DOCSLIB.ORG

1 – Published Music by Date

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1 – Published music by date The dating of sheet music is notoriously difficult. The dates supplied here have been determined by a combination of: • Publication date on the item • Copyright date on the item • Additional information on the item e.g. an event or reference to earlier works • Address information on the publishers/printer • 3rd part information, e.g. review by a newspaper • Biographical information • Estimate based on style This listing is not intended to follow full descriptive bibliographic conventions. Thus where the date has any sort of collaboration (e.g. advertisement of publication or copyright registration) it is considered to be confirmed. Where no collaboration has been able to be found and an estimate is given, this is indicated by comment “estimated date” in the notes column. First editions only are included, except where a later edition involved a change of publisher. Any queries or comments should be addressed to: Elizabeth Nichol ([email protected]) Abbreviations used: AS Auckland Star BH Bruce Herald DSC Daily Southern Cross (Auckland) EP Evening Post (Wellington) ES Evening Star (Dunedin) ODT Otago Daily Times OW Otago Witness SMH Sydney Morning Herald TH Thames Herald NZ-OW – New Zealand edition of overseas work, published by license or otherwise. No known New Zealand connection to composer or subject. Nichol_NZ published music 1850-1913 by date 1 Date Place of Last name First name Title Publisher Notes published publication Davis Daniel A gallop to the Diggins Robert Cocks London 1852 Davis Daniel Auckland Waltz Robert Cocks London Composed and arranged for the pianoforte. Composed and arranged for the pianoforte on the Davis Daniel Governor Wynyard Polka Robert Cocks London occasion of the inauguration of His Excellency to the government of New Ulster in New Zealand. Davis Daniel Rose Anna Quadrille Robert Cocks London Ruapekapeka. Grand pas Commemorative of the reduction of that Native Davis Daniel Robert Cocks London redouble fortress in New Zealand. On the occasion of the Anniversary Festival (In Davis Daniel Wynyard Quadrille Robert Cocks London honour of) Her Majesty's Birthday Anno 1852 celebrated at Auckland in New Zealand. Bonnington Charles Georgiana Polka ? Melbourne 1853 Whalers of the deep, deep Te Heu Heu Purday London arr by W. Grandham. 1857 sea Barlow Harriet Carthagonian march ? ? 1858 Barlow Harriet New Zealand Polka J R Clarke Sydney Bonnington Charles Australasian Galop Wilkie Melbourne 1860 Printed for the author by Hamel & Co., 49 Queen St, Bonnington Charles Southern Cross Schottische Melbourne Sydney Caprice: souvenir de lar Sou Alle Ali Ben ? Paris Modern edition - Musik Fabrik. Estimated date. 1861 Nouvelle Zealande. Nichol_NZ published music 1850-1913 by date 2 1862 De Thierry Charles Waitemata Polka Webb Auckland Also published by Fussell in Sydney, May 1862 Lady Cecil Moore The New Zealanders' Lament Cramer Beale London Refers to death of Prince Albert. Estimated date. Gordon Werner Louis Fairy Bells Polka Mazurka Varty Auckland DSC 6 May, 1862, 3. Werner Louis Southern Beauties Schottische Varty Auckland DSC 6 May 1862, 3. Cartwright D. W. Maori bride ? London 1863 1864 Adams Robert Castles in the air Begg’s Dunedin Estimated date. Beale John Rangiriri Galop Beale Auckland Two editions with different covers published. Bergmann Eduard Waikato Waltz Varty Auckland Still being performed in 1868. Bonnington Charles Southern Alps Schottische ? Melbourne Still in West's 1872 catalogue Cassidy James Harum Scarum Varty Auckland Estimated date. De Thierry Charles La Folle Galop Cucksey Auckland De Thierry Charles North Star Cucksey Auckland Flood Wm. Haydn The Clifton Waltz The Author Wellington Estimated date. ODT 5 Feb 1864, p4 - "first specimen of music Flood Wm. Haydn New Zealand Cricket Polka George West Dunedin printing in Otago". Still in West's 1872 catalogue Neuzerling, William Light Brigade Varty Auckland Nichol_NZ published music 1850-1913 by date 3 ? Adieu, farewell Cucksey Auckland 1866 Wayte and Purchas Arthur NZ Hymnal Tunebook Auckland Batger 2nd edition May 1867 and still for sale in relocation Reece Paul Auckland Mail Galop Cucksey Auckland sale 1868. Night Watch Song of the Ward and Bronze medal 1865 Dunedin Exhibition Townsend James Christchurch Charlotte Jane Reeves Performed by composer in concert - Bruce Herald 7 White T Fern Hill Polka Wests Dunedin December 1865, 4. Estimated date. Sung with immense applause by Miss Rosina Reyloff E Wouldn't you like to know Wests Dunedin 1867 Carandini. 