 20436 Route 19, Suite 620 Cranberry Twp, PA 16066 [email protected] Cover Art: Frater Arretos Agapé is published quarterly by Ordo Templi Orientis, U.S.A., a California not-for-profit religious corporation with business offices at P.O. -
Liber V Vel Reguli: the Ritual of the Mark of the Beast
LIBER V VEL REGULI THE RITUAL OF THE MARK OF THE BEAST V A∴A∴ Publication in Class D LIBER V VEL REGULI Being the Ritual of the Mark of the Beast; An incantation proper to invoke the energies of the Æon of Horus, adapted for the daily use of the Magician of whatever grade THE FIRST GESTURE The Oath of the Enchantment, which is called the Elevenfold Seal. The Animadversion towards the Æon. 1. Let the Magician, robed and armed as he may deem to be fit, turn to face towards Boleskine, that is the House of the Beast 666.* 2. Let him strike the battery 1–3–3–3–1. 3. Let him put the Thumb of his right hand between its index and medius, and make the gestures hereafter following. The Vertical Component of the Enchantment. 1. Let him describe a circle about his head, crying NUIT! 2. Let him draw the Thumb vertically downward, and touch the muladhara cakra, crying HADIT! * Boleskine House is on Loch Ness, 17 miles from Inverness, latitude 57.14 N, longitude 4.28 W. 4 LIBER V VEL REGULI 3. Let him, retracing the line, touch the centre of his breast, and cry RA-HOOR-KHUIT! The Horizontal Component of the Enchantment. 1. Let him touch the Centre of his Forehead, his mouth, and his larynx, crying AIWAZ! 2. Let him draw his Thumb from right to left across his face at the level of the nostrils. 3. Let him touch the Centre of his Breast, and his Solar Plexus, crying THERION! st 4. -
Sex and Rockets Sex and Rockets ©2004, 1999 by John Car Ter and Feral House
Sex and Rockets Sex And Rockets ©2004, 1999 by John Car ter and Feral House. All rights r eserved. ISBN 0-922915-97-0 Design by Linda Hayashi Cover design by Sean Tejaratchi 10 9 8 7 6 5 4 3 2 Feral House 1240 W. Sims Way Suite 124 Port Townsend, WA 98368 www.feralhouse.com Sex and Rockets The Occult World of Jack Parsons John Carter Introduction by Robert Anton Wilson feral house Contents Introduction by Rober t Anton Wilson vii Preface xxv one The Early Years: 1914–1936 1 ockets two Parsons at Caltech: 1936–1939 15 three A Short History of the OTO sex and r 37 iv four Parsons’ Double Life: 1940–1942 47 five The Return to South Orange Gr ove Ave.: 1942–1945 83 six An Introduction to Enochian Magic 109 seven The Babalon Working, Part 1: Januar y–February 1946 119 eight The Babalon Working, Part 2: March 1946 135 nine Parsons’ Final Years: 1946–1952 155 ten Death and Beyond 177 Afterword 200 Photo Section 204 v Appendix A Primary Bibliography 227 contents Appendix B Secondary Bibliography 228 Appendix C Additional References 230 Index 234 vi sex and rockets A Marvel Walked Among Us by Robert Anton Wilson “I seem to be living in a nation that simply does not know what freedom is.” —John Whiteside Parsons 1 This book tells the life story of a very strange, very brilliant, very funny, very tormented man who had at least thr ee major occupations (or v ocations); he also had no less than four names.