A Critical Biography of Henry Lawson
'From Mudgee Hills to London Town': A Critical Biography of Henry Lawson On 23 April 1900, at his studio in New Zealand Chambers, Collins Street, Melbourne, John Longstaff began another commissioned portrait. Since his return from Europe in the mid-1890s, when he had found his native Victoria suffering a severe depression, such commissions had provided him with the mainstay to support his young family. While abroad he had studied in the same Parisian atelier as Toulouse Lautrec and a younger Australian, Charles Conder. He had acquired an interest in the new 'plein air' impressionism from another Australian, Charles Russell, and he had been hung regularly in the Salon and also in the British Academy. Yet the successful career and stimulating opportunities Longstaff could have assumed if he had remained in Europe eluded him on his return to his own country. At first he had moved out to Heidelberg, but the famous figures of the local 'plein air' school, like Tom Roberts and Arthur Streeton, had been drawn to Sydney during the depression. Longstaff now lived at respectable Brighton, and while he had painted some canvases that caught the texture and tonality of Australian life-most memorably his study of the bushfires in Gippsland in 1893-local dignitaries were his more usual subjects. This commission, though, was unusual. It had come from J. F. Archibald, editor of the not fully respectable Sydney weekly, the Bulletin, and it was to paint not another Lord Mayor or Chief Justice, First published as the introduction to Brian Kiernan, ed., The Essential Henry Lawson (Currey O'Neil, Kew, Vic., 1982).
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