1868 Bayley Haines I’ll watch for thee Hutchinson? Auckland Works for the Caradini Troup The Kaikoura was a ship in the Peru, New Zealand Drewe Amelia Kaikoura Waltzes Reading Sydney and Australian Steamship co. Berthed in Sydney. Fleury Achille Henrietta Waltz Begg’s Dunedin I cannot mind my wheel, Linley George Hutchinson? Auckland Sung by Miss Rosina Carandini Mother Mata Y. T. The Gold Diggers' Song Auckland Words by Mrs St George Reichardt Alexander Love’s Request Hutchinson? Auckland Sung by Miss Fanny Caradini Fleury Achille Dunedin Polka Begg’s Dunedin 1869 Song and chorus in honour of the visit of HRH the White T. Welcome West Dunedin Duke of Edinburgh. In the South there Springs a DSC 22 July 1870 - Comments re poor quality of Leech Frederick ? ? 1870 Fountain printing May J. T. Les Brilliantes. Valse. Begg’s/Cocks London “… a simple theme skilfully and pleasingly Dunedin/Lo May J. T. Otago Polka Begg’s/Cocks harmonised, and is not only a pretty dance tune but ndon possesses more than ordinary artistic merit. “ Nichol_NZ published music 1850-1913 by date 4 ES 21 June 1870, 2. “It is the theme in every part, and peeps out in the Dunedin/ May J. T. Tui's Song Begg’s/Cocks chords that answer to the treble, contralto, tenor 1870 London and bass.” ES 21 June 1870, 2. EP 30 May 1870. "First composition of this kind by a Thomas C. S. Eloise Waltzes ? Dunedin native of New Zealand" Possibly a second issue – 1st edition may have been Flood Wm. Haydn The Clifton Waltz The Author Wellington 1871 1864. "the music bears marks of being lithographed in a hurried manner, and resembles manuscript more Moss Joseph Lonmay Waltz ? Dunedin? than the clear unmistakable notes one expects to find in printed music". OW 8 July, 1871, p8 Pipele Galop arr by George Ferrara S George West Dunedin 1872 Reichardt “Though the Galop is lively and pretty, we prefer the Pipele Valse … Arranged and adapted with Pipele Valse arr by George Ferrara S George West Dunedin considerable skill by Mr Reichardt” - ODT 20 April Reichardt 1872 Wellington Independent 12 July 1872 review – “exceedingly judicious, the mecurial vivacity of the Flood Wm. Haydn Wellington Volunteer Galop Burrett Wellington galop being sustained without the introduction of any flighty redundancy which would make the piece difficult for execution.” For sale in Napier 1874 at Harding's. When wand'ring far from Hilton M.A. McKeller Hokitika those we love Le Reine du Midi. Queen of Hyde Parker J. R.Burrett Wellington the south. Polka Mazurka May James T. Ianthe Begg’s Dunedin 2nd edition 1876 May J. T. Ianthe Cocks London “a romance, having a pensive and tuneful theme. Nichol_NZ published music 1850-1913 by date 5 ODT 12 February 1872, 2. ”exceedingly simple, and the air is expressive of a May J. T. I'll think on thee Cocks London 1872 sad vein of thought”. ODT 12 February 1872, 2. “a brilliant rondo, the music of which is catching, the style showy, and being written in galop tome, forms May J. T. Southern Cross Cocks London a lively and pleasing addition to the ball-room.” ODT 12 February 1872, 2. “a sweetly pathetic air, conveying appropriate May J. T. The world is my home Cocks London expression of the sentiment of the poetry”. ODT 12 February 1872, 2. Root George Just before the battle West Dunedin NZ-OW- American civil war. Estimated date. Thanksgiving anthem for the Waters S recovery of HRH the Duke of R. Burrett Wellington Wales “The air is original, lively, and flowing, and the 1873 Anderson Alfred Sunbeam Galop Begg’s Dunedin harmony good, without being too difficult for drawing-room practice. ES, 5 September 1873, 2. "the music is flowing, pretty, and unpretending, as Cimino Salvatore Peeping Daisy Polka Mazurka R. Burrett Wellington dance music should be - carefully scored and well marked in the rhythm". EP, 6 December 1873, 2. "To my New Zealand friends". Mistake on cover Cronwell Alice Weary oh so weary Troedel Melbourne Cronwell=Cornwell “It is interesting as the work of a colonial composer, and as a specimen of New Zealand music printing, is Ellard Frederic Swing On, Old Pendulum Reed and Brett Auckland by far the best we have yet seen”. EP 9 August 1873, 2. Flood Wm. Haydn Canterbury Volunteer Galop Bonnington Christchurch Advertised for sale at Harding’s in Napier, 1873. "in the press, to be published next week, the charming ballad”. AS 16 August 1873, 3. American. Hays Will S. Mollie Darling Brett Auckland Also republished by Auckland Music Warehouse c1880 (Ad on back of Marti, F. Where is Heaven) “The themes are melodious and flowing, and Neill Mrs G.J. Our Mazurka Burrett Wellington possesses greatest merit in dance music – a clearly marked rhythm.” EP, 27 August 1873, 2 Nichol_NZ published music 1850-1913 by date 6 “Words and music have been sent to Melbourne for publication.” 1873 Palmer Mrs E? Lost at Sea ? Melbourne Nelson Examiner and New Zealand Chronicle, 29 September 1873, 3. Nelson Examiner 18 Dec 1873, 3. Note about new printing technique. Palmer Mrs G Nelson Exhibition Waltzes R.Lucas and Sons Nelson “the reverse of pedantic and her music must, therefore, become popular.” Wellington Independent 31 Dec 1873, 2. Reed & Brett, NZ-OW Wellman W.F.
Recommended publications
  • Allegories of Wildness ~ the Cartography of War and Peace: Worlds in Collision

    Allegories of Wildness ~ the Cartography of War and Peace: Worlds in Collision

    Allegories Of Wildness ~ The Cartography Of War And Peace: Worlds In Collision For the glory of labor, country and liberty: the recurrence of the intrusion ofcivilization in the republic The previous chapter discussed the documentary sources about the Southern Nambikwara mostly from the conquering society’s perspective. On a few occasions the other point of view, coming from the contemporary Sararé oral tradition, brought out some contrasts and coincidences. One such coincidence worth remembering concerns the new tactic developed by Nambikwara local groups when pressures built up within their own territory. By the 20th century they adapted by concealing villages and gardens in remote places or even may have abandoned horticulture for some time and reverted to a hunting and gathering mode of production. The Nambikwara peoples or local groups may have been temporarily forced to be nomadic and, even when they were not, they appeared to be. Thus the imagery projected to the national society of being nomadic hunters without a fixed abode may simultaneously be a partial truth and a tactical deception. The result of partial conquest (as documentary sources indicate areas not occupied) and the active ruse of the conquered combine in the image of the nomadic and elusive Indians disappearing when pursued. From the early years of the century until the end of the empire, this image must have contributed to relinquishing the conquered territory to the warfare practiced by the formally and formerly vanquished. The Nambikwara probably adapted to the presence of the mining villages and the quilombos by creatively designing a new form of occupancy and a new mode of war.
  • Singing Our National Anthem

    Singing Our National Anthem

    Singing our National Anthem It is traditional for many Lodges to sing our national anthem ‘God Defend New Zealand’ at regular meetings or particularly at installation meetings. This can be either during the installation ceremony or during refectory. ‘God Defend New Zealand’ is one of two official anthems. The second, ‘God save the Queen’, reflects our colonial past. ‘God defend New Zealand’ was elevated to anthem status in 1977 and has become the preferred anthem for New Zealanders both at home and abroad. ‘God save the Queen’ is usually reserved for formal ceremonies involving the Queen, the Governor-General or the royal family. Thomas Bracken’s poem, ‘God defend New Zealand’, was put to music in 1876 by J.J. Woods from Lawrence, Central Otago. The first Maori translation was made in 1878 by Native Land Court judge Thomas H. Smith, at the request of Governor Sir George Grey. Despite this, until the closing decades of the 20th century most New Zealanders were familiar only with the English-language version. This situation changed dramatically at the 1999 Rugby World Cup in England. Hinewehi Mohi sang ‘God defend New Zealand’ only in Te Reo Maori before the All Blacks versus England match. While it has been customary for Lodges to sing the ‘English’ version younger men have grown up with the anthem being sung in both Maori and English, to acknowledge our bicultural heritage, particularly before major sporting events. Accordingly if we wish to ensure Freemasonry is attractive and contemporary to younger men it is important that Lodges look at adopting the dual version when the anthem is sung during Lodge activities.
  • Biological Invasions

    Biological Invasions

    Biological Invasions The Ins and Outs of Acclimatisation: Imports versus Translocations of Skylarks and Starlings in 19th century New Zealand --Manuscript Draft-- Manuscript Number: BINV-D-18-00423R1 Full Title: The Ins and Outs of Acclimatisation: Imports versus Translocations of Skylarks and Starlings in 19th century New Zealand Article Type: Research paper Keywords: acclimatisation, alien, birds, New Zealand, propagule pressure Corresponding Author: Pavel Pipek, Ph.D. Institute of Botany, Czech Academy of Sciences Průhonice, CZECH REPUBLIC Corresponding Author Secondary Information: Corresponding Author's Institution: Institute of Botany, Czech Academy of Sciences Corresponding Author's Secondary Institution: First Author: Pavel Pipek, Ph.D. First Author Secondary Information: Order of Authors: Pavel Pipek, Ph.D. Tim M. Blackburn Petr Pyšek Order of Authors Secondary Information: Funding Information: The Czech Academy of Sciences Prof. Petr Pyšek (RVO67985939) Hlávka foundation Dr. Pavel Pipek Rector's Mobility Fund of the Charles Dr. Pavel Pipek University Abstract: New Zealand is home to around 40 alien bird species, but about 80 more were introduced in the 19th century and failed to establish. As most of these introductions were deliberate and documented in detail by the Acclimatisation Societies responsible for them, New Zealand bird invasions are often used as a model system to unravel what determines the outcome of introduction events, especially the role of propagule pressure. However, the credibility of these data was challenged recently, as different authors have reported different numbers of liberated birds. This discrepancy has several causes. Using introductions of Eurasian skylark (Alauda arvensis) and Common starling (Sturnus vulgaris) as examples, we show that the most important issue is that not all liberated birds were imported from overseas, and so import records underestimate the total propagule pressure for particular regions.
  • Barn Dance Square Dance Ceilidh Twmpath Contra Hoe Down 40'S

    Barn Dance Square Dance Ceilidh Twmpath Contra Hoe Down 40'S

    Paul Dance Caller and Teacher Have a look then get in touch [email protected] [email protected] Barn Dance 0845 643 2095 Local call rate from most land lines Square Dance (Easy level to Plus) Ceilidh Twmpath Contra Hoe Down 40’s Night THE PARTY EVERYONE CAN JOIN IN AND EVERYONE CAN ENJOY! So you are thinking of having a barn dance! Have you organised one before? If you haven't then the following may be of use to you. A barn dance is one of the only ways you can get everyone involved from the start. NO experience is needed to take part. Anyone from four to ninty four can join in. The only skill needed is being able to walk. All that is required is to be able to join hands in a line or a circle, link arms with another dancer, or join hands to make an arch. The rest is as easy as falling off a log. You dance in couples and depending on the type of dance you can dance in groups from two couples, four couples, and upwards to include the whole floor. You could be dancing in lines, in coloumns, in squares or in circles,. It depends on which dance the caller calls. The caller will walk everyone through the dance first so all the dancers know what the moves are. The caller will call out all the moves as you dance until the dancers can dance the dance on their own. A dance can last between 10 and 15 minutes including the walk through.
  • Order of Service

    Order of Service

    NSW ANZAC DAY SERVICE Saturday 25 April 2020, 10am Sydney The Returned and Services League of Australia (New South Wales Branch) "The Price of Liberty is Eternal Vigilance" Welcome & Acknowledgement of Country Master of Ceremonies, Mr Gareth McCray OAM The Last to Leave by Leon Gellert The Honourable Gladys Berejiklian, Premier of New South Wales Commemorative Address Her Excellency the Honourable Margaret Beazley, AC QC, Governor of New South Wales All stand Wreath Laying Ceremony Her Excellency, Governor of New South Wales on behalf of the people of New South Wales During this period all are invited to engage in silent thoughts or prayer. Remain standing The Ode Mr Ray James, RSL NSW Acting President They went with songs to the battle, they were young Straight of limb, true of eye, steady and aglow, They were staunch to the end against odds uncounted, They fell with their faces to the foe. They shall grow not old, as we that are left grow old, Age shall not weary them, nor the years condemn. At the going down of the sun, and in the morning, We will remember them. RESPONSE: “We will remember them” Lest We Forget RESPONSE: “Lest we forget” The Last Post Able Seaman Racheal Byrnes, Royal Australian Navy Band Sydney One minutes silence is observed Reveille Able Seaman Rachael Byrnes, Royal Australian Navy Band Sydney Remain standing New Zealand National Anthem Able Seaman Leigh Robke, Royal Australian Navy Band Sydney E Ihowa Atua God of nations at thy feet O ngā iwi mātou rā, In the bonds of love we meet.
  • A STUDY GUIDE by Katy Marriner

    A STUDY GUIDE by Katy Marriner

    © ATOM 2012 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN 978-1-74295-267-3 http://www.theeducationshop.com.au Raising the Curtain is a three-part television series celebrating the history of Australian theatre. ANDREW SAW, DIRECTOR ANDREW UPTON Commissioned by Studio, the series tells the story of how Australia has entertained and been entertained. From the entrepreneurial risk-takers that brought the first Australian plays to life, to the struggle to define an Australian voice on the worldwide stage, Raising the Curtain is an in-depth exploration of all that has JULIA PETERS, EXECUTIVE PRODUCER ALINE JACQUES, SERIES PRODUCER made Australian theatre what it is today. students undertaking Drama, English, » NEIL ARMFIELD is a director of Curriculum links History, Media and Theatre Studies. theatre, film and opera. He was appointed an Officer of the Order Studying theatre history and current In completing the tasks, students will of Australia for service to the arts, trends, allows students to engage have demonstrated the ability to: nationally and internationally, as a with theatre culture and develop an - discuss the historical, social and director of theatre, opera and film, appreciation for theatre as an art form. cultural significance of Australian and as a promoter of innovative Raising the Curtain offers students theatre; Australian productions including an opportunity to study: the nature, - observe, experience and write Australian Indigenous drama. diversity and characteristics of theatre about Australian theatre in an » MICHELLE ARROW is a historian, as an art form; how a country’s theatre analytical, critical and reflective writer, teacher and television pre- reflects and shape a sense of na- manner; senter.
  • Bathymetry of the New Zealand Region

    Bathymetry of the New Zealand Region

    ISSN 2538-1016; 11 NEW ZEALAND DEPARTMENT OF SCIENTIFIC AND INDUSTRIAL RESEARCH BULLETIN 161 BATHYMETRY OF THE NEW ZEALAND REGION by J. W. BRODIE New Zealand Oceanographic Institute Wellington New Zealand Oceanographic Institute Memoir No. 11 1964 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ Fromispiece: The survey ship HMS Penguin from which many soundings were obtained around the New Zealand coast and in the south-west Pacific in the decade around 1900. (Photograph by courtesy of the Trustees, National Maritime Museum, Greenwich.) This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ NEW ZEALAND DEPARTMENT OF SCIENTIFIC AND INDUSTRIAL RESEARCH BULLETIN 161 BATHYMETRY OF THE NEW ZEALAND REGION by J. W. BRODIE New Zealand Oceanographic Institute Wellington New Zealand Oceanographic Institute Memoir No. 11 1964 Price: 15s. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ CONTENTS Page No. ABSTRACT 7 INTRODUCTION 7 Sources of Data 7 Compilation of Charts 8 EARLIER BATHYMETRIC INTERPRETATIONS 10 Carte Gen�rale Bathymetrique des Oceans 17 Discussion 19 NAMES OF OCEAN FLOOR FEATURES 22 Synonymy of Existing Names 22 Newly Named Features .. 23 FEATURES ON THE CHARTS 25 Major Morphological Units 25 Offshore Banks and Seamounts 33 STRUCTURAL POSITION OF NEW ZEALAND 35 The New Zealand Plateau 35 Rocks of the New Zealand Plateau 37 Crustal Thickness Beneath the New Zealand Plateau 38 Chatham Province Features 41 The Alpine Fault 41 Minor Irregularities on the Sea Floor 41 SEDIMENTATION IN THE NEW ZEALAND REGION .
  • Universiv Micrdmlms International Aoon.Zeeb Road Ann Arbor, Ml 48106

    Universiv Micrdmlms International Aoon.Zeeb Road Ann Arbor, Ml 48106

    INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality o f the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “ Missing Page(s)” . I f it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image o f the page can be found in the adjacent frame. I f copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part o f the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. I f necessary, sectioning is continued again-beginning below the first row and continuing on until complete.
  • Frederick J. Lavigne Theater Orchestra Music 1878-1937 an Inventory of Holdings at the American Music Research Center

    Frederick J. Lavigne Theater Orchestra Music 1878-1937 an Inventory of Holdings at the American Music Research Center

    Frederick J. Lavigne Theater Orchestra Music 1878-1937 An inventory of holdings at the American Music Research Center American Music Research Center, University of Colorado at Boulder Frederick J. Lavigne Theater Orchestra Music1878-1937 Descriptive summary Title Frederick J. Lavigne theater orcehstra music Date(s) 1878-1937 ID COU-AMRC-101 Origination Lavigne, Frederick J. Repository The American Music Research Center University of Colorado at Boulder 288 UCB Boulder, CO 80309 Location Housed in the American Music Research Center Physical Description 126 boxes Scope and Contents The Frederick J. Lavigne Theater Orchestra Music collection contains 126 boxes of theater orchestra sheet music. The collection was addressed to Frederick J. Lavigne at the Stadium Theater in Woonsocket, Rhode Island. A majority of the pieces in this collection show Lavigne's full name stamped on the sheet music. Administrative Information Arrangement of Frederick J. Lavigne Theater Orchestra Music Collection is divided into one series of 126 boxes. The collection is arranged alphabetically by title of piece followed by composer and arranger. Dates of publication are also included in the listings. Access restrictions The collection is open for research. Publication Rights The American Music Research Center does not control rights to any material in this collection. Requests to publish any material in the collection should be directed to the copyright holders. Source of acquisition This collection was donated by Rodney Sauer in 2014 Preferred Citation [Identification of item], Frederick J. Lavigne Theater Orchestra Music, University of Colorado at Boulder - Page 2 - Frederick J. Lavigne Theater Orchestra Music1878-1937 Index Terms Access points related to this collection: Personal Names Lavigne, Frederick J.
  • MALAUENE Umn 0130E 22082.Pdf

    MALAUENE Umn 0130E 22082.Pdf

    A history of music and politics in Mozambique from the 1890s to the present A DISSERTATION SUBMITTED TO THE COLLEGE OF LIBERAL ARTS OF THE UNIVERSITY OF MINNESOTA BY DENISE MARIA MALAUENE IN PARTIAL FULFILLMENT OF THE REQUEREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY ALLEN F. ISAACMAN JANUARY 2021 Ó DENISE MARIA MALAUENE, 2021 Acknowledgements Nhi bongide ku womi ni vikelo Thank you for life and protection Nhi bongide gurula ni guhodza Thank you for peace and provision Nhi bongide gu nengela omo gu Thank you for happiness in times of tsanisegani suffering Nhi bongide Pfumu Thank you, God! Denise Malauene song titled “Nhi bongide Pfumu”1 Pfumu Nungungulu, nhi bongide ngudzu! (Thank you, God!) My children Eric Silvino Tale and Malik TSakane Malauene Waete: I thank you for your unconditional love, Support, and understanding aS many timeS I could not be with you nor could meet your needs because I waS studying or writing. Mom and dad Helena ZacariaS Pedro Garrine and João Malauene, nhi bongide ku SatSavbo. My Siblings Eduardo Malauene, GiSela Malauene, Guidjima Donaldo, CriStina AgneSS Raúl, DioníSio, Edson Malauene, ChelSea Malauene, Kevin Malauene, obrigada por tudo. I am grateful to my adviSor Allen IsSacman for the advice, guidance, and encouragement, particularly during the difficult timeS in my Ph.D. trajectory Somewhat affected by Several challengeS including CycloneS Idai, the armed instability in central and northern Mozambique, and Covid 19. Barbara’s and hiS support are greatly appreciated. I am grateful to ProfeSSor Helena Pohlandt-McCormick for her encouragement, guidance, and Support. Her contribution to the completion of my degree in claSSeS, reading groups, paper preSentations, grant applications, the completion of my prelimS, and Michael’s and her support are greatly appreciated.
  • Northern Junket, Index

    Northern Junket, Index

    CTT3 I —•\ I •—I I I N D E I I X Digitized by the Internet Archive in 2011 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/northernjunketinOOpage I ND O NORTHERN JUNKI VOLUME 1. - NUMBER 1. THROUGH VOLUME 14.- NUMBER 9 APRIL 1949. THROUGH JULY 1984. RALPH PAGE - EDITOR AND PUBLISHER. INDEX Compiled and Published by Roger Knox INDEX TO NORTHERN JUNKET COPYRIGHT 1985 by Roger C. Knox Roger C. Knox 702 North Tioga Street Ithaca, NY 14850 TO THE MEMORY OF RALPH PAGE THIS WORK IS RESPECTFULLY AND AFFECTIONATELY DEDICATED "He was a very special human being." (Dave Fuller) "It was a sad day for the dance world when he passed on. He left thousands of friends, and probably hundreds of his-taught Contra-callers who will perpetuate his memory for some time to come." (Beverly B. Wilder Jr.) "All who knew him have suffered a great loss." (Lannie McQuaide) "About very few can it be truly said that 'He was a legend in his own time,' but Ralph certainly was and is such a legend. The world of dance is a richer place because he was here." (Ed Butenhof) ACKNOWLEDGEMENTS There is a danger when one starts naming those who helped in a task that someone may have been left off the "Honor Roll." To avoid that problem 1 wish to thank everyone who gave me any encouragement, advice, orders for the Index, or anything else one can imagine. I wish specifically to thank several people who played an important role in this endeavor and I will risk the wrath of someone I may have missed but who will nevertheless live in my heart forever.
  • 1 TRADITIONAL DANCE in MISSOURI VOLUME ONE SOUTHERN MISSOURI JIG DANCING Douglas and Wayne Counties, Missouri Peter and Marg

    1 TRADITIONAL DANCE in MISSOURI VOLUME ONE SOUTHERN MISSOURI JIG DANCING Douglas and Wayne Counties, Missouri Peter and Marg

    1 TRADITIONAL DANCE IN MISSOURI VOLUME ONE SOUTHERN MISSOURI JIG DANCING Douglas and Wayne Counties, Missouri Peter and Margret Lippincott Childgrove Country Dancers 410 South Meramec Avenue, St. Louis, Missouri, 63105 TABLE OF CONTENTS: Missouri Dancing in Wayne and Douglas Counties 1 Dance Fiddling In Missouri 4 Glossary 6 Basic Square Dance Information 7 The Dances: Across the Hall (Ava) 13 Across the Hall (Greenville) 14 Around and Through (Ava) 9 Bird In The Cage (Ava) 10 Circle Eight (Greenville) 15 Circle Home (Greenville) 12 Cut Away Six (Greenville) 14 Figure 8, Figure 0 (Ava) 12 Figure 8, Figure 0 (Greenville) 13 Form a Star (Ava) 11 Half-way Up and Half-way Back (Ava) 9 Katy Walk the Corner (Ava) 8 Right Hand Lady (Greenville) 16 Texas Star (Greenville) 16 Two Gents Right Elbow (Greenuille) 15 Two Little Hobos (Ava) 10 Two Little Sisters (Greenville) 17 Wave The Ocean (Ava) 8 Wind Up the Grapevine (Ava) 12 MISSOURI DANCING IN WAYNE AND DOUGLAS COUNTIES By Peter Lippincott and Marget Lippincott Old time dances in Missouri are an intimate part of the social life of the community. Of course we can "discover" the dance figures, write them up, and dance them some place else. They are pleasant entertainment, but they are changed uihen the basic community meaning is no longer present. Dancers in a traditional community know what is correct and pleasing to them in their dance. Thus the dancing in each community is special to that community. The subtle differences that make a dance "right" in a community are often hard for an outsider to grasp